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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F57EEA it is the complementary color #0A8115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F57EEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F57EEA shade: #FA7EE5, #FF90F8, #FFA2FF, #FFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F57EEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F57EEA shade: #F57EEA, #E46CD7, #D35AC4, #C248B1 and #B1369E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F57EEA shade: #F57FEA, #F57FCA, #F57FAB, #F57F8B and #F57F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F57EEA shade: #F57FEA, #E07FF5, #C07FF5, #A17FF5 and #817FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F57EEA shade matches the following richer shades: #F57FEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F57EEA shade: #F57FEA, #EA8AE1, #DF95D8, #D4A0CF and #C9ABC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F57EEA shade: #C07FF5, #E07FF5, #F57FEB, #F57FCC and #F57FAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F57EEA shade: #F032DE, #F259E4, #F57FEA, #F8A5F1 and #FBCCF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F57EEA shade: #F57EEA, #F5A07F and #7FF5D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F57EEA shade: #F57EEA, #EBF57F and #7FEBF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F57EEA shade: #F57EEA, #F5A07F, #7FF589 and #7FD4F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F57EEA shade: #F57EEA, #F5C47F, #7FF589 and #7FB0F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 4 / 4

HEX #F57EEA

RGB 245 126 234

HSL 305.55, 0.86%, 0.73%

LAB 69.66, 59.6, -34.6

 

Complementary color

CMYK 92 / 0 / 84 / 49

HEX #0A8115

RGB 10 129 21

HSL 125.55, 0.86%, 0.27%

LAB 46.74, -50.29, 45.59

 

CMYK 0 / 50 / 8 / 2

HEX #FA7EE5

RGB 250 126 229

HSL 310.16, 0.93%, 0.74%

LAB 70.11, 60.2, -31.11

 

CMYK 0 / 44 / 3 / 0

HEX #FF90F8

RGB 255 144 248

HSL 303.78, 1%, 0.78%

LAB 74.81, 56.09, -34.18

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 49 / 4 / 4

HEX #F57EEA

RGB 245 126 234

HSL 305.55, 0.86%, 0.73%

LAB 69.66, 59.6, -34.6

 

CMYK 0 / 53 / 6 / 11

HEX #E46CD7

RGB 228 108 215

HSL 306.5, 0.69%, 0.66%

LAB 63.45, 60.17, -33.87

 

CMYK 0 / 57 / 7 / 17

HEX #D35AC4

RGB 211 90 196

HSL 307.44, 0.58%, 0.59%

LAB 57.22, 60.6, -32.99

 

CMYK 0 / 63 / 9 / 24

HEX #C248B1

RGB 194 72 177

HSL 308.36, 0.5%, 0.52%

LAB 51.01, 60.8, -31.88

 

CMYK 0 / 69 / 11 / 31

HEX #B1369E

RGB 177 54 158

HSL 309.27, 0.53%, 0.45%

LAB 44.88, 60.59, -30.44

 

CMYK 0 / 48 / 4 / 4

HEX #F57FEA

RGB 245 127 234

HSL 305.59, 0.86%, 0.73%

LAB 69.85, 59.12, -34.32

 

CMYK 0 / 48 / 18 / 4

HEX #F57FCA

RGB 245 127 202

HSL 321.86, 0.86%, 0.73%

LAB 68.65, 54.08, -18.42

 

CMYK 0 / 48 / 30 / 4

HEX #F57FAB

RGB 245 127 171

HSL 337.63, 0.86%, 0.73%

LAB 67.67, 49.83, -2.47

 

CMYK 0 / 48 / 43 / 4

HEX #F57F8B

RGB 245 127 139

HSL 353.9, 0.86%, 0.73%

LAB 66.87, 46.19, 14.44

 

CMYK 0 / 48 / 48 / 4

HEX #F57F7F

RGB 245 127 127

HSL 0, 0.86%, 0.73%

LAB 66.61, 45.03, 20.85

 

CMYK 0 / 48 / 4 / 4

HEX #F57FEA

RGB 245 127 234

HSL 305.59, 0.86%, 0.73%

LAB 69.85, 59.12, -34.32

 

CMYK 9 / 48 / 0 / 4

HEX #E07FF5

RGB 224 127 245

HSL 289.32, 0.86%, 0.73%

LAB 67.74, 55.24, -43.85

 

CMYK 22 / 48 / 0 / 4

HEX #C07FF5

RGB 192 127 245

HSL 273.05, 0.86%, 0.73%

LAB 64.14, 46.58, -49.75

 

CMYK 34 / 48 / 0 / 4

HEX #A17FF5

RGB 161 127 245

HSL 257.29, 0.86%, 0.73%

LAB 61.09, 38.53, -54.79

 

CMYK 47 / 48 / 0 / 4

HEX #817FF5

RGB 129 127 245

HSL 241.02, 0.86%, 0.73%

LAB 58.45, 30.95, -59.15

 

CMYK 0 / 48 / 4 / 4

HEX #F57FEA

RGB 245 127 234

HSL 305.59, 0.86%, 0.73%

LAB 69.85, 59.12, -34.32

 

CMYK 0 / 48 / 4 / 4

HEX #F57FEA

RGB 245 127 234

HSL 305.59, 0.86%, 0.73%

LAB 69.85, 59.12, -34.32

 

CMYK 0 / 41 / 4 / 8

HEX #EA8AE1

RGB 234 138 225

HSL 305.63, 0.7%, 0.73%

LAB 70.25, 48.92, -28.85

 

CMYK 0 / 33 / 3 / 13

HEX #DF95D8

RGB 223 149 216

HSL 305.68, 0.54%, 0.73%

LAB 70.97, 38.16, -22.9

 

CMYK 0 / 25 / 2 / 17

HEX #D4A0CF

RGB 212 160 207

HSL 305.77, 0.38%, 0.73%

LAB 71.99, 26.99, -16.5

 

CMYK 0 / 15 / 1 / 21

HEX #C9ABC6

RGB 201 171 198

HSL 306, 0.22%, 0.73%

LAB 73.3, 15.58, -9.69

 

CMYK 22 / 48 / 0 / 4

HEX #C07FF5

RGB 192 127 245

HSL 273.05, 0.86%, 0.73%

LAB 64.14, 46.58, -49.75

 

CMYK 9 / 48 / 0 / 4

HEX #E07FF5

RGB 224 127 245

HSL 289.32, 0.86%, 0.73%

LAB 67.74, 55.24, -43.85

 

CMYK 0 / 48 / 4 / 4

HEX #F57FEB

RGB 245 127 235

HSL 305.08, 0.86%, 0.73%

LAB 69.89, 59.29, -34.81

 

CMYK 0 / 48 / 17 / 4

HEX #F57FCC

RGB 245 127 204

HSL 320.85, 0.86%, 0.73%

LAB 68.72, 54.37, -19.43

 

CMYK 0 / 48 / 30 / 4

HEX #F57FAC

RGB 245 127 172

HSL 337.12, 0.86%, 0.73%

LAB 67.7, 49.96, -2.99

 

CMYK 0 / 79 / 8 / 6

HEX #F032DE

RGB 240 50 222

HSL 305.68, 0.86%, 0.57%

LAB 58.11, 84.87, -46.05

 

CMYK 0 / 63 / 6 / 5

HEX #F259E4

RGB 242 89 228

HSL 305.49, 0.85%, 0.65%

LAB 63.03, 73.96, -41.65

 

CMYK 0 / 48 / 4 / 4

HEX #F57FEA

RGB 245 127 234

HSL 305.59, 0.86%, 0.73%

LAB 69.85, 59.12, -34.32

 

CMYK 0 / 33 / 3 / 3

HEX #F8A5F1

RGB 248 165 241

HSL 305.06, 0.86%, 0.81%

LAB 78, 42.1, -25.56

 

CMYK 0 / 19 / 2 / 2

HEX #FBCCF7

RGB 251 204 247

HSL 305.11, 0.85%, 0.89%

LAB 87.2, 23.63, -14.82

 

CMYK 0 / 49 / 4 / 4

HEX #F57EEA

RGB 245 126 234

HSL 305.55, 0.86%, 0.73%

LAB 69.66, 59.6, -34.6

 

CMYK 0 / 35 / 48 / 4

HEX #F5A07F

RGB 245 160 127

HSL 16.78, 0.86%, 0.73%

LAB 73.6, 28.05, 30.21

 

CMYK 48 / 0 / 15 / 4

HEX #7FF5D0

RGB 127 245 208

HSL 161.19, 0.86%, 0.73%

LAB 89.1, -42.01, 7.57

 

CMYK 0 / 49 / 4 / 4

HEX #F57EEA

RGB 245 126 234

HSL 305.55, 0.86%, 0.73%

LAB 69.66, 59.6, -34.6

 

CMYK 4 / 0 / 48 / 4

HEX #EBF57F

RGB 235 245 127

HSL 65.08, 0.86%, 0.73%

LAB 93.67, -19.57, 55.2

 

CMYK 48 / 4 / 0 / 4

HEX #7FEBF5

RGB 127 235 245

HSL 185.08, 0.86%, 0.73%

LAB 87.25, -28.54, -14.49

 

CMYK 0 / 49 / 4 / 4

HEX #F57EEA

RGB 245 126 234

HSL 305.55, 0.86%, 0.73%

LAB 69.66, 59.6, -34.6

 

CMYK 0 / 35 / 48 / 4

HEX #F5A07F

RGB 245 160 127

HSL 16.78, 0.86%, 0.73%

LAB 73.6, 28.05, 30.21

 

CMYK 48 / 0 / 44 / 4

HEX #7FF589

RGB 127 245 137

HSL 125.08, 0.86%, 0.73%

LAB 87.79, -55.02, 41.85

 

CMYK 48 / 13 / 0 / 4

HEX #7FD4F5

RGB 127 212 245

HSL 196.78, 0.86%, 0.73%

LAB 80.85, -17.13, -24.17

 

CMYK 0 / 49 / 4 / 4

HEX #F57EEA

RGB 245 126 234

HSL 305.55, 0.86%, 0.73%

LAB 69.66, 59.6, -34.6

 

CMYK 0 / 20 / 48 / 4

HEX #F5C47F

RGB 245 196 127

HSL 35.08, 0.86%, 0.73%

LAB 82.07, 9.11, 41.13

 

CMYK 48 / 0 / 44 / 4

HEX #7FF589

RGB 127 245 137

HSL 125.08, 0.86%, 0.73%

LAB 87.79, -55.02, 41.85

 

CMYK 48 / 28 / 0 / 4

HEX #7FB0F5

RGB 127 176 245

HSL 215.08, 0.86%, 0.73%

LAB 70.98, 2.15, -39.37

 

Description

Color code: HEX #F57EEA | qconv.com Color code: HEX #F57EEA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 126 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 126 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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