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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F593BACE it is the complementary color #0A6C45CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F593BACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F593BACE shade: #FA93B5CE, #FFA5C8CE, #FFB7DBCE, #FFC9EECE and #FFDBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F593BACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F593BACE shade: #F593BACE, #E481A7CE, #D36F94CE, #C25D81CE and #B14B6ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F593BACE shade: #F594BA, #F594A0 and #F59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F593BACE shade: #F594BA, #F594D5, #F594EF, #E194F5 and #C794F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F593BACE shade matches the following richer shades: #F594BA and #FF8AB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F593BACE shade: #F594BA, #EC9DBC, #E2A7BE, #D9B0C0 and #CFBAC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F593BACE shade: #F594EF, #F594D5, #F594BB, #F594A1 and #F5A194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F593BACE shade: #EE488A, #F26EA2, #F594BA, #F9B9D3 and #FCDFEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F593BACE shade: #F593BA, #F5E294 and #94E2F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F593BACE shade: #F593BA, #BBF594 and #94BBF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F593BACE shade: #F593BA, #F5E294, #94F5CE and #94A7F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F593BACE shade: #F593BA, #EBF594, #94F5CE and #9D94F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 20 / 3

HEX #F593BACE

RGBA 245 147 186 0.81

HSLA 336.12, 0.83%, 0.77%, 0.81

LABA 72.11, 41.74, -4.33, 0.81

 

Complementary color

CMYK 74 / 0 / 29 / 47

HEX #0A6C45CE

RGBA 10 108 69 0.81

HSLA 156.12, 0.83%, 0.23%, 0.81

LABA 39.95, -36.04, 14.66, 0.81

 

CMYK 0 / 33 / 22 / 2

HEX #FA93B5CE

RGBA 250 147 181 0.81

HSLA 340.19, 0.91%, 0.78%, 0.81

LABA 72.58, 42.77, -0.79, 0.81

 

CMYK 0 / 29 / 17 / 0

HEX #FFA5C8CE

RGBA 255 165 200 0.81

HSLA 336.67, 1%, 0.82%, 0.81

LABA 77.48, 37.84, -3.98, 0.81

 

CMYK 0 / 23 / 11 / 0

HEX #FFB7DBCE

RGBA 255 183 219 0.81

HSLA 330, 1%, 0.86%, 0.81

LABA 81.97, 31.31, -7.64, 0.81

 

CMYK 0 / 17 / 5 / 0

HEX #FFC9EECE

RGBA 255 201 238 0.81

HSLA 318.89, 1%, 0.89%, 0.81

LABA 86.61, 24.97, -10.9, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDBFFCE

RGBA 255 219 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.3, 18.51, -12.86, 0.81

 

CMYK 0 / 32 / 20 / 3

HEX #F593BACE

RGBA 245 147 186 0.81

HSLA 336.12, 0.83%, 0.77%, 0.81

LABA 72.11, 41.74, -4.33, 0.81

 

CMYK 0 / 35 / 22 / 9

HEX #E481A7CE

RGBA 228 129 167 0.81

HSLA 336.97, 0.65%, 0.7%, 0.81

LABA 65.74, 42.57, -3.32, 0.81

 

CMYK 0 / 38 / 24 / 14

HEX #D36F94CE

RGBA 211 111 148 0.81

HSLA 337.8, 0.53%, 0.63%, 0.81

LABA 59.3, 43.42, -2.16, 0.81

 

CMYK 0 / 42 / 27 / 19

HEX #C25D81CE

RGBA 194 93 129 0.81

HSLA 338.61, 0.45%, 0.56%, 0.81

LABA 52.82, 44.26, -0.82, 0.81

 

CMYK 0 / 47 / 31 / 25

HEX #B14B6ECE

RGBA 177 75 110 0.81

HSLA 339.41, 0.4%, 0.49%, 0.81

LABA 46.32, 45.04, 0.8, 0.81

 

CMYK 0 / 40 / 24 / 4

HEX #F594BA

RGB 245 148 186

HSL 336.49, 0.83%, 0.77%

LAB 72.32, 41.22, -4.02

 

CMYK 0 / 40 / 35 / 4

HEX #F594A0

RGB 245 148 160

HSL 352.58, 0.83%, 0.77%

LAB 71.64, 37.85, 9.43

 

CMYK 0 / 40 / 40 / 4

HEX #F59494

RGB 245 148 148

HSL 0, 0.83%, 0.77%

LAB 71.37, 36.47, 15.7

 

CMYK 0 / 40 / 24 / 4

HEX #F594BA

RGB 245 148 186

HSL 336.49, 0.83%, 0.77%

LAB 72.32, 41.22, -4.02

 

CMYK 0 / 40 / 13 / 4

HEX #F594D5

RGB 245 148 213

HSL 319.79, 0.83%, 0.77%

LAB 73.15, 45.25, -17.69

 

CMYK 0 / 40 / 2 / 4

HEX #F594EF

RGB 245 148 239

HSL 303.71, 0.83%, 0.77%

LAB 74.08, 49.58, -30.52

 

CMYK 8 / 40 / 0 / 4

HEX #E194F5

RGB 225 148 245

HSL 287.63, 0.83%, 0.77%

LAB 72.08, 44.74, -37.06

 

CMYK 19 / 40 / 0 / 4

HEX #C794F5

RGB 199 148 245

HSL 271.55, 0.83%, 0.77%

LAB 69.41, 37.16, -41.42

 

CMYK 0 / 40 / 24 / 4

HEX #F594BA

RGB 245 148 186

HSL 336.49, 0.83%, 0.77%

LAB 72.32, 41.22, -4.02

 

CMYK 0 / 46 / 28 / 0

HEX #FF8AB8

RGB 255 138 184

HSL 336.41, 1%, 0.77%

LAB 71.49, 49.38, -4

 

CMYK 0 / 40 / 24 / 4

HEX #F594BA

RGB 245 148 186

HSL 336.49, 0.83%, 0.77%

LAB 72.32, 41.22, -4.02

 

CMYK 0 / 33 / 20 / 7

HEX #EC9DBC

RGB 236 157 188

HSL 336.46, 0.68%, 0.77%

LAB 73.27, 33.69, -3.84

 

CMYK 0 / 26 / 16 / 11

HEX #E2A7BE

RGB 226 167 190

HSL 336.61, 0.5%, 0.77%

LAB 74.52, 25.14, -3.22

 

CMYK 0 / 19 / 12 / 15

HEX #D9B0C0

RGB 217 176 192

HSL 336.59, 0.35%, 0.77%

LAB 75.83, 17.42, -2.5

 

CMYK 0 / 10 / 6 / 19

HEX #CFBAC2

RGB 207 186 194

HSL 337.14, 0.18%, 0.77%

LAB 77.45, 8.83, -1.32

 

CMYK 0 / 40 / 2 / 4

HEX #F594EF

RGB 245 148 239

HSL 303.71, 0.83%, 0.77%

LAB 74.08, 49.58, -30.52

 

CMYK 0 / 40 / 13 / 4

HEX #F594D5

RGB 245 148 213

HSL 319.79, 0.83%, 0.77%

LAB 73.15, 45.25, -17.69

 

CMYK 0 / 40 / 24 / 4

HEX #F594BB

RGB 245 148 187

HSL 335.88, 0.83%, 0.77%

LAB 72.35, 41.36, -4.53

 

CMYK 0 / 40 / 34 / 4

HEX #F594A1

RGB 245 148 161

HSL 351.96, 0.83%, 0.77%

LAB 71.67, 37.97, 8.91

 

CMYK 0 / 34 / 40 / 4

HEX #F5A194

RGB 245 161 148

HSL 8.04, 0.83%, 0.77%

LAB 74.22, 29.67, 19.65

 

CMYK 0 / 70 / 42 / 7

HEX #EE488A

RGB 238 72 138

HSL 336.14, 0.83%, 0.61%

LAB 56.73, 67.85, 0.4

 

CMYK 0 / 55 / 33 / 5

HEX #F26EA2

RGB 242 110 162

HSL 336.36, 0.84%, 0.69%

LAB 63.87, 55.89, -3

 

CMYK 0 / 40 / 24 / 4

HEX #F594BA

RGB 245 148 186

HSL 336.49, 0.83%, 0.77%

LAB 72.32, 41.22, -4.02

 

CMYK 0 / 26 / 15 / 2

HEX #F9B9D3

RGB 249 185 211

HSL 335.63, 0.84%, 0.85%

LAB 81.59, 26.93, -3.97

 

CMYK 0 / 12 / 7 / 1

HEX #FCDFEB

RGB 252 223 235

HSL 335.17, 0.83%, 0.93%

LAB 91.45, 11.94, -2.19

 

CMYK 0 / 40 / 24 / 4

HEX #F593BA

RGB 245 147 186

HSL 336.12, 0.83%, 0.77%

LAB 72.11, 41.74, -4.33

 

CMYK 0 / 8 / 40 / 4

HEX #F5E294

RGB 245 226 148

HSL 48.25, 0.83%, 0.77%

LAB 89.83, -4.22, 40.46

 

CMYK 40 / 8 / 0 / 4

HEX #94E2F5

RGB 148 226 245

HSL 191.75, 0.83%, 0.77%

LAB 85.65, -19.24, -16.81

 

CMYK 0 / 40 / 24 / 4

HEX #F593BA

RGB 245 147 186

HSL 336.12, 0.83%, 0.77%

LAB 72.11, 41.74, -4.33

 

CMYK 24 / 0 / 40 / 4

HEX #BBF594

RGB 187 245 148

HSL 95.88, 0.83%, 0.77%

LAB 90.78, -34.98, 40.88

 

CMYK 40 / 24 / 0 / 4

HEX #94BBF5

RGB 148 187 245

HSL 215.88, 0.83%, 0.77%

LAB 75.09, 1.23, -32.89

 

CMYK 0 / 40 / 24 / 4

HEX #F593BA

RGB 245 147 186

HSL 336.12, 0.83%, 0.77%

LAB 72.11, 41.74, -4.33

 

CMYK 0 / 8 / 40 / 4

HEX #F5E294

RGB 245 226 148

HSL 48.25, 0.83%, 0.77%

LAB 89.83, -4.22, 40.46

 

CMYK 40 / 0 / 16 / 4

HEX #94F5CE

RGB 148 245 206

HSL 155.88, 0.83%, 0.77%

LAB 89.89, -37.22, 9.85

 

CMYK 40 / 32 / 0 / 4

HEX #94A7F5

RGB 148 167 245

HSL 228.25, 0.83%, 0.77%

LAB 69.84, 12.37, -41.05

 

CMYK 0 / 40 / 24 / 4

HEX #F593BA

RGB 245 147 186

HSL 336.12, 0.83%, 0.77%

LAB 72.11, 41.74, -4.33

 

CMYK 4 / 0 / 40 / 4

HEX #EBF594

RGB 235 245 148

HSL 66.19, 0.83%, 0.77%

LAB 93.93, -17.49, 45.54

 

CMYK 40 / 0 / 16 / 4

HEX #94F5CE

RGB 148 245 206

HSL 155.88, 0.83%, 0.77%

LAB 89.89, -37.22, 9.85

 

CMYK 36 / 40 / 0 / 4

HEX #9D94F5

RGB 157 148 245

HSL 245.57, 0.83%, 0.77%

LAB 65.7, 25.55, -47.5

 

Description

Color code: HEX #F593BACE | qconv.com Color code: HEX #F593BACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 147 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 147 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 20 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 20% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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