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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F532DD it is the complementary color #0ACD22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F532DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F532DD shade: #FA32D8, #FF44EB, #FF56FE, #FF68FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F532DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F532DD shade: #F532DD, #E420CA, #D30EB7, #C200A4 and #B10091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F532DD shade: #F532DD, #F532A9, #F53274, #F53240 and #F53232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F532DD shade: #F532DD, #D932F5, #A432F5, #7032F5 and #3B32F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F532DD shade matches the following richer shades: #F532DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F532DD shade: #F532DD, #E444D0, #D355C3, #C166B6 and #B078A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F532DD shade: #A432F5, #D832F5, #F532DF, #F532AB and #F53277

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F532DD shade: #CC0AB4, #F30BD7, #F532DD, #F75AE4 and #F981EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F532DD shade: #F532DD, #F57032 and #32F5BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F532DD shade: #F532DD, #DFF532 and #32DFF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F532DD shade: #F532DD, #F57032, #32F549 and #32B8F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F532DD shade: #F532DD, #F5AB32, #32F549 and #327DF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

Complementary color

CMYK 95 / 0 / 83 / 20

HEX #0ACD22

RGB 10 205 34

HSL 127.38, 0.91%, 0.42%

LAB 72.12, -71.71, 65.45

 

CMYK 0 / 80 / 14 / 2

HEX #FA32D8

RGB 250 50 216

HSL 310.2, 0.95%, 0.59%

LAB 59.49, 86.04, -40.37

 

CMYK 0 / 73 / 8 / 0

HEX #FF44EB

RGB 255 68 235

HSL 306.42, 1%, 0.63%

LAB 62.84, 85.02, -45.73

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FE

RGB 255 86 254

HSL 300.36, 1%, 0.67%

LAB 65.8, 82.09, -51.56

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 0 / 86 / 11 / 11

HEX #E420CA

RGB 228 32 202

HSL 307.96, 0.78%, 0.51%

LAB 53.8, 83.47, -41.59

 

CMYK 0 / 93 / 13 / 17

HEX #D30EB7

RGB 211 14 183

HSL 308.53, 0.88%, 0.44%

LAB 48.98, 80.2, -38.37

 

CMYK 0 / 100 / 15 / 24

HEX #C200A4

RGB 194 0 164

HSL 309.28, 1%, 0.38%

LAB 44.45, 75.86, -34.5

 

CMYK 0 / 100 / 18 / 31

HEX #B10091

RGB 177 0 145

HSL 310.85, 1%, 0.35%

LAB 40.23, 70.29, -29.87

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 0 / 80 / 31 / 4

HEX #F532A9

RGB 245 50 169

HSL 323.38, 0.91%, 0.58%

LAB 56.64, 79.33, -17.82

 

CMYK 0 / 80 / 53 / 4

HEX #F53274

RGB 245 50 116

HSL 339.69, 0.91%, 0.58%

LAB 55.03, 74.54, 11.2

 

CMYK 0 / 80 / 74 / 4

HEX #F53240

RGB 245 50 64

HSL 355.69, 0.91%, 0.58%

LAB 54.09, 71.69, 40.67

 

CMYK 0 / 80 / 80 / 4

HEX #F53232

RGB 245 50 50

HSL 0, 0.91%, 0.58%

LAB 53.95, 71.23, 48.15

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 11 / 80 / 0 / 4

HEX #D932F5

RGB 217 50 245

HSL 291.38, 0.91%, 0.58%

LAB 55.71, 84.14, -63.02

 

CMYK 33 / 80 / 0 / 4

HEX #A432F5

RGB 164 50 245

HSL 275.08, 0.91%, 0.58%

LAB 47.96, 75.47, -75.93

 

CMYK 54 / 80 / 0 / 4

HEX #7032F5

RGB 112 50 245

HSL 259.08, 0.91%, 0.58%

LAB 41.72, 68.57, -86.42

 

CMYK 76 / 80 / 0 / 4

HEX #3B32F5

RGB 59 50 245

HSL 242.77, 0.91%, 0.58%

LAB 37.49, 63.97, -93.55

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 0 / 70 / 9 / 11

HEX #E444D0

RGB 228 68 208

HSL 307.5, 0.75%, 0.58%

LAB 57.25, 75.24, -39.6

 

CMYK 0 / 60 / 8 / 17

HEX #D355C3

RGB 211 85 195

HSL 307.62, 0.59%, 0.58%

LAB 56.37, 62.63, -33.73

 

CMYK 0 / 47 / 6 / 24

HEX #C166B6

RGB 193 102 182

HSL 307.25, 0.42%, 0.58%

LAB 56.31, 47.36, -26.57

 

CMYK 0 / 32 / 4 / 31

HEX #B078A9

RGB 176 120 169

HSL 307.5, 0.26%, 0.58%

LAB 57.59, 29.86, -17.3

 

CMYK 33 / 80 / 0 / 4

HEX #A432F5

RGB 164 50 245

HSL 275.08, 0.91%, 0.58%

LAB 47.96, 75.47, -75.93

 

CMYK 12 / 80 / 0 / 4

HEX #D832F5

RGB 216 50 245

HSL 291.08, 0.91%, 0.58%

LAB 55.56, 83.96, -63.27

 

CMYK 0 / 80 / 9 / 4

HEX #F532DF

RGB 245 50 223

HSL 306.77, 0.91%, 0.58%

LAB 58.99, 85.99, -45.17

 

CMYK 0 / 80 / 30 / 4

HEX #F532AB

RGB 245 50 171

HSL 322.77, 0.91%, 0.58%

LAB 56.72, 79.55, -18.87

 

CMYK 0 / 80 / 51 / 4

HEX #F53277

RGB 245 50 119

HSL 338.77, 0.91%, 0.58%

LAB 55.1, 74.76, 9.51

 

CMYK 0 / 95 / 12 / 20

HEX #CC0AB4

RGB 204 10 180

HSL 307.42, 0.91%, 0.42%

LAB 47.43, 78.9, -39.15

 

CMYK 0 / 95 / 12 / 5

HEX #F30BD7

RGB 243 11 215

HSL 307.24, 0.91%, 0.5%

LAB 56.29, 90.28, -44.93

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 0 / 64 / 8 / 3

HEX #F75AE4

RGB 247 90 228

HSL 307.26, 0.91%, 0.66%

LAB 63.91, 74.78, -40.23

 

CMYK 0 / 48 / 6 / 2

HEX #F981EA

RGB 249 129 234

HSL 307.5, 0.91%, 0.74%

LAB 70.72, 59.3, -32.93

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 0 / 54 / 80 / 4

HEX #F57032

RGB 245 112 50

HSL 19.08, 0.91%, 0.58%

LAB 62.7, 47.63, 56.63

 

CMYK 80 / 0 / 22 / 4

HEX #32F5BE

RGB 50 245 190

HSL 163.08, 0.91%, 0.58%

LAB 86.85, -58.7, 13.46

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 9 / 0 / 80 / 4

HEX #DFF532

RGB 223 245 50

HSL 66.77, 0.91%, 0.58%

LAB 92.23, -29.05, 82.54

 

CMYK 80 / 9 / 0 / 4

HEX #32DFF5

RGB 50 223 245

HSL 186.77, 0.91%, 0.58%

LAB 81.86, -34.49, -22.81

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 0 / 54 / 80 / 4

HEX #F57032

RGB 245 112 50

HSL 19.08, 0.91%, 0.58%

LAB 62.7, 47.63, 56.63

 

CMYK 80 / 0 / 70 / 4

HEX #32F549

RGB 50 245 73

HSL 127.08, 0.91%, 0.58%

LAB 85.23, -77.38, 66.26

 

CMYK 80 / 25 / 0 / 4

HEX #32B8F5

RGB 50 184 245

HSL 198.77, 0.91%, 0.58%

LAB 70.56, -14.94, -40.22

 

CMYK 0 / 80 / 10 / 4

HEX #F532DD

RGB 245 50 221

HSL 307.38, 0.91%, 0.58%

LAB 58.89, 85.72, -44.2

 

CMYK 0 / 30 / 80 / 4

HEX #F5AB32

RGB 245 171 50

HSL 37.23, 0.91%, 0.58%

LAB 75.31, 17.45, 68.26

 

CMYK 80 / 0 / 70 / 4

HEX #32F549

RGB 50 245 73

HSL 127.08, 0.91%, 0.58%

LAB 85.23, -77.38, 66.26

 

CMYK 80 / 49 / 0 / 4

HEX #327DF5

RGB 50 125 245

HSL 216.92, 0.91%, 0.58%

LAB 53.96, 19.36, -66.58

 

Description

Color code: HEX #F532DD | qconv.com Color code: HEX #F532DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 50 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 50 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 10% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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