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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F55D2ACE it is the complementary color #0AA2D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F55D2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F55D2ACE shade: #FA5D25CE, #FF6F38CE, #FF814BCE, #FF935ECE and #FFA571CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F55D2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F55D2ACE shade: #F55D2ACE, #E44B17CE, #D33904CE, #C22700CE and #B11500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F55D2ACE shade: #F55C29 and #F52929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F55D2ACE shade: #F55C29, #F59329, #F5CA29, #E9F529 and #B2F529

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F55D2ACE shade matches the following richer shades: #F55C29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F55D2ACE shade: #F55C29, #E3653B, #D16E4D, #BE775F and #AC8071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F55D2ACE shade: #F52963, #F5292C, #F55C29, #F59229 and #F5C929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F55D2ACE shade: #C23809, #E9430B, #F55C29, #F77A50 and #F99878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F55D2ACE shade: #F55D2A, #99F529 and #2947F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F55D2ACE shade: #F55D2A, #29F55C and #5C29F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F55D2ACE shade: #F55D2A, #99F529, #29C2F5 and #8529F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F55D2ACE shade: #F55D2A, #5CF529, #29C2F5 and #C229F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 67 / 3

HEX #F55D2ACE

RGBA 245 93 42 0.81

HSLA 15.07, 0.91%, 0.56%, 0.81

LABA 59.35, 56.02, 57.04, 0.81

 

Complementary color

CMYK 77 / 19 / 0 / 13

HEX #0AA2D5CE

RGBA 10 162 213 0.81

HSLA 195.07, 0.91%, 0.44%, 0.81

LABA 62.26, -16.74, -35.65, 0.81

 

CMYK 0 / 51 / 69 / 2

HEX #FA5D25CE

RGBA 250 93 37 0.81

HSLA 15.77, 0.96%, 0.56%, 0.81

LABA 60.15, 57.61, 60.11, 0.81

 

CMYK 0 / 46 / 63 / 0

HEX #FF6F38CE

RGBA 255 111 56 0.81

HSLA 16.58, 1%, 0.61%, 0.81

LABA 64.09, 51.95, 55.8, 0.81

 

CMYK 0 / 40 / 57 / 0

HEX #FF814BCE

RGBA 255 129 75 0.81

HSLA 18, 1%, 0.65%, 0.81

LABA 67.63, 44.13, 50.38, 0.81

 

CMYK 0 / 34 / 51 / 0

HEX #FF935ECE

RGBA 255 147 94 0.81

HSLA 19.75, 1%, 0.68%, 0.81

LABA 71.51, 36.13, 45.24, 0.81

 

CMYK 0 / 29 / 45 / 0

HEX #FFA571CE

RGBA 255 165 113 0.81

HSLA 21.97, 1%, 0.72%, 0.81

LABA 75.68, 28.15, 40.51, 0.81

 

CMYK 0 / 50 / 67 / 3

HEX #F55D2ACE

RGBA 245 93 42 0.81

HSLA 15.07, 0.91%, 0.56%, 0.81

LABA 59.35, 56.02, 57.04, 0.81

 

CMYK 0 / 54 / 73 / 9

HEX #E44B17CE

RGBA 228 75 23 0.81

HSLA 15.22, 0.82%, 0.49%, 0.81

LABA 53.59, 57.29, 58.58, 0.81

 

CMYK 0 / 59 / 79 / 14

HEX #D33904CE

RGBA 211 57 4 0.81

HSLA 15.36, 0.96%, 0.42%, 0.81

LABA 47.99, 58.26, 58.81, 0.81

 

CMYK 0 / 65 / 81 / 19

HEX #C22700CE

RGBA 194 39 0 0.81

HSLA 12.06, 1%, 0.38%, 0.81

LABA 42.64, 58.69, 55.6, 0.81

 

CMYK 0 / 71 / 81 / 25

HEX #B11500CE

RGBA 177 21 0 0.81

HSLA 7.12, 1%, 0.35%, 0.81

LABA 37.63, 58.07, 51.47, 0.81

 

CMYK 0 / 62 / 83 / 4

HEX #F55C29

RGB 245 92 41

HSL 15, 0.91%, 0.56%

LAB 59.18, 56.42, 57.32

 

CMYK 0 / 83 / 83 / 4

HEX #F52929

RGB 245 41 41

HSL 0, 0.91%, 0.56%

LAB 53.12, 73.12, 51.96

 

CMYK 0 / 62 / 83 / 4

HEX #F55C29

RGB 245 92 41

HSL 15, 0.91%, 0.56%

LAB 59.18, 56.42, 57.32

 

CMYK 0 / 40 / 83 / 4

HEX #F59329

RGB 245 147 41

HSL 31.18, 0.91%, 0.56%

LAB 69.78, 29.77, 66.47

 

CMYK 0 / 18 / 83 / 4

HEX #F5CA29

RGB 245 202 41

HSL 47.35, 0.91%, 0.56%

LAB 82.81, 1.02, 77.48

 

CMYK 5 / 0 / 83 / 4

HEX #E9F529

RGB 233 245 41

HSL 63.53, 0.91%, 0.56%

LAB 92.92, -25.26, 85.51

 

CMYK 27 / 0 / 83 / 4

HEX #B2F529

RGB 178 245 41

HSL 79.71, 0.91%, 0.56%

LAB 89.36, -46.75, 81.07

 

CMYK 0 / 62 / 83 / 4

HEX #F55C29

RGB 245 92 41

HSL 15, 0.91%, 0.56%

LAB 59.18, 56.42, 57.32

 

CMYK 0 / 62 / 83 / 4

HEX #F55C29

RGB 245 92 41

HSL 15, 0.91%, 0.56%

LAB 59.18, 56.42, 57.32

 

CMYK 0 / 56 / 74 / 11

HEX #E3653B

RGB 227 101 59

HSL 15, 0.75%, 0.56%

LAB 57.99, 46.55, 46.73

 

CMYK 0 / 47 / 63 / 18

HEX #D16E4D

RGB 209 110 77

HSL 15, 0.59%, 0.56%

LAB 57.31, 36.17, 35.73

 

CMYK 0 / 37 / 50 / 25

HEX #BE775F

RGB 190 119 95

HSL 15.16, 0.42%, 0.56%

LAB 57.04, 25.2, 24.82

 

CMYK 0 / 26 / 34 / 33

HEX #AC8071

RGB 172 128 113

HSL 15.25, 0.26%, 0.56%

LAB 57.46, 14.9, 14.77

 

CMYK 0 / 83 / 60 / 4

HEX #F52963

RGB 245 41 99

HSL 342.94, 0.91%, 0.56%

LAB 53.92, 75.49, 19.88

 

CMYK 0 / 83 / 82 / 4

HEX #F5292C

RGB 245 41 44

HSL 359.12, 0.91%, 0.56%

LAB 53.15, 73.2, 50.48

 

CMYK 0 / 62 / 83 / 4

HEX #F55C29

RGB 245 92 41

HSL 15, 0.91%, 0.56%

LAB 59.18, 56.42, 57.32

 

CMYK 0 / 40 / 83 / 4

HEX #F59229

RGB 245 146 41

HSL 30.88, 0.91%, 0.56%

LAB 69.56, 30.29, 66.29

 

CMYK 0 / 18 / 83 / 4

HEX #F5C929

RGB 245 201 41

HSL 47.06, 0.91%, 0.56%

LAB 82.56, 1.54, 77.27

 

CMYK 0 / 71 / 95 / 24

HEX #C23809

RGB 194 56 9

HSL 15.24, 0.91%, 0.4%

LAB 44.68, 53.19, 53.94

 

CMYK 0 / 71 / 95 / 9

HEX #E9430B

RGB 233 67 11

HSL 15.14, 0.91%, 0.48%

LAB 53.34, 61.77, 62.26

 

CMYK 0 / 62 / 83 / 4

HEX #F55C29

RGB 245 92 41

HSL 15, 0.91%, 0.56%

LAB 59.18, 56.42, 57.32

 

CMYK 0 / 51 / 68 / 3

HEX #F77A50

RGB 247 122 80

HSL 15.09, 0.91%, 0.64%

LAB 65.18, 44.82, 44.77

 

CMYK 0 / 39 / 52 / 2

HEX #F99878

RGB 249 152 120

HSL 14.88, 0.91%, 0.72%

LAB 72.2, 33.15, 32.23

 

CMYK 0 / 62 / 83 / 4

HEX #F55D2A

RGB 245 93 42

HSL 15.07, 0.91%, 0.56%

LAB 59.35, 56.02, 57.04

 

CMYK 38 / 0 / 83 / 4

HEX #99F529

RGB 153 245 41

HSL 87.06, 0.91%, 0.56%

LAB 88.08, -55.53, 79.46

 

CMYK 83 / 71 / 0 / 4

HEX #2947F5

RGB 41 71 245

HSL 231.18, 0.91%, 0.56%

LAB 40.53, 52, -88.55

 

CMYK 0 / 62 / 83 / 4

HEX #F55D2A

RGB 245 93 42

HSL 15.07, 0.91%, 0.56%

LAB 59.35, 56.02, 57.04

 

CMYK 83 / 0 / 62 / 4

HEX #29F55C

RGB 41 245 92

HSL 135, 0.91%, 0.56%

LAB 85.28, -76.46, 58.88

 

CMYK 62 / 83 / 0 / 4

HEX #5C29F5

RGB 92 41 245

HSL 255, 0.91%, 0.56%

LAB 38.64, 70, -91.56

 

CMYK 0 / 62 / 83 / 4

HEX #F55D2A

RGB 245 93 42

HSL 15.07, 0.91%, 0.56%

LAB 59.35, 56.02, 57.04

 

CMYK 38 / 0 / 83 / 4

HEX #99F529

RGB 153 245 41

HSL 87.06, 0.91%, 0.56%

LAB 88.08, -55.53, 79.46

 

CMYK 83 / 21 / 0 / 4

HEX #29C2F5

RGB 41 194 245

HSL 195, 0.91%, 0.56%

LAB 73.32, -20.93, -35.95

 

CMYK 46 / 83 / 0 / 4

HEX #8529F5

RGB 133 41 245

HSL 267.06, 0.91%, 0.56%

LAB 43.01, 74.11, -84.2

 

CMYK 0 / 62 / 83 / 4

HEX #F55D2A

RGB 245 93 42

HSL 15.07, 0.91%, 0.56%

LAB 59.35, 56.02, 57.04

 

CMYK 62 / 0 / 83 / 4

HEX #5CF529

RGB 92 245 41

HSL 105, 0.91%, 0.56%

LAB 85.88, -72.51, 76.67

 

CMYK 83 / 21 / 0 / 4

HEX #29C2F5

RGB 41 194 245

HSL 195, 0.91%, 0.56%

LAB 73.32, -20.93, -35.95

 

CMYK 21 / 83 / 0 / 4

HEX #C229F5

RGB 194 41 245

HSL 285, 0.91%, 0.56%

LAB 51.44, 82.52, -70.09

 

Description

Color code: HEX #F55D2ACE | qconv.com Color code: HEX #F55D2ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 93 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 93 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 67 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 67% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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