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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4FB76CE it is the complementary color #0B0489CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4FB76CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4FB76CE shade: #F9FB71CE, #FFFF84CE, #FFFF97CE, #FFFFAACE and #FFFFBDCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4FB76CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4FB76CE shade: #F4FB76CE, #E3E963CE, #D2D750CE, #C1C53DCE and #B0B32ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4FB76CE shade: #F4FB74, #FBDE74, #FBB974, #FB9574 and #FB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4FB76CE shade: #F4FB74, #CFFB74, #ABFB74, #87FB74 and #74FB86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4FB76CE shade matches the following richer shades: #F4FB74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4FB76CE shade: #F4FB74, #E9EF80, #DFE48C, #D5D897 and #CACDA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4FB76CE shade: #FBBA74, #FBDE74, #F4FB74, #D0FB74 and #ACFB74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4FB76CE shade: #EDF824, #F0F94C, #F4FB74, #F7FC9D and #FAFDC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4FB76CE shade: #F4FB76, #74FB96 and #CC74FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4FB76CE shade: #F4FB76, #74F4FB and #FB74F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4FB76CE shade: #F4FB76, #74FB96, #7B74FB and #FB74D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4FB76CE shade: #F4FB76, #74FBBE, #7B74FB and #FB74B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 43 / 1

HEX #F4FB76CE

RGBA 244 251 118 0.81

HSLA 63.16, 0.94%, 0.72%, 0.81

LABA 95.8, -19.72, 61.95, 0.81

 

Complementary color

CMYK 74 / 79 / 0 / 37

HEX #0B0489CE

RGBA 11 4 137 0.81

HSLA 243.16, 0.94%, 0.28%, 0.81

LABA 15.3, 48.58, -66.51, 0.81

 

CMYK 1 / 0 / 45 / 1

HEX #F9FB71CE

RGBA 249 251 113 0.81

HSLA 60.87, 0.95%, 0.71%, 0.81

LABA 96.13, -18.14, 64.62, 0.81

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF84CE

RGBA 255 255 132 0.81

HSLA 60, 1%, 0.76%, 0.81

LABA 97.81, -16.2, 58.21, 0.81

 

CMYK 0 / 0 / 33 / 0

HEX #FFFF97CE

RGBA 255 255 151 0.81

HSLA 60, 1%, 0.8%, 0.81

LABA 98.04, -14.43, 49.58, 0.81

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFAACE

RGBA 255 255 170 0.81

HSLA 60, 1%, 0.83%, 0.81

LABA 98.31, -12.39, 40.69, 0.81

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFBDCE

RGBA 255 255 189 0.81

HSLA 60, 1%, 0.87%, 0.81

LABA 98.61, -10.07, 31.64, 0.81

 

CMYK 2 / 0 / 43 / 1

HEX #F4FB76CE

RGBA 244 251 118 0.81

HSLA 63.16, 0.94%, 0.72%, 0.81

LABA 95.8, -19.72, 61.95, 0.81

 

CMYK 2 / 0 / 47 / 7

HEX #E3E963CE

RGBA 227 233 99 0.81

HSLA 62.69, 0.75%, 0.65%, 0.81

LABA 89.63, -19.2, 62.92, 0.81

 

CMYK 2 / 0 / 51 / 13

HEX #D2D750CE

RGBA 210 215 80 0.81

HSLA 62.22, 0.63%, 0.58%, 0.81

LABA 83.38, -18.57, 63.72, 0.81

 

CMYK 2 / 0 / 56 / 18

HEX #C1C53DCE

RGBA 193 197 61 0.81

HSLA 61.76, 0.54%, 0.51%, 0.81

LABA 77.05, -17.81, 64.21, 0.81

 

CMYK 1 / 0 / 62 / 24

HEX #B0B32ACE

RGBA 176 179 42 0.81

HSLA 61.31, 0.62%, 0.43%, 0.81

LABA 70.62, -16.89, 64.16, 0.81

 

CMYK 3 / 0 / 54 / 2

HEX #F4FB74

RGB 244 251 116

HSL 63.11, 0.94%, 0.72%

LAB 95.78, -19.88, 62.81

 

CMYK 0 / 12 / 54 / 2

HEX #FBDE74

RGB 251 222 116

HSL 47.11, 0.94%, 0.72%

LAB 88.93, -2.78, 55

 

CMYK 0 / 26 / 54 / 2

HEX #FBB974

RGB 251 185 116

HSL 30.67, 0.94%, 0.72%

LAB 79.88, 16.32, 44.09

 

CMYK 0 / 41 / 54 / 2

HEX #FB9574

RGB 251 149 116

HSL 14.67, 0.94%, 0.72%

LAB 71.73, 35.14, 33.83

 

CMYK 0 / 54 / 54 / 2

HEX #FB7474

RGB 251 116 116

HSL 0, 0.94%, 0.72%

LAB 65.17, 51.55, 25.24

 

CMYK 3 / 0 / 54 / 2

HEX #F4FB74

RGB 244 251 116

HSL 63.11, 0.94%, 0.72%

LAB 95.78, -19.88, 62.81

 

CMYK 18 / 0 / 54 / 2

HEX #CFFB74

RGB 207 251 116

HSL 79.56, 0.94%, 0.72%

LAB 93.24, -34.04, 59.22

 

CMYK 32 / 0 / 54 / 2

HEX #ABFB74

RGB 171 251 116

HSL 95.56, 0.94%, 0.72%

LAB 91.2, -46.8, 56.31

 

CMYK 46 / 0 / 54 / 2

HEX #87FB74

RGB 135 251 116

HSL 111.56, 0.94%, 0.72%

LAB 89.58, -57.92, 54

 

CMYK 54 / 0 / 47 / 2

HEX #74FB86

RGB 116 251 134

HSL 128, 0.94%, 0.72%

LAB 89.12, -60.55, 44.91

 

CMYK 3 / 0 / 54 / 2

HEX #F4FB74

RGB 244 251 116

HSL 63.11, 0.94%, 0.72%

LAB 95.78, -19.88, 62.81

 

CMYK 3 / 0 / 54 / 2

HEX #F4FB74

RGB 244 251 116

HSL 63.11, 0.94%, 0.72%

LAB 95.78, -19.88, 62.81

 

CMYK 3 / 0 / 46 / 6

HEX #E9EF80

RGB 233 239 128

HSL 63.24, 0.78%, 0.72%

LAB 91.96, -17.35, 52.64

 

CMYK 2 / 0 / 39 / 11

HEX #DFE48C

RGB 223 228 140

HSL 63.41, 0.62%, 0.72%

LAB 88.48, -14.61, 42.36

 

CMYK 1 / 0 / 30 / 15

HEX #D5D897

RGB 213 216 151

HSL 62.77, 0.45%, 0.72%

LAB 84.74, -11.13, 31.79

 

CMYK 1 / 0 / 20 / 20

HEX #CACDA3

RGB 202 205 163

HSL 64.29, 0.3%, 0.72%

LAB 81.22, -8.01, 20.62

 

CMYK 0 / 26 / 54 / 2

HEX #FBBA74

RGB 251 186 116

HSL 31.11, 0.94%, 0.72%

LAB 80.12, 15.8, 44.38

 

CMYK 0 / 12 / 54 / 2

HEX #FBDE74

RGB 251 222 116

HSL 47.11, 0.94%, 0.72%

LAB 88.93, -2.78, 55

 

CMYK 3 / 0 / 54 / 2

HEX #F4FB74

RGB 244 251 116

HSL 63.11, 0.94%, 0.72%

LAB 95.78, -19.88, 62.81

 

CMYK 17 / 0 / 54 / 2

HEX #D0FB74

RGB 208 251 116

HSL 79.11, 0.94%, 0.72%

LAB 93.3, -33.67, 59.31

 

CMYK 31 / 0 / 54 / 2

HEX #ACFB74

RGB 172 251 116

HSL 95.11, 0.94%, 0.72%

LAB 91.25, -46.46, 56.38

 

CMYK 4 / 0 / 85 / 3

HEX #EDF824

RGB 237 248 36

HSL 63.11, 0.94%, 0.56%

LAB 94, -25.17, 87.52

 

CMYK 4 / 0 / 69 / 2

HEX #F0F94C

RGB 240 249 76

HSL 63.12, 0.94%, 0.64%

LAB 94.65, -23.03, 77.39

 

CMYK 3 / 0 / 54 / 2

HEX #F4FB74

RGB 244 251 116

HSL 63.11, 0.94%, 0.72%

LAB 95.78, -19.88, 62.81

 

CMYK 2 / 0 / 38 / 1

HEX #F7FC9D

RGB 247 252 157

HSL 63.16, 0.94%, 0.8%

LAB 96.75, -15.38, 44.93

 

CMYK 1 / 0 / 22 / 1

HEX #FAFDC5

RGB 250 253 197

HSL 63.21, 0.93%, 0.88%

LAB 97.88, -9.82, 26.54

 

CMYK 3 / 0 / 53 / 2

HEX #F4FB76

RGB 244 251 118

HSL 63.16, 0.94%, 0.72%

LAB 95.8, -19.72, 61.95

 

CMYK 54 / 0 / 40 / 2

HEX #74FB96

RGB 116 251 150

HSL 135.11, 0.94%, 0.72%

LAB 89.35, -58.14, 37.42

 

CMYK 19 / 54 / 0 / 2

HEX #CC74FB

RGB 204 116 251

HSL 279.11, 0.94%, 0.72%

LAB 63.58, 56.68, -53.86

 

CMYK 3 / 0 / 53 / 2

HEX #F4FB76

RGB 244 251 118

HSL 63.16, 0.94%, 0.72%

LAB 95.8, -19.72, 61.95

 

CMYK 54 / 3 / 0 / 2

HEX #74F4FB

RGB 116 244 251

HSL 183.11, 0.94%, 0.72%

LAB 89.57, -33.48, -14.19

 

CMYK 0 / 54 / 3 / 2

HEX #FB74F4

RGB 251 116 244

HSL 303.11, 0.94%, 0.72%

LAB 69.13, 67.51, -40.87

 

CMYK 3 / 0 / 53 / 2

HEX #F4FB76

RGB 244 251 118

HSL 63.16, 0.94%, 0.72%

LAB 95.8, -19.72, 61.95

 

CMYK 54 / 0 / 40 / 2

HEX #74FB96

RGB 116 251 150

HSL 135.11, 0.94%, 0.72%

LAB 89.35, -58.14, 37.42

 

CMYK 51 / 54 / 0 / 2

HEX #7B74FB

RGB 123 116 251

HSL 243.11, 0.94%, 0.72%

LAB 55.75, 37.93, -66.83

 

CMYK 0 / 54 / 14 / 2

HEX #FB74D9

RGB 251 116 217

HSL 315.11, 0.94%, 0.72%

LAB 68.03, 63.25, -27.65

 

CMYK 3 / 0 / 53 / 2

HEX #F4FB76

RGB 244 251 118

HSL 63.16, 0.94%, 0.72%

LAB 95.8, -19.72, 61.95

 

CMYK 54 / 0 / 24 / 2

HEX #74FBBE

RGB 116 251 190

HSL 152.89, 0.94%, 0.72%

LAB 90.06, -50.86, 18.18

 

CMYK 51 / 54 / 0 / 2

HEX #7B74FB

RGB 123 116 251

HSL 243.11, 0.94%, 0.72%

LAB 55.75, 37.93, -66.83

 

CMYK 0 / 54 / 29 / 2

HEX #FB74B1

RGB 251 116 177

HSL 332.89, 0.94%, 0.72%

LAB 66.65, 57.76, -7.27

 

Description

Color code: HEX #F4FB76CE | qconv.com Color code: HEX #F4FB76CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 251 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 251 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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