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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F567AB it is the complementary color #0A9854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F567AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F567AB shade: #FA67A6, #FF79B9, #FF8BCC, #FF9DDF and #FFAFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F567AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F567AB shade: #F567AB, #E45598, #D34385, #C23172 and #B11F5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F567AB shade: #F566AA, #F56684 and #F56666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F567AB shade: #F566AA, #F566D1, #F366F5, #CC66F5 and #A566F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F567AB shade matches the following richer shades: #F566AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F567AB shade: #F566AA, #E873AB, #DB80AB, #CE8DAC and #C09AAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F567AB shade: #F366F5, #F566D1, #F566AB, #F56685 and #F56D66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F567AB shade: #F01880, #F33F95, #F566AA, #F88CC0 and #FAB3D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F567AB shade: #F567AB, #F5CD66 and #66E4F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F567AB shade: #F567AB, #ABF566 and #66ABF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F567AB shade: #F567AB, #F5CD66, #66F5B0 and #668EF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F567AB shade: #F567AB, #F3F566, #66F5B0 and #6866F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 30 / 4

HEX #F567AB

RGB 245 103 171

HSL 331.27, 0.88%, 0.68%

LAB 63.39, 61.06, -8.82

 

Complementary color

CMYK 93 / 0 / 45 / 40

HEX #0A9854

RGB 10 152 84

HSL 151.27, 0.88%, 0.32%

LAB 55.24, -49.75, 26.47

 

CMYK 0 / 59 / 34 / 2

HEX #FA67A6

RGB 250 103 166

HSL 334.29, 0.94%, 0.69%

LAB 63.98, 61.97, -4.99

 

CMYK 0 / 53 / 27 / 0

HEX #FF79B9

RGB 255 121 185

HSL 331.34, 1%, 0.74%

LAB 68.34, 57.7, -9.21

 

CMYK 0 / 45 / 20 / 0

HEX #FF8BCC

RGB 255 139 204

HSL 326.38, 1%, 0.77%

LAB 72.29, 51.62, -13.91

 

CMYK 0 / 38 / 13 / 0

HEX #FF9DDF

RGB 255 157 223

HSL 319.59, 1%, 0.81%

LAB 76.5, 45.44, -18

 

CMYK 0 / 31 / 5 / 0

HEX #FFAFF2

RGB 255 175 242

HSL 309.75, 1%, 0.84%

LAB 80.92, 39.28, -21.58

 

CMYK 0 / 58 / 30 / 4

HEX #F567AB

RGB 245 103 171

HSL 331.27, 0.88%, 0.68%

LAB 63.39, 61.06, -8.82

 

CMYK 0 / 63 / 33 / 11

HEX #E45598

RGB 228 85 152

HSL 331.89, 0.73%, 0.61%

LAB 57.33, 61.46, -7.13

 

CMYK 0 / 68 / 37 / 17

HEX #D34385

RGB 211 67 133

HSL 332.5, 0.62%, 0.55%

LAB 51.33, 61.57, -5.09

 

CMYK 0 / 75 / 41 / 24

HEX #C23172

RGB 194 49 114

HSL 333.1, 0.6%, 0.48%

LAB 45.47, 61.2, -2.55

 

CMYK 0 / 82 / 46 / 31

HEX #B11F5F

RGB 177 31 95

HSL 333.7, 0.7%, 0.41%

LAB 39.84, 60.08, 0.68

 

CMYK 0 / 58 / 31 / 4

HEX #F566AA

RGB 245 102 170

HSL 331.47, 0.88%, 0.68%

LAB 63.19, 61.38, -8.53

 

CMYK 0 / 58 / 46 / 4

HEX #F56684

RGB 245 102 132

HSL 347.41, 0.88%, 0.68%

LAB 62.15, 57.32, 11.83

 

CMYK 0 / 58 / 58 / 4

HEX #F56666

RGB 245 102 102

HSL 0, 0.88%, 0.68%

LAB 61.55, 54.89, 28.21

 

CMYK 0 / 58 / 31 / 4

HEX #F566AA

RGB 245 102 170

HSL 331.47, 0.88%, 0.68%

LAB 63.19, 61.38, -8.53

 

CMYK 0 / 58 / 15 / 4

HEX #F566D1

RGB 245 102 209

HSL 315.1, 0.88%, 0.68%

LAB 64.58, 66.58, -28.56

 

CMYK 1 / 58 / 0 / 4

HEX #F366F5

RGB 243 102 245

HSL 299.16, 0.88%, 0.68%

LAB 65.87, 71.71, -46.62

 

CMYK 17 / 58 / 0 / 4

HEX #CC66F5

RGB 204 102 245

HSL 282.8, 0.88%, 0.68%

LAB 60.72, 62.25, -55.1

 

CMYK 33 / 58 / 0 / 4

HEX #A566F5

RGB 165 102 245

HSL 266.43, 0.88%, 0.68%

LAB 56.18, 53.13, -62.62

 

CMYK 0 / 58 / 31 / 4

HEX #F566AA

RGB 245 102 170

HSL 331.47, 0.88%, 0.68%

LAB 63.19, 61.38, -8.53

 

CMYK 0 / 58 / 31 / 4

HEX #F566AA

RGB 245 102 170

HSL 331.47, 0.88%, 0.68%

LAB 63.19, 61.38, -8.53

 

CMYK 0 / 50 / 26 / 9

HEX #E873AB

RGB 232 115 171

HSL 331.28, 0.72%, 0.68%

LAB 63.64, 51.45, -8.64

 

CMYK 0 / 42 / 22 / 14

HEX #DB80AB

RGB 219 128 171

HSL 331.65, 0.56%, 0.68%

LAB 64.51, 40.57, -7.52

 

CMYK 0 / 32 / 17 / 19

HEX #CE8DAC

RGB 206 141 172

HSL 331.38, 0.4%, 0.68%

LAB 65.87, 29.25, -6.24

 

CMYK 0 / 20 / 10 / 25

HEX #C09AAD

RGB 192 154 173

HSL 330, 0.23%, 0.68%

LAB 67.53, 17.26, -4.51

 

CMYK 1 / 58 / 0 / 4

HEX #F366F5

RGB 243 102 245

HSL 299.16, 0.88%, 0.68%

LAB 65.87, 71.71, -46.62

 

CMYK 0 / 58 / 15 / 4

HEX #F566D1

RGB 245 102 209

HSL 315.1, 0.88%, 0.68%

LAB 64.58, 66.58, -28.56

 

CMYK 0 / 58 / 30 / 4

HEX #F566AB

RGB 245 102 171

HSL 331.05, 0.88%, 0.68%

LAB 63.22, 61.5, -9.06

 

CMYK 0 / 58 / 46 / 4

HEX #F56685

RGB 245 102 133

HSL 346.99, 0.88%, 0.68%

LAB 62.18, 57.41, 11.28

 

CMYK 0 / 56 / 58 / 4

HEX #F56D66

RGB 245 109 102

HSL 2.94, 0.88%, 0.68%

LAB 62.77, 51.69, 29.8

 

CMYK 0 / 90 / 47 / 6

HEX #F01880

RGB 240 24 128

HSL 331.11, 0.88%, 0.52%

LAB 52.66, 79.24, 0.48

 

CMYK 0 / 74 / 39 / 5

HEX #F33F95

RGB 243 63 149

HSL 331.33, 0.88%, 0.6%

LAB 56.86, 73.22, -5.79

 

CMYK 0 / 58 / 31 / 4

HEX #F566AA

RGB 245 102 170

HSL 331.47, 0.88%, 0.68%

LAB 63.19, 61.38, -8.53

 

CMYK 0 / 44 / 23 / 3

HEX #F88CC0

RGB 248 140 192

HSL 331.11, 0.89%, 0.76%

LAB 71.23, 47.15, -8.93

 

CMYK 0 / 28 / 15 / 2

HEX #FAB3D5

RGB 250 179 213

HSL 331.27, 0.88%, 0.84%

LAB 80.39, 30.75, -6.81

 

CMYK 0 / 58 / 30 / 4

HEX #F567AB

RGB 245 103 171

HSL 331.27, 0.88%, 0.68%

LAB 63.39, 61.06, -8.82

 

CMYK 0 / 16 / 58 / 4

HEX #F5CD66

RGB 245 205 102

HSL 43.22, 0.88%, 0.68%

LAB 83.98, 2.4, 55.62

 

CMYK 58 / 7 / 0 / 4

HEX #66E4F5

RGB 102 228 245

HSL 187.13, 0.88%, 0.68%

LAB 84.43, -30.08, -18.81

 

CMYK 0 / 58 / 30 / 4

HEX #F567AB

RGB 245 103 171

HSL 331.27, 0.88%, 0.68%

LAB 63.39, 61.06, -8.82

 

CMYK 30 / 0 / 58 / 4

HEX #ABF566

RGB 171 245 102

HSL 91.05, 0.88%, 0.68%

LAB 89.36, -45.59, 60.34

 

CMYK 58 / 30 / 0 / 4

HEX #66ABF5

RGB 102 171 245

HSL 211.05, 0.88%, 0.68%

LAB 68.42, -0.37, -43.46

 

CMYK 0 / 58 / 30 / 4

HEX #F567AB

RGB 245 103 171

HSL 331.27, 0.88%, 0.68%

LAB 63.39, 61.06, -8.82

 

CMYK 0 / 16 / 58 / 4

HEX #F5CD66

RGB 245 205 102

HSL 43.22, 0.88%, 0.68%

LAB 83.98, 2.4, 55.62

 

CMYK 58 / 0 / 28 / 4

HEX #66F5B0

RGB 102 245 176

HSL 151.05, 0.88%, 0.68%

LAB 87.61, -54.14, 21.91

 

CMYK 58 / 42 / 0 / 4

HEX #668EF5

RGB 102 142 245

HSL 223.22, 0.88%, 0.68%

LAB 60.57, 16.45, -55.86

 

CMYK 0 / 58 / 30 / 4

HEX #F567AB

RGB 245 103 171

HSL 331.27, 0.88%, 0.68%

LAB 63.39, 61.06, -8.82

 

CMYK 1 / 0 / 58 / 4

HEX #F3F566

RGB 243 245 102

HSL 60.84, 0.88%, 0.68%

LAB 94.02, -18.41, 66.83

 

CMYK 58 / 0 / 28 / 4

HEX #66F5B0

RGB 102 245 176

HSL 151.05, 0.88%, 0.68%

LAB 87.61, -54.14, 21.91

 

CMYK 58 / 58 / 0 / 4

HEX #6866F5

RGB 104 102 245

HSL 240.84, 0.88%, 0.68%

LAB 50.73, 40.81, -71.69

 

Description

Color code: HEX #F567AB | qconv.com Color code: HEX #F567AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 103 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 103 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 30 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 30% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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