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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F57DD7 it is the complementary color #0A8228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F57DD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F57DD7 shade: #FA7DD2, #FF8FE5, #FFA1F8, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F57DD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F57DD7 shade: #F57DD7, #E46BC4, #D359B1, #C2479E and #B1358B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F57DD7 shade: #F57FD8, #F57FB8, #F57F98 and #F57F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F57DD7 shade: #F57FD8, #F37FF5, #D37FF5, #B37FF5 and #937FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F57DD7 shade matches the following richer shades: #F57FD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F57DD7 shade: #F57FD8, #EA8AD2, #DF95CD, #D4A0C7 and #C9ABC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F57DD7 shade: #D47FF5, #F37FF5, #F57FD8, #F57FB8 and #F57F99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F57DD7 shade: #F032C0, #F259CC, #F57FD8, #F8A5E4 and #FBCCEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F57DD7 shade: #F57DD7, #F5B47F and #7FF5E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F57DD7 shade: #F57DD7, #D8F57F and #7FD8F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F57DD7 shade: #F57DD7, #F5B47F, #7FF59D and #7FC0F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F57DD7 shade: #F57DD7, #F5D87F, #7FF59D and #7F9DF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 12 / 4

HEX #F57DD7

RGB 245 125 215

HSL 315, 0.86%, 0.73%

LAB 68.74, 57.01, -25.51

 

Complementary color

CMYK 92 / 0 / 69 / 49

HEX #0A8228

RGB 10 130 40

HSL 135, 0.86%, 0.27%

LAB 47.21, -48.96, 38.91

 

CMYK 0 / 50 / 16 / 2

HEX #FA7DD2

RGB 250 125 210

HSL 319.2, 0.93%, 0.74%

LAB 69.22, 57.74, -21.95

 

CMYK 0 / 44 / 10 / 0

HEX #FF8FE5

RGB 255 143 229

HSL 313.93, 1%, 0.78%

LAB 73.91, 53.44, -25.21

 

CMYK 0 / 37 / 3 / 0

HEX #FFA1F8

RGB 255 161 248

HSL 304.47, 1%, 0.82%

LAB 78.19, 47.55, -28.99

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 49 / 12 / 4

HEX #F57DD7

RGB 245 125 215

HSL 315, 0.86%, 0.73%

LAB 68.74, 57.01, -25.51

 

CMYK 0 / 53 / 14 / 11

HEX #E46BC4

RGB 228 107 196

HSL 315.87, 0.69%, 0.66%

LAB 62.5, 57.62, -24.62

 

CMYK 0 / 58 / 16 / 17

HEX #D359B1

RGB 211 89 177

HSL 316.72, 0.58%, 0.59%

LAB 56.26, 58.09, -23.55

 

CMYK 0 / 63 / 19 / 24

HEX #C2479E

RGB 194 71 158

HSL 317.56, 0.5%, 0.52%

LAB 50.03, 58.34, -22.23

 

CMYK 0 / 70 / 21 / 31

HEX #B1358B

RGB 177 53 139

HSL 318.39, 0.54%, 0.45%

LAB 43.88, 58.2, -20.54

 

CMYK 0 / 48 / 12 / 4

HEX #F57FD8

RGB 245 127 216

HSL 314.75, 0.86%, 0.73%

LAB 69.15, 56.21, -25.45

 

CMYK 0 / 48 / 25 / 4

HEX #F57FB8

RGB 245 127 184

HSL 331.02, 0.86%, 0.73%

LAB 68.06, 51.53, -9.22

 

CMYK 0 / 48 / 38 / 4

HEX #F57F98

RGB 245 127 152

HSL 347.29, 0.86%, 0.73%

LAB 67.17, 47.58, 7.53

 

CMYK 0 / 48 / 48 / 4

HEX #F57F7F

RGB 245 127 127

HSL 0, 0.86%, 0.73%

LAB 66.61, 45.03, 20.85

 

CMYK 0 / 48 / 12 / 4

HEX #F57FD8

RGB 245 127 216

HSL 314.75, 0.86%, 0.73%

LAB 69.15, 56.21, -25.45

 

CMYK 1 / 48 / 0 / 4

HEX #F37FF5

RGB 243 127 245

HSL 298.98, 0.86%, 0.73%

LAB 70.05, 60.44, -40.06

 

CMYK 14 / 48 / 0 / 4

HEX #D37FF5

RGB 211 127 245

HSL 282.71, 0.86%, 0.73%

LAB 66.23, 51.69, -46.32

 

CMYK 27 / 48 / 0 / 4

HEX #B37FF5

RGB 179 127 245

HSL 266.44, 0.86%, 0.73%

LAB 62.81, 43.14, -51.96

 

CMYK 40 / 48 / 0 / 4

HEX #937FF5

RGB 147 127 245

HSL 250.17, 0.86%, 0.73%

LAB 59.87, 35.1, -56.81

 

CMYK 0 / 48 / 12 / 4

HEX #F57FD8

RGB 245 127 216

HSL 314.75, 0.86%, 0.73%

LAB 69.15, 56.21, -25.45

 

CMYK 0 / 48 / 12 / 4

HEX #F57FD8

RGB 245 127 216

HSL 314.75, 0.86%, 0.73%

LAB 69.15, 56.21, -25.45

 

CMYK 0 / 41 / 10 / 8

HEX #EA8AD2

RGB 234 138 210

HSL 315, 0.7%, 0.73%

LAB 69.7, 46.39, -21.4

 

CMYK 0 / 33 / 8 / 13

HEX #DF95CD

RGB 223 149 205

HSL 314.59, 0.54%, 0.73%

LAB 70.59, 36.23, -17.4

 

CMYK 0 / 25 / 6 / 17

HEX #D4A0C7

RGB 212 160 199

HSL 315, 0.38%, 0.73%

LAB 71.73, 25.55, -12.47

 

CMYK 0 / 15 / 4 / 21

HEX #C9ABC1

RGB 201 171 193

HSL 316, 0.22%, 0.73%

LAB 73.15, 14.67, -7.17

 

CMYK 13 / 48 / 0 / 4

HEX #D47FF5

RGB 212 127 245

HSL 283.22, 0.86%, 0.73%

LAB 66.34, 51.96, -46.14

 

CMYK 1 / 48 / 0 / 4

HEX #F37FF5

RGB 243 127 245

HSL 298.98, 0.86%, 0.73%

LAB 70.05, 60.44, -40.06

 

CMYK 0 / 48 / 12 / 4

HEX #F57FD8

RGB 245 127 216

HSL 314.75, 0.86%, 0.73%

LAB 69.15, 56.21, -25.45

 

CMYK 0 / 48 / 25 / 4

HEX #F57FB8

RGB 245 127 184

HSL 331.02, 0.86%, 0.73%

LAB 68.06, 51.53, -9.22

 

CMYK 0 / 48 / 38 / 4

HEX #F57F99

RGB 245 127 153

HSL 346.78, 0.86%, 0.73%

LAB 67.2, 47.69, 7

 

CMYK 0 / 79 / 20 / 6

HEX #F032C0

RGB 240 50 192

HSL 315.16, 0.86%, 0.57%

LAB 56.7, 80.89, -31.16

 

CMYK 0 / 63 / 16 / 5

HEX #F259CC

RGB 242 89 204

HSL 314.9, 0.85%, 0.65%

LAB 61.98, 70.41, -29.79

 

CMYK 0 / 48 / 12 / 4

HEX #F57FD8

RGB 245 127 216

HSL 314.75, 0.86%, 0.73%

LAB 69.15, 56.21, -25.45

 

CMYK 0 / 33 / 8 / 3

HEX #F8A5E4

RGB 248 165 228

HSL 314.46, 0.86%, 0.81%

LAB 77.56, 39.87, -19.19

 

CMYK 0 / 19 / 5 / 2

HEX #FBCCEF

RGB 251 204 239

HSL 315.32, 0.85%, 0.89%

LAB 86.96, 22.22, -10.94

 

CMYK 0 / 49 / 12 / 4

HEX #F57DD7

RGB 245 125 215

HSL 315, 0.86%, 0.73%

LAB 68.74, 57.01, -25.51

 

CMYK 0 / 27 / 48 / 4

HEX #F5B47F

RGB 245 180 127

HSL 26.95, 0.86%, 0.73%

LAB 78.22, 17.51, 36.22

 

CMYK 48 / 0 / 7 / 4

HEX #7FF5E4

RGB 127 245 228

HSL 171.36, 0.86%, 0.73%

LAB 89.59, -37.44, -2.13

 

CMYK 0 / 49 / 12 / 4

HEX #F57DD7

RGB 245 125 215

HSL 315, 0.86%, 0.73%

LAB 68.74, 57.01, -25.51

 

CMYK 12 / 0 / 48 / 4

HEX #D8F57F

RGB 216 245 127

HSL 74.75, 0.86%, 0.73%

LAB 92.33, -26.85, 53.27

 

CMYK 48 / 12 / 0 / 4

HEX #7FD8F5

RGB 127 216 245

HSL 194.75, 0.86%, 0.73%

LAB 81.96, -19.16, -22.48

 

CMYK 0 / 49 / 12 / 4

HEX #F57DD7

RGB 245 125 215

HSL 315, 0.86%, 0.73%

LAB 68.74, 57.01, -25.51

 

CMYK 0 / 27 / 48 / 4

HEX #F5B47F

RGB 245 180 127

HSL 26.95, 0.86%, 0.73%

LAB 78.22, 17.51, 36.22

 

CMYK 48 / 0 / 36 / 4

HEX #7FF59D

RGB 127 245 157

HSL 135.25, 0.86%, 0.73%

LAB 88.09, -51.9, 32.34

 

CMYK 48 / 22 / 0 / 4

HEX #7FC0F5

RGB 127 192 245

HSL 206.95, 0.86%, 0.73%

LAB 75.33, -6.63, -32.62

 

CMYK 0 / 49 / 12 / 4

HEX #F57DD7

RGB 245 125 215

HSL 315, 0.86%, 0.73%

LAB 68.74, 57.01, -25.51

 

CMYK 0 / 12 / 48 / 4

HEX #F5D87F

RGB 245 216 127

HSL 45.25, 0.86%, 0.73%

LAB 87.02, -1.21, 47.31

 

CMYK 48 / 0 / 36 / 4

HEX #7FF59D

RGB 127 245 157

HSL 135.25, 0.86%, 0.73%

LAB 88.09, -51.9, 32.34

 

CMYK 48 / 36 / 0 / 4

HEX #7F9DF5

RGB 127 157 245

HSL 224.75, 0.86%, 0.73%

LAB 65.92, 12.94, -47.3

 

Description

Color code: HEX #F57DD7 | qconv.com Color code: HEX #F57DD7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 125 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 125 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 12 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 12% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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