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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F55A7ACE it is the complementary color #0AA585CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F55A7ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F55A7ACE shade: #FA5A75CE, #FF6C88CE, #FF7E9BCE, #FF90AECE and #FFA2C1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F55A7ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F55A7ACE shade: #F55A7ACE, #E44867CE, #D33654CE, #C22441CE and #B1122ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F55A7ACE shade: #F55B7B and #F55B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F55A7ACE shade: #F55B7B, #F55BA5, #F55BCE, #F35BF5 and #C95BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F55A7ACE shade matches the following richer shades: #F55B7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F55A7ACE shade: #F55B7B, #E76983, #D9778B, #CB8594 and #BD939C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F55A7ACE shade: #F55BCF, #F55BA6, #F55B7D, #F5635B and #F58C5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F55A7ACE shade: #F00E3D, #F3345C, #F55B7B, #F8829A and #FAA9BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F55A7ACE shade: #F55A7A, #F5F35B and #5BBAF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F55A7ACE shade: #F55A7A, #7DF55B and #5B7DF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F55A7ACE shade: #F55A7A, #F5F35B, #5BF5D4 and #5B5EF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F55A7ACE shade: #F55A7A, #CAF55B, #5BF5D4 and #875BF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 41 / 3

HEX #F55A7ACE

RGBA 245 90 122 0.81

HSLA 347.61, 0.89%, 0.66%, 0.81

LABA 60.01, 61.58, 14.62, 0.81

 

Complementary color

CMYK 76 / 0 / 16 / 29

HEX #0AA585CE

RGBA 10 165 133 0.81

HSLA 167.61, 0.89%, 0.34%, 0.81

LABA 60.49, -43.55, 6.56, 0.81

 

CMYK 0 / 52 / 43 / 2

HEX #FA5A75CE

RGBA 250 90 117 0.81

HSLA 349.88, 0.94%, 0.67%, 0.81

LABA 60.71, 62.74, 18.62, 0.81

 

CMYK 0 / 47 / 38 / 0

HEX #FF6C88CE

RGBA 255 108 136 0.81

HSLA 348.57, 1%, 0.71%, 0.81

LABA 64.77, 58.26, 13.43, 0.81

 

CMYK 0 / 41 / 32 / 0

HEX #FF7E9BCE

RGBA 255 126 155 0.81

HSLA 346.51, 1%, 0.75%, 0.81

LABA 68.42, 51.8, 7.81, 0.81

 

CMYK 0 / 35 / 26 / 0

HEX #FF90AECE

RGBA 255 144 174 0.81

HSLA 343.78, 1%, 0.78%, 0.81

LABA 72.4, 45.12, 2.91, 0.81

 

CMYK 0 / 30 / 20 / 0

HEX #FFA2C1CE

RGBA 255 162 193 0.81

HSLA 340, 1%, 0.82%, 0.81

LABA 76.65, 38.41, -1.38, 0.81

 

CMYK 0 / 51 / 41 / 3

HEX #F55A7ACE

RGBA 245 90 122 0.81

HSLA 347.61, 0.89%, 0.66%, 0.81

LABA 60.01, 61.58, 14.62, 0.81

 

CMYK 0 / 55 / 44 / 9

HEX #E44867CE

RGBA 228 72 103 0.81

HSLA 348.08, 0.74%, 0.59%, 0.81

LABA 54.14, 61.96, 17.27, 0.81

 

CMYK 0 / 60 / 49 / 14

HEX #D33654CE

RGBA 211 54 84 0.81

HSLA 348.54, 0.64%, 0.52%, 0.81

LABA 48.42, 61.94, 20.46, 0.81

 

CMYK 0 / 66 / 54 / 19

HEX #C22441CE

RGBA 194 36 65 0.81

HSLA 348.99, 0.69%, 0.45%, 0.81

LABA 42.93, 61.28, 24.35, 0.81

 

CMYK 0 / 73 / 60 / 25

HEX #B1122ECE

RGBA 177 18 46 0.81

HSLA 349.43, 0.82%, 0.38%, 0.81

LABA 37.8, 59.63, 29.06, 0.81

 

CMYK 0 / 63 / 50 / 4

HEX #F55B7B

RGB 245 91 123

HSL 347.53, 0.89%, 0.66%

LAB 60.18, 61.25, 14.28

 

CMYK 0 / 63 / 63 / 4

HEX #F55B5B

RGB 245 91 91

HSL 0, 0.89%, 0.66%

LAB 59.57, 58.95, 31.93

 

CMYK 0 / 63 / 50 / 4

HEX #F55B7B

RGB 245 91 123

HSL 347.53, 0.89%, 0.66%

LAB 60.18, 61.25, 14.28

 

CMYK 0 / 63 / 33 / 4

HEX #F55BA5

RGB 245 91 165

HSL 331.17, 0.89%, 0.66%

LAB 61.32, 65.43, -8.45

 

CMYK 0 / 63 / 16 / 4

HEX #F55BCE

RGB 245 91 206

HSL 315.19, 0.89%, 0.66%

LAB 62.8, 70.68, -29.61

 

CMYK 1 / 63 / 0 / 4

HEX #F35BF5

RGB 243 91 245

HSL 299.22, 0.89%, 0.66%

LAB 64.27, 76.13, -49.15

 

CMYK 18 / 63 / 0 / 4

HEX #C95BF5

RGB 201 91 245

HSL 282.86, 0.89%, 0.66%

LAB 58.5, 66.57, -58.66

 

CMYK 0 / 63 / 50 / 4

HEX #F55B7B

RGB 245 91 123

HSL 347.53, 0.89%, 0.66%

LAB 60.18, 61.25, 14.28

 

CMYK 0 / 63 / 50 / 4

HEX #F55B7B

RGB 245 91 123

HSL 347.53, 0.89%, 0.66%

LAB 60.18, 61.25, 14.28

 

CMYK 0 / 55 / 43 / 9

HEX #E76983

RGB 231 105 131

HSL 347.62, 0.72%, 0.66%

LAB 60.54, 51.22, 9.83

 

CMYK 0 / 45 / 36 / 15

HEX #D9778B

RGB 217 119 139

HSL 347.76, 0.56%, 0.66%

LAB 61.49, 40.29, 6.3

 

CMYK 0 / 34 / 27 / 20

HEX #CB8594

RGB 203 133 148

HSL 347.14, 0.4%, 0.66%

LAB 63.02, 28.91, 3.13

 

CMYK 0 / 22 / 17 / 26

HEX #BD939C

RGB 189 147 156

HSL 347.14, 0.24%, 0.66%

LAB 65.03, 17.19, 1.34

 

CMYK 0 / 63 / 16 / 4

HEX #F55BCF

RGB 245 91 207

HSL 314.81, 0.89%, 0.66%

LAB 62.84, 70.82, -30.12

 

CMYK 0 / 63 / 32 / 4

HEX #F55BA6

RGB 245 91 166

HSL 330.78, 0.89%, 0.66%

LAB 61.35, 65.54, -8.98

 

CMYK 0 / 63 / 49 / 4

HEX #F55B7D

RGB 245 91 125

HSL 346.75, 0.89%, 0.66%

LAB 60.23, 61.42, 13.18

 

CMYK 0 / 60 / 63 / 4

HEX #F5635B

RGB 245 99 91

HSL 3.12, 0.89%, 0.66%

LAB 60.86, 55.51, 33.55

 

CMYK 0 / 43 / 63 / 4

HEX #F58C5B

RGB 245 140 91

HSL 19.09, 0.89%, 0.66%

LAB 68.7, 35.64, 43.12

 

CMYK 0 / 94 / 75 / 6

HEX #F00E3D

RGB 240 14 61

HSL 347.52, 0.89%, 0.5%

LAB 50.89, 76.54, 38.51

 

CMYK 0 / 79 / 62 / 5

HEX #F3345C

RGB 243 52 92

HSL 347.43, 0.89%, 0.58%

LAB 54.33, 71.94, 24.54

 

CMYK 0 / 63 / 50 / 4

HEX #F55B7B

RGB 245 91 123

HSL 347.53, 0.89%, 0.66%

LAB 60.18, 61.25, 14.28

 

CMYK 0 / 48 / 38 / 3

HEX #F8829A

RGB 248 130 154

HSL 347.8, 0.89%, 0.74%

LAB 68.21, 47.35, 7.94

 

CMYK 0 / 32 / 26 / 2

HEX #FAA9BA

RGB 250 169 186

HSL 347.41, 0.89%, 0.82%

LAB 77.43, 32.03, 3.51

 

CMYK 0 / 63 / 50 / 4

HEX #F55A7A

RGB 245 90 122

HSL 347.61, 0.89%, 0.66%

LAB 60.01, 61.58, 14.62

 

CMYK 0 / 1 / 63 / 4

HEX #F5F35B

RGB 245 243 91

HSL 59.22, 0.89%, 0.66%

LAB 93.57, -17.34, 70.86

 

CMYK 63 / 24 / 0 / 4

HEX #5BBAF5

RGB 91 186 245

HSL 202.99, 0.89%, 0.66%

LAB 72.18, -10.62, -37.61

 

CMYK 0 / 63 / 50 / 4

HEX #F55A7A

RGB 245 90 122

HSL 347.61, 0.89%, 0.66%

LAB 60.01, 61.58, 14.62

 

CMYK 49 / 0 / 63 / 4

HEX #7DF55B

RGB 125 245 91

HSL 106.75, 0.89%, 0.66%

LAB 87.2, -61.01, 61.97

 

CMYK 63 / 49 / 0 / 4

HEX #5B7DF5

RGB 91 125 245

HSL 226.75, 0.89%, 0.66%

LAB 55.57, 24.72, -63.91

 

CMYK 0 / 63 / 50 / 4

HEX #F55A7A

RGB 245 90 122

HSL 347.61, 0.89%, 0.66%

LAB 60.01, 61.58, 14.62

 

CMYK 0 / 1 / 63 / 4

HEX #F5F35B

RGB 245 243 91

HSL 59.22, 0.89%, 0.66%

LAB 93.57, -17.34, 70.86

 

CMYK 63 / 0 / 13 / 4

HEX #5BF5D4

RGB 91 245 212

HSL 167.14, 0.89%, 0.66%

LAB 88.1, -48.22, 3.92

 

CMYK 63 / 62 / 0 / 4

HEX #5B5EF5

RGB 91 94 245

HSL 238.83, 0.89%, 0.66%

LAB 48.04, 43.48, -76.12

 

CMYK 0 / 63 / 50 / 4

HEX #F55A7A

RGB 245 90 122

HSL 347.61, 0.89%, 0.66%

LAB 60.01, 61.58, 14.62

 

CMYK 18 / 0 / 63 / 4

HEX #CAF55B

RGB 202 245 91

HSL 76.75, 0.89%, 0.66%

LAB 91.06, -35.19, 67.29

 

CMYK 63 / 0 / 13 / 4

HEX #5BF5D4

RGB 91 245 212

HSL 167.14, 0.89%, 0.66%

LAB 88.1, -48.22, 3.92

 

CMYK 45 / 63 / 0 / 4

HEX #875BF5

RGB 135 91 245

HSL 257.14, 0.89%, 0.66%

LAB 50.95, 52.66, -71.22

 

Description

Color code: HEX #F55A7ACE | qconv.com Color code: HEX #F55A7ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 90 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 90 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 41 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 41% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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