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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F590AC00 it is the complementary color #0A6F5300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F590AC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F590AC00 shade: #FA90A700, #FFA2BA00, #FFB4CD00, #FFC6E000 and #FFD8F300

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F590AC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F590AC00 shade: #F590AC00, #E47E9900, #D36C8600, #C25A7300 and #B1486000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F590AC00 shade: #F58FAB, #F58F90 and #F58F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F590AC00 shade: #F58FAB, #F58FC7, #F58FE2, #EC8FF5 and #D08FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F590AC00 shade matches the following richer shades: #F58FAB and #FE85A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F590AC00 shade: #F58FAB, #EB99B0, #E1A3B4, #D7ADB8 and #CDB7BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F590AC00 shade: #F58FE2, #F58FC7, #F58FAC, #F58F91 and #F5A88F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F590AC00 shade: #EE4473, #F1698F, #F58FAB, #F8B5C7 and #FCDBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F590AC00 shade: #F590AC, #F5EC8F and #8FD4F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F590AC00 shade: #F590AC, #ACF58F and #8FACF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F590AC00 shade: #F590AC, #F5EC8F, #8FF5D8 and #8F97F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F590AC00 shade: #F590AC, #DFF58F, #8FF5D8 and #A58FF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #F590AC00

RGBA 245 144 172 0

HSLA 343.37, 0.83%, 0.76%, 0

LABA 71.1, 41.4, 1.98, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #0A6F5300

RGBA 10 111 83 0

HSLA 163.37, 0.83%, 0.24%, 0

LABA 41.31, -33.8, 8.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FA90A700

RGBA 250 144 167 0

HSLA 346.98, 0.91%, 0.77%, 0

LABA 71.6, 42.53, 5.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFA2BA00

RGBA 255 162 186 0

HSLA 344.52, 1%, 0.82%, 0

LABA 76.46, 37.45, 2.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB4CD00

RGBA 255 180 205 0

HSLA 340, 1%, 0.85%, 0

LABA 80.91, 30.74, -1.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC6E000

RGBA 255 198 224 0

HSLA 332.63, 1%, 0.89%, 0

LABA 85.52, 24.23, -5.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFD8F300

RGBA 255 216 243 0

HSLA 318.46, 1%, 0.92%, 0

LABA 90.25, 17.97, -8.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F590AC00

RGBA 245 144 172 0

HSLA 343.37, 0.83%, 0.76%, 0

LABA 71.1, 41.4, 1.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E47E9900

RGBA 228 126 153 0

HSLA 344.12, 0.65%, 0.69%, 0

LABA 64.74, 42.29, 3.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D36C8600

RGBA 211 108 134 0

HSLA 344.85, 0.54%, 0.63%, 0

LABA 58.32, 43.2, 4.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C25A7300

RGBA 194 90 115 0

HSLA 345.58, 0.46%, 0.56%, 0

LABA 51.86, 44.11, 6.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B1486000

RGBA 177 72 96 0

HSLA 346.29, 0.42%, 0.49%, 0

LABA 45.4, 44.94, 8.04, 0

 

CMYK 0 / 42 / 30 / 4

HEX #F58FAB

RGB 245 143 171

HSL 343.53, 0.84%, 0.76%

LAB 70.87, 41.79, 2.2

 

CMYK 0 / 42 / 41 / 4

HEX #F58F90

RGB 245 143 144

HSL 359.41, 0.84%, 0.76%

LAB 70.23, 38.62, 16.33

 

CMYK 0 / 42 / 42 / 4

HEX #F58F8F

RGB 245 143 143

HSL 0, 0.84%, 0.76%

LAB 70.2, 38.51, 16.85

 

CMYK 0 / 42 / 30 / 4

HEX #F58FAB

RGB 245 143 171

HSL 343.53, 0.84%, 0.76%

LAB 70.87, 41.79, 2.2

 

CMYK 0 / 42 / 19 / 4

HEX #F58FC7

RGB 245 143 199

HSL 327.06, 0.84%, 0.76%

LAB 71.68, 45.66, -12.18

 

CMYK 0 / 42 / 8 / 4

HEX #F58FE2

RGB 245 143 226

HSL 311.18, 0.84%, 0.76%

LAB 72.59, 49.9, -25.69

 

CMYK 4 / 42 / 0 / 4

HEX #EC8FF5

RGB 236 143 245

HSL 294.71, 0.84%, 0.76%

LAB 72.28, 50.54, -36.66

 

CMYK 15 / 42 / 0 / 4

HEX #D08FF5

RGB 208 143 245

HSL 278.24, 0.84%, 0.76%

LAB 69.22, 42.45, -41.66

 

CMYK 0 / 42 / 30 / 4

HEX #F58FAB

RGB 245 143 171

HSL 343.53, 0.84%, 0.76%

LAB 70.87, 41.79, 2.2

 

CMYK 0 / 48 / 34 / 0

HEX #FE85A7

RGB 254 133 167

HSL 343.14, 0.98%, 0.76%

LAB 69.92, 49.41, 3.2

 

CMYK 0 / 42 / 30 / 4

HEX #F58FAB

RGB 245 143 171

HSL 343.53, 0.84%, 0.76%

LAB 70.87, 41.79, 2.2

 

CMYK 0 / 35 / 25 / 8

HEX #EB99B0

RGB 235 153 176

HSL 343.17, 0.67%, 0.76%

LAB 71.95, 33.73, 0.84

 

CMYK 0 / 28 / 20 / 12

HEX #E1A3B4

RGB 225 163 180

HSL 343.55, 0.51%, 0.76%

LAB 73.22, 25.39, 0.35

 

CMYK 0 / 20 / 14 / 16

HEX #D7ADB8

RGB 215 173 184

HSL 344.29, 0.34%, 0.76%

LAB 74.7, 17.01, 0.19

 

CMYK 0 / 11 / 8 / 20

HEX #CDB7BD

RGB 205 183 189

HSL 343.64, 0.18%, 0.76%

LAB 76.39, 8.86, -0.18

 

CMYK 0 / 42 / 8 / 4

HEX #F58FE2

RGB 245 143 226

HSL 311.18, 0.84%, 0.76%

LAB 72.59, 49.9, -25.69

 

CMYK 0 / 42 / 19 / 4

HEX #F58FC7

RGB 245 143 199

HSL 327.06, 0.84%, 0.76%

LAB 71.68, 45.66, -12.18

 

CMYK 0 / 42 / 30 / 4

HEX #F58FAC

RGB 245 143 172

HSL 342.94, 0.84%, 0.76%

LAB 70.9, 41.92, 1.68

 

CMYK 0 / 42 / 41 / 4

HEX #F58F91

RGB 245 143 145

HSL 358.82, 0.84%, 0.76%

LAB 70.25, 38.72, 15.8

 

CMYK 0 / 31 / 42 / 4

HEX #F5A88F

RGB 245 168 143

HSL 14.71, 0.84%, 0.76%

LAB 75.7, 25.44, 24.39

 

CMYK 0 / 71 / 52 / 7

HEX #EE4473

RGB 238 68 115

HSL 343.41, 0.83%, 0.6%

LAB 55.63, 67.24, 12.47

 

CMYK 0 / 56 / 41 / 5

HEX #F1698F

RGB 241 105 143

HSL 343.24, 0.83%, 0.68%

LAB 62.33, 55.75, 5.65

 

CMYK 0 / 42 / 30 / 4

HEX #F58FAB

RGB 245 143 171

HSL 343.53, 0.84%, 0.76%

LAB 70.87, 41.79, 2.2

 

CMYK 0 / 27 / 20 / 3

HEX #F8B5C7

RGB 248 181 199

HSL 343.88, 0.83%, 0.84%

LAB 80.25, 26.87, 0.53

 

CMYK 0 / 13 / 10 / 1

HEX #FCDBE4

RGB 252 219 228

HSL 343.64, 0.85%, 0.92%

LAB 90.3, 12.86, -0.2

 

CMYK 0 / 41 / 30 / 4

HEX #F590AC

RGB 245 144 172

HSL 343.37, 0.83%, 0.76%

LAB 71.1, 41.4, 1.98

 

CMYK 0 / 4 / 42 / 4

HEX #F5EC8F

RGB 245 236 143

HSL 54.71, 0.84%, 0.76%

LAB 92.3, -9.75, 46.08

 

CMYK 42 / 13 / 0 / 4

HEX #8FD4F5

RGB 143 212 245

HSL 199.41, 0.84%, 0.76%

LAB 81.58, -13.35, -22.99

 

CMYK 0 / 41 / 30 / 4

HEX #F590AC

RGB 245 144 172

HSL 343.37, 0.83%, 0.76%

LAB 71.1, 41.4, 1.98

 

CMYK 30 / 0 / 42 / 4

HEX #ACF58F

RGB 172 245 143

HSL 102.94, 0.84%, 0.76%

LAB 89.89, -40.7, 42.01

 

CMYK 42 / 30 / 0 / 4

HEX #8FACF5

RGB 143 172 245

HSL 222.94, 0.84%, 0.76%

LAB 70.83, 8.27, -39.54

 

CMYK 0 / 41 / 30 / 4

HEX #F590AC

RGB 245 144 172

HSL 343.37, 0.83%, 0.76%

LAB 71.1, 41.4, 1.98

 

CMYK 0 / 4 / 42 / 4

HEX #F5EC8F

RGB 245 236 143

HSL 54.71, 0.84%, 0.76%

LAB 92.3, -9.75, 46.08

 

CMYK 42 / 0 / 12 / 4

HEX #8FF5D8

RGB 143 245 216

HSL 162.94, 0.84%, 0.76%

LAB 89.91, -36.4, 4.66

 

CMYK 42 / 38 / 0 / 4

HEX #8F97F5

RGB 143 151 245

HSL 235.29, 0.84%, 0.76%

LAB 65.41, 20.25, -48.04

 

CMYK 0 / 41 / 30 / 4

HEX #F590AC

RGB 245 144 172

HSL 343.37, 0.83%, 0.76%

LAB 71.1, 41.4, 1.98

 

CMYK 9 / 0 / 42 / 4

HEX #DFF58F

RGB 223 245 143

HSL 72.94, 0.84%, 0.76%

LAB 93, -22.56, 46.61

 

CMYK 42 / 0 / 12 / 4

HEX #8FF5D8

RGB 143 245 216

HSL 162.94, 0.84%, 0.76%

LAB 89.91, -36.4, 4.66

 

CMYK 33 / 42 / 0 / 4

HEX #A58FF5

RGB 165 143 245

HSL 252.94, 0.84%, 0.76%

LAB 65.15, 30.51, -48.33

 

Description

Color code: HEX #F590AC00 | qconv.com Color code: HEX #F590AC00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 144 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 144 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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