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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F56C97CE it is the complementary color #0A9368CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F56C97CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F56C97CE shade: #FA6C92CE, #FF7EA5CE, #FF90B8CE, #FFA2CBCE and #FFB4DECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F56C97CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F56C97CE shade: #F56C97CE, #E45A84CE, #D34871CE, #C2365ECE and #B1244BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F56C97CE shade: #F56B96, #F56B71 and #F56B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F56C97CE shade: #F56B96, #F56BBB, #F56BE1, #E46BF5 and #BF6BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F56C97CE shade matches the following richer shades: #F56B96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F56C97CE shade: #F56B96, #E8789B, #DB85A0, #CE92A5 and #C29EA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F56C97CE shade: #F56BE0, #F56BBB, #F56B97, #F56B72 and #F5896B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F56C97CE shade: #EF1E60, #F2457B, #F56B96, #F792B2 and #FAB8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F56C97CE shade: #F56C97, #F5E56B and #6BCEF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F56C97CE shade: #F56C97, #97F56B and #6B97F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F56C97CE shade: #F56C97, #F5E56B, #6BF5C9 and #6B7BF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F56C97CE shade: #F56C97, #DCF56B, #6BF5C9 and #846BF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 31 / 3

HEX #F56C97CE

RGBA 245 108 151 0.81

HSLA 341.17, 0.87%, 0.69%, 0.81

LABA 63.65, 56.52, 3.03, 0.81

 

Complementary color

CMYK 75 / 0 / 24 / 34

HEX #0A9368CE

RGBA 10 147 104 0.81

HSLA 161.17, 0.87%, 0.31%, 0.81

LABA 53.95, -43.53, 13.68, 0.81

 

CMYK 0 / 46 / 34 / 2

HEX #FA6C92CE

RGBA 250 108 146 0.81

HSLA 343.94, 0.93%, 0.7%, 0.81

LABA 64.26, 57.61, 6.88, 0.81

 

CMYK 0 / 41 / 29 / 0

HEX #FF7EA5CE

RGBA 255 126 165 0.81

HSLA 341.86, 1%, 0.75%, 0.81

LABA 68.68, 52.91, 2.54, 0.81

 

CMYK 0 / 35 / 23 / 0

HEX #FF90B8CE

RGBA 255 144 184 0.81

HSLA 338.38, 1%, 0.78%, 0.81

LABA 72.67, 46.39, -2.25, 0.81

 

CMYK 0 / 30 / 17 / 0

HEX #FFA2CBCE

RGBA 255 162 203 0.81

HSLA 333.55, 1%, 0.82%, 0.81

LABA 76.93, 39.83, -6.44, 0.81

 

CMYK 0 / 24 / 10 / 0

HEX #FFB4DECE

RGBA 255 180 222 0.81

HSLA 326.4, 1%, 0.85%, 0.81

LABA 81.39, 33.35, -10.12, 0.81

 

CMYK 0 / 45 / 31 / 3

HEX #F56C97CE

RGBA 245 108 151 0.81

HSLA 341.17, 0.87%, 0.69%, 0.81

LABA 63.65, 56.52, 3.03, 0.81

 

CMYK 0 / 49 / 34 / 9

HEX #E45A84CE

RGBA 228 90 132 0.81

HSLA 341.74, 0.72%, 0.62%, 0.81

LABA 57.53, 57.17, 4.89, 0.81

 

CMYK 0 / 53 / 38 / 14

HEX #D34871CE

RGBA 211 72 113 0.81

HSLA 342.3, 0.61%, 0.55%, 0.81

LABA 51.47, 57.61, 7.12, 0.81

 

CMYK 0 / 58 / 42 / 19

HEX #C2365ECE

RGBA 194 54 94 0.81

HSLA 342.86, 0.56%, 0.49%, 0.81

LABA 45.52, 57.68, 9.86, 0.81

 

CMYK 0 / 65 / 47 / 25

HEX #B1244BCE

RGBA 177 36 75 0.81

HSLA 343.4, 0.66%, 0.42%, 0.81

LABA 39.78, 57.14, 13.29, 0.81

 

CMYK 0 / 56 / 39 / 4

HEX #F56B96

RGB 245 107 150

HSL 341.3, 0.87%, 0.69%

LAB 63.45, 56.87, 3.32

 

CMYK 0 / 56 / 54 / 4

HEX #F56B71

RGB 245 107 113

HSL 357.39, 0.87%, 0.69%

LAB 62.61, 53.43, 23.36

 

CMYK 0 / 56 / 56 / 4

HEX #F56B6B

RGB 245 107 107

HSL 0, 0.87%, 0.69%

LAB 62.5, 52.97, 26.62

 

CMYK 0 / 56 / 39 / 4

HEX #F56B96

RGB 245 107 150

HSL 341.3, 0.87%, 0.69%

LAB 63.45, 56.87, 3.32

 

CMYK 0 / 56 / 24 / 4

HEX #F56BBB

RGB 245 107 187

HSL 325.22, 0.87%, 0.69%

LAB 64.58, 61.32, -16.14

 

CMYK 0 / 56 / 8 / 4

HEX #F56BE1

RGB 245 107 225

HSL 308.7, 0.87%, 0.69%

LAB 66.03, 66.84, -35.26

 

CMYK 7 / 56 / 0 / 4

HEX #E46BF5

RGB 228 107 245

HSL 292.61, 0.87%, 0.69%

LAB 64.65, 65.83, -48.68

 

CMYK 22 / 56 / 0 / 4

HEX #BF6BF5

RGB 191 107 245

HSL 276.52, 0.87%, 0.69%

LAB 60.05, 56.68, -56.25

 

CMYK 0 / 56 / 39 / 4

HEX #F56B96

RGB 245 107 150

HSL 341.3, 0.87%, 0.69%

LAB 63.45, 56.87, 3.32

 

CMYK 0 / 56 / 39 / 4

HEX #F56B96

RGB 245 107 150

HSL 341.3, 0.87%, 0.69%

LAB 63.45, 56.87, 3.32

 

CMYK 0 / 48 / 33 / 9

HEX #E8789B

RGB 232 120 155

HSL 341.25, 0.71%, 0.69%

LAB 64.12, 46.95, 1.21

 

CMYK 0 / 39 / 27 / 14

HEX #DB85A0

RGB 219 133 160

HSL 341.16, 0.54%, 0.69%

LAB 65.26, 36.38, -0.19

 

CMYK 0 / 29 / 20 / 19

HEX #CE92A5

RGB 206 146 165

HSL 341, 0.38%, 0.69%

LAB 66.82, 25.43, -0.9

 

CMYK 0 / 19 / 13 / 24

HEX #C29EA9

RGB 194 158 169

HSL 341.67, 0.23%, 0.69%

LAB 68.6, 15.09, -0.68

 

CMYK 0 / 56 / 9 / 4

HEX #F56BE0

RGB 245 107 224

HSL 309.13, 0.87%, 0.69%

LAB 65.99, 66.68, -34.77

 

CMYK 0 / 56 / 24 / 4

HEX #F56BBB

RGB 245 107 187

HSL 325.22, 0.87%, 0.69%

LAB 64.58, 61.32, -16.14

 

CMYK 0 / 56 / 38 / 4

HEX #F56B97

RGB 245 107 151

HSL 340.87, 0.87%, 0.69%

LAB 63.48, 56.98, 2.78

 

CMYK 0 / 56 / 53 / 4

HEX #F56B72

RGB 245 107 114

HSL 356.96, 0.87%, 0.69%

LAB 62.63, 53.51, 22.81

 

CMYK 0 / 44 / 56 / 4

HEX #F5896B

RGB 245 137 107

HSL 13.04, 0.87%, 0.69%

LAB 68.29, 38.3, 34.12

 

CMYK 0 / 87 / 60 / 6

HEX #EF1E60

RGB 239 30 96

HSL 341.05, 0.87%, 0.53%

LAB 51.98, 75.89, 18.87

 

CMYK 0 / 71 / 49 / 5

HEX #F2457B

RGB 242 69 123

HSL 341.27, 0.87%, 0.61%

LAB 56.65, 68.67, 9.25

 

CMYK 0 / 56 / 39 / 4

HEX #F56B96

RGB 245 107 150

HSL 341.3, 0.87%, 0.69%

LAB 63.45, 56.87, 3.32

 

CMYK 0 / 41 / 28 / 3

HEX #F792B2

RGB 247 146 178

HSL 340.99, 0.86%, 0.77%

LAB 71.92, 41.85, -0.13

 

CMYK 0 / 26 / 18 / 2

HEX #FAB8CD

RGB 250 184 205

HSL 340.91, 0.87%, 0.85%

LAB 81.3, 26.89, -1.15

 

CMYK 0 / 56 / 38 / 4

HEX #F56C97

RGB 245 108 151

HSL 341.17, 0.87%, 0.69%

LAB 63.65, 56.52, 3.03

 

CMYK 0 / 7 / 56 / 4

HEX #F5E56B

RGB 245 229 107

HSL 53.04, 0.87%, 0.69%

LAB 90.1, -9.4, 60.33

 

CMYK 56 / 16 / 0 / 4

HEX #6BCEF5

RGB 107 206 245

HSL 196.96, 0.87%, 0.69%

LAB 78.38, -18.23, -28

 

CMYK 0 / 56 / 38 / 4

HEX #F56C97

RGB 245 108 151

HSL 341.17, 0.87%, 0.69%

LAB 63.65, 56.52, 3.03

 

CMYK 38 / 0 / 56 / 4

HEX #97F56B

RGB 151 245 107

HSL 100.87, 0.87%, 0.69%

LAB 88.42, -51.73, 56.83

 

CMYK 56 / 38 / 0 / 4

HEX #6B97F5

RGB 107 151 245

HSL 220.87, 0.87%, 0.69%

LAB 63.22, 12.11, -51.64

 

CMYK 0 / 56 / 38 / 4

HEX #F56C97

RGB 245 108 151

HSL 341.17, 0.87%, 0.69%

LAB 63.65, 56.52, 3.03

 

CMYK 0 / 7 / 56 / 4

HEX #F5E56B

RGB 245 229 107

HSL 53.04, 0.87%, 0.69%

LAB 90.1, -9.4, 60.33

 

CMYK 56 / 0 / 18 / 4

HEX #6BF5C9

RGB 107 245 201

HSL 160.87, 0.87%, 0.69%

LAB 88.28, -47.86, 9.95

 

CMYK 56 / 50 / 0 / 4

HEX #6B7BF5

RGB 107 123 245

HSL 233.04, 0.87%, 0.69%

LAB 55.97, 28.8, -63.21

 

CMYK 0 / 56 / 38 / 4

HEX #F56C97

RGB 245 108 151

HSL 341.17, 0.87%, 0.69%

LAB 63.65, 56.52, 3.03

 

CMYK 10 / 0 / 56 / 4

HEX #DCF56B

RGB 220 245 107

HSL 70.87, 0.87%, 0.69%

LAB 92.39, -27.09, 62.42

 

CMYK 56 / 0 / 18 / 4

HEX #6BF5C9

RGB 107 245 201

HSL 160.87, 0.87%, 0.69%

LAB 88.28, -47.86, 9.95

 

CMYK 46 / 56 / 0 / 4

HEX #846BF5

RGB 132 107 245

HSL 250.87, 0.87%, 0.69%

LAB 54.04, 43.21, -66.23

 

Description

Color code: HEX #F56C97CE | qconv.com Color code: HEX #F56C97CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 108 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 108 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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