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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4FBA2CE it is the complementary color #0B045DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4FBA2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4FBA2CE shade: #F9FB9DCE, #FFFFB0CE, #FFFFC3CE, #FFFFD6CE and #FFFFE9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4FBA2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4FBA2CE shade: #F4FBA2CE, #E3E98FCE, #D2D77CCE, #C1C569CE and #B0B356CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4FBA2CE shade: #F4FBA2, #FBEAA2, #FBD2A2, #FBBAA2 and #FBA2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4FBA2CE shade: #F4FBA2, #DCFBA2, #C4FBA2, #ACFBA2 and #A2FBB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4FBA2CE shade matches the following richer shades: #F4FBA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4FBA2CE shade: #F4FBA2, #EEF3AA, #E7EBB2, #E0E4B9 and #DADCC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4FBA2CE shade: #FBD2A2, #FBE9A2, #F5FBA2, #DDFBA2 and #C6FBA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4FBA2CE shade: #EBF853, #EFF97A, #F4FBA2, #F9FDCA and #FDFEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4FBA2CE shade: #F4FBA2, #A2FBBA and #DDA2FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4FBA2CE shade: #F4FBA2, #A2F5FB and #FBA2F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4FBA2CE shade: #F4FBA2, #A2FBBA, #A8A2FB and #FBA2E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4FBA2CE shade: #F4FBA2, #A2FBD4, #A8A2FB and #FBA2C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 29 / 1

HEX #F4FBA2CE

RGBA 244 251 162 0.81

HSLA 64.72, 0.92%, 0.81%, 0.81

LABA 96.34, -15.46, 41.92, 0.81

 

Complementary color

CMYK 71 / 78 / 0 / 51

HEX #0B045DCE

RGBA 11 4 93 0.81

HSLA 244.72, 0.92%, 0.19%, 0.81

LABA 8.55, 35.73, -49.16, 0.81

 

CMYK 1 / 0 / 30 / 1

HEX #F9FB9DCE

RGBA 249 251 157 0.81

HSLA 61.28, 0.92%, 0.8%, 0.81

LABA 96.64, -14.14, 44.83, 0.81

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFB0CE

RGBA 255 255 176 0.81

HSLA 60, 1%, 0.85%, 0.81

LABA 98.4, -11.68, 37.85, 0.81

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFC3CE

RGBA 255 255 195 0.81

HSLA 60, 1%, 0.88%, 0.81

LABA 98.72, -9.28, 28.77, 0.81

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFD6CE

RGBA 255 255 214 0.81

HSLA 60, 1%, 0.92%, 0.81

LABA 99.08, -6.61, 19.64, 0.81

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFE9CE

RGBA 255 255 233 0.81

HSLA 60, 1%, 0.96%, 0.81

LABA 99.48, -3.69, 10.51, 0.81

 

CMYK 2 / 0 / 29 / 1

HEX #F4FBA2CE

RGBA 244 251 162 0.81

HSLA 64.72, 0.92%, 0.81%, 0.81

LABA 96.34, -15.46, 41.92, 0.81

 

CMYK 2 / 0 / 31 / 7

HEX #E3E98FCE

RGBA 227 233 143 0.81

HSLA 64, 0.67%, 0.74%, 0.81

LABA 90.13, -15.21, 43.04, 0.81

 

CMYK 2 / 0 / 34 / 13

HEX #D2D77CCE

RGBA 210 215 124 0.81

HSLA 63.3, 0.53%, 0.66%, 0.81

LABA 83.84, -14.91, 44.2, 0.81

 

CMYK 2 / 0 / 38 / 18

HEX #C1C569CE

RGBA 193 197 105 0.81

HSLA 62.61, 0.44%, 0.59%, 0.81

LABA 77.45, -14.54, 45.37, 0.81

 

CMYK 1 / 0 / 42 / 24

HEX #B0B356CE

RGBA 176 179 86 0.81

HSLA 61.94, 0.38%, 0.52%, 0.81

LABA 70.97, -14.1, 46.52, 0.81

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 0 / 7 / 35 / 2

HEX #FBEAA2

RGB 251 234 162

HSL 48.54, 0.92%, 0.81%

LAB 92.56, -4.4, 37.09

 

CMYK 0 / 16 / 35 / 2

HEX #FBD2A2

RGB 251 210 162

HSL 32.36, 0.92%, 0.81%

LAB 86.61, 7.86, 29.18

 

CMYK 0 / 26 / 35 / 2

HEX #FBBAA2

RGB 251 186 162

HSL 16.18, 0.92%, 0.81%

LAB 80.87, 20.39, 21.36

 

CMYK 0 / 35 / 35 / 2

HEX #FBA2A2

RGB 251 162 162

HSL 0, 0.92%, 0.81%

LAB 75.43, 32.99, 13.78

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 12 / 0 / 35 / 2

HEX #DCFBA2

RGB 220 251 162

HSL 80.9, 0.92%, 0.81%

LAB 94.66, -24.31, 39.41

 

CMYK 22 / 0 / 35 / 2

HEX #C4FBA2

RGB 196 251 162

HSL 97.08, 0.92%, 0.81%

LAB 93.16, -32.78, 37.16

 

CMYK 31 / 0 / 35 / 2

HEX #ACFBA2

RGB 172 251 162

HSL 113.26, 0.92%, 0.81%

LAB 91.85, -40.7, 35.19

 

CMYK 35 / 0 / 30 / 2

HEX #A2FBB0

RGB 162 251 176

HSL 129.44, 0.92%, 0.81%

LAB 91.6, -41.57, 27.73

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 2 / 0 / 30 / 5

HEX #EEF3AA

RGB 238 243 170

HSL 64.11, 0.75%, 0.81%

LAB 93.96, -12.82, 34.73

 

CMYK 2 / 0 / 24 / 8

HEX #E7EBB2

RGB 231 235 178

HSL 64.21, 0.59%, 0.81%

LAB 91.51, -10.39, 27.29

 

CMYK 2 / 0 / 19 / 11

HEX #E0E4B9

RGB 224 228 185

HSL 65.58, 0.44%, 0.81%

LAB 89.32, -8.43, 20.58

 

CMYK 1 / 0 / 12 / 14

HEX #DADCC1

RGB 218 220 193

HSL 64.44, 0.28%, 0.81%

LAB 86.97, -5.28, 13.04

 

CMYK 0 / 16 / 35 / 2

HEX #FBD2A2

RGB 251 210 162

HSL 32.36, 0.92%, 0.81%

LAB 86.61, 7.86, 29.18

 

CMYK 0 / 7 / 35 / 2

HEX #FBE9A2

RGB 251 233 162

HSL 47.87, 0.92%, 0.81%

LAB 92.31, -3.89, 36.76

 

CMYK 2 / 0 / 35 / 2

HEX #F5FBA2

RGB 245 251 162

HSL 64.04, 0.92%, 0.81%

LAB 96.42, -15.09, 42.03

 

CMYK 12 / 0 / 35 / 2

HEX #DDFBA2

RGB 221 251 162

HSL 80.22, 0.92%, 0.81%

LAB 94.73, -23.95, 39.51

 

CMYK 21 / 0 / 35 / 2

HEX #C6FBA2

RGB 198 251 162

HSL 95.73, 0.92%, 0.81%

LAB 93.28, -32.09, 37.34

 

CMYK 5 / 0 / 67 / 3

HEX #EBF853

RGB 235 248 83

HSL 64.73, 0.92%, 0.65%

LAB 94.06, -24.2, 74.19

 

CMYK 4 / 0 / 51 / 2

HEX #EFF97A

RGB 239 249 122

HSL 64.72, 0.91%, 0.73%

LAB 94.95, -20.38, 59.08

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 2 / 0 / 20 / 1

HEX #F9FDCA

RGB 249 253 202

HSL 64.71, 0.93%, 0.89%

LAB 97.9, -9.48, 24.02

 

CMYK 0 / 0 / 5 / 0

HEX #FDFEF1

RGB 253 254 241

HSL 64.62, 0.87%, 0.97%

LAB 99.27, -2.55, 6.08

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 35 / 0 / 26 / 2

HEX #A2FBBA

RGB 162 251 186

HSL 136.18, 0.92%, 0.81%

LAB 91.78, -39.85, 22.9

 

CMYK 12 / 35 / 0 / 2

HEX #DDA2FB

RGB 221 162 251

HSL 279.78, 0.92%, 0.81%

LAB 74.94, 37.31, -35.92

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 35 / 2 / 0 / 2

HEX #A2F5FB

RGB 162 245 251

HSL 184.04, 0.92%, 0.81%

LAB 91.66, -23.63, -10.88

 

CMYK 0 / 35 / 2 / 2

HEX #FBA2F5

RGB 251 162 245

HSL 304.04, 0.92%, 0.81%

LAB 77.84, 45.29, -27.94

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 35 / 0 / 26 / 2

HEX #A2FBBA

RGB 162 251 186

HSL 136.18, 0.92%, 0.81%

LAB 91.78, -39.85, 22.9

 

CMYK 33 / 35 / 0 / 2

HEX #A8A2FB

RGB 168 162 251

HSL 244.04, 0.92%, 0.81%

LAB 70.27, 22.09, -43.54

 

CMYK 0 / 35 / 10 / 2

HEX #FBA2E3

RGB 251 162 227

HSL 316.18, 0.92%, 0.81%

LAB 77.22, 42.23, -19.13

 

CMYK 3 / 0 / 35 / 2

HEX #F4FBA2

RGB 244 251 162

HSL 64.72, 0.92%, 0.81%

LAB 96.34, -15.46, 41.92

 

CMYK 35 / 0 / 16 / 2

HEX #A2FBD4

RGB 162 251 212

HSL 153.71, 0.92%, 0.81%

LAB 92.32, -34.96, 10.31

 

CMYK 33 / 35 / 0 / 2

HEX #A8A2FB

RGB 168 162 251

HSL 244.04, 0.92%, 0.81%

LAB 70.27, 22.09, -43.54

 

CMYK 0 / 35 / 20 / 2

HEX #FBA2C9

RGB 251 162 201

HSL 333.71, 0.92%, 0.81%

LAB 76.42, 38.17, -6.15

 

Description

Color code: HEX #F4FBA2CE | qconv.com Color code: HEX #F4FBA2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 251 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 251 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 29 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 29% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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