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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F50BFE it is the complementary color #0AF401. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F50BFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F50BFE shade: #FA0BF9, #FF1DFF, #FF2FFF, #FF41FF and #FF53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F50BFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F50BFE shade: #F50BFE, #E400EB, #D300D8, #C200C5 and #B100B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F50BFE shade: #F50BFE, #FE0BC5, #FE0B84, #FE0B43 and #FE0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F50BFE shade: #F50BFE, #B30BFE, #720BFE, #310BFE and #0B0BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F50BFE shade matches the following richer shades: #F50BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F50BFE shade: #F50BFE, #E21FEA, #D033D6, #BE47C2 and #AB5BAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F50BFE shade: #700BFE, #B10BFE, #F20BFE, #FE0BC9 and #FE0B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F50BFE shade: #AF01B6, #D701DF, #F50BFE, #F734FE and #F85EFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F50BFE shade: #F50BFE, #FE300B and #0BFE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F50BFE shade: #F50BFE, #FEF20B and #0BFEF2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F50BFE shade: #F50BFE, #FE300B, #18FE0B and #0BD9FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F50BFE shade: #F50BFE, #FE780B, #18FE0B and #0B91FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

Complementary color

CMYK 96 / 0 / 100 / 4

HEX #0AF401

RGB 10 244 1

HSL 117.78, 0.99%, 0.48%

LAB 84.36, -83.03, 80.41

 

CMYK 0 / 96 / 0 / 2

HEX #FA0BF9

RGB 250 11 249

HSL 300.25, 0.96%, 0.51%

LAB 59.35, 96, -59.12

 

CMYK 0 / 89 / 0 / 0

HEX #FF1DFF

RGB 255 29 255

HSL 300, 1%, 0.56%

LAB 61.1, 95.96, -59.6

 

CMYK 0 / 82 / 0 / 0

HEX #FF2FFF

RGB 255 47 255

HSL 300, 1%, 0.59%

LAB 62.09, 93.03, -58.01

 

CMYK 0 / 75 / 0 / 0

HEX #FF41FF

RGB 255 65 255

HSL 300, 1%, 0.63%

LAB 63.56, 88.79, -55.68

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 3 / 100 / 0 / 8

HEX #E400EB

RGB 228 0 235

HSL 298.21, 1%, 0.46%

LAB 54.55, 91.29, -59.19

 

CMYK 2 / 100 / 0 / 15

HEX #D300D8

RGB 211 0 216

HSL 298.61, 1%, 0.42%

LAB 50.46, 85.9, -55.12

 

CMYK 2 / 100 / 0 / 23

HEX #C200C5

RGB 194 0 197

HSL 299.09, 1%, 0.39%

LAB 46.31, 80.43, -50.98

 

CMYK 1 / 100 / 0 / 30

HEX #B100B2

RGB 177 0 178

HSL 299.66, 1%, 0.35%

LAB 42.09, 74.86, -46.76

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 0 / 96 / 22 / 0

HEX #FE0BC5

RGB 254 11 197

HSL 314.07, 0.99%, 0.52%

LAB 57.41, 90.08, -32.74

 

CMYK 0 / 96 / 48 / 0

HEX #FE0B84

RGB 254 11 132

HSL 330.12, 0.99%, 0.52%

LAB 55.05, 83.91, 1.88

 

CMYK 0 / 96 / 74 / 0

HEX #FE0B43

RGB 254 11 67

HSL 346.17, 0.99%, 0.52%

LAB 53.72, 80.32, 39.01

 

CMYK 0 / 96 / 96 / 0

HEX #FE0B0B

RGB 254 11 11

HSL 0, 0.99%, 0.52%

LAB 53.31, 79.19, 64.45

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 30 / 96 / 0 / 0

HEX #B30BFE

RGB 179 11 254

HSL 281.48, 0.99%, 0.52%

LAB 48.23, 86.89, -80.44

 

CMYK 55 / 96 / 0 / 0

HEX #720BFE

RGB 114 11 254

HSL 265.43, 0.99%, 0.52%

LAB 39.53, 80.77, -95.07

 

CMYK 81 / 96 / 0 / 0

HEX #310BFE

RGB 49 11 254

HSL 249.38, 0.99%, 0.52%

LAB 34.08, 77.89, -104.29

 

CMYK 96 / 96 / 0 / 0

HEX #0B0BFE

RGB 11 11 254

HSL 240, 0.99%, 0.52%

LAB 32.85, 77.37, -106.39

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 3 / 87 / 0 / 8

HEX #E21FEA

RGB 226 31 234

HSL 297.64, 0.83%, 0.52%

LAB 55.16, 87.82, -57.65

 

CMYK 3 / 76 / 0 / 16

HEX #D033D6

RGB 208 51 214

HSL 297.79, 0.67%, 0.52%

LAB 52.55, 77.15, -50.68

 

CMYK 2 / 63 / 0 / 24

HEX #BE47C2

RGB 190 71 194

HSL 298.05, 0.5%, 0.52%

LAB 51.09, 63.03, -41.67

 

CMYK 2 / 48 / 0 / 31

HEX #AB5BAF

RGB 171 91 175

HSL 297.14, 0.34%, 0.52%

LAB 50.96, 45.15, -31.03

 

CMYK 56 / 96 / 0 / 0

HEX #700BFE

RGB 112 11 254

HSL 264.94, 0.99%, 0.52%

LAB 39.31, 80.63, -95.45

 

CMYK 30 / 96 / 0 / 0

HEX #B10BFE

RGB 177 11 254

HSL 280.99, 0.99%, 0.52%

LAB 47.93, 86.66, -80.94

 

CMYK 5 / 96 / 0 / 0

HEX #F20BFE

RGB 242 11 254

HSL 297.04, 0.99%, 0.52%

LAB 58.29, 95.48, -63.66

 

CMYK 0 / 96 / 21 / 0

HEX #FE0BC9

RGB 254 11 201

HSL 313.09, 0.99%, 0.52%

LAB 57.59, 90.54, -34.76

 

CMYK 0 / 96 / 46 / 0

HEX #FE0B89

RGB 254 11 137

HSL 328.89, 0.99%, 0.52%

LAB 55.19, 84.3, -0.9

 

CMYK 4 / 99 / 0 / 29

HEX #AF01B6

RGB 175 1 182

HSL 297.68, 0.99%, 0.36%

LAB 42.02, 75.04, -49.26

 

CMYK 4 / 100 / 0 / 13

HEX #D701DF

RGB 215 1 223

HSL 297.84, 0.99%, 0.44%

LAB 51.61, 87.47, -57.24

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 3 / 80 / 0 / 0

HEX #F734FE

RGB 247 52 254

HSL 297.92, 0.99%, 0.6%

LAB 61.12, 90.4, -59.08

 

CMYK 2 / 63 / 0 / 0

HEX #F85EFE

RGB 248 94 254

HSL 297.75, 0.99%, 0.68%

LAB 65.84, 77.59, -51.57

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 0 / 81 / 96 / 0

HEX #FE300B

RGB 254 48 11

HSL 9.14, 0.99%, 0.52%

LAB 55.29, 73.54, 65.44

 

CMYK 96 / 0 / 43 / 0

HEX #0BFE91

RGB 11 254 145

HSL 153.09, 0.99%, 0.52%

LAB 88.45, -73.37, 38.37

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 0 / 5 / 96 / 0

HEX #FEF20B

RGB 254 242 11

HSL 57.04, 0.99%, 0.52%

LAB 93.71, -15.65, 91.14

 

CMYK 96 / 0 / 5 / 0

HEX #0BFEF2

RGB 11 254 242

HSL 177.04, 0.99%, 0.52%

LAB 90.49, -51.1, -8.32

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 0 / 81 / 96 / 0

HEX #FE300B

RGB 254 48 11

HSL 9.14, 0.99%, 0.52%

LAB 55.29, 73.54, 65.44

 

CMYK 91 / 0 / 96 / 0

HEX #18FE0B

RGB 24 254 11

HSL 116.79, 0.99%, 0.52%

LAB 87.53, -84.91, 82.22

 

CMYK 96 / 15 / 0 / 0

HEX #0BD9FE

RGB 11 217 254

HSL 189.14, 0.99%, 0.52%

LAB 80.1, -30.85, -30.32

 

CMYK 4 / 96 / 0 / 0

HEX #F50BFE

RGB 245 11 254

HSL 297.78, 0.99%, 0.52%

LAB 58.8, 95.93, -62.82

 

CMYK 0 / 53 / 96 / 0

HEX #FE780B

RGB 254 120 11

HSL 26.91, 0.99%, 0.52%

LAB 65.38, 46.43, 71.32

 

CMYK 91 / 0 / 96 / 0

HEX #18FE0B

RGB 24 254 11

HSL 116.79, 0.99%, 0.52%

LAB 87.53, -84.91, 82.22

 

CMYK 96 / 43 / 0 / 0

HEX #0B91FE

RGB 11 145 254

HSL 206.91, 0.99%, 0.52%

LAB 59.41, 8.24, -62.8

 

Description

Color code: HEX #F50BFE | qconv.com Color code: HEX #F50BFE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 11 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 11 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 96 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 96% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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