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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F57D3ACE it is the complementary color #0A82C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F57D3ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F57D3ACE shade: #FA7D35CE, #FF8F48CE, #FFA15BCE, #FFB36ECE and #FFC581CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F57D3ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F57D3ACE shade: #F57D3ACE, #E46B27CE, #D35914CE, #C24701CE and #B13500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F57D3ACE shade: #F57C38, #F54938 and #F53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F57D3ACE shade: #F57C38, #F5AF38, #F5E138, #D5F538 and #A2F538

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F57D3ACE shade matches the following richer shades: #F57C38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F57D3ACE shade: #F57C38, #E48149, #D3855A, #C28A6B and #B18F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F57D3ACE shade: #F5385B, #F54838, #F57A38, #F5AC38 and #F5DF38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F57D3ACE shade: #CF510B, #F26211, #F57C38, #F79660 and #F9B087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F57D3ACE shade: #F57D3A, #8DF538 and #3842F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F57D3ACE shade: #F57D3A, #38F57A and #7A38F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F57D3ACE shade: #F57D3A, #8DF538, #38B3F5 and #A038F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F57D3ACE shade: #F57D3A, #55F538, #38B3F5 and #D838F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 62 / 3

HEX #F57D3ACE

RGBA 245 125 58 0.81

HSLA 21.5, 0.9%, 0.59%, 0.81

LABA 65.27, 41.57, 55.56, 0.81

 

Complementary color

CMYK 77 / 28 / 0 / 18

HEX #0A82C5CE

RGBA 10 130 197 0.81

HSLA 201.5, 0.9%, 0.41%, 0.81

LABA 51.91, -4.58, -42.91, 0.81

 

CMYK 0 / 41 / 64 / 2

HEX #FA7D35CE

RGBA 250 125 53 0.81

HSLA 21.93, 0.95%, 0.59%, 0.81

LABA 65.94, 43.31, 58.67, 0.81

 

CMYK 0 / 36 / 58 / 0

HEX #FF8F48CE

RGBA 255 143 72 0.81

HSLA 23.28, 1%, 0.64%, 0.81

LABA 70.44, 36.98, 54.86, 0.81

 

CMYK 0 / 30 / 52 / 0

HEX #FFA15BCE

RGBA 255 161 91 0.81

HSLA 25.61, 1%, 0.68%, 0.81

LABA 74.51, 28.71, 50.25, 0.81

 

CMYK 0 / 24 / 46 / 0

HEX #FFB36ECE

RGBA 255 179 110 0.81

HSLA 28.55, 1%, 0.72%, 0.81

LABA 78.83, 20.6, 45.91, 0.81

 

CMYK 0 / 18 / 40 / 0

HEX #FFC581CE

RGBA 255 197 129 0.81

HSLA 32.38, 1%, 0.75%, 0.81

LABA 83.33, 12.77, 41.91, 0.81

 

CMYK 0 / 40 / 62 / 3

HEX #F57D3ACE

RGBA 245 125 58 0.81

HSLA 21.5, 0.9%, 0.59%, 0.81

LABA 65.27, 41.57, 55.56, 0.81

 

CMYK 0 / 43 / 67 / 9

HEX #E46B27CE

RGBA 228 107 39 0.81

HSLA 21.59, 0.78%, 0.52%, 0.81

LABA 59.12, 43.32, 57.05, 0.81

 

CMYK 0 / 47 / 73 / 14

HEX #D35914CE

RGBA 211 89 20 0.81

HSLA 21.68, 0.83%, 0.45%, 0.81

LABA 53, 45.14, 57.81, 0.81

 

CMYK 0 / 51 / 81 / 19

HEX #C24701CE

RGBA 194 71 1 0.81

HSLA 21.76, 0.99%, 0.38%, 0.81

LABA 46.95, 46.92, 57.38, 0.81

 

CMYK 0 / 57 / 81 / 25

HEX #B13500CE

RGBA 177 53 0 0.81

HSLA 17.97, 1%, 0.35%, 0.81

LABA 41.05, 48.53, 52.96, 0.81

 

CMYK 0 / 49 / 77 / 4

HEX #F57C38

RGB 245 124 56

HSL 21.59, 0.9%, 0.59%

LAB 65.05, 41.99, 56.25

 

CMYK 0 / 70 / 77 / 4

HEX #F54938

RGB 245 73 56

HSL 5.4, 0.9%, 0.59%

LAB 56.55, 64.32, 47.67

 

CMYK 0 / 77 / 77 / 4

HEX #F53838

RGB 245 56 56

HSL 0, 0.9%, 0.59%

LAB 54.58, 69.79, 45.62

 

CMYK 0 / 49 / 77 / 4

HEX #F57C38

RGB 245 124 56

HSL 21.59, 0.9%, 0.59%

LAB 65.05, 41.99, 56.25

 

CMYK 0 / 29 / 77 / 4

HEX #F5AF38

RGB 245 175 56

HSL 37.78, 0.9%, 0.59%

LAB 76.29, 15.55, 67.02

 

CMYK 0 / 8 / 77 / 4

HEX #F5E138

RGB 245 225 56

HSL 53.65, 0.9%, 0.59%

LAB 88.71, -10.15, 78.41

 

CMYK 13 / 0 / 77 / 4

HEX #D5F538

RGB 213 245 56

HSL 70.16, 0.9%, 0.59%

LAB 91.57, -32.82, 80.08

 

CMYK 34 / 0 / 77 / 4

HEX #A2F538

RGB 162 245 56

HSL 86.35, 0.9%, 0.59%

LAB 88.58, -51.86, 76.24

 

CMYK 0 / 49 / 77 / 4

HEX #F57C38

RGB 245 124 56

HSL 21.59, 0.9%, 0.59%

LAB 65.05, 41.99, 56.25

 

CMYK 0 / 49 / 77 / 4

HEX #F57C38

RGB 245 124 56

HSL 21.59, 0.9%, 0.59%

LAB 65.05, 41.99, 56.25

 

CMYK 0 / 43 / 68 / 11

HEX #E48149

RGB 228 129 73

HSL 21.68, 0.74%, 0.59%

LAB 63.9, 33.55, 46.19

 

CMYK 0 / 37 / 57 / 17

HEX #D3855A

RGB 211 133 90

HSL 21.32, 0.58%, 0.59%

LAB 62.81, 25.69, 35.49

 

CMYK 0 / 29 / 45 / 24

HEX #C28A6B

RGB 194 138 107

HSL 21.38, 0.42%, 0.59%

LAB 62.26, 17.57, 25.07

 

CMYK 0 / 19 / 30 / 31

HEX #B18F7C

RGB 177 143 124

HSL 21.51, 0.25%, 0.59%

LAB 62.04, 9.98, 14.96

 

CMYK 0 / 77 / 63 / 4

HEX #F5385B

RGB 245 56 91

HSL 348.89, 0.9%, 0.59%

LAB 55.07, 71.34, 26.17

 

CMYK 0 / 71 / 77 / 4

HEX #F54838

RGB 245 72 56

HSL 5.08, 0.9%, 0.59%

LAB 56.42, 64.68, 47.53

 

CMYK 0 / 50 / 77 / 4

HEX #F57A38

RGB 245 122 56

HSL 20.95, 0.9%, 0.59%

LAB 64.66, 42.99, 55.86

 

CMYK 0 / 30 / 77 / 4

HEX #F5AC38

RGB 245 172 56

HSL 36.83, 0.9%, 0.59%

LAB 75.58, 17.13, 66.36

 

CMYK 0 / 9 / 77 / 4

HEX #F5DF38

RGB 245 223 56

HSL 53.02, 0.9%, 0.59%

LAB 88.2, -9.15, 77.95

 

CMYK 0 / 61 / 95 / 19

HEX #CF510B

RGB 207 81 11

HSL 21.43, 0.9%, 0.43%

LAB 50.89, 47.26, 58.46

 

CMYK 0 / 60 / 93 / 5

HEX #F26211

RGB 242 98 17

HSL 21.6, 0.9%, 0.51%

LAB 59.57, 52.31, 65.51

 

CMYK 0 / 49 / 77 / 4

HEX #F57C38

RGB 245 124 56

HSL 21.59, 0.9%, 0.59%

LAB 65.05, 41.99, 56.25

 

CMYK 0 / 39 / 61 / 3

HEX #F79660

RGB 247 150 96

HSL 21.46, 0.9%, 0.67%

LAB 71.17, 31.57, 43.56

 

CMYK 0 / 29 / 46 / 2

HEX #F9B087

RGB 249 176 135

HSL 21.58, 0.9%, 0.75%

LAB 77.84, 21.96, 31.6

 

CMYK 0 / 49 / 76 / 4

HEX #F57D3A

RGB 245 125 58

HSL 21.5, 0.9%, 0.59%

LAB 65.27, 41.57, 55.56

 

CMYK 42 / 0 / 77 / 4

HEX #8DF538

RGB 141 245 56

HSL 93.02, 0.9%, 0.59%

LAB 87.61, -58.77, 74.98

 

CMYK 77 / 73 / 0 / 4

HEX #3842F5

RGB 56 66 245

HSL 236.83, 0.9%, 0.59%

LAB 40.13, 55.75, -89.18

 

CMYK 0 / 49 / 76 / 4

HEX #F57D3A

RGB 245 125 58

HSL 21.5, 0.9%, 0.59%

LAB 65.27, 41.57, 55.56

 

CMYK 77 / 0 / 50 / 4

HEX #38F57A

RGB 56 245 122

HSL 140.95, 0.9%, 0.59%

LAB 85.78, -71.03, 46.13

 

CMYK 50 / 77 / 0 / 4

HEX #7A38F5

RGB 122 56 245

HSL 260.95, 0.9%, 0.59%

LAB 43.59, 67.38, -83.29

 

CMYK 0 / 49 / 76 / 4

HEX #F57D3A

RGB 245 125 58

HSL 21.5, 0.9%, 0.59%

LAB 65.27, 41.57, 55.56

 

CMYK 42 / 0 / 77 / 4

HEX #8DF538

RGB 141 245 56

HSL 93.02, 0.9%, 0.59%

LAB 87.61, -58.77, 74.98

 

CMYK 77 / 27 / 0 / 4

HEX #38B3F5

RGB 56 179 245

HSL 200.95, 0.9%, 0.59%

LAB 69.24, -11.66, -42.28

 

CMYK 35 / 77 / 0 / 4

HEX #A038F5

RGB 160 56 245

HSL 273.02, 0.9%, 0.59%

LAB 48.13, 72.84, -75.69

 

CMYK 0 / 49 / 76 / 4

HEX #F57D3A

RGB 245 125 58

HSL 21.5, 0.9%, 0.59%

LAB 65.27, 41.57, 55.56

 

CMYK 65 / 0 / 77 / 4

HEX #55F538

RGB 85 245 56

HSL 110.79, 0.9%, 0.59%

LAB 85.77, -73.2, 72.58

 

CMYK 77 / 27 / 0 / 4

HEX #38B3F5

RGB 56 179 245

HSL 200.95, 0.9%, 0.59%

LAB 69.24, -11.66, -42.28

 

CMYK 12 / 77 / 0 / 4

HEX #D838F5

RGB 216 56 245

HSL 290.79, 0.9%, 0.59%

LAB 56.11, 82.36, -62.39

 

Description

Color code: HEX #F57D3ACE | qconv.com Color code: HEX #F57D3ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 125 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 125 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 62 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 62% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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