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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F593C7CE it is the complementary color #0A6C38CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F593C7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F593C7CE shade: #FA93C2CE, #FFA5D5CE, #FFB7E8CE, #FFC9FBCE and #FFDBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F593C7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F593C7CE shade: #F593C7CE, #E481B4CE, #D36FA1CE, #C25D8ECE and #B14B7BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F593C7CE shade: #F594C7, #F594AD and #F59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F593C7CE shade: #F594C7, #F594E2, #EE94F5, #D494F5 and #BA94F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F593C7CE shade matches the following richer shades: #F594C7 and #FF8AC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F593C7CE shade: #F594C7, #EC9DC7, #E2A7C6, #D9B0C6 and #CFBAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F593C7CE shade: #EF94F5, #F594E2, #F594C8, #F594AE and #F59494

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F593C7CE shade: #EE48A0, #F26EB4, #F594C7, #F9B9DB and #FCDFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F593C7CE shade: #F593C7, #F5D594 and #94EFF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F593C7CE shade: #F593C7, #C8F594 and #94C8F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F593C7CE shade: #F593C7, #F5D594, #94F5C1 and #94B4F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F593C7CE shade: #F593C7, #F5F294, #94F5C1 and #9497F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 15 / 3

HEX #F593C7CE

RGBA 245 147 199 0.81

HSLA 328.16, 0.83%, 0.77%, 0.81

LABA 72.5, 43.61, -10.95, 0.81

 

Complementary color

CMYK 74 / 0 / 39 / 47

HEX #0A6C38CE

RGBA 10 108 56 0.81

HSLA 148.16, 0.83%, 0.23%, 0.81

LABA 39.71, -38.82, 21.88, 0.81

 

CMYK 0 / 33 / 18 / 2

HEX #FA93C2CE

RGBA 250 147 194 0.81

HSLA 332.62, 0.91%, 0.78%, 0.81

LABA 72.95, 44.55, -7.45, 0.81

 

CMYK 0 / 29 / 13 / 0

HEX #FFA5D5CE

RGBA 255 165 213 0.81

HSLA 328, 1%, 0.82%, 0.81

LABA 77.86, 39.77, -10.51, 0.81

 

CMYK 0 / 23 / 7 / 0

HEX #FFB7E8CE

RGBA 255 183 232 0.81

HSLA 319.17, 1%, 0.86%, 0.81

LABA 82.35, 33.41, -14.05, 0.81

 

CMYK 0 / 17 / 1 / 0

HEX #FFC9FBCE

RGBA 255 201 251 0.81

HSLA 304.44, 1%, 0.89%, 0.81

LABA 87, 27.23, -17.21, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFCE

RGBA 255 219 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.3, 18.51, -12.86, 0.81

 

CMYK 0 / 32 / 15 / 3

HEX #F593C7CE

RGBA 245 147 199 0.81

HSLA 328.16, 0.83%, 0.77%, 0.81

LABA 72.5, 43.61, -10.95, 0.81

 

CMYK 0 / 35 / 17 / 9

HEX #E481B4CE

RGBA 228 129 180 0.81

HSLA 329.09, 0.65%, 0.7%, 0.81

LABA 66.13, 44.4, -10.08, 0.81

 

CMYK 0 / 38 / 19 / 14

HEX #D36FA1CE

RGBA 211 111 161 0.81

HSLA 330, 0.53%, 0.63%, 0.81

LABA 59.7, 45.2, -9.08, 0.81

 

CMYK 0 / 42 / 22 / 19

HEX #C25D8ECE

RGBA 194 93 142 0.81

HSLA 330.89, 0.45%, 0.56%, 0.81

LABA 53.22, 45.96, -7.92, 0.81

 

CMYK 0 / 47 / 25 / 25

HEX #B14B7BCE

RGBA 177 75 123 0.81

HSLA 331.76, 0.4%, 0.49%, 0.81

LABA 46.72, 46.64, -6.51, 0.81

 

CMYK 0 / 40 / 19 / 4

HEX #F594C7

RGB 245 148 199

HSL 328.45, 0.83%, 0.77%

LAB 72.7, 43.1, -10.64

 

CMYK 0 / 40 / 29 / 4

HEX #F594AD

RGB 245 148 173

HSL 344.54, 0.83%, 0.77%

LAB 71.97, 39.47, 2.68

 

CMYK 0 / 40 / 40 / 4

HEX #F59494

RGB 245 148 148

HSL 0, 0.83%, 0.77%

LAB 71.37, 36.47, 15.7

 

CMYK 0 / 40 / 19 / 4

HEX #F594C7

RGB 245 148 199

HSL 328.45, 0.83%, 0.77%

LAB 72.7, 43.1, -10.64

 

CMYK 0 / 40 / 8 / 4

HEX #F594E2

RGB 245 148 226

HSL 311.75, 0.83%, 0.77%

LAB 73.6, 47.37, -24.15

 

CMYK 3 / 40 / 0 / 4

HEX #EE94F5

RGB 238 148 245

HSL 295.67, 0.83%, 0.77%

LAB 73.51, 48.57, -34.72

 

CMYK 13 / 40 / 0 / 4

HEX #D494F5

RGB 212 148 245

HSL 279.59, 0.83%, 0.77%

LAB 70.71, 40.93, -39.29

 

CMYK 24 / 40 / 0 / 4

HEX #BA94F5

RGB 186 148 245

HSL 263.51, 0.83%, 0.77%

LAB 68.18, 33.46, -43.44

 

CMYK 0 / 40 / 19 / 4

HEX #F594C7

RGB 245 148 199

HSL 328.45, 0.83%, 0.77%

LAB 72.7, 43.1, -10.64

 

CMYK 0 / 46 / 22 / 0

HEX #FF8AC8

RGB 255 138 200

HSL 328.21, 1%, 0.77%

LAB 71.97, 51.55, -12.18

 

CMYK 0 / 40 / 19 / 4

HEX #F594C7

RGB 245 148 199

HSL 328.45, 0.83%, 0.77%

LAB 72.7, 43.1, -10.64

 

CMYK 0 / 33 / 16 / 7

HEX #EC9DC7

RGB 236 157 199

HSL 328.1, 0.68%, 0.77%

LAB 73.59, 35.37, -9.43

 

CMYK 0 / 26 / 12 / 11

HEX #E2A7C6

RGB 226 167 198

HSL 328.47, 0.5%, 0.77%

LAB 74.75, 26.43, -7.27

 

CMYK 0 / 19 / 9 / 15

HEX #D9B0C6

RGB 217 176 198

HSL 327.8, 0.35%, 0.77%

LAB 76, 18.44, -5.53

 

CMYK 0 / 10 / 5 / 19

HEX #CFBAC5

RGB 207 186 197

HSL 328.57, 0.18%, 0.77%

LAB 77.53, 9.36, -2.83

 

CMYK 2 / 40 / 0 / 4

HEX #EF94F5

RGB 239 148 245

HSL 296.29, 0.83%, 0.77%

LAB 73.63, 48.87, -34.54

 

CMYK 0 / 40 / 8 / 4

HEX #F594E2

RGB 245 148 226

HSL 311.75, 0.83%, 0.77%

LAB 73.6, 47.37, -24.15

 

CMYK 0 / 40 / 18 / 4

HEX #F594C8

RGB 245 148 200

HSL 327.84, 0.83%, 0.77%

LAB 72.74, 43.25, -11.15

 

CMYK 0 / 40 / 29 / 4

HEX #F594AE

RGB 245 148 174

HSL 343.92, 0.83%, 0.77%

LAB 71.99, 39.6, 2.16

 

CMYK 0 / 40 / 40 / 4

HEX #F59494

RGB 245 148 148

HSL 0, 0.83%, 0.77%

LAB 71.37, 36.47, 15.7

 

CMYK 0 / 70 / 33 / 7

HEX #EE48A0

RGB 238 72 160

HSL 328.19, 0.83%, 0.61%

LAB 57.41, 70.12, -11.51

 

CMYK 0 / 55 / 26 / 5

HEX #F26EB4

RGB 242 110 180

HSL 328.18, 0.84%, 0.69%

LAB 64.42, 58.14, -12.44

 

CMYK 0 / 40 / 19 / 4

HEX #F594C7

RGB 245 148 199

HSL 328.45, 0.83%, 0.77%

LAB 72.7, 43.1, -10.64

 

CMYK 0 / 26 / 12 / 2

HEX #F9B9DB

RGB 249 185 219

HSL 328.13, 0.84%, 0.85%

LAB 81.81, 28.21, -7.94

 

CMYK 0 / 12 / 6 / 1

HEX #FCDFEE

RGB 252 223 238

HSL 328.97, 0.83%, 0.93%

LAB 91.52, 12.45, -3.65

 

CMYK 0 / 40 / 19 / 4

HEX #F593C7

RGB 245 147 199

HSL 328.16, 0.83%, 0.77%

LAB 72.5, 43.61, -10.95

 

CMYK 0 / 13 / 40 / 4

HEX #F5D594

RGB 245 213 148

HSL 40.21, 0.83%, 0.77%

LAB 86.57, 2.41, 36.23

 

CMYK 40 / 2 / 0 / 4

HEX #94EFF5

RGB 148 239 245

HSL 183.71, 0.83%, 0.77%

LAB 89.22, -25.65, -11.47

 

CMYK 0 / 40 / 19 / 4

HEX #F593C7

RGB 245 147 199

HSL 328.16, 0.83%, 0.77%

LAB 72.5, 43.61, -10.95

 

CMYK 18 / 0 / 40 / 4

HEX #C8F594

RGB 200 245 148

HSL 87.84, 0.83%, 0.77%

LAB 91.56, -30.42, 42.03

 

CMYK 40 / 18 / 0 / 4

HEX #94C8F5

RGB 148 200 245

HSL 207.84, 0.83%, 0.77%

LAB 78.58, -5.79, -27.54

 

CMYK 0 / 40 / 19 / 4

HEX #F593C7

RGB 245 147 199

HSL 328.16, 0.83%, 0.77%

LAB 72.5, 43.61, -10.95

 

CMYK 0 / 13 / 40 / 4

HEX #F5D594

RGB 245 213 148

HSL 40.21, 0.83%, 0.77%

LAB 86.57, 2.41, 36.23

 

CMYK 40 / 0 / 21 / 4

HEX #94F5C1

RGB 148 245 193

HSL 147.84, 0.83%, 0.77%

LAB 89.6, -39.82, 16.18

 

CMYK 40 / 27 / 0 / 4

HEX #94B4F5

RGB 148 180 245

HSL 220.21, 0.83%, 0.77%

LAB 73.24, 5.09, -35.76

 

CMYK 0 / 40 / 19 / 4

HEX #F593C7

RGB 245 147 199

HSL 328.16, 0.83%, 0.77%

LAB 72.5, 43.61, -10.95

 

CMYK 0 / 1 / 40 / 4

HEX #F5F294

RGB 245 242 148

HSL 58.14, 0.83%, 0.77%

LAB 93.91, -12.2, 45.67

 

CMYK 40 / 0 / 21 / 4

HEX #94F5C1

RGB 148 245 193

HSL 147.84, 0.83%, 0.77%

LAB 89.6, -39.82, 16.18

 

CMYK 40 / 38 / 0 / 4

HEX #9497F5

RGB 148 151 245

HSL 238.14, 0.83%, 0.77%

LAB 65.77, 21.51, -47.45

 

Description

Color code: HEX #F593C7CE | qconv.com Color code: HEX #F593C7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 147 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 147 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 15 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 15% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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