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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F58FB0CE it is the complementary color #0A704FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F58FB0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F58FB0CE shade: #FA8FABCE, #FFA1BECE, #FFB3D1CE, #FFC5E4CE and #FFD7F7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F58FB0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F58FB0CE shade: #F58FB0CE, #E47D9DCE, #D36B8ACE, #C25977CE and #B14764CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F58FB0CE shade: #F58EB0, #F58E94 and #F58E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F58FB0CE shade: #F58EB0, #F58ECB, #F58EE7, #E88EF5 and #CC8EF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F58FB0CE shade matches the following richer shades: #F58EB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F58FB0CE shade: #F58EB0, #EB98B3, #E1A2B7, #D8ACBA and #CEB6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F58FB0CE shade: #F58EE7, #F58ECC, #F58EB1, #F58E95 and #F5A38E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F58FB0CE shade: #EF427A, #F26895, #F58EB0, #F9B4CA and #FCDAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F58FB0CE shade: #F58FB0, #F5E78E and #8EDAF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F58FB0CE shade: #F58FB0, #B1F58E and #8EB1F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F58FB0CE shade: #F58FB0, #F5E78E, #8EF5D3 and #8E9CF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F58FB0CE shade: #F58FB0, #E4F58E, #8EF5D3 and #A08EF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 23 / 3

HEX #F58FB0CE

RGBA 245 143 176 0.81

HSLA 340.59, 0.84%, 0.76%, 0.81

LABA 71, 42.44, -0.39, 0.81

 

Complementary color

CMYK 74 / 0 / 24 / 45

HEX #0A704FCE

RGBA 10 112 79 0.81

HSLA 160.59, 0.84%, 0.24%, 0.81

LABA 41.56, -35.27, 10.94, 0.81

 

CMYK 0 / 35 / 26 / 2

HEX #FA8FABCE

RGBA 250 143 171 0.81

HSLA 344.3, 0.91%, 0.77%, 0.81

LABA 71.49, 43.53, 3.18, 0.81

 

CMYK 0 / 30 / 21 / 0

HEX #FFA1BECE

RGBA 255 161 190 0.81

HSLA 341.49, 1%, 0.82%, 0.81

LABA 76.36, 38.51, -0.16, 0.81

 

CMYK 0 / 24 / 15 / 0

HEX #FFB3D1CE

RGBA 255 179 209 0.81

HSLA 336.32, 1%, 0.85%, 0.81

LABA 80.8, 31.86, -3.99, 0.81

 

CMYK 0 / 18 / 9 / 0

HEX #FFC5E4CE

RGBA 255 197 228 0.81

HSLA 327.93, 1%, 0.89%, 0.81

LABA 85.4, 25.4, -7.38, 0.81

 

CMYK 0 / 13 / 3 / 0

HEX #FFD7F7CE

RGBA 255 215 247 0.81

HSLA 312, 1%, 0.92%, 0.81

LABA 90.13, 19.18, -10.41, 0.81

 

CMYK 0 / 34 / 23 / 3

HEX #F58FB0CE

RGBA 245 143 176 0.81

HSLA 340.59, 0.84%, 0.76%, 0.81

LABA 71, 42.44, -0.39, 0.81

 

CMYK 0 / 37 / 25 / 9

HEX #E47D9DCE

RGBA 228 125 157 0.81

HSLA 341.36, 0.66%, 0.69%, 0.81

LABA 64.64, 43.3, 0.75, 0.81

 

CMYK 0 / 40 / 28 / 14

HEX #D36B8ACE

RGBA 211 107 138 0.81

HSLA 342.12, 0.54%, 0.62%, 0.81

LABA 58.23, 44.18, 2.07, 0.81

 

CMYK 0 / 44 / 31 / 19

HEX #C25977CE

RGBA 194 89 119 0.81

HSLA 342.86, 0.46%, 0.55%, 0.81

LABA 51.78, 45.05, 3.61, 0.81

 

CMYK 0 / 49 / 35 / 25

HEX #B14764CE

RGBA 177 71 100 0.81

HSLA 343.58, 0.43%, 0.49%, 0.81

LABA 45.32, 45.83, 5.48, 0.81

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB0

RGB 245 142 176

HSL 340.19, 0.84%, 0.76%

LAB 70.8, 42.95, -0.7

 

CMYK 0 / 42 / 40 / 4

HEX #F58E94

RGB 245 142 148

HSL 356.5, 0.84%, 0.76%

LAB 70.1, 39.56, 13.93

 

CMYK 0 / 42 / 42 / 4

HEX #F58E8E

RGB 245 142 142

HSL 0, 0.84%, 0.76%

LAB 69.97, 38.92, 17.09

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB0

RGB 245 142 176

HSL 340.19, 0.84%, 0.76%

LAB 70.8, 42.95, -0.7

 

CMYK 0 / 42 / 17 / 4

HEX #F58ECB

RGB 245 142 203

HSL 324.47, 0.84%, 0.76%

LAB 71.6, 46.77, -14.51

 

CMYK 0 / 42 / 6 / 4

HEX #F58EE7

RGB 245 142 231

HSL 308.16, 0.84%, 0.76%

LAB 72.58, 51.24, -28.45

 

CMYK 5 / 42 / 0 / 4

HEX #E88EF5

RGB 232 142 245

HSL 292.43, 0.84%, 0.76%

LAB 71.62, 49.89, -37.72

 

CMYK 17 / 42 / 0 / 4

HEX #CC8EF5

RGB 204 142 245

HSL 276.12, 0.84%, 0.76%

LAB 68.59, 41.84, -42.67

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB0

RGB 245 142 176

HSL 340.19, 0.84%, 0.76%

LAB 70.8, 42.95, -0.7

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB0

RGB 245 142 176

HSL 340.19, 0.84%, 0.76%

LAB 70.8, 42.95, -0.7

 

CMYK 0 / 35 / 24 / 8

HEX #EB98B3

RGB 235 152 179

HSL 340.48, 0.67%, 0.76%

LAB 71.81, 34.68, -1.03

 

CMYK 0 / 28 / 19 / 12

HEX #E1A2B7

RGB 225 162 183

HSL 340, 0.51%, 0.76%

LAB 73.07, 26.38, -1.52

 

CMYK 0 / 20 / 14 / 15

HEX #D8ACBA

RGB 216 172 186

HSL 340.91, 0.36%, 0.76%

LAB 74.6, 18.24, -1.03

 

CMYK 0 / 12 / 8 / 19

HEX #CEB6BE

RGB 206 182 190

HSL 340, 0.2%, 0.76%

LAB 76.25, 9.93, -0.91

 

CMYK 0 / 42 / 6 / 4

HEX #F58EE7

RGB 245 142 231

HSL 308.16, 0.84%, 0.76%

LAB 72.58, 51.24, -28.45

 

CMYK 0 / 42 / 17 / 4

HEX #F58ECC

RGB 245 142 204

HSL 323.88, 0.84%, 0.76%

LAB 71.64, 46.92, -15.01

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB1

RGB 245 142 177

HSL 339.61, 0.84%, 0.76%

LAB 70.82, 43.08, -1.21

 

CMYK 0 / 42 / 39 / 4

HEX #F58E95

RGB 245 142 149

HSL 355.92, 0.84%, 0.76%

LAB 70.13, 39.67, 13.4

 

CMYK 0 / 33 / 42 / 4

HEX #F5A38E

RGB 245 163 142

HSL 12.23, 0.84%, 0.76%

LAB 74.55, 27.97, 23.37

 

CMYK 0 / 72 / 49 / 6

HEX #EF427A

RGB 239 66 122

HSL 340.58, 0.84%, 0.6%

LAB 55.74, 68.75, 8.48

 

CMYK 0 / 57 / 38 / 5

HEX #F26895

RGB 242 104 149

HSL 340.43, 0.84%, 0.68%

LAB 62.46, 57.16, 2.41

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB0

RGB 245 142 176

HSL 340.19, 0.84%, 0.76%

LAB 70.8, 42.95, -0.7

 

CMYK 0 / 28 / 19 / 2

HEX #F9B4CA

RGB 249 180 202

HSL 340.87, 0.85%, 0.84%

LAB 80.21, 28.19, -1.14

 

CMYK 0 / 13 / 9 / 1

HEX #FCDAE5

RGB 252 218 229

HSL 340.59, 0.85%, 0.92%

LAB 90.09, 13.54, -1.03

 

CMYK 0 / 42 / 28 / 4

HEX #F58FB0

RGB 245 143 176

HSL 340.59, 0.84%, 0.76%

LAB 71, 42.44, -0.39

 

CMYK 0 / 6 / 42 / 4

HEX #F5E78E

RGB 245 231 142

HSL 51.84, 0.84%, 0.76%

LAB 91.02, -7.36, 44.95

 

CMYK 42 / 11 / 0 / 4

HEX #8EDAF5

RGB 142 218 245

HSL 195.73, 0.84%, 0.76%

LAB 83.17, -16.68, -20.57

 

CMYK 0 / 42 / 28 / 4

HEX #F58FB0

RGB 245 143 176

HSL 340.59, 0.84%, 0.76%

LAB 71, 42.44, -0.39

 

CMYK 28 / 0 / 42 / 4

HEX #B1F58E

RGB 177 245 142

HSL 99.61, 0.84%, 0.76%

LAB 90.14, -39.17, 42.88

 

CMYK 42 / 28 / 0 / 4

HEX #8EB1F5

RGB 142 177 245

HSL 219.61, 0.84%, 0.76%

LAB 72.09, 5.22, -37.58

 

CMYK 0 / 42 / 28 / 4

HEX #F58FB0

RGB 245 143 176

HSL 340.59, 0.84%, 0.76%

LAB 71, 42.44, -0.39

 

CMYK 0 / 6 / 42 / 4

HEX #F5E78E

RGB 245 231 142

HSL 51.84, 0.84%, 0.76%

LAB 91.02, -7.36, 44.95

 

CMYK 42 / 0 / 14 / 4

HEX #8EF5D3

RGB 142 245 211

HSL 160.19, 0.84%, 0.76%

LAB 89.75, -37.73, 7.02

 

CMYK 42 / 36 / 0 / 4

HEX #8E9CF5

RGB 142 156 245

HSL 231.84, 0.84%, 0.76%

LAB 66.61, 17.12, -46.15

 

CMYK 0 / 42 / 28 / 4

HEX #F58FB0

RGB 245 143 176

HSL 340.59, 0.84%, 0.76%

LAB 71, 42.44, -0.39

 

CMYK 7 / 0 / 42 / 4

HEX #E4F58E

RGB 228 245 142

HSL 69.9, 0.84%, 0.76%

LAB 93.34, -20.78, 47.6

 

CMYK 42 / 0 / 14 / 4

HEX #8EF5D3

RGB 142 245 211

HSL 160.19, 0.84%, 0.76%

LAB 89.75, -37.73, 7.02

 

CMYK 35 / 42 / 0 / 4

HEX #A08EF5

RGB 160 142 245

HSL 250.49, 0.84%, 0.76%

LAB 64.49, 29.76, -49.4

 

Description

Color code: HEX #F58FB0CE | qconv.com Color code: HEX #F58FB0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 143 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 143 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 23 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 23% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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