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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F573AF it is the complementary color #0A8C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F573AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F573AF shade: #FA73AA, #FF85BD, #FF97D0, #FFA9E3 and #FFBBF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F573AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F573AF shade: #F573AF, #E4619C, #D34F89, #C23D76 and #B12B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F573AF shade: #F575B0, #F5758D and #F57575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F573AF shade: #F575B0, #F575D3, #F575F5, #D375F5 and #B075F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F573AF shade matches the following richer shades: #F575B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F573AF shade: #F575B0, #E981B1, #DD8DB2, #D199B3 and #C6A5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F573AF shade: #F575F5, #F575D3, #F575B1, #F5758E and #F57D75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F573AF shade: #F02884, #F34E9A, #F575B0, #F89BC6 and #FBC2DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F573AF shade: #F573AF, #F5D375 and #75E4F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F573AF shade: #F573AF, #B1F575 and #75B1F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F573AF shade: #F573AF, #F5D375, #75F5B9 and #7597F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F573AF shade: #F573AF, #F1F575, #75F5B9 and #7975F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 29 / 4

HEX #F573AF

RGB 245 115 175

HSL 332.31, 0.87%, 0.71%

LAB 65.57, 56.1, -7.84

 

Complementary color

CMYK 93 / 0 / 43 / 45

HEX #0A8C50

RGB 10 140 80

HSL 152.31, 0.87%, 0.29%

LAB 51.15, -46.15, 23.32

 

CMYK 0 / 54 / 32 / 2

HEX #FA73AA

RGB 250 115 170

HSL 335.56, 0.93%, 0.72%

LAB 66.13, 57.06, -4.1

 

CMYK 0 / 48 / 26 / 0

HEX #FF85BD

RGB 255 133 189

HSL 332.46, 1%, 0.76%

LAB 70.67, 52.49, -7.99

 

CMYK 0 / 41 / 18 / 0

HEX #FF97D0

RGB 255 151 208

HSL 327.12, 1%, 0.8%

LAB 74.79, 46.2, -12.36

 

CMYK 0 / 34 / 11 / 0

HEX #FFA9E3

RGB 255 169 227

HSL 319.53, 1%, 0.83%

LAB 79.15, 39.9, -16.18

 

CMYK 0 / 27 / 4 / 0

HEX #FFBBF6

RGB 255 187 246

HSL 307.94, 1%, 0.87%

LAB 83.68, 33.7, -19.55

 

CMYK 0 / 53 / 29 / 4

HEX #F573AF

RGB 245 115 175

HSL 332.31, 0.87%, 0.71%

LAB 65.57, 56.1, -7.84

 

CMYK 0 / 57 / 32 / 11

HEX #E4619C

RGB 228 97 156

HSL 332.98, 0.71%, 0.64%

LAB 59.38, 56.73, -6.41

 

CMYK 0 / 63 / 35 / 17

HEX #D34F89

RGB 211 79 137

HSL 333.64, 0.6%, 0.57%

LAB 53.22, 57.19, -4.68

 

CMYK 0 / 69 / 39 / 24

HEX #C23D76

RGB 194 61 118

HSL 334.29, 0.52%, 0.5%

LAB 47.12, 57.35, -2.57

 

CMYK 0 / 76 / 44 / 31

HEX #B12B63

RGB 177 43 99

HSL 334.93, 0.61%, 0.43%

LAB 41.18, 57, 0.11

 

CMYK 0 / 52 / 28 / 4

HEX #F575B0

RGB 245 117 176

HSL 332.34, 0.86%, 0.71%

LAB 65.96, 55.29, -7.83

 

CMYK 0 / 52 / 42 / 4

HEX #F5758D

RGB 245 117 141

HSL 348.75, 0.86%, 0.71%

LAB 65.01, 51.27, 10.7

 

CMYK 0 / 52 / 52 / 4

HEX #F57575

RGB 245 117 117

HSL 0, 0.86%, 0.71%

LAB 64.5, 49.05, 23.62

 

CMYK 0 / 52 / 28 / 4

HEX #F575B0

RGB 245 117 176

HSL 332.34, 0.86%, 0.71%

LAB 65.96, 55.29, -7.83

 

CMYK 0 / 52 / 14 / 4

HEX #F575D3

RGB 245 117 211

HSL 315.94, 0.86%, 0.71%

LAB 67.16, 60.18, -25.72

 

CMYK 0 / 52 / 0 / 4

HEX #F575F5

RGB 245 117 245

HSL 300, 0.86%, 0.71%

LAB 68.55, 65.65, -42.38

 

CMYK 14 / 52 / 0 / 4

HEX #D375F5

RGB 211 117 245

HSL 284.06, 0.86%, 0.71%

LAB 64.29, 56.74, -49.38

 

CMYK 28 / 52 / 0 / 4

HEX #B075F5

RGB 176 117 245

HSL 267.66, 0.86%, 0.71%

LAB 60.38, 47.8, -55.84

 

CMYK 0 / 52 / 28 / 4

HEX #F575B0

RGB 245 117 176

HSL 332.34, 0.86%, 0.71%

LAB 65.96, 55.29, -7.83

 

CMYK 0 / 52 / 28 / 4

HEX #F575B0

RGB 245 117 176

HSL 332.34, 0.86%, 0.71%

LAB 65.96, 55.29, -7.83

 

CMYK 0 / 45 / 24 / 9

HEX #E981B1

RGB 233 129 177

HSL 332.31, 0.7%, 0.71%

LAB 66.67, 45.64, -7.51

 

CMYK 0 / 36 / 19 / 13

HEX #DD8DB2

RGB 221 141 178

HSL 332.25, 0.54%, 0.71%

LAB 67.75, 35.45, -6.63

 

CMYK 0 / 27 / 14 / 18

HEX #D199B3

RGB 209 153 179

HSL 332.14, 0.38%, 0.71%

LAB 69.18, 24.91, -5.22

 

CMYK 0 / 17 / 9 / 22

HEX #C6A5B4

RGB 198 165 180

HSL 332.73, 0.22%, 0.71%

LAB 71.02, 14.58, -3.19

 

CMYK 0 / 52 / 0 / 4

HEX #F575F5

RGB 245 117 245

HSL 300, 0.86%, 0.71%

LAB 68.55, 65.65, -42.38

 

CMYK 0 / 52 / 14 / 4

HEX #F575D3

RGB 245 117 211

HSL 315.94, 0.86%, 0.71%

LAB 67.16, 60.18, -25.72

 

CMYK 0 / 52 / 28 / 4

HEX #F575B1

RGB 245 117 177

HSL 331.88, 0.86%, 0.71%

LAB 65.99, 55.42, -8.35

 

CMYK 0 / 52 / 42 / 4

HEX #F5758E

RGB 245 117 142

HSL 348.28, 0.86%, 0.71%

LAB 65.03, 51.37, 10.16

 

CMYK 0 / 49 / 52 / 4

HEX #F57D75

RGB 245 125 117

HSL 3.75, 0.86%, 0.71%

LAB 66.03, 45.14, 25.67

 

CMYK 0 / 83 / 45 / 6

HEX #F02884

RGB 240 40 132

HSL 332.4, 0.87%, 0.55%

LAB 53.72, 76.85, -0.39

 

CMYK 0 / 68 / 37 / 5

HEX #F34E9A

RGB 243 78 154

HSL 332.36, 0.87%, 0.63%

LAB 58.82, 68.68, -5.82

 

CMYK 0 / 52 / 28 / 4

HEX #F575B0

RGB 245 117 176

HSL 332.34, 0.86%, 0.71%

LAB 65.96, 55.29, -7.83

 

CMYK 0 / 38 / 20 / 3

HEX #F89BC6

RGB 248 155 198

HSL 332.26, 0.87%, 0.79%

LAB 74.49, 40.35, -7.39

 

CMYK 0 / 23 / 12 / 2

HEX #FBC2DC

RGB 251 194 220

HSL 332.63, 0.88%, 0.87%

LAB 84.1, 24.31, -5.07

 

CMYK 0 / 53 / 29 / 4

HEX #F573AF

RGB 245 115 175

HSL 332.31, 0.87%, 0.71%

LAB 65.57, 56.1, -7.84

 

CMYK 0 / 14 / 52 / 4

HEX #F5D375

RGB 245 211 117

HSL 44.06, 0.86%, 0.71%

LAB 85.65, 0.48, 50.49

 

CMYK 52 / 7 / 0 / 4

HEX #75E4F5

RGB 117 228 245

HSL 187.97, 0.86%, 0.71%

LAB 84.93, -27.24, -18.02

 

CMYK 0 / 53 / 29 / 4

HEX #F573AF

RGB 245 115 175

HSL 332.31, 0.87%, 0.71%

LAB 65.57, 56.1, -7.84

 

CMYK 28 / 0 / 52 / 4

HEX #B1F575

RGB 177 245 117

HSL 91.88, 0.86%, 0.71%

LAB 89.83, -42.06, 54.32

 

CMYK 52 / 28 / 0 / 4

HEX #75B1F5

RGB 117 177 245

HSL 211.88, 0.86%, 0.71%

LAB 70.75, -0.65, -39.77

 

CMYK 0 / 53 / 29 / 4

HEX #F573AF

RGB 245 115 175

HSL 332.31, 0.87%, 0.71%

LAB 65.57, 56.1, -7.84

 

CMYK 0 / 14 / 52 / 4

HEX #F5D375

RGB 245 211 117

HSL 44.06, 0.86%, 0.71%

LAB 85.65, 0.48, 50.49

 

CMYK 52 / 0 / 24 / 4

HEX #75F5B9

RGB 117 245 185

HSL 151.88, 0.86%, 0.71%

LAB 88.25, -49.14, 18.23

 

CMYK 52 / 38 / 0 / 4

HEX #7597F5

RGB 117 151 245

HSL 224.06, 0.86%, 0.71%

LAB 63.76, 14.19, -50.75

 

CMYK 0 / 53 / 29 / 4

HEX #F573AF

RGB 245 115 175

HSL 332.31, 0.87%, 0.71%

LAB 65.57, 56.1, -7.84

 

CMYK 2 / 0 / 52 / 4

HEX #F1F575

RGB 241 245 117

HSL 61.88, 0.86%, 0.71%

LAB 94.01, -18.09, 60.27

 

CMYK 52 / 0 / 24 / 4

HEX #75F5B9

RGB 117 245 185

HSL 151.88, 0.86%, 0.71%

LAB 88.25, -49.14, 18.23

 

CMYK 51 / 52 / 0 / 4

HEX #7975F5

RGB 121 117 245

HSL 241.88, 0.86%, 0.71%

LAB 55.46, 35.14, -63.98

 

Description

Color code: HEX #F573AF | qconv.com Color code: HEX #F573AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 115 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 115 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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