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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F58719 it is the complementary color #0A78E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F58719. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F58719 shade: #FA8714, #FF9927, #FFAB3A, #FFBD4D and #FFCF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F58719. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F58719 shade: #F58719, #E47506, #D36300, #C25100 and #B13F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F58719 shade: #F58719, #F54C19 and #F51919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F58719 shade: #F58719, #F5C319, #EDF519, #B1F519 and #76F519

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F58719 shade matches the following richer shades: #F58719

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F58719 shade: #F58719, #E2872C, #CF8740, #BB8753 and #A88766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F58719 shade: #F51920, #F54C19, #F58719, #F5C219 and #EEF519

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F58719 shade: #B45E08, #DC7309, #F58719, #F79C40 and #F9B068

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F58719 shade: #F58719, #5BF519 and #2F19F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F58719 shade: #F58719, #19F587 and #8719F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F58719 shade: #F58719, #5BF519, #1987F5 and #B319F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F58719 shade: #F58719, #19F519, #1987F5 and #F519F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

Complementary color

CMYK 96 / 48 / 0 / 10

HEX #0A78E6

RGB 10 120 230

HSL 210, 0.92%, 0.47%

LAB 50.93, 14.36, -63.14

 

CMYK 0 / 46 / 92 / 2

HEX #FA8714

RGB 250 135 20

HSL 30, 0.96%, 0.53%

LAB 67.8, 37.55, 71.01

 

CMYK 0 / 40 / 85 / 0

HEX #FF9927

RGB 255 153 39

HSL 31.67, 1%, 0.58%

LAB 72.35, 30.7, 69.79

 

CMYK 0 / 33 / 77 / 0

HEX #FFAB3A

RGB 255 171 58

HSL 34.42, 1%, 0.61%

LAB 76.49, 21.9, 66.87

 

CMYK 0 / 26 / 70 / 0

HEX #FFBD4D

RGB 255 189 77

HSL 37.75, 1%, 0.65%

LAB 80.84, 13.33, 63.57

 

CMYK 0 / 19 / 62 / 0

HEX #FFCF60

RGB 255 207 96

HSL 41.89, 1%, 0.69%

LAB 85.37, 5.08, 60.17

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 0 / 49 / 97 / 11

HEX #E47506

RGB 228 117 6

HSL 30, 0.95%, 0.46%

LAB 60.98, 37.77, 67.42

 

CMYK 0 / 53 / 100 / 17

HEX #D36300

RGB 211 99 0

HSL 28.15, 1%, 0.41%

LAB 54.84, 40.04, 63.49

 

CMYK 0 / 58 / 100 / 24

HEX #C25100

RGB 194 81 0

HSL 25.05, 1%, 0.38%

LAB 48.7, 42.28, 58.59

 

CMYK 0 / 64 / 100 / 31

HEX #B13F00

RGB 177 63 0

HSL 21.36, 1%, 0.35%

LAB 42.62, 44.29, 53.75

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 0 / 69 / 90 / 4

HEX #F54C19

RGB 245 76 25

HSL 13.91, 0.92%, 0.53%

LAB 56.73, 62.48, 61.52

 

CMYK 0 / 90 / 90 / 4

HEX #F51919

RGB 245 25 25

HSL 0, 0.92%, 0.53%

LAB 52.04, 75.65, 58.26

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 0 / 20 / 90 / 4

HEX #F5C319

RGB 245 195 25

HSL 46.36, 0.92%, 0.53%

LAB 81.02, 4.3, 79.55

 

CMYK 3 / 0 / 90 / 4

HEX #EDF519

RGB 237 245 25

HSL 62.18, 0.92%, 0.53%

LAB 93.18, -23.96, 88.65

 

CMYK 28 / 0 / 90 / 4

HEX #B1F519

RGB 177 245 25

HSL 78.55, 0.92%, 0.53%

LAB 89.26, -47.53, 83.88

 

CMYK 52 / 0 / 90 / 4

HEX #76F519

RGB 118 245 25

HSL 94.64, 0.92%, 0.53%

LAB 86.62, -66.68, 80.62

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 0 / 40 / 81 / 11

HEX #E2872C

RGB 226 135 44

HSL 30, 0.76%, 0.53%

LAB 64.71, 28.32, 60

 

CMYK 0 / 35 / 69 / 19

HEX #CF8740

RGB 207 135 64

HSL 29.79, 0.6%, 0.53%

LAB 62.48, 21.21, 48.3

 

CMYK 0 / 28 / 56 / 27

HEX #BB8753

RGB 187 135 83

HSL 30, 0.43%, 0.53%

LAB 60.35, 14.02, 35.57

 

CMYK 0 / 20 / 39 / 34

HEX #A88766

RGB 168 135 102

HSL 30, 0.28%, 0.53%

LAB 58.61, 7.93, 22.51

 

CMYK 0 / 90 / 87 / 4

HEX #F51920

RGB 245 25 32

HSL 358.09, 0.92%, 0.53%

LAB 52.08, 75.76, 55.33

 

CMYK 0 / 69 / 90 / 4

HEX #F54C19

RGB 245 76 25

HSL 13.91, 0.92%, 0.53%

LAB 56.73, 62.48, 61.52

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 0 / 21 / 90 / 4

HEX #F5C219

RGB 245 194 25

HSL 46.09, 0.92%, 0.53%

LAB 80.78, 4.81, 79.36

 

CMYK 3 / 0 / 90 / 4

HEX #EEF519

RGB 238 245 25

HSL 61.91, 0.92%, 0.53%

LAB 93.26, -23.55, 88.75

 

CMYK 0 / 48 / 96 / 29

HEX #B45E08

RGB 180 94 8

HSL 30, 0.91%, 0.37%

LAB 49.16, 30.11, 55.92

 

CMYK 0 / 48 / 96 / 14

HEX #DC7309

RGB 220 115 9

HSL 30.14, 0.92%, 0.45%

LAB 59.43, 35.6, 65.36

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 0 / 37 / 74 / 3

HEX #F79C40

RGB 247 156 64

HSL 30.16, 0.92%, 0.61%

LAB 72.18, 26.69, 59.93

 

CMYK 0 / 29 / 58 / 2

HEX #F9B068

RGB 249 176 104

HSL 29.79, 0.92%, 0.69%

LAB 77.39, 19.31, 47.03

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 63 / 0 / 90 / 4

HEX #5BF519

RGB 91 245 25

HSL 102, 0.92%, 0.53%

LAB 85.81, -73.27, 79.61

 

CMYK 81 / 90 / 0 / 4

HEX #2F19F5

RGB 47 25 245

HSL 246, 0.92%, 0.53%

LAB 33.76, 72.67, -99.77

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 90 / 0 / 45 / 4

HEX #19F587

RGB 25 245 135

HSL 150, 0.92%, 0.53%

LAB 85.64, -71.6, 39.64

 

CMYK 45 / 90 / 0 / 4

HEX #8719F5

RGB 135 25 245

HSL 270, 0.92%, 0.53%

LAB 41.91, 78.36, -86.02

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 63 / 0 / 90 / 4

HEX #5BF519

RGB 91 245 25

HSL 102, 0.92%, 0.53%

LAB 85.81, -73.27, 79.61

 

CMYK 90 / 45 / 0 / 4

HEX #1987F5

RGB 25 135 245

HSL 210, 0.92%, 0.53%

LAB 56.21, 11.4, -62.98

 

CMYK 27 / 90 / 0 / 4

HEX #B319F5

RGB 179 25 245

HSL 282, 0.92%, 0.53%

LAB 48.1, 83.52, -75.62

 

CMYK 0 / 45 / 90 / 4

HEX #F58719

RGB 245 135 25

HSL 30, 0.92%, 0.53%

LAB 67.13, 35.63, 69.07

 

CMYK 90 / 0 / 90 / 4

HEX #19F519

RGB 25 245 25

HSL 120, 0.92%, 0.53%

LAB 84.78, -82.18, 78.34

 

CMYK 90 / 45 / 0 / 4

HEX #1987F5

RGB 25 135 245

HSL 210, 0.92%, 0.53%

LAB 56.21, 11.4, -62.98

 

CMYK 0 / 90 / 0 / 4

HEX #F519F5

RGB 245 25 245

HSL 300, 0.92%, 0.53%

LAB 58.7, 93.39, -57.98

 

Description

Color code: HEX #F58719 | qconv.com Color code: HEX #F58719 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 135 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 135 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 90 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 90% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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