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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F58B9A it is the complementary color #0A7465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F58B9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F58B9A shade: #FA8B95, #FF9DA8, #FFAFBB, #FFC1CE and #FFD3E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F58B9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F58B9A shade: #F58B9A, #E47987, #D36774, #C25561 and #B1434E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F58B9A shade: #F58A99 and #F58A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F58B9A shade: #F58A99, #F58AB6, #F58AD3, #F58AEF and #DD8AF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F58B9A shade matches the following richer shades: #F58A99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F58B9A shade: #F58A99, #EA94A0, #E09EA8, #D6A9AF and #CCB3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F58B9A shade: #F58AD3, #F58AB6, #F58A9A, #F5968A and #F5B38A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F58B9A shade: #EE3E57, #F16478, #F58A99, #F8B0BA and #FBD6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F58B9A shade: #F58B9A, #EFF58A and #8AC5F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F58B9A shade: #F58B9A, #9AF58A and #8A9AF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F58B9A shade: #F58B9A, #EFF58A, #8AF5E5 and #8F8AF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F58B9A shade: #F58B9A, #CFF58A, #8AF5E5 and #AF8AF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 37 / 4

HEX #F58B9A

RGB 245 139 154

HSL 351.51, 0.84%, 0.75%

LAB 69.62, 41.77, 9.9

 

Complementary color

CMYK 91 / 0 / 13 / 55

HEX #0A7465

RGB 10 116 101

HSL 171.51, 0.84%, 0.25%

LAB 43.5, -30.96, 0.55

 

CMYK 0 / 44 / 40 / 2

HEX #FA8B95

RGB 250 139 149

HSL 354.59, 0.92%, 0.76%

LAB 70.15, 43, 13.53

 

CMYK 0 / 38 / 34 / 0

HEX #FF9DA8

RGB 255 157 168

HSL 353.27, 1%, 0.81%

LAB 74.95, 37.75, 9.89

 

CMYK 0 / 31 / 27 / 0

HEX #FFAFBB

RGB 255 175 187

HSL 351, 1%, 0.84%

LAB 79.33, 30.81, 5.79

 

CMYK 0 / 24 / 19 / 0

HEX #FFC1CE

RGB 255 193 206

HSL 347.42, 1%, 0.88%

LAB 83.89, 24.07, 2.15

 

CMYK 0 / 17 / 12 / 0

HEX #FFD3E1

RGB 255 211 225

HSL 340.91, 1%, 0.91%

LAB 88.58, 17.58, -1.1

 

CMYK 0 / 43 / 37 / 4

HEX #F58B9A

RGB 245 139 154

HSL 351.51, 0.84%, 0.75%

LAB 69.62, 41.77, 9.9

 

CMYK 0 / 47 / 41 / 11

HEX #E47987

RGB 228 121 135

HSL 352.15, 0.66%, 0.68%

LAB 63.28, 42.74, 11.33

 

CMYK 0 / 51 / 45 / 17

HEX #D36774

RGB 211 103 116

HSL 352.78, 0.55%, 0.62%

LAB 56.89, 43.74, 12.99

 

CMYK 0 / 56 / 50 / 24

HEX #C25561

RGB 194 85 97

HSL 353.39, 0.47%, 0.55%

LAB 50.49, 44.74, 14.94

 

CMYK 0 / 62 / 56 / 31

HEX #B1434E

RGB 177 67 78

HSL 354, 0.45%, 0.48%

LAB 44.11, 45.64, 17.29

 

CMYK 0 / 44 / 38 / 4

HEX #F58A99

RGB 245 138 153

HSL 351.59, 0.84%, 0.75%

LAB 69.39, 42.17, 10.13

 

CMYK 0 / 44 / 44 / 4

HEX #F58A8A

RGB 245 138 138

HSL 0, 0.84%, 0.75%

LAB 69.06, 40.55, 18.05

 

CMYK 0 / 44 / 38 / 4

HEX #F58A99

RGB 245 138 153

HSL 351.59, 0.84%, 0.75%

LAB 69.39, 42.17, 10.13

 

CMYK 0 / 44 / 26 / 4

HEX #F58AB6

RGB 245 138 182

HSL 335.33, 0.84%, 0.75%

LAB 70.15, 45.78, -4.99

 

CMYK 0 / 44 / 14 / 4

HEX #F58AD3

RGB 245 138 211

HSL 319.07, 0.84%, 0.75%

LAB 71.07, 50.01, -19.74

 

CMYK 0 / 44 / 2 / 4

HEX #F58AEF

RGB 245 138 239

HSL 303.36, 0.84%, 0.75%

LAB 72.11, 54.61, -33.56

 

CMYK 10 / 44 / 0 / 4

HEX #DD8AF5

RGB 221 138 245

HSL 286.54, 0.84%, 0.75%

LAB 69.57, 48.8, -41

 

CMYK 0 / 44 / 38 / 4

HEX #F58A99

RGB 245 138 153

HSL 351.59, 0.84%, 0.75%

LAB 69.39, 42.17, 10.13

 

CMYK 0 / 44 / 38 / 4

HEX #F58A99

RGB 245 138 153

HSL 351.59, 0.84%, 0.75%

LAB 69.39, 42.17, 10.13

 

CMYK 0 / 37 / 32 / 8

HEX #EA94A0

RGB 234 148 160

HSL 351.63, 0.67%, 0.75%

LAB 70.32, 33.86, 7.37

 

CMYK 0 / 29 / 25 / 12

HEX #E09EA8

RGB 224 158 168

HSL 350.91, 0.52%, 0.75%

LAB 71.64, 25.96, 4.68

 

CMYK 0 / 21 / 18 / 16

HEX #D6A9AF

RGB 214 169 175

HSL 352, 0.35%, 0.75%

LAB 73.39, 17.38, 3.22

 

CMYK 0 / 12 / 11 / 20

HEX #CCB3B6

RGB 204 179 182

HSL 352.8, 0.2%, 0.75%

LAB 75.11, 9.46, 1.76

 

CMYK 0 / 44 / 14 / 4

HEX #F58AD3

RGB 245 138 211

HSL 319.07, 0.84%, 0.75%

LAB 71.07, 50.01, -19.74

 

CMYK 0 / 44 / 26 / 4

HEX #F58AB6

RGB 245 138 182

HSL 335.33, 0.84%, 0.75%

LAB 70.15, 45.78, -4.99

 

CMYK 0 / 44 / 37 / 4

HEX #F58A9A

RGB 245 138 154

HSL 351.03, 0.84%, 0.75%

LAB 69.41, 42.28, 9.6

 

CMYK 0 / 39 / 44 / 4

HEX #F5968A

RGB 245 150 138

HSL 6.73, 0.84%, 0.75%

LAB 71.6, 34.36, 21.53

 

CMYK 0 / 27 / 44 / 4

HEX #F5B38A

RGB 245 179 138

HSL 22.99, 0.84%, 0.75%

LAB 78.16, 19.11, 30.36

 

CMYK 0 / 74 / 63 / 7

HEX #EE3E57

RGB 238 62 87

HSL 351.48, 0.84%, 0.59%

LAB 54.35, 67.35, 27.36

 

CMYK 0 / 59 / 50 / 5

HEX #F16478

RGB 241 100 120

HSL 351.49, 0.83%, 0.67%

LAB 60.93, 55.84, 16.96

 

CMYK 0 / 44 / 38 / 4

HEX #F58A99

RGB 245 138 153

HSL 351.59, 0.84%, 0.75%

LAB 69.39, 42.17, 10.13

 

CMYK 0 / 29 / 25 / 3

HEX #F8B0BA

RGB 248 176 186

HSL 351.67, 0.84%, 0.83%

LAB 78.78, 27.63, 5.44

 

CMYK 0 / 15 / 13 / 2

HEX #FBD6DB

RGB 251 214 219

HSL 351.89, 0.82%, 0.91%

LAB 88.79, 13.66, 2.32

 

CMYK 0 / 43 / 37 / 4

HEX #F58B9A

RGB 245 139 154

HSL 351.51, 0.84%, 0.75%

LAB 69.62, 41.77, 9.9

 

CMYK 2 / 0 / 44 / 4

HEX #EFF58A

RGB 239 245 138

HSL 63.36, 0.84%, 0.75%

LAB 94.09, -16.99, 50.62

 

CMYK 44 / 20 / 0 / 4

HEX #8AC5F5

RGB 138 197 245

HSL 206.92, 0.84%, 0.75%

LAB 77.24, -6.7, -29.64

 

CMYK 0 / 43 / 37 / 4

HEX #F58B9A

RGB 245 139 154

HSL 351.51, 0.84%, 0.75%

LAB 69.62, 41.77, 9.9

 

CMYK 37 / 0 / 44 / 4

HEX #9AF58A

RGB 154 245 138

HSL 111.03, 0.84%, 0.75%

LAB 88.93, -47.13, 43.04

 

CMYK 44 / 37 / 0 / 4

HEX #8A9AF5

RGB 138 154 245

HSL 231.03, 0.84%, 0.75%

LAB 65.83, 17.29, -47.39

 

CMYK 0 / 43 / 37 / 4

HEX #F58B9A

RGB 245 139 154

HSL 351.51, 0.84%, 0.75%

LAB 69.62, 41.77, 9.9

 

CMYK 2 / 0 / 44 / 4

HEX #EFF58A

RGB 239 245 138

HSL 63.36, 0.84%, 0.75%

LAB 94.09, -16.99, 50.62

 

CMYK 44 / 0 / 7 / 4

HEX #8AF5E5

RGB 138 245 229

HSL 171.03, 0.84%, 0.75%

LAB 90.03, -34.69, -1.96

 

CMYK 42 / 44 / 0 / 4

HEX #8F8AF5

RGB 143 138 245

HSL 242.8, 0.84%, 0.75%

LAB 62.18, 27.78, -53.15

 

CMYK 0 / 43 / 37 / 4

HEX #F58B9A

RGB 245 139 154

HSL 351.51, 0.84%, 0.75%

LAB 69.62, 41.77, 9.9

 

CMYK 16 / 0 / 44 / 4

HEX #CFF58A

RGB 207 245 138

HSL 81.31, 0.84%, 0.75%

LAB 91.87, -29.06, 47.37

 

CMYK 44 / 0 / 7 / 4

HEX #8AF5E5

RGB 138 245 229

HSL 171.03, 0.84%, 0.75%

LAB 90.03, -34.69, -1.96

 

CMYK 29 / 44 / 0 / 4

HEX #AF8AF5

RGB 175 138 245

HSL 260.75, 0.84%, 0.75%

LAB 64.87, 36, -48.71

 

Description

Color code: HEX #F58B9A | qconv.com Color code: HEX #F58B9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 139 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 139 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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