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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F593C0 it is the complementary color #0A6C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F593C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F593C0: #FA93BB, #FFA5CE, #FFB7E1, #FFC9F4 and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F593C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F593C0: #F593C0, #E481AD, #D36F9A, #C25D87 and #B14B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 22 / 4

HEX #F593C0

RGB 245 147 192

HSL 332.45, 0.83%, 0.77%

LAB 72.29, 42.59, -7.39

 

Complementary color

CMYK 91 / 0 / 42 / 58

HEX #0A6C3F

RGB 10 108 63

HSL 152.45, 0.83%, 0.23%

LAB 39.83, -37.39, 18.02

 

CMYK 0 / 41 / 25 / 2

HEX #FA93BB

RGB 250 147 187

HSL 336.7, 0.91%, 0.78%

LAB 72.75, 43.58, -3.88

 

CMYK 0 / 35 / 19 / 0

HEX #FFA5CE

RGB 255 165 206

HSL 332.67, 1%, 0.82%

LAB 77.65, 38.71, -7

 

CMYK 0 / 28 / 12 / 0

HEX #FFB7E1

RGB 255 183 225

HSL 325, 1%, 0.86%

LAB 82.14, 32.26, -10.61

 

CMYK 0 / 21 / 4 / 0

HEX #FFC9F4

RGB 255 201 244

HSL 312.22, 1%, 0.89%

LAB 86.78, 26, -13.82

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 40 / 22 / 4

HEX #F593C0

RGB 245 147 192

HSL 332.45, 0.83%, 0.77%

LAB 72.29, 42.59, -7.39

 

CMYK 0 / 43 / 24 / 11

HEX #E481AD

RGB 228 129 173

HSL 333.33, 0.65%, 0.7%

LAB 65.91, 43.4, -6.45

 

CMYK 0 / 47 / 27 / 17

HEX #D36F9A

RGB 211 111 154

HSL 334.2, 0.53%, 0.63%

LAB 59.48, 44.22, -5.37

 

CMYK 0 / 52 / 30 / 24

HEX #C25D87

RGB 194 93 135

HSL 335.05, 0.45%, 0.56%

LAB 53, 45.03, -4.11

 

CMYK 0 / 58 / 34 / 31

HEX #B14B74

RGB 177 75 116

HSL 335.88, 0.4%, 0.49%

LAB 46.5, 45.76, -2.59

 

CMYK 0 / 40 / 22 / 4

HEX #F593C0

RGB 245 147 192

HSL 332.45, 0.83%, 0.77%

LAB 72.29, 42.59, -7.39

 

CMYK 0 / 40 / 28 / 4

HEX #F593B0

RGB 245 147 176

HSL 342.24, 0.83%, 0.77%

LAB 71.84, 40.38, 0.82

 

CMYK 0 / 40 / 35 / 4

HEX #F593A0

RGB 245 147 160

HSL 352.04, 0.83%, 0.77%

LAB 71.43, 38.37, 9.13

 

CMYK 0 / 39 / 40 / 4

HEX #F59693

RGB 245 150 147

HSL 1.84, 0.83%, 0.77%

LAB 71.78, 35.32, 16.82

 

CMYK 0 / 32 / 40 / 4

HEX #F5A793

RGB 245 167 147

HSL 12.24, 0.83%, 0.77%

LAB 75.55, 26.4, 22.02

 

CMYK 0 / 40 / 22 / 4

HEX #F593C0

RGB 245 147 192

HSL 332.45, 0.83%, 0.77%

LAB 72.29, 42.59, -7.39

 

CMYK 0 / 39 / 22 / 84

HEX #291920

RGB 41 25 32

HSL 333.75, 0.24%, 0.13%

LAB 11.07, 9.36, -1.6

 

CMYK 0 / 40 / 22 / 64

HEX #5C3748

RGB 92 55 72

HSL 332.43, 0.25%, 0.29%

LAB 28.05, 19.21, -3.49

 

CMYK 0 / 40 / 22 / 44

HEX #8F5670

RGB 143 86 112

HSL 332.63, 0.25%, 0.45%

LAB 43.75, 27.34, -4.76

 

CMYK 0 / 40 / 22 / 24

HEX #C27498

RGB 194 116 152

HSL 332.31, 0.39%, 0.61%

LAB 58.25, 35.44, -6.28

 

CMYK 0 / 40 / 22 / 4

HEX #F593C0

RGB 245 147 192

HSL 332.45, 0.83%, 0.77%

LAB 72.29, 42.59, -7.39

 

CMYK 0 / 11 / 40 / 4

HEX #F5DB93

RGB 245 219 147

HSL 44.08, 0.83%, 0.77%

LAB 88.06, -0.77, 38.67

 

CMYK 40 / 5 / 0 / 4

HEX #93E8F5

RGB 147 232 245

HSL 187.96, 0.83%, 0.77%

LAB 87.25, -22.47, -14.41

 

CMYK 0 / 40 / 22 / 4

HEX #F593C0

RGB 245 147 192

HSL 332.45, 0.83%, 0.77%

LAB 72.29, 42.59, -7.39

 

CMYK 21 / 0 / 40 / 4

HEX #C1F593

RGB 193 245 147

HSL 91.84, 0.83%, 0.77%

LAB 91.12, -33.02, 41.87

 

CMYK 40 / 21 / 0 / 4

HEX #93C1F5

RGB 147 193 245

HSL 211.84, 0.83%, 0.77%

LAB 76.64, -2.29, -30.52

 

CMYK 0 / 40 / 22 / 4

HEX #F593C0

RGB 245 147 192

HSL 332.45, 0.83%, 0.77%

LAB 72.29, 42.59, -7.39

 

CMYK 0 / 11 / 40 / 4

HEX #F5DB93

RGB 245 219 147

HSL 44.08, 0.83%, 0.77%

LAB 88.06, -0.77, 38.67

 

CMYK 40 / 0 / 19 / 4

HEX #93F5C7

RGB 147 245 199

HSL 151.84, 0.83%, 0.77%

LAB 89.69, -38.91, 13.19

 

CMYK 40 / 29 / 0 / 4

HEX #93ADF5

RGB 147 173 245

HSL 224.08, 0.83%, 0.77%

LAB 71.34, 8.73, -38.72

 

CMYK 0 / 40 / 22 / 4

HEX #F593C0

RGB 245 147 192

HSL 332.45, 0.83%, 0.77%

LAB 72.29, 42.59, -7.39

 

CMYK 2 / 0 / 40 / 4

HEX #F1F593

RGB 241 245 147

HSL 62.45, 0.83%, 0.77%

LAB 94.36, -15.31, 46.66

 

CMYK 40 / 0 / 19 / 4

HEX #93F5C7

RGB 147 245 199

HSL 151.84, 0.83%, 0.77%

LAB 89.69, -38.91, 13.19

 

CMYK 39 / 40 / 0 / 4

HEX #9693F5

RGB 150 147 245

HSL 241.84, 0.83%, 0.77%

LAB 64.92, 24.32, -48.78

 

Description

Color code: HEX #F593C0 | qconv.com Color code: HEX #F593C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 147 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 147 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 22 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 22% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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