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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F55F874C it is the complementary color #0AA0784C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F55F874C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F55F874C shade: #FA5F824C, #FF71954C, #FF83A84C, #FF95BB4C and #FFA7CE4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F55F874C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F55F874C shade: #F55F874C, #E44D744C, #D33B614C, #C2294E4C and #B1173B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F55F874C shade: #F56188 and #F56161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F55F874C shade: #F56188, #F561B0, #F561D8, #EA61F5 and #C261F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F55F874C shade matches the following richer shades: #F56188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F55F874C shade: #F56188, #E76E8F, #DA7C95, #CC8A9B and #BE97A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F55F874C shade: #F561D7, #F561B0, #F56188, #F56161 and #F58861

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F55F874C shade: #F0134E, #F23A6B, #F56188, #F788A5 and #FAAEC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F55F874C shade: #F55F87, #F5EB61 and #61C4F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F55F874C shade: #F55F87, #88F561 and #6188F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F55F874C shade: #F55F87, #F5EB61, #61F5CD and #616BF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F55F874C shade: #F55F87, #D2F561, #61F5CD and #8361F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 13 / 1

HEX #F55F874C

RGBA 245 95 135 0.3

HSLA 344, 0.88%, 0.67%, 0.3

LABA 61.09, 60.64, 8.58, 0.3

 

Complementary color

CMYK 28 / 0 / 8 / 11

HEX #0AA0784C

RGBA 10 160 120 0.3

HSLA 164, 0.88%, 0.33%, 0.3

LABA 58.57, -44.84, 11.12, 0.3

 

CMYK 0 / 19 / 14 / 1

HEX #FA5F824C

RGBA 250 95 130 0.3

HSLA 346.45, 0.94%, 0.68%, 0.3

LABA 61.76, 61.75, 12.54, 0.3

 

CMYK 0 / 17 / 12 / 0

HEX #FF71954C

RGBA 255 113 149 0.3

HSLA 344.79, 1%, 0.72%, 0.3

LABA 65.94, 57.26, 7.65, 0.3

 

CMYK 0 / 15 / 10 / 0

HEX #FF83A84C

RGBA 255 131 168 0.3

HSLA 342.1, 1%, 0.76%, 0.3

LABA 69.7, 50.84, 2.33, 0.3

 

CMYK 0 / 12 / 8 / 0

HEX #FF95BB4C

RGBA 255 149 187 0.3

HSLA 338.49, 1%, 0.79%, 0.3

LABA 73.77, 44.26, -2.3, 0.3

 

CMYK 0 / 10 / 6 / 0

HEX #FFA7CE4C

RGBA 255 167 206 0.3

HSLA 333.41, 1%, 0.83%, 0.3

LABA 78.08, 37.68, -6.36, 0.3

 

CMYK 0 / 18 / 13 / 1

HEX #F55F874C

RGBA 245 95 135 0.3

HSLA 344, 0.88%, 0.67%, 0.3

LABA 61.09, 60.64, 8.58, 0.3

 

CMYK 0 / 20 / 15 / 3

HEX #E44D744C

RGBA 228 77 116 0.3

HSLA 344.5, 0.74%, 0.6%, 0.3

LABA 55.14, 61.07, 10.92, 0.3

 

CMYK 0 / 22 / 16 / 5

HEX #D33B614C

RGBA 211 59 97 0.3

HSLA 345, 0.63%, 0.53%, 0.3

LABA 49.3, 61.16, 13.75, 0.3

 

CMYK 0 / 24 / 18 / 7

HEX #C2294E4C

RGBA 194 41 78 0.3

HSLA 345.49, 0.65%, 0.46%, 0.3

LABA 43.66, 60.68, 17.23, 0.3

 

CMYK 0 / 26 / 20 / 9

HEX #B1173B4C

RGBA 177 23 59 0.3

HSLA 345.97, 0.77%, 0.39%, 0.3

LABA 38.33, 59.32, 21.55, 0.3

 

CMYK 0 / 60 / 44 / 4

HEX #F56188

RGB 245 97 136

HSL 344.19, 0.88%, 0.67%

LAB 61.43, 59.88, 8.49

 

CMYK 0 / 60 / 60 / 4

HEX #F56161

RGB 245 97 97

HSL 0, 0.88%, 0.67%

LAB 60.63, 56.76, 29.87

 

CMYK 0 / 60 / 44 / 4

HEX #F56188

RGB 245 97 136

HSL 344.19, 0.88%, 0.67%

LAB 61.43, 59.88, 8.49

 

CMYK 0 / 60 / 28 / 4

HEX #F561B0

RGB 245 97 176

HSL 327.97, 0.88%, 0.67%

LAB 62.59, 64.25, -12.87

 

CMYK 0 / 60 / 12 / 4

HEX #F561D8

RGB 245 97 216

HSL 311.76, 0.88%, 0.67%

LAB 64.1, 69.71, -33.24

 

CMYK 4 / 60 / 0 / 4

HEX #EA61F5

RGB 234 97 245

HSL 295.54, 0.88%, 0.67%

LAB 63.86, 71.63, -49.86

 

CMYK 21 / 60 / 0 / 4

HEX #C261F5

RGB 194 97 245

HSL 279.32, 0.88%, 0.67%

LAB 58.61, 62.24, -58.54

 

CMYK 0 / 60 / 44 / 4

HEX #F56188

RGB 245 97 136

HSL 344.19, 0.88%, 0.67%

LAB 61.43, 59.88, 8.49

 

CMYK 0 / 60 / 44 / 4

HEX #F56188

RGB 245 97 136

HSL 344.19, 0.88%, 0.67%

LAB 61.43, 59.88, 8.49

 

CMYK 0 / 52 / 38 / 9

HEX #E76E8F

RGB 231 110 143

HSL 343.64, 0.72%, 0.67%

LAB 61.76, 50.11, 4.64

 

CMYK 0 / 43 / 32 / 15

HEX #DA7C95

RGB 218 124 149

HSL 344.04, 0.56%, 0.67%

LAB 62.92, 39.29, 2.65

 

CMYK 0 / 32 / 24 / 20

HEX #CC8A9B

RGB 204 138 155

HSL 344.55, 0.39%, 0.67%

LAB 64.47, 27.56, 1.28

 

CMYK 0 / 21 / 15 / 25

HEX #BE97A2

RGB 190 151 162

HSL 343.08, 0.23%, 0.67%

LAB 66.28, 16.32, -0.2

 

CMYK 0 / 60 / 12 / 4

HEX #F561D7

RGB 245 97 215

HSL 312.16, 0.88%, 0.67%

LAB 64.05, 69.56, -32.74

 

CMYK 0 / 60 / 28 / 4

HEX #F561B0

RGB 245 97 176

HSL 327.97, 0.88%, 0.67%

LAB 62.59, 64.25, -12.87

 

CMYK 0 / 60 / 44 / 4

HEX #F56188

RGB 245 97 136

HSL 344.19, 0.88%, 0.67%

LAB 61.43, 59.88, 8.49

 

CMYK 0 / 60 / 60 / 4

HEX #F56161

RGB 245 97 97

HSL 0, 0.88%, 0.67%

LAB 60.63, 56.76, 29.87

 

CMYK 0 / 44 / 60 / 4

HEX #F58861

RGB 245 136 97

HSL 15.81, 0.88%, 0.67%

LAB 67.93, 38.09, 39.05

 

CMYK 0 / 92 / 68 / 6

HEX #F0134E

RGB 240 19 78

HSL 343.98, 0.88%, 0.51%

LAB 51.31, 76.71, 28.94

 

CMYK 0 / 76 / 56 / 5

HEX #F23A6B

RGB 242 58 107

HSL 344.02, 0.88%, 0.59%

LAB 55.04, 70.94, 16.51

 

CMYK 0 / 60 / 44 / 4

HEX #F56188

RGB 245 97 136

HSL 344.19, 0.88%, 0.67%

LAB 61.43, 59.88, 8.49

 

CMYK 0 / 45 / 33 / 3

HEX #F788A5

RGB 247 136 165

HSL 344.32, 0.87%, 0.75%

LAB 69.54, 45.29, 3.66

 

CMYK 0 / 30 / 22 / 2

HEX #FAAEC2

RGB 250 174 194

HSL 344.21, 0.88%, 0.83%

LAB 78.75, 30.53, 1.08

 

CMYK 0 / 61 / 45 / 4

HEX #F55F87

RGB 245 95 135

HSL 344, 0.88%, 0.67%

LAB 61.09, 60.64, 8.58

 

CMYK 0 / 4 / 60 / 4

HEX #F5EB61

RGB 245 235 97

HSL 55.95, 0.88%, 0.67%

LAB 91.55, -13.06, 66.27

 

CMYK 60 / 20 / 0 / 4

HEX #61C4F5

RGB 97 196 245

HSL 199.86, 0.88%, 0.67%

LAB 75.21, -14.89, -32.91

 

CMYK 0 / 61 / 45 / 4

HEX #F55F87

RGB 245 95 135

HSL 344, 0.88%, 0.67%

LAB 61.09, 60.64, 8.58

 

CMYK 44 / 0 / 60 / 4

HEX #88F561

RGB 136 245 97

HSL 104.19, 0.88%, 0.67%

LAB 87.68, -57.3, 60.13

 

CMYK 60 / 44 / 0 / 4

HEX #6188F5

RGB 97 136 245

HSL 224.19, 0.88%, 0.67%

LAB 58.74, 19.11, -58.81

 

CMYK 0 / 61 / 45 / 4

HEX #F55F87

RGB 245 95 135

HSL 344, 0.88%, 0.67%

LAB 61.09, 60.64, 8.58

 

CMYK 0 / 4 / 60 / 4

HEX #F5EB61

RGB 245 235 97

HSL 55.95, 0.88%, 0.67%

LAB 91.55, -13.06, 66.27

 

CMYK 60 / 0 / 16 / 4

HEX #61F5CD

RGB 97 245 205

HSL 163.78, 0.88%, 0.67%

LAB 88.09, -48.84, 7.56

 

CMYK 60 / 56 / 0 / 4

HEX #616BF5

RGB 97 107 245

HSL 235.95, 0.88%, 0.67%

LAB 51.44, 36.65, -70.57

 

CMYK 0 / 61 / 45 / 4

HEX #F55F87

RGB 245 95 135

HSL 344, 0.88%, 0.67%

LAB 61.09, 60.64, 8.58

 

CMYK 14 / 0 / 60 / 4

HEX #D2F561

RGB 210 245 97

HSL 74.19, 0.88%, 0.67%

LAB 91.63, -31.71, 65.61

 

CMYK 60 / 0 / 16 / 4

HEX #61F5CD

RGB 97 245 205

HSL 163.78, 0.88%, 0.67%

LAB 88.09, -48.84, 7.56

 

CMYK 47 / 60 / 0 / 4

HEX #8361F5

RGB 131 97 245

HSL 253.78, 0.88%, 0.67%

LAB 51.8, 48.63, -69.86

 

Description

Color code: HEX #F55F874C | qconv.com Color code: HEX #F55F874C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 95 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 95 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 13 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 13% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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