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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F57CEB it is the complementary color #0A8314. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F57CEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F57CEB shade: #FA7CE6, #FF8EF9, #FFA0FF, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F57CEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F57CEB shade: #F57CEB, #E46AD8, #D358C5, #C246B2 and #B1349F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F57CEB shade: #F57AEB, #F57ACA, #F57AA9, #F57A88 and #F57A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F57CEB shade: #F57AEB, #DE7AF5, #BD7AF5, #9C7AF5 and #7B7AF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F57CEB shade matches the following richer shades: #F57AEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F57CEB shade: #F57AEB, #E986E1, #DE91D8, #D29DCE and #C7A8C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F57CEB shade: #BC7AF5, #DC7AF5, #F57AED, #F57ACC and #F57AAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F57CEB shade: #EF2DDF, #F254E5, #F57AEB, #F8A1F1 and #FBC7F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F57CEB shade: #F57CEB, #F59B7A and #7AF5CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F57CEB shade: #F57CEB, #EDF57A and #7AEDF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F57CEB shade: #F57CEB, #F59B7A, #7AF582 and #7AD4F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F57CEB shade: #F57CEB, #F5C07A, #7AF582 and #7AAFF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 4 / 4

HEX #F57CEB

RGB 245 124 235

HSL 304.96, 0.86%, 0.72%

LAB 69.35, 60.71, -35.65

 

Complementary color

CMYK 92 / 0 / 85 / 49

HEX #0A8314

RGB 10 131 20

HSL 124.96, 0.86%, 0.28%

LAB 47.43, -50.96, 46.52

 

CMYK 0 / 50 / 8 / 2

HEX #FA7CE6

RGB 250 124 230

HSL 309.52, 0.93%, 0.73%

LAB 69.79, 61.3, -32.15

 

CMYK 0 / 44 / 2 / 0

HEX #FF8EF9

RGB 255 142 249

HSL 303.19, 1%, 0.78%

LAB 74.47, 57.24, -35.25

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 49 / 4 / 4

HEX #F57CEB

RGB 245 124 235

HSL 304.96, 0.86%, 0.72%

LAB 69.35, 60.71, -35.65

 

CMYK 0 / 54 / 5 / 11

HEX #E46AD8

RGB 228 106 216

HSL 305.9, 0.69%, 0.65%

LAB 63.14, 61.26, -34.9

 

CMYK 0 / 58 / 7 / 17

HEX #D358C5

RGB 211 88 197

HSL 306.83, 0.58%, 0.59%

LAB 56.94, 61.65, -34

 

CMYK 0 / 64 / 8 / 24

HEX #C246B2

RGB 194 70 178

HSL 307.74, 0.5%, 0.52%

LAB 50.76, 61.78, -32.85

 

CMYK 0 / 71 / 10 / 31

HEX #B1349F

RGB 177 52 159

HSL 308.64, 0.55%, 0.45%

LAB 44.67, 61.47, -31.37

 

CMYK 0 / 50 / 4 / 4

HEX #F57AEB

RGB 245 122 235

HSL 304.88, 0.86%, 0.72%

LAB 68.99, 61.66, -36.2

 

CMYK 0 / 50 / 18 / 4

HEX #F57ACA

RGB 245 122 202

HSL 320.98, 0.86%, 0.72%

LAB 67.72, 56.48, -19.82

 

CMYK 0 / 50 / 31 / 4

HEX #F57AA9

RGB 245 122 169

HSL 337.07, 0.86%, 0.72%

LAB 66.67, 52.02, -2.82

 

CMYK 0 / 50 / 44 / 4

HEX #F57A88

RGB 245 122 136

HSL 353.17, 0.86%, 0.72%

LAB 65.83, 48.35, 14.7

 

CMYK 0 / 50 / 50 / 4

HEX #F57A7A

RGB 245 122 122

HSL 0, 0.86%, 0.72%

LAB 65.54, 47.05, 22.21

 

CMYK 0 / 50 / 4 / 4

HEX #F57AEB

RGB 245 122 235

HSL 304.88, 0.86%, 0.72%

LAB 68.99, 61.66, -36.2

 

CMYK 9 / 50 / 0 / 4

HEX #DE7AF5

RGB 222 122 245

HSL 288.78, 0.86%, 0.72%

LAB 66.55, 57.18, -45.73

 

CMYK 23 / 50 / 0 / 4

HEX #BD7AF5

RGB 189 122 245

HSL 272.68, 0.86%, 0.72%

LAB 62.79, 48.44, -51.92

 

CMYK 36 / 50 / 0 / 4

HEX #9C7AF5

RGB 156 122 245

HSL 256.59, 0.86%, 0.72%

LAB 59.51, 40.12, -57.34

 

CMYK 50 / 50 / 0 / 4

HEX #7B7AF5

RGB 123 122 245

HSL 240.49, 0.86%, 0.72%

LAB 56.8, 32.6, -61.82

 

CMYK 0 / 50 / 4 / 4

HEX #F57AEB

RGB 245 122 235

HSL 304.88, 0.86%, 0.72%

LAB 68.99, 61.66, -36.2

 

CMYK 0 / 50 / 4 / 4

HEX #F57AEB

RGB 245 122 235

HSL 304.88, 0.86%, 0.72%

LAB 68.99, 61.66, -36.2

 

CMYK 0 / 42 / 3 / 9

HEX #E986E1

RGB 233 134 225

HSL 304.85, 0.69%, 0.72%

LAB 69.33, 50.65, -30.27

 

CMYK 0 / 35 / 3 / 13

HEX #DE91D8

RGB 222 145 216

HSL 304.68, 0.54%, 0.72%

LAB 69.99, 39.96, -24.4

 

CMYK 0 / 25 / 2 / 18

HEX #D29DCE

RGB 210 157 206

HSL 304.53, 0.37%, 0.72%

LAB 71.06, 27.77, -17.37

 

CMYK 0 / 16 / 2 / 22

HEX #C7A8C4

RGB 199 168 196

HSL 305.81, 0.22%, 0.72%

LAB 72.32, 16.16, -10.08

 

CMYK 23 / 50 / 0 / 4

HEX #BC7AF5

RGB 188 122 245

HSL 272.2, 0.86%, 0.72%

LAB 62.68, 48.18, -52.1

 

CMYK 10 / 50 / 0 / 4

HEX #DC7AF5

RGB 220 122 245

HSL 287.8, 0.86%, 0.72%

LAB 66.31, 56.64, -46.12

 

CMYK 0 / 50 / 3 / 4

HEX #F57AED

RGB 245 122 237

HSL 303.9, 0.86%, 0.72%

LAB 69.07, 61.99, -37.17

 

CMYK 0 / 50 / 17 / 4

HEX #F57ACC

RGB 245 122 204

HSL 320, 0.86%, 0.72%

LAB 67.79, 56.78, -20.83

 

CMYK 0 / 50 / 30 / 4

HEX #F57AAB

RGB 245 122 171

HSL 336.1, 0.86%, 0.72%

LAB 66.73, 52.27, -3.86

 

CMYK 0 / 81 / 7 / 6

HEX #EF2DDF

RGB 239 45 223

HSL 304.95, 0.86%, 0.56%

LAB 57.61, 85.94, -47.42

 

CMYK 0 / 65 / 5 / 5

HEX #F254E5

RGB 242 84 229

HSL 304.94, 0.86%, 0.64%

LAB 62.4, 76, -43.2

 

CMYK 0 / 50 / 4 / 4

HEX #F57AEB

RGB 245 122 235

HSL 304.88, 0.86%, 0.72%

LAB 68.99, 61.66, -36.2

 

CMYK 0 / 35 / 3 / 3

HEX #F8A1F1

RGB 248 161 241

HSL 304.83, 0.86%, 0.8%

LAB 77.16, 44.18, -26.85

 

CMYK 0 / 21 / 2 / 2

HEX #FBC7F6

RGB 251 199 246

HSL 305.77, 0.87%, 0.88%

LAB 86.01, 26.08, -16.07

 

CMYK 0 / 49 / 4 / 4

HEX #F57CEB

RGB 245 124 235

HSL 304.96, 0.86%, 0.72%

LAB 69.35, 60.71, -35.65

 

CMYK 0 / 37 / 50 / 4

HEX #F59B7A

RGB 245 155 122

HSL 16.1, 0.86%, 0.72%

LAB 72.4, 30.22, 31.32

 

CMYK 50 / 0 / 17 / 4

HEX #7AF5CC

RGB 122 245 204

HSL 160, 0.86%, 0.72%

LAB 88.83, -44.02, 9.24

 

CMYK 0 / 49 / 4 / 4

HEX #F57CEB

RGB 245 124 235

HSL 304.96, 0.86%, 0.72%

LAB 69.35, 60.71, -35.65

 

CMYK 3 / 0 / 50 / 4

HEX #EDF57A

RGB 237 245 122

HSL 63.9, 0.86%, 0.72%

LAB 93.76, -19.24, 57.65

 

CMYK 50 / 3 / 0 / 4

HEX #7AEDF5

RGB 122 237 245

HSL 183.9, 0.86%, 0.72%

LAB 87.63, -30.55, -13.94

 

CMYK 0 / 49 / 4 / 4

HEX #F57CEB

RGB 245 124 235

HSL 304.96, 0.86%, 0.72%

LAB 69.35, 60.71, -35.65

 

CMYK 0 / 37 / 50 / 4

HEX #F59B7A

RGB 245 155 122

HSL 16.1, 0.86%, 0.72%

LAB 72.4, 30.22, 31.32

 

CMYK 50 / 0 / 47 / 4

HEX #7AF582

RGB 122 245 130

HSL 123.9, 0.86%, 0.72%

LAB 87.51, -57.32, 44.84

 

CMYK 50 / 13 / 0 / 4

HEX #7AD4F5

RGB 122 212 245

HSL 196.1, 0.86%, 0.72%

LAB 80.64, -18.23, -24.5

 

CMYK 0 / 49 / 4 / 4

HEX #F57CEB

RGB 245 124 235

HSL 304.96, 0.86%, 0.72%

LAB 69.35, 60.71, -35.65

 

CMYK 0 / 22 / 50 / 4

HEX #F5C07A

RGB 245 192 122

HSL 34.15, 0.86%, 0.72%

LAB 81.03, 10.75, 42.35

 

CMYK 50 / 0 / 47 / 4

HEX #7AF582

RGB 122 245 130

HSL 123.9, 0.86%, 0.72%

LAB 87.51, -57.32, 44.84

 

CMYK 50 / 29 / 0 / 4

HEX #7AAFF5

RGB 122 175 245

HSL 214.15, 0.86%, 0.72%

LAB 70.45, 1.56, -40.22

 

Description

Color code: HEX #F57CEB | qconv.com Color code: HEX #F57CEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 124 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 124 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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