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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F56C6F it is the complementary color #0A9390. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F56C6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F56C6F shade: #FA6C6A, #FF7E7D, #FF9090, #FFA2A3 and #FFB4B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F56C6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F56C6F shade: #F56C6F, #E45A5C, #D34849, #C23636 and #B12423

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F56C6F shade: #F56B6E and #F56B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F56C6F shade: #F56B6E, #F56B93, #F56BB8, #F56BDD and #E76BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F56C6F shade matches the following richer shades: #F56B6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F56C6F shade: #F56B6E, #E8787A, #DB8587, #CE9293 and #C29E9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F56C6F shade: #F56BB9, #F56B94, #F56B70, #F58B6B and #F5B06B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F56C6F shade: #EF1E23, #F24548, #F56B6E, #F79294 and #FAB8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F56C6F shade: #F56C6F, #DEF56B and #6BA7F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F56C6F shade: #F56C6F, #70F56B and #6B70F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F56C6F shade: #F56C6F, #DEF56B, #6BF5F0 and #826BF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F56C6F shade: #F56C6F, #B5F56B, #6BF5F0 and #AB6BF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 55 / 4

HEX #F56C6F

RGB 245 108 111

HSL 358.69, 0.87%, 0.69%

LAB 62.75, 52.81, 24.68

 

Complementary color

CMYK 93 / 0 / 2 / 42

HEX #0A9390

RGB 10 147 144

HSL 178.69, 0.87%, 0.31%

LAB 55.02, -32.39, -7.69

 

CMYK 0 / 57 / 58 / 2

HEX #FA6C6A

RGB 250 108 106

HSL 0.83, 0.94%, 0.7%

LAB 63.42, 54.16, 28.53

 

CMYK 0 / 51 / 51 / 0

HEX #FF7E7D

RGB 255 126 125

HSL 0.46, 1%, 0.75%

LAB 67.77, 48.91, 23.77

 

CMYK 0 / 44 / 44 / 0

HEX #FF9090

RGB 255 144 144

HSL 0, 1%, 0.78%

LAB 71.7, 41.75, 18.57

 

CMYK 0 / 36 / 36 / 0

HEX #FFA2A3

RGB 255 162 163

HSL 359.35, 1%, 0.82%

LAB 75.91, 34.57, 13.99

 

CMYK 0 / 29 / 29 / 0

HEX #FFB4B6

RGB 255 180 182

HSL 358.4, 1%, 0.85%

LAB 80.34, 27.53, 9.93

 

CMYK 0 / 56 / 55 / 4

HEX #F56C6F

RGB 245 108 111

HSL 358.69, 0.87%, 0.69%

LAB 62.75, 52.81, 24.68

 

CMYK 0 / 61 / 60 / 11

HEX #E45A5C

RGB 228 90 92

HSL 359.13, 0.72%, 0.62%

LAB 56.66, 53.79, 27.08

 

CMYK 0 / 66 / 65 / 17

HEX #D34849

RGB 211 72 73

HSL 359.57, 0.61%, 0.55%

LAB 50.65, 54.61, 29.89

 

CMYK 0 / 72 / 72 / 24

HEX #C23636

RGB 194 54 54

HSL 0, 0.56%, 0.49%

LAB 44.76, 55.13, 33.21

 

CMYK 0 / 80 / 80 / 31

HEX #B12423

RGB 177 36 35

HSL 0.42, 0.67%, 0.42%

LAB 39.12, 55.09, 37.03

 

CMYK 0 / 56 / 55 / 4

HEX #F56B6E

RGB 245 107 110

HSL 358.7, 0.87%, 0.69%

LAB 62.55, 53.2, 24.99

 

CMYK 0 / 56 / 56 / 4

HEX #F56B6B

RGB 245 107 107

HSL 0, 0.87%, 0.69%

LAB 62.5, 52.97, 26.62

 

CMYK 0 / 56 / 55 / 4

HEX #F56B6E

RGB 245 107 110

HSL 358.7, 0.87%, 0.69%

LAB 62.55, 53.2, 24.99

 

CMYK 0 / 56 / 40 / 4

HEX #F56B93

RGB 245 107 147

HSL 342.61, 0.87%, 0.69%

LAB 63.37, 56.55, 4.93

 

CMYK 0 / 56 / 25 / 4

HEX #F56BB8

RGB 245 107 184

HSL 326.52, 0.87%, 0.69%

LAB 64.47, 60.92, -14.59

 

CMYK 0 / 56 / 10 / 4

HEX #F56BDD

RGB 245 107 221

HSL 310.43, 0.87%, 0.69%

LAB 65.86, 66.22, -33.29

 

CMYK 6 / 56 / 0 / 4

HEX #E76BF5

RGB 231 107 245

HSL 293.91, 0.87%, 0.69%

LAB 65.04, 66.57, -48.03

 

CMYK 0 / 56 / 55 / 4

HEX #F56B6E

RGB 245 107 110

HSL 358.7, 0.87%, 0.69%

LAB 62.55, 53.2, 24.99

 

CMYK 0 / 56 / 55 / 4

HEX #F56B6E

RGB 245 107 110

HSL 358.7, 0.87%, 0.69%

LAB 62.55, 53.2, 24.99

 

CMYK 0 / 48 / 47 / 9

HEX #E8787A

RGB 232 120 122

HSL 358.93, 0.71%, 0.69%

LAB 63.34, 43.37, 18.91

 

CMYK 0 / 39 / 38 / 14

HEX #DB8587

RGB 219 133 135

HSL 358.6, 0.54%, 0.69%

LAB 64.63, 33.21, 13.07

 

CMYK 0 / 29 / 29 / 19

HEX #CE9293

RGB 206 146 147

HSL 359, 0.38%, 0.69%

LAB 66.36, 22.8, 8.54

 

CMYK 0 / 19 / 18 / 24

HEX #C29E9F

RGB 194 158 159

HSL 358.33, 0.23%, 0.69%

LAB 68.33, 13.46, 4.5

 

CMYK 0 / 56 / 24 / 4

HEX #F56BB9

RGB 245 107 185

HSL 326.09, 0.87%, 0.69%

LAB 64.51, 61.06, -15.11

 

CMYK 0 / 56 / 40 / 4

HEX #F56B94

RGB 245 107 148

HSL 342.17, 0.87%, 0.69%

LAB 63.4, 56.66, 4.39

 

CMYK 0 / 56 / 54 / 4

HEX #F56B70

RGB 245 107 112

HSL 357.83, 0.87%, 0.69%

LAB 62.59, 53.35, 23.9

 

CMYK 0 / 43 / 56 / 4

HEX #F58B6B

RGB 245 139 107

HSL 13.91, 0.87%, 0.69%

LAB 68.71, 37.28, 34.65

 

CMYK 0 / 28 / 56 / 4

HEX #F5B06B

RGB 245 176 107

HSL 30, 0.87%, 0.69%

LAB 77, 17.91, 44.95

 

CMYK 0 / 87 / 85 / 6

HEX #EF1E23

RGB 239 30 35

HSL 358.56, 0.87%, 0.53%

LAB 51.15, 73.53, 52.69

 

CMYK 0 / 71 / 70 / 5

HEX #F24548

RGB 242 69 72

HSL 358.96, 0.87%, 0.61%

LAB 55.69, 65.44, 37.84

 

CMYK 0 / 56 / 55 / 4

HEX #F56B6E

RGB 245 107 110

HSL 358.7, 0.87%, 0.69%

LAB 62.55, 53.2, 24.99

 

CMYK 0 / 41 / 40 / 3

HEX #F79294

RGB 247 146 148

HSL 358.81, 0.86%, 0.77%

LAB 71.19, 38.23, 15.49

 

CMYK 0 / 26 / 26 / 2

HEX #FAB8BA

RGB 250 184 186

HSL 358.18, 0.87%, 0.85%

LAB 80.82, 24.14, 8.4

 

CMYK 0 / 56 / 55 / 4

HEX #F56C6F

RGB 245 108 111

HSL 358.69, 0.87%, 0.69%

LAB 62.75, 52.81, 24.68

 

CMYK 9 / 0 / 56 / 4

HEX #DEF56B

RGB 222 245 107

HSL 70, 0.87%, 0.69%

LAB 92.53, -26.31, 62.61

 

CMYK 56 / 32 / 0 / 4

HEX #6BA7F5

RGB 107 167 245

HSL 213.91, 0.87%, 0.69%

LAB 67.54, 2.88, -44.82

 

CMYK 0 / 56 / 55 / 4

HEX #F56C6F

RGB 245 108 111

HSL 358.69, 0.87%, 0.69%

LAB 62.75, 52.81, 24.68

 

CMYK 54 / 0 / 56 / 4

HEX #70F56B

RGB 112 245 107

HSL 117.83, 0.87%, 0.69%

LAB 86.9, -62.75, 54.67

 

CMYK 56 / 54 / 0 / 4

HEX #6B70F5

RGB 107 112 245

HSL 237.83, 0.87%, 0.69%

LAB 53.28, 35.39, -67.55

 

CMYK 0 / 56 / 55 / 4

HEX #F56C6F

RGB 245 108 111

HSL 358.69, 0.87%, 0.69%

LAB 62.75, 52.81, 24.68

 

CMYK 9 / 0 / 56 / 4

HEX #DEF56B

RGB 222 245 107

HSL 70, 0.87%, 0.69%

LAB 92.53, -26.31, 62.61

 

CMYK 56 / 0 / 2 / 4

HEX #6BF5F0

RGB 107 245 240

HSL 177.83, 0.87%, 0.69%

LAB 89.26, -38.47, -8.94

 

CMYK 47 / 56 / 0 / 4

HEX #826BF5

RGB 130 107 245

HSL 250, 0.87%, 0.69%

LAB 53.87, 42.8, -66.51

 

CMYK 0 / 56 / 55 / 4

HEX #F56C6F

RGB 245 108 111

HSL 358.69, 0.87%, 0.69%

LAB 62.75, 52.81, 24.68

 

CMYK 26 / 0 / 56 / 4

HEX #B5F56B

RGB 181 245 107

HSL 87.83, 0.87%, 0.69%

LAB 89.95, -41.63, 58.99

 

CMYK 56 / 0 / 2 / 4

HEX #6BF5F0

RGB 107 245 240

HSL 177.83, 0.87%, 0.69%

LAB 89.26, -38.47, -8.94

 

CMYK 30 / 56 / 0 / 4

HEX #AB6BF5

RGB 171 107 245

HSL 267.83, 0.87%, 0.69%

LAB 57.81, 51.89, -59.96

 

Description

Color code: HEX #F56C6F | qconv.com Color code: HEX #F56C6F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 108 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 108 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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