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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F53ADE it is the complementary color #0AC521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F53ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F53ADE shade: #FA3AD9, #FF4CEC, #FF5EFF, #FF70FF and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F53ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F53ADE shade: #F53ADE, #E428CB, #D316B8, #C204A5 and #B10092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F53ADE shade: #F538DD, #F538AB, #F53878, #F53845 and #F53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F53ADE shade: #F538DD, #D938F5, #A638F5, #7338F5 and #4138F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F53ADE shade matches the following richer shades: #F538DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F53ADE shade: #F538DD, #E449D1, #D35AC4, #C26BB7 and #B17CAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F53ADE shade: #A638F5, #D838F5, #F538DF, #F538AC and #F5387A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F53ADE shade: #CF0BB7, #F211D7, #F538DD, #F760E4 and #F987EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F53ADE shade: #F53ADE, #F57438 and #38F5BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F53ADE shade: #F53ADE, #DFF538 and #38DFF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F53ADE shade: #F53ADE, #F57438, #38F54E and #38B9F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F53ADE shade: #F53ADE, #F5AC38, #38F54E and #3880F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 9 / 4

HEX #F53ADE

RGB 245 58 222

HSL 307.38, 0.9%, 0.59%

LAB 59.63, 83.88, -43.6

 

Complementary color

CMYK 95 / 0 / 83 / 23

HEX #0AC521

RGB 10 197 33

HSL 127.38, 0.9%, 0.41%

LAB 69.55, -69.53, 63.35

 

CMYK 0 / 77 / 13 / 2

HEX #FA3AD9

RGB 250 58 217

HSL 310.31, 0.95%, 0.6%

LAB 60.21, 84.23, -39.81

 

CMYK 0 / 70 / 7 / 0

HEX #FF4CEC

RGB 255 76 236

HSL 306.37, 1%, 0.65%

LAB 63.74, 82.72, -44.86

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 76 / 9 / 4

HEX #F53ADE

RGB 245 58 222

HSL 307.38, 0.9%, 0.59%

LAB 59.63, 83.88, -43.6

 

CMYK 0 / 82 / 11 / 11

HEX #E428CB

RGB 228 40 203

HSL 307.98, 0.78%, 0.53%

LAB 54.37, 82.1, -41.28

 

CMYK 0 / 90 / 13 / 17

HEX #D316B8

RGB 211 22 184

HSL 308.57, 0.81%, 0.46%

LAB 49.35, 79.4, -38.38

 

CMYK 0 / 98 / 15 / 24

HEX #C204A5

RGB 194 4 165

HSL 309.16, 0.96%, 0.39%

LAB 44.62, 75.63, -34.82

 

CMYK 0 / 100 / 18 / 31

HEX #B10092

RGB 177 0 146

HSL 310.51, 1%, 0.35%

LAB 40.28, 70.42, -30.4

 

CMYK 0 / 77 / 10 / 4

HEX #F538DD

RGB 245 56 221

HSL 307.62, 0.9%, 0.59%

LAB 59.4, 84.26, -43.4

 

CMYK 0 / 77 / 30 / 4

HEX #F538AB

RGB 245 56 171

HSL 323.49, 0.9%, 0.59%

LAB 57.25, 78.02, -18.06

 

CMYK 0 / 77 / 51 / 4

HEX #F53878

RGB 245 56 120

HSL 339.68, 0.9%, 0.59%

LAB 55.68, 73.25, 9.74

 

CMYK 0 / 77 / 72 / 4

HEX #F53845

RGB 245 56 69

HSL 355.87, 0.9%, 0.59%

LAB 54.73, 70.27, 38.57

 

CMYK 0 / 77 / 77 / 4

HEX #F53838

RGB 245 56 56

HSL 0, 0.9%, 0.59%

LAB 54.58, 69.79, 45.62

 

CMYK 0 / 77 / 10 / 4

HEX #F538DD

RGB 245 56 221

HSL 307.62, 0.9%, 0.59%

LAB 59.4, 84.26, -43.4

 

CMYK 11 / 77 / 0 / 4

HEX #D938F5

RGB 217 56 245

HSL 291.11, 0.9%, 0.59%

LAB 56.26, 82.54, -62.13

 

CMYK 32 / 77 / 0 / 4

HEX #A638F5

RGB 166 56 245

HSL 274.92, 0.9%, 0.59%

LAB 48.92, 73.79, -74.37

 

CMYK 53 / 77 / 0 / 4

HEX #7338F5

RGB 115 56 245

HSL 258.73, 0.9%, 0.59%

LAB 42.86, 66.5, -84.52

 

CMYK 73 / 77 / 0 / 4

HEX #4138F5

RGB 65 56 245

HSL 242.86, 0.9%, 0.59%

LAB 38.8, 61.55, -91.36

 

CMYK 0 / 77 / 10 / 4

HEX #F538DD

RGB 245 56 221

HSL 307.62, 0.9%, 0.59%

LAB 59.4, 84.26, -43.4

 

CMYK 0 / 77 / 10 / 4

HEX #F538DD

RGB 245 56 221

HSL 307.62, 0.9%, 0.59%

LAB 59.4, 84.26, -43.4

 

CMYK 0 / 68 / 8 / 11

HEX #E449D1

RGB 228 73 209

HSL 307.35, 0.74%, 0.59%

LAB 57.91, 73.68, -39.14

 

CMYK 0 / 57 / 7 / 17

HEX #D35AC4

RGB 211 90 196

HSL 307.44, 0.58%, 0.59%

LAB 57.22, 60.6, -32.99

 

CMYK 0 / 45 / 6 / 24

HEX #C26BB7

RGB 194 107 183

HSL 307.59, 0.42%, 0.59%

LAB 57.47, 45.27, -25.34

 

CMYK 0 / 30 / 4 / 31

HEX #B17CAA

RGB 177 124 170

HSL 307.92, 0.25%, 0.59%

LAB 58.66, 28.16, -16.23

 

CMYK 32 / 77 / 0 / 4

HEX #A638F5

RGB 166 56 245

HSL 274.92, 0.9%, 0.59%

LAB 48.92, 73.79, -74.37

 

CMYK 12 / 77 / 0 / 4

HEX #D838F5

RGB 216 56 245

HSL 290.79, 0.9%, 0.59%

LAB 56.11, 82.36, -62.39

 

CMYK 0 / 77 / 9 / 4

HEX #F538DF

RGB 245 56 223

HSL 306.98, 0.9%, 0.59%

LAB 59.5, 84.54, -44.38

 

CMYK 0 / 77 / 30 / 4

HEX #F538AC

RGB 245 56 172

HSL 323.17, 0.9%, 0.59%

LAB 57.29, 78.13, -18.59

 

CMYK 0 / 77 / 50 / 4

HEX #F5387A

RGB 245 56 122

HSL 339.05, 0.9%, 0.59%

LAB 55.73, 73.4, 8.62

 

CMYK 0 / 95 / 12 / 19

HEX #CF0BB7

RGB 207 11 183

HSL 307.35, 0.9%, 0.43%

LAB 48.16, 79.75, -39.72

 

CMYK 0 / 93 / 11 / 5

HEX #F211D7

RGB 242 17 215

HSL 307.2, 0.9%, 0.51%

LAB 56.27, 89.63, -44.97

 

CMYK 0 / 77 / 10 / 4

HEX #F538DD

RGB 245 56 221

HSL 307.62, 0.9%, 0.59%

LAB 59.4, 84.26, -43.4

 

CMYK 0 / 61 / 8 / 3

HEX #F760E4

RGB 247 96 228

HSL 307.55, 0.9%, 0.67%

LAB 64.76, 72.43, -38.9

 

CMYK 0 / 46 / 6 / 2

HEX #F987EB

RGB 249 135 235

HSL 307.37, 0.9%, 0.75%

LAB 71.87, 56.57, -31.7

 

CMYK 0 / 76 / 9 / 4

HEX #F53ADE

RGB 245 58 222

HSL 307.38, 0.9%, 0.59%

LAB 59.63, 83.88, -43.6

 

CMYK 0 / 53 / 77 / 4

HEX #F57438

RGB 245 116 56

HSL 19.05, 0.9%, 0.59%

LAB 63.5, 45.92, 54.71

 

CMYK 77 / 0 / 22 / 4

HEX #38F5BF

RGB 56 245 191

HSL 162.86, 0.9%, 0.59%

LAB 86.95, -57.88, 13.1

 

CMYK 0 / 76 / 9 / 4

HEX #F53ADE

RGB 245 58 222

HSL 307.38, 0.9%, 0.59%

LAB 59.63, 83.88, -43.6

 

CMYK 9 / 0 / 77 / 4

HEX #DFF538

RGB 223 245 56

HSL 66.98, 0.9%, 0.59%

LAB 92.26, -28.84, 80.96

 

CMYK 77 / 9 / 0 / 4

HEX #38DFF5

RGB 56 223 245

HSL 186.98, 0.9%, 0.59%

LAB 81.95, -33.96, -22.67

 

CMYK 0 / 76 / 9 / 4

HEX #F53ADE

RGB 245 58 222

HSL 307.38, 0.9%, 0.59%

LAB 59.63, 83.88, -43.6

 

CMYK 0 / 53 / 77 / 4

HEX #F57438

RGB 245 116 56

HSL 19.05, 0.9%, 0.59%

LAB 63.5, 45.92, 54.71

 

CMYK 77 / 0 / 68 / 4

HEX #38F54E

RGB 56 245 78

HSL 126.98, 0.9%, 0.59%

LAB 85.35, -76.24, 64.57

 

CMYK 77 / 24 / 0 / 4

HEX #38B9F5

RGB 56 185 245

HSL 199.05, 0.9%, 0.59%

LAB 70.96, -14.88, -39.59

 

CMYK 0 / 76 / 9 / 4

HEX #F53ADE

RGB 245 58 222

HSL 307.38, 0.9%, 0.59%

LAB 59.63, 83.88, -43.6

 

CMYK 0 / 30 / 77 / 4

HEX #F5AC38

RGB 245 172 56

HSL 36.83, 0.9%, 0.59%

LAB 75.58, 17.13, 66.36

 

CMYK 77 / 0 / 68 / 4

HEX #38F54E

RGB 56 245 78

HSL 126.98, 0.9%, 0.59%

LAB 85.35, -76.24, 64.57

 

CMYK 77 / 48 / 0 / 4

HEX #3880F5

RGB 56 128 245

HSL 217.14, 0.9%, 0.59%

LAB 54.94, 18.1, -65

 

Description

Color code: HEX #F53ADE | qconv.com Color code: HEX #F53ADE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 58 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 58 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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