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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F583B74C it is the complementary color #0A7C484C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F583B74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F583B74C shade: #FA83B24C, #FF95C54C, #FFA7D84C, #FFB9EB4C and #FFCBFE4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F583B74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F583B74C shade: #F583B74C, #E471A44C, #D35F914C, #C24D7E4C and #B13B6B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F583B74C shade: #F584B8, #F58499 and #F58484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F583B74C shade: #F584B8, #F584D6, #F584F5, #D784F5 and #B984F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F583B74C shade matches the following richer shades: #F584B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F583B74C shade: #F584B8, #EA8FB9, #E09ABA, #D5A5BB and #CAAFBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F583B74C shade: #F584F5, #F584D7, #F584B9, #F5849B and #F58C84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F583B74C shade: #EF388B, #F25EA2, #F584B8, #F8ABCE and #FBD1E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F583B74C shade: #F583B7, #F5D784 and #84E6F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F583B74C shade: #F583B7, #B9F584 and #84B9F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F583B74C shade: #F583B7, #F5D784, #84F5C0 and #84A2F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F583B74C shade: #F583B7, #F1F584, #84F5C0 and #8884F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 8 / 1

HEX #F583B74C

RGBA 245 131 183 0.3

HSLA 332.63, 0.85%, 0.74%, 0.3

LABA 68.8, 49.42, -7.56, 0.3

 

Complementary color

CMYK 28 / 0 / 13 / 15

HEX #0A7C484C

RGBA 10 124 72 0.3

HSLA 152.63, 0.85%, 0.26%, 0.3

LABA 45.56, -41.74, 20.44, 0.3

 

CMYK 0 / 14 / 9 / 1

HEX #FA83B24C

RGBA 250 131 178 0.3

HSLA 336.3, 0.92%, 0.75%, 0.3

LABA 69.31, 50.41, -3.93, 0.3

 

CMYK 0 / 12 / 7 / 0

HEX #FF95C54C

RGBA 255 149 197 0.3

HSLA 332.83, 1%, 0.79%, 0.3

LABA 74.05, 45.63, -7.4, 0.3

 

CMYK 0 / 10 / 5 / 0

HEX #FFA7D84C

RGBA 255 167 216 0.3

HSLA 326.59, 1%, 0.83%, 0.3

LABA 78.38, 39.19, -11.37, 0.3

 

CMYK 0 / 8 / 2 / 0

HEX #FFB9EB4C

RGBA 255 185 235 0.3

HSLA 317.14, 1%, 0.86%, 0.3

LABA 82.89, 32.86, -14.86, 0.3

 

CMYK 0 / 6 / 0 / 0

HEX #FFCBFE4C

RGBA 255 203 254 0.3

HSLA 301.15, 1%, 0.9%, 0.3

LABA 87.55, 26.71, -17.96, 0.3

 

CMYK 0 / 14 / 8 / 1

HEX #F583B74C

RGBA 245 131 183 0.3

HSLA 332.63, 0.85%, 0.74%, 0.3

LABA 68.8, 49.42, -7.56, 0.3

 

CMYK 0 / 15 / 8 / 3

HEX #E471A44C

RGBA 228 113 164 0.3

HSLA 333.39, 0.68%, 0.67%, 0.3

LABA 62.49, 50.2, -6.4, 0.3

 

CMYK 0 / 16 / 9 / 5

HEX #D35F914C

RGBA 211 95 145 0.3

HSLA 334.14, 0.57%, 0.6%, 0.3

LABA 56.17, 50.93, -5.04, 0.3

 

CMYK 0 / 18 / 11 / 7

HEX #C24D7E4C

RGBA 194 77 126 0.3

HSLA 334.87, 0.49%, 0.53%, 0.3

LABA 49.84, 51.53, -3.41, 0.3

 

CMYK 0 / 20 / 12 / 9

HEX #B13B6B4C

RGBA 177 59 107 0.3

HSLA 335.59, 0.5%, 0.46%, 0.3

LABA 43.56, 51.88, -1.39, 0.3

 

CMYK 0 / 46 / 25 / 4

HEX #F584B8

RGB 245 132 184

HSL 332.39, 0.85%, 0.74%

LAB 69.02, 49.06, -7.78

 

CMYK 0 / 46 / 38 / 4

HEX #F58499

RGB 245 132 153

HSL 348.85, 0.85%, 0.74%

LAB 68.18, 45.2, 8.41

 

CMYK 0 / 46 / 46 / 4

HEX #F58484

RGB 245 132 132

HSL 0, 0.85%, 0.74%

LAB 67.71, 43, 19.55

 

CMYK 0 / 46 / 25 / 4

HEX #F584B8

RGB 245 132 184

HSL 332.39, 0.85%, 0.74%

LAB 69.02, 49.06, -7.78

 

CMYK 0 / 46 / 13 / 4

HEX #F584D6

RGB 245 132 214

HSL 316.46, 0.85%, 0.74%

LAB 70.01, 53.46, -23.01

 

CMYK 0 / 46 / 0 / 4

HEX #F584F5

RGB 245 132 245

HSL 300, 0.85%, 0.74%

LAB 71.22, 58.59, -38.22

 

CMYK 12 / 46 / 0 / 4

HEX #D784F5

RGB 215 132 245

HSL 284.07, 0.85%, 0.74%

LAB 67.68, 50.22, -44.01

 

CMYK 24 / 46 / 0 / 4

HEX #B984F5

RGB 185 132 245

HSL 268.14, 0.85%, 0.74%

LAB 64.49, 42, -49.25

 

CMYK 0 / 46 / 25 / 4

HEX #F584B8

RGB 245 132 184

HSL 332.39, 0.85%, 0.74%

LAB 69.02, 49.06, -7.78

 

CMYK 0 / 46 / 25 / 4

HEX #F584B8

RGB 245 132 184

HSL 332.39, 0.85%, 0.74%

LAB 69.02, 49.06, -7.78

 

CMYK 0 / 39 / 21 / 8

HEX #EA8FB9

RGB 234 143 185

HSL 332.31, 0.68%, 0.74%

LAB 69.92, 39.92, -7.15

 

CMYK 0 / 31 / 17 / 12

HEX #E09ABA

RGB 224 154 186

HSL 332.57, 0.53%, 0.74%

LAB 71.22, 30.79, -5.92

 

CMYK 0 / 23 / 12 / 16

HEX #D5A5BB

RGB 213 165 187

HSL 332.5, 0.36%, 0.74%

LAB 72.66, 21.12, -4.47

 

CMYK 0 / 13 / 7 / 21

HEX #CAAFBC

RGB 202 175 188

HSL 331.11, 0.2%, 0.74%

LAB 74.09, 11.95, -3.03

 

CMYK 0 / 46 / 0 / 4

HEX #F584F5

RGB 245 132 245

HSL 300, 0.85%, 0.74%

LAB 71.22, 58.59, -38.22

 

CMYK 0 / 46 / 12 / 4

HEX #F584D7

RGB 245 132 215

HSL 315.93, 0.85%, 0.74%

LAB 70.05, 53.61, -23.51

 

CMYK 0 / 46 / 24 / 4

HEX #F584B9

RGB 245 132 185

HSL 331.86, 0.85%, 0.74%

LAB 69.05, 49.2, -8.3

 

CMYK 0 / 46 / 37 / 4

HEX #F5849B

RGB 245 132 155

HSL 347.79, 0.85%, 0.74%

LAB 68.23, 45.43, 7.35

 

CMYK 0 / 43 / 46 / 4

HEX #F58C84

RGB 245 140 132

HSL 4.25, 0.85%, 0.74%

LAB 69.35, 38.93, 21.79

 

CMYK 0 / 77 / 42 / 6

HEX #EF388B

RGB 239 56 139

HSL 332.79, 0.85%, 0.58%

LAB 55.12, 73.3, -2.53

 

CMYK 0 / 61 / 33 / 5

HEX #F25EA2

RGB 242 94 162

HSL 332.43, 0.85%, 0.66%

LAB 61.21, 62.97, -6.93

 

CMYK 0 / 46 / 25 / 4

HEX #F584B8

RGB 245 132 184

HSL 332.39, 0.85%, 0.74%

LAB 69.02, 49.06, -7.78

 

CMYK 0 / 31 / 17 / 3

HEX #F8ABCE

RGB 248 171 206

HSL 332.73, 0.85%, 0.82%

LAB 78.19, 33.19, -6.29

 

CMYK 0 / 17 / 9 / 2

HEX #FBD1E4

RGB 251 209 228

HSL 332.86, 0.84%, 0.9%

LAB 87.83, 17.73, -3.83

 

CMYK 0 / 47 / 25 / 4

HEX #F583B7

RGB 245 131 183

HSL 332.63, 0.85%, 0.74%

LAB 68.8, 49.42, -7.56

 

CMYK 0 / 12 / 46 / 4

HEX #F5D784

RGB 245 215 132

HSL 44.07, 0.85%, 0.74%

LAB 86.84, -0.24, 44.62

 

CMYK 46 / 6 / 0 / 4

HEX #84E6F5

RGB 132 230 245

HSL 187.96, 0.85%, 0.74%

LAB 86.05, -25.01, -16.27

 

CMYK 0 / 47 / 25 / 4

HEX #F583B7

RGB 245 131 183

HSL 332.63, 0.85%, 0.74%

LAB 68.8, 49.42, -7.56

 

CMYK 24 / 0 / 46 / 4

HEX #B9F584

RGB 185 245 132

HSL 91.86, 0.85%, 0.74%

LAB 90.45, -37.63, 48.18

 

CMYK 46 / 24 / 0 / 4

HEX #84B9F5

RGB 132 185 245

HSL 211.86, 0.85%, 0.74%

LAB 73.67, -1.66, -35.16

 

CMYK 0 / 47 / 25 / 4

HEX #F583B7

RGB 245 131 183

HSL 332.63, 0.85%, 0.74%

LAB 68.8, 49.42, -7.56

 

CMYK 0 / 12 / 46 / 4

HEX #F5D784

RGB 245 215 132

HSL 44.07, 0.85%, 0.74%

LAB 86.84, -0.24, 44.62

 

CMYK 46 / 0 / 22 / 4

HEX #84F5C0

RGB 132 245 192

HSL 151.86, 0.85%, 0.74%

LAB 88.93, -44.18, 15.65

 

CMYK 46 / 34 / 0 / 4

HEX #84A2F5

RGB 132 162 245

HSL 224.07, 0.85%, 0.74%

LAB 67.53, 11.24, -44.75

 

CMYK 0 / 47 / 25 / 4

HEX #F583B7

RGB 245 131 183

HSL 332.63, 0.85%, 0.74%

LAB 68.8, 49.42, -7.56

 

CMYK 2 / 0 / 46 / 4

HEX #F1F584

RGB 241 245 132

HSL 62.12, 0.85%, 0.74%

LAB 94.17, -16.79, 53.58

 

CMYK 46 / 0 / 22 / 4

HEX #84F5C0

RGB 132 245 192

HSL 151.86, 0.85%, 0.74%

LAB 88.93, -44.18, 15.65

 

CMYK 44 / 46 / 0 / 4

HEX #8884F5

RGB 136 132 245

HSL 242.12, 0.85%, 0.74%

LAB 60.19, 29.61, -56.35

 

Description

Color code: HEX #F583B74C | qconv.com Color code: HEX #F583B74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 131 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 131 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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