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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5392ACE it is the complementary color #0AC6D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5392ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5392ACE shade: #FA3925CE, #FF4B38CE, #FF5D4BCE, #FF6F5ECE and #FF8171CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5392ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5392ACE shade: #F5392ACE, #E42717CE, #D31504CE, #C20300CE and #B10000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5392ACE shade: #F53829 and #F52929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5392ACE shade: #F53829, #F56F29, #F5A629, #F5DD29 and #D6F529

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5392ACE shade matches the following richer shades: #F53829

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5392ACE shade: #F53829, #E3473B, #D1574D, #BE665F and #AC7671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5392ACE shade: #F52988, #F52952, #F53629, #F56D29 and #F5A329

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5392ACE shade: #C21709, #E91B0B, #F53829, #F75C50 and #F98178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5392ACE shade: #F5392A, #BEF529 and #296DF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5392ACE shade: #F5392A, #29F536 and #3629F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5392ACE shade: #F5392A, #BEF529, #29E7F5 and #5F29F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5392ACE shade: #F5392A, #81F529, #29E7F5 and #9C29F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 67 / 3

HEX #F5392ACE

RGBA 245 57 42 0.81

HSLA 4.43, 0.91%, 0.56%, 0.81

LABA 54.56, 69.11, 52.76, 0.81

 

Complementary color

CMYK 77 / 6 / 0 / 13

HEX #0AC6D5CE

RGBA 10 198 213 0.81

HSLA 184.43, 0.91%, 0.44%, 0.81

LABA 73.06, -34.86, -19.05, 0.81

 

CMYK 0 / 63 / 69 / 2

HEX #FA3925CE

RGBA 250 57 37 0.81

HSLA 5.63, 0.96%, 0.56%, 0.81

LABA 55.47, 70.43, 56.23, 0.81

 

CMYK 0 / 57 / 63 / 0

HEX #FF4B38CE

RGBA 255 75 56 0.81

HSLA 5.73, 1%, 0.61%, 0.81

LABA 58.58, 66.69, 50.31, 0.81

 

CMYK 0 / 51 / 57 / 0

HEX #FF5D4BCE

RGBA 255 93 75 0.81

HSLA 6, 1%, 0.65%, 0.81

LABA 61.3, 60.56, 43.28, 0.81

 

CMYK 0 / 46 / 51 / 0

HEX #FF6F5ECE

RGBA 255 111 94 0.81

HSLA 6.34, 1%, 0.68%, 0.81

LABA 64.51, 53.73, 36.77, 0.81

 

CMYK 0 / 40 / 45 / 0

HEX #FF8171CE

RGBA 255 129 113 0.81

HSLA 6.76, 1%, 0.72%, 0.81

LABA 68.13, 46.48, 30.91, 0.81

 

CMYK 0 / 62 / 67 / 3

HEX #F5392ACE

RGBA 245 57 42 0.81

HSLA 4.43, 0.91%, 0.56%, 0.81

LABA 54.56, 69.11, 52.76, 0.81

 

CMYK 0 / 67 / 73 / 9

HEX #E42717CE

RGBA 228 39 23 0.81

HSLA 4.68, 0.82%, 0.49%, 0.81

LABA 49.5, 68.63, 55.69, 0.81

 

CMYK 0 / 73 / 79 / 14

HEX #D31504CE

RGBA 211 21 4 0.81

HSLA 4.93, 0.96%, 0.42%, 0.81

LABA 44.79, 67.27, 57.28, 0.81

 

CMYK 0 / 80 / 81 / 19

HEX #C20300CE

RGBA 194 3 0 0.81

HSLA 0.93, 1%, 0.38%, 0.81

LABA 40.47, 64.91, 54.76, 0.81

 

CMYK 0 / 81 / 81 / 25

HEX #B10000CE

RGBA 177 0 0 0.81

HSLA 0, 1%, 0.35%, 0.81

LABA 36.64, 60.91, 51.04, 0.81

 

CMYK 0 / 77 / 83 / 4

HEX #F53829

RGB 245 56 41

HSL 4.41, 0.91%, 0.56%

LAB 54.45, 69.37, 53.14

 

CMYK 0 / 83 / 83 / 4

HEX #F52929

RGB 245 41 41

HSL 0, 0.91%, 0.56%

LAB 53.12, 73.12, 51.96

 

CMYK 0 / 77 / 83 / 4

HEX #F53829

RGB 245 56 41

HSL 4.41, 0.91%, 0.56%

LAB 54.45, 69.37, 53.14

 

CMYK 0 / 55 / 83 / 4

HEX #F56F29

RGB 245 111 41

HSL 20.59, 0.91%, 0.56%

LAB 62.46, 47.85, 60.17

 

CMYK 0 / 32 / 83 / 4

HEX #F5A629

RGB 245 166 41

HSL 36.76, 0.91%, 0.56%

LAB 74.09, 19.81, 70.14

 

CMYK 0 / 10 / 83 / 4

HEX #F5DD29

RGB 245 221 41

HSL 52.94, 0.91%, 0.56%

LAB 87.62, -8.61, 81.49

 

CMYK 13 / 0 / 83 / 4

HEX #D6F529

RGB 214 245 41

HSL 69.12, 0.91%, 0.56%

LAB 91.58, -32.92, 83.84

 

CMYK 0 / 77 / 83 / 4

HEX #F53829

RGB 245 56 41

HSL 4.41, 0.91%, 0.56%

LAB 54.45, 69.37, 53.14

 

CMYK 0 / 77 / 83 / 4

HEX #F53829

RGB 245 56 41

HSL 4.41, 0.91%, 0.56%

LAB 54.45, 69.37, 53.14

 

CMYK 0 / 69 / 74 / 11

HEX #E3473B

RGB 227 71 59

HSL 4.29, 0.75%, 0.56%

LAB 53.12, 59.51, 41.44

 

CMYK 0 / 58 / 63 / 18

HEX #D1574D

RGB 209 87 77

HSL 4.55, 0.59%, 0.56%

LAB 52.85, 47.57, 30.25

 

CMYK 0 / 46 / 50 / 25

HEX #BE665F

RGB 190 102 95

HSL 4.42, 0.42%, 0.56%

LAB 53.25, 34.41, 19.78

 

CMYK 0 / 31 / 34 / 33

HEX #AC7671

RGB 172 118 113

HSL 5.08, 0.26%, 0.56%

LAB 54.99, 20.54, 11.32

 

CMYK 0 / 83 / 44 / 4

HEX #F52988

RGB 245 41 136

HSL 332.06, 0.91%, 0.56%

LAB 54.84, 78.17, -1.02

 

CMYK 0 / 83 / 67 / 4

HEX #F52952

RGB 245 41 82

HSL 347.94, 0.91%, 0.56%

LAB 53.61, 74.57, 29.64

 

CMYK 0 / 78 / 83 / 4

HEX #F53629

RGB 245 54 41

HSL 3.82, 0.91%, 0.56%

LAB 54.25, 69.93, 52.96

 

CMYK 0 / 56 / 83 / 4

HEX #F56D29

RGB 245 109 41

HSL 20, 0.91%, 0.56%

LAB 62.09, 48.79, 59.86

 

CMYK 0 / 33 / 83 / 4

HEX #F5A329

RGB 245 163 41

HSL 35.88, 0.91%, 0.56%

LAB 73.39, 21.39, 69.55

 

CMYK 0 / 88 / 95 / 24

HEX #C21709

RGB 194 23 9

HSL 4.54, 0.91%, 0.4%

LAB 41.38, 62.46, 52.04

 

CMYK 0 / 88 / 95 / 9

HEX #E91B0B

RGB 233 27 11

HSL 4.32, 0.91%, 0.48%

LAB 49.66, 72.14, 60.24

 

CMYK 0 / 77 / 83 / 4

HEX #F53829

RGB 245 56 41

HSL 4.41, 0.91%, 0.56%

LAB 54.45, 69.37, 53.14

 

CMYK 0 / 63 / 68 / 3

HEX #F75C50

RGB 247 92 80

HSL 4.31, 0.91%, 0.64%

LAB 59.9, 58.57, 38.57

 

CMYK 0 / 48 / 52 / 2

HEX #F98178

RGB 249 129 120

HSL 4.19, 0.91%, 0.72%

LAB 67.42, 44.87, 25.95

 

CMYK 0 / 77 / 83 / 4

HEX #F5392A

RGB 245 57 42

HSL 4.43, 0.91%, 0.56%

LAB 54.56, 69.11, 52.76

 

CMYK 22 / 0 / 83 / 4

HEX #BEF529

RGB 190 245 41

HSL 76.18, 0.91%, 0.56%

LAB 90.05, -42.26, 81.93

 

CMYK 83 / 56 / 0 / 4

HEX #296DF5

RGB 41 109 245

HSL 220, 0.91%, 0.56%

LAB 49.5, 28.65, -73.83

 

CMYK 0 / 77 / 83 / 4

HEX #F5392A

RGB 245 57 42

HSL 4.43, 0.91%, 0.56%

LAB 54.56, 69.11, 52.76

 

CMYK 83 / 0 / 78 / 4

HEX #29F536

RGB 41 245 54

HSL 123.82, 0.91%, 0.56%

LAB 85.02, -79.68, 72.19

 

CMYK 78 / 83 / 0 / 4

HEX #3629F5

RGB 54 41 245

HSL 243.82, 0.91%, 0.56%

LAB 35.91, 67.54, -96.17

 

CMYK 0 / 77 / 83 / 4

HEX #F5392A

RGB 245 57 42

HSL 4.43, 0.91%, 0.56%

LAB 54.56, 69.11, 52.76

 

CMYK 22 / 0 / 83 / 4

HEX #BEF529

RGB 190 245 41

HSL 76.18, 0.91%, 0.56%

LAB 90.05, -42.26, 81.93

 

CMYK 83 / 6 / 0 / 4

HEX #29E7F5

RGB 41 231 245

HSL 184.12, 0.91%, 0.56%

LAB 84.08, -38.89, -19.47

 

CMYK 61 / 83 / 0 / 4

HEX #5F29F5

RGB 95 41 245

HSL 255.88, 0.91%, 0.56%

LAB 38.92, 70.25, -91.1

 

CMYK 0 / 77 / 83 / 4

HEX #F5392A

RGB 245 57 42

HSL 4.43, 0.91%, 0.56%

LAB 54.56, 69.11, 52.76

 

CMYK 47 / 0 / 83 / 4

HEX #81F529

RGB 129 245 41

HSL 94.12, 0.91%, 0.56%

LAB 87.06, -63.07, 78.17

 

CMYK 83 / 6 / 0 / 4

HEX #29E7F5

RGB 41 231 245

HSL 184.12, 0.91%, 0.56%

LAB 84.08, -38.89, -19.47

 

CMYK 36 / 83 / 0 / 4

HEX #9C29F5

RGB 156 41 245

HSL 273.82, 0.91%, 0.56%

LAB 45.97, 77.01, -79.24

 

Description

Color code: HEX #F5392ACE | qconv.com Color code: HEX #F5392ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 57 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 57 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 67 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 67% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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