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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F56D1D it is the complementary color #0A92E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F56D1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F56D1D shade: #FA6D18, #FF7F2B, #FF913E, #FFA351 and #FFB564

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F56D1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F56D1D shade: #F56D1D, #E45B0A, #D34900, #C23700 and #B12500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F56D1D shade: #F66E1E, #F6341E and #F61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F56D1D shade: #F66E1E, #F6A81E, #F6E21E, #CFF61E and #95F61E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F56D1D shade matches the following richer shades: #F66E1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F56D1D shade: #F66E1E, #E37331, #D07844, #BD7C57 and #AA816A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F56D1D shade: #F61E42, #F6331E, #F66D1E, #F6A61E and #F6E01E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F56D1D shade: #B94908, #E15909, #F66E1E, #F78745 and #F9A16D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F56D1D shade: #F56D1D, #7BF61E and #1E25F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F56D1D shade: #F56D1D, #1EF66D and #6D1EF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F56D1D shade: #F56D1D, #7BF61E, #1EA6F6 and #981EF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F56D1D shade: #F56D1D, #3BF61E, #1EA6F6 and #D91EF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 88 / 4

HEX #F56D1D

RGB 245 109 29

HSL 22.22, 0.92%, 0.54%

LAB 62.03, 48.53, 64.12

 

Complementary color

CMYK 96 / 35 / 0 / 11

HEX #0A92E2

RGB 10 146 226

HSL 202.22, 0.92%, 0.46%

LAB 58.14, -2.98, -49.36

 

CMYK 0 / 56 / 90 / 2

HEX #FA6D18

RGB 250 109 24

HSL 22.57, 0.96%, 0.54%

LAB 62.78, 50.28, 66.5

 

CMYK 0 / 50 / 83 / 0

HEX #FF7F2B

RGB 255 127 43

HSL 23.77, 1%, 0.58%

LAB 66.99, 43.94, 63.9

 

CMYK 0 / 43 / 76 / 0

HEX #FF913E

RGB 255 145 62

HSL 25.8, 1%, 0.62%

LAB 70.77, 35.53, 59.72

 

CMYK 0 / 36 / 68 / 0

HEX #FFA351

RGB 255 163 81

HSL 28.28, 1%, 0.66%

LAB 74.86, 27.1, 55.42

HEX #FFA351

CMYK 0 / 29 / 61 / 0

HEX #FFB564

RGB 255 181 100

HSL 31.35, 1%, 0.7%

LAB 79.17, 18.85, 51.26

HEX #FFB564

CMYK 0 / 56 / 88 / 4

HEX #F56D1D

RGB 245 109 29

HSL 22.22, 0.92%, 0.54%

LAB 62.03, 48.53, 64.12

 

CMYK 0 / 60 / 96 / 11

HEX #E45B0A

RGB 228 91 10

HSL 22.29, 0.92%, 0.47%

LAB 56.09, 50.35, 63.66

 

CMYK 0 / 65 / 100 / 17

HEX #D34900

RGB 211 73 0

HSL 20.76, 1%, 0.41%

LAB 50.23, 52.07, 60.98

 

CMYK 0 / 72 / 100 / 24

HEX #C23700

RGB 194 55 0

HSL 17.01, 1%, 0.38%

LAB 44.52, 53.46, 56.44

 

CMYK 0 / 79 / 100 / 31

HEX #B12500

RGB 177 37 0

HSL 12.54, 1%, 0.35%

LAB 39.02, 54.14, 52.03

 

CMYK 0 / 55 / 88 / 4

HEX #F66E1E

RGB 246 110 30

HSL 22.22, 0.92%, 0.54%

LAB 62.37, 48.44, 64.12

 

CMYK 0 / 79 / 88 / 4

HEX #F6341E

RGB 246 52 30

HSL 6.11, 0.92%, 0.54%

LAB 54.18, 70.54, 57.88

 

CMYK 0 / 88 / 88 / 4

HEX #F61E1E

RGB 246 30 30

HSL 0, 0.92%, 0.54%

LAB 52.53, 75.24, 56.64

 

CMYK 0 / 55 / 88 / 4

HEX #F66E1E

RGB 246 110 30

HSL 22.22, 0.92%, 0.54%

LAB 62.37, 48.44, 64.12

 

CMYK 0 / 32 / 88 / 4

HEX #F6A81E

RGB 246 168 30

HSL 38.33, 0.92%, 0.54%

LAB 74.63, 18.93, 73.62

 

CMYK 0 / 8 / 88 / 4

HEX #F6E21E

RGB 246 226 30

HSL 54.44, 0.92%, 0.54%

LAB 88.96, -10.91, 84.87

 

CMYK 16 / 0 / 88 / 4

HEX #CFF61E

RGB 207 246 30

HSL 70.83, 0.92%, 0.54%

LAB 91.36, -36.41, 85.56

 

CMYK 39 / 0 / 88 / 4

HEX #95F61E

RGB 149 246 30

HSL 86.94, 0.92%, 0.54%

LAB 88.16, -57.58, 81.61

 

CMYK 0 / 55 / 88 / 4

HEX #F66E1E

RGB 246 110 30

HSL 22.22, 0.92%, 0.54%

LAB 62.37, 48.44, 64.12

 

CMYK 0 / 55 / 88 / 4

HEX #F66E1E

RGB 246 110 30

HSL 22.22, 0.92%, 0.54%

LAB 62.37, 48.44, 64.12

 

CMYK 0 / 49 / 78 / 11

HEX #E37331

RGB 227 115 49

HSL 22.25, 0.76%, 0.54%

LAB 60.62, 39.27, 54.15

 

CMYK 0 / 42 / 67 / 18

HEX #D07844

RGB 208 120 68

HSL 22.29, 0.6%, 0.54%

LAB 59.21, 29.94, 42.72

 

CMYK 0 / 34 / 54 / 26

HEX #BD7C57

RGB 189 124 87

HSL 21.76, 0.44%, 0.54%

LAB 57.96, 21.3, 30.47

 

CMYK 0 / 24 / 38 / 33

HEX #AA816A

RGB 170 129 106

HSL 21.56, 0.27%, 0.54%

LAB 57.35, 12.62, 18.58

 

CMYK 0 / 88 / 73 / 4

HEX #F61E42

RGB 246 30 66

HSL 350, 0.92%, 0.54%

LAB 52.86, 76.19, 38.17

 

CMYK 0 / 79 / 88 / 4

HEX #F6331E

RGB 246 51 30

HSL 5.83, 0.92%, 0.54%

LAB 54.08, 70.8, 57.81

 

CMYK 0 / 56 / 88 / 4

HEX #F66D1E

RGB 246 109 30

HSL 21.94, 0.92%, 0.54%

LAB 62.19, 48.91, 63.98

 

CMYK 0 / 33 / 88 / 4

HEX #F6A61E

RGB 246 166 30

HSL 37.78, 0.92%, 0.54%

LAB 74.16, 19.98, 73.26

 

CMYK 0 / 9 / 88 / 4

HEX #F6E01E

RGB 246 224 30

HSL 53.89, 0.92%, 0.54%

LAB 88.45, -9.92, 84.46

 

CMYK 0 / 61 / 96 / 27

HEX #B94908

RGB 185 73 8

HSL 22.03, 0.92%, 0.38%

LAB 45.77, 42.76, 54.07

 

CMYK 0 / 60 / 96 / 12

HEX #E15909

RGB 225 89 9

HSL 22.22, 0.92%, 0.46%

LAB 55.25, 50.15, 63.09

 

CMYK 0 / 55 / 88 / 4

HEX #F66E1E

RGB 246 110 30

HSL 22.22, 0.92%, 0.54%

LAB 62.37, 48.44, 64.12

 

CMYK 0 / 45 / 72 / 3

HEX #F78745

RGB 247 135 69

HSL 22.25, 0.92%, 0.62%

LAB 67.67, 37.77, 53.02

 

CMYK 0 / 35 / 56 / 2

HEX #F9A16D

RGB 249 161 109

HSL 22.29, 0.92%, 0.7%

LAB 74.02, 27.56, 40.37

 

CMYK 0 / 56 / 88 / 4

HEX #F56D1D

RGB 245 109 29

HSL 22.22, 0.92%, 0.54%

LAB 62.03, 48.53, 64.12

 

CMYK 50 / 0 / 88 / 4

HEX #7BF61E

RGB 123 246 30

HSL 94.17, 0.92%, 0.54%

LAB 87.1, -65.52, 80.3

 

CMYK 88 / 85 / 0 / 4

HEX #1E25F6

RGB 30 37 246

HSL 238.06, 0.92%, 0.54%

LAB 34.5, 68.54, -99.11

 

CMYK 0 / 56 / 88 / 4

HEX #F56D1D

RGB 245 109 29

HSL 22.22, 0.92%, 0.54%

LAB 62.03, 48.53, 64.12

 

CMYK 88 / 0 / 56 / 4

HEX #1EF66D

RGB 30 246 109

HSL 141.94, 0.92%, 0.54%

LAB 85.65, -75.55, 51.91

 

CMYK 56 / 88 / 0 / 4

HEX #6D1EF6

RGB 109 30 246

HSL 261.94, 0.92%, 0.54%

LAB 39.3, 75.04, -90.99

 

CMYK 0 / 56 / 88 / 4

HEX #F56D1D

RGB 245 109 29

HSL 22.22, 0.92%, 0.54%

LAB 62.03, 48.53, 64.12

 

CMYK 50 / 0 / 88 / 4

HEX #7BF61E

RGB 123 246 30

HSL 94.17, 0.92%, 0.54%

LAB 87.1, -65.52, 80.3

 

CMYK 88 / 33 / 0 / 4

HEX #1EA6F6

RGB 30 166 246

HSL 202.22, 0.92%, 0.54%

LAB 65.12, -6.21, -49.32

 

CMYK 38 / 88 / 0 / 4

HEX #981EF6

RGB 152 30 246

HSL 273.89, 0.92%, 0.54%

LAB 44.6, 79.4, -82.06

 

CMYK 0 / 56 / 88 / 4

HEX #F56D1D

RGB 245 109 29

HSL 22.22, 0.92%, 0.54%

LAB 62.03, 48.53, 64.12

 

CMYK 76 / 0 / 88 / 4

HEX #3BF61E

RGB 59 246 30

HSL 111.94, 0.92%, 0.54%

LAB 85.47, -79.01, 78.26

 

CMYK 88 / 33 / 0 / 4

HEX #1EA6F6

RGB 30 166 246

HSL 202.22, 0.92%, 0.54%

LAB 65.12, -6.21, -49.32

 

CMYK 12 / 88 / 0 / 4

HEX #D91EF6

RGB 217 30 246

HSL 291.94, 0.92%, 0.54%

LAB 54.38, 88.39, -65.72

 

Description

Color code: HEX #F56D1D | qconv.com Color code: HEX #F56D1D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 109 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 109 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 88 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 88% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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