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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5490F it is the complementary color #0AB6F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5490F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5490F shade: #FA490A, #FF5B1D, #FF6D30, #FF7F43 and #FF9156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5490F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5490F shade: #F5490F, #E43700, #D32500, #C21300 and #B10100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5490F shade: #F5490F and #F50F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5490F shade: #F5490F, #F5870F, #F5C50F, #E7F50F and #A9F50F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5490F shade matches the following richer shades: #F5490F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5490F shade: #F5490F, #E15323, #CD5D38, #B8674C and #A47160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5490F shade: #F50F50, #F50F13, #F5490F, #F5860F and #F5C30F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5490F shade: #AA3007, #D23C09, #F5490F, #F76737 and #F8855E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5490F shade: #F5490F, #8EF50F and #0F32F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5490F shade: #F5490F, #0FF549 and #490FF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5490F shade: #F5490F, #8EF50F, #0FBCF5 and #770FF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5490F shade: #F5490F, #49F50F, #0FBCF5 and #BC0FF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

Complementary color

CMYK 96 / 24 / 0 / 6

HEX #0AB6F0

RGB 10 182 240

HSL 195.13, 0.92%, 0.49%

LAB 69.34, -17.9, -39.45

 

CMYK 0 / 71 / 96 / 2

HEX #FA490A

RGB 250 73 10

HSL 15.75, 0.96%, 0.51%

LAB 57.18, 64.97, 66.26

 

CMYK 0 / 64 / 89 / 0

HEX #FF5B1D

RGB 255 91 29

HSL 16.46, 1%, 0.56%

LAB 60.63, 59.97, 63.78

 

CMYK 0 / 57 / 81 / 0

HEX #FF6D30

RGB 255 109 48

HSL 17.68, 1%, 0.59%

LAB 63.68, 52.61, 58.97

 

CMYK 0 / 50 / 74 / 0

HEX #FF7F43

RGB 255 127 67

HSL 19.15, 1%, 0.63%

LAB 67.16, 44.76, 53.77

 

CMYK 0 / 43 / 66 / 0

HEX #FF9156

RGB 255 145 86

HSL 20.95, 1%, 0.67%

LAB 71, 36.67, 48.69

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 0 / 76 / 100 / 11

HEX #E43700

RGB 228 55 0

HSL 14.47, 1%, 0.45%

LAB 50.95, 64.12, 63.08

 

CMYK 0 / 82 / 100 / 17

HEX #D32500

RGB 211 37 0

HSL 10.52, 1%, 0.41%

LAB 45.87, 64.13, 58.96

 

CMYK 0 / 90 / 100 / 24

HEX #C21300

RGB 194 19 0

HSL 5.88, 1%, 0.38%

LAB 41.11, 63.04, 54.99

 

CMYK 0 / 99 / 100 / 31

HEX #B10100

RGB 177 1 0

HSL 0.34, 1%, 0.35%

LAB 36.68, 60.8, 51.06

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 0 / 94 / 94 / 4

HEX #F50F0F

RGB 245 15 15

HSL 0, 0.92%, 0.51%

LAB 51.6, 76.69, 61.48

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 0 / 45 / 94 / 4

HEX #F5870F

RGB 245 135 15

HSL 31.3, 0.92%, 0.51%

LAB 67.11, 35.49, 71.17

 

CMYK 0 / 20 / 94 / 4

HEX #F5C50F

RGB 245 197 15

HSL 47.48, 0.92%, 0.51%

LAB 81.5, 3.13, 81.4

 

CMYK 6 / 0 / 94 / 4

HEX #E7F50F

RGB 231 245 15

HSL 63.65, 0.92%, 0.51%

LAB 92.72, -26.54, 89.27

 

CMYK 31 / 0 / 94 / 4

HEX #A9F50F

RGB 169 245 15

HSL 79.83, 0.92%, 0.51%

LAB 88.82, -50.6, 84.55

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 0 / 63 / 84 / 12

HEX #E15323

RGB 225 83 35

HSL 15.16, 0.76%, 0.51%

LAB 54.36, 53.21, 54.37

 

CMYK 0 / 55 / 73 / 20

HEX #CD5D38

RGB 205 93 56

HSL 14.9, 0.6%, 0.51%

LAB 53.05, 42.06, 41.94

 

CMYK 0 / 44 / 59 / 28

HEX #B8674C

RGB 184 103 76

HSL 15, 0.43%, 0.51%

LAB 52.3, 29.85, 29.33

 

CMYK 0 / 31 / 41 / 36

HEX #A47160

RGB 164 113 96

HSL 15, 0.27%, 0.51%

LAB 52.45, 18, 17.55

 

CMYK 0 / 94 / 67 / 4

HEX #F50F50

RGB 245 15 80

HSL 343.04, 0.92%, 0.51%

LAB 52.21, 78.4, 29.08

 

CMYK 0 / 94 / 92 / 4

HEX #F50F13

RGB 245 15 19

HSL 358.96, 0.92%, 0.51%

LAB 51.61, 76.73, 60.2

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 0 / 45 / 94 / 4

HEX #F5860F

RGB 245 134 15

HSL 31.04, 0.92%, 0.51%

LAB 66.9, 36, 71.03

 

CMYK 0 / 20 / 94 / 4

HEX #F5C30F

RGB 245 195 15

HSL 46.96, 0.92%, 0.51%

LAB 81, 4.16, 81.03

 

CMYK 0 / 72 / 96 / 33

HEX #AA3007

RGB 170 48 7

HSL 15.09, 0.92%, 0.35%

LAB 39.03, 48.19, 48.81

 

CMYK 0 / 71 / 96 / 18

HEX #D23C09

RGB 210 60 9

HSL 15.22, 0.92%, 0.43%

LAB 48.2, 56.93, 57.55

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 0 / 58 / 78 / 3

HEX #F76737

RGB 247 103 55

HSL 15, 0.92%, 0.59%

LAB 61.44, 52.7, 53.23

 

CMYK 0 / 46 / 62 / 3

HEX #F8855E

RGB 248 133 94

HSL 15.19, 0.92%, 0.67%

LAB 67.68, 40.55, 40.42

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 42 / 0 / 94 / 4

HEX #8EF50F

RGB 142 245 15

HSL 86.87, 0.92%, 0.51%

LAB 87.53, -59.77, 82.98

 

CMYK 94 / 80 / 0 / 4

HEX #0F32F5

RGB 15 50 245

HSL 230.87, 0.92%, 0.51%

LAB 35.94, 62.3, -96.17

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 94 / 0 / 70 / 4

HEX #0FF549

RGB 15 245 73

HSL 135.13, 0.92%, 0.51%

LAB 84.94, -79.96, 65.86

 

CMYK 70 / 94 / 0 / 4

HEX #490FF5

RGB 73 15 245

HSL 255.13, 0.92%, 0.51%

LAB 34.7, 75.84, -98.15

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 42 / 0 / 94 / 4

HEX #8EF50F

RGB 142 245 15

HSL 86.87, 0.92%, 0.51%

LAB 87.53, -59.77, 82.98

 

CMYK 94 / 23 / 0 / 4

HEX #0FBCF5

RGB 15 188 245

HSL 194.87, 0.92%, 0.51%

LAB 71.32, -19.17, -39.06

 

CMYK 51 / 94 / 0 / 4

HEX #770FF5

RGB 119 15 245

HSL 267.13, 0.92%, 0.51%

LAB 39.34, 78.64, -90.32

 

CMYK 0 / 70 / 94 / 4

HEX #F5490F

RGB 245 73 15

HSL 15.13, 0.92%, 0.51%

LAB 56.3, 63.45, 64.18

 

CMYK 70 / 0 / 94 / 4

HEX #49F50F

RGB 73 245 15

HSL 104.87, 0.92%, 0.51%

LAB 85.38, -76.95, 80.35

 

CMYK 94 / 23 / 0 / 4

HEX #0FBCF5

RGB 15 188 245

HSL 194.87, 0.92%, 0.51%

LAB 71.32, -19.17, -39.06

 

CMYK 23 / 94 / 0 / 4

HEX #BC0FF5

RGB 188 15 245

HSL 285.13, 0.92%, 0.51%

LAB 49.04, 86.03, -74.03

 

Description

Color code: HEX #F5490F | qconv.com Color code: HEX #F5490F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 73 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 73 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 94 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 94% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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