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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4F71D it is the complementary color #0B08E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4F71D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4F71D shade: #F9F718, #FFFF2B, #FFFF3E, #FFFF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4F71D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4F71D shade: #F4F71D, #E3E50A, #D2D300, #C1C100 and #B0AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4F71D shade: #F4F71D, #F7BF1D, #F7841D, #F7491D and #F71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4F71D shade: #F4F71D, #B9F71D, #7EF71D, #43F71D and #1DF731

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4F71D shade matches the following richer shades: #F4F71D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4F71D shade: #F4F71D, #E1E430, #CFD143, #BCBE56 and #AAAB69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4F71D shade: #F7821D, #F7BD1D, #F7F71D, #BDF71D and #82F71D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4F71D shade: #B8BA07, #DFE208, #F4F71D, #F6F844 and #F8FA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4F71D shade: #F4F71D, #1DF748 and #A01DF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4F71D shade: #F4F71D, #1DF7F7 and #F71DF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4F71D shade: #F4F71D, #1DF748, #1D1DF7 and #F71DCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4F71D shade: #F4F71D, #1DF78A, #1D1DF7 and #F71D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

Complementary color

CMYK 95 / 96 / 0 / 11

HEX #0B08E2

RGB 11 8 226

HSL 240.83, 0.93%, 0.46%

LAB 28.74, 70.93, -97.37

 

CMYK 0 / 1 / 90 / 2

HEX #F9F718

RGB 249 247 24

HSL 59.47, 0.95%, 0.54%

LAB 94.62, -19.99, 90.31

 

CMYK 0 / 0 / 83 / 0

HEX #FFFF2B

RGB 255 255 43

HSL 60, 1%, 0.58%

LAB 97.21, -20.98, 89.33

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3E

RGB 255 255 62

HSL 60, 1%, 0.62%

LAB 97.28, -20.42, 84.68

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 1 / 0 / 96 / 10

HEX #E3E50A

RGB 227 229 10

HSL 60.55, 0.92%, 0.47%

LAB 88.16, -20.62, 86.12

 

CMYK 0 / 0 / 100 / 17

HEX #D2D300

RGB 210 211 0

HSL 60.28, 1%, 0.41%

LAB 82, -19.11, 81.81

 

CMYK 0 / 0 / 100 / 24

HEX #C1C100

RGB 193 193 0

HSL 60, 1%, 0.38%

LAB 75.75, -17.48, 76.62

 

CMYK 0 / 1 / 100 / 31

HEX #B0AF00

RGB 176 175 0

HSL 59.66, 1%, 0.35%

LAB 69.39, -15.81, 71.34

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 0 / 23 / 88 / 3

HEX #F7BF1D

RGB 247 191 29

HSL 44.59, 0.93%, 0.54%

LAB 80.25, 7.3, 78.27

 

CMYK 0 / 47 / 88 / 3

HEX #F7841D

RGB 247 132 29

HSL 28.35, 0.93%, 0.54%

LAB 66.8, 38.02, 67.88

 

CMYK 0 / 70 / 88 / 3

HEX #F7491D

RGB 247 73 29

HSL 12.11, 0.93%, 0.54%

LAB 56.71, 64.26, 60.25

 

CMYK 0 / 88 / 88 / 3

HEX #F71D1D

RGB 247 29 29

HSL 0, 0.93%, 0.54%

LAB 52.67, 75.63, 57.26

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 25 / 0 / 88 / 3

HEX #B9F71D

RGB 185 247 29

HSL 77.06, 0.93%, 0.54%

LAB 90.29, -45.32, 84.29

 

CMYK 49 / 0 / 88 / 3

HEX #7EF71D

RGB 126 247 29

HSL 93.3, 0.93%, 0.54%

LAB 87.51, -65.05, 80.85

 

CMYK 73 / 0 / 88 / 3

HEX #43F71D

RGB 67 247 29

HSL 109.54, 0.93%, 0.54%

LAB 85.91, -78.18, 78.86

 

CMYK 88 / 0 / 80 / 3

HEX #1DF731

RGB 29 247 49

HSL 125.5, 0.93%, 0.54%

LAB 85.51, -81.47, 73.99

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 1 / 0 / 79 / 11

HEX #E1E430

RGB 225 228 48

HSL 61, 0.77%, 0.54%

LAB 87.83, -20.22, 79.26

 

CMYK 1 / 0 / 68 / 18

HEX #CFD143

RGB 207 209 67

HSL 60.85, 0.61%, 0.54%

LAB 81.44, -17.6, 66.72

 

CMYK 1 / 0 / 55 / 25

HEX #BCBE56

RGB 188 190 86

HSL 61.15, 0.44%, 0.54%

LAB 74.94, -14.73, 51.36

 

CMYK 1 / 0 / 39 / 33

HEX #AAAB69

RGB 170 171 105

HSL 60.91, 0.28%, 0.54%

LAB 68.53, -10.49, 33.86

 

CMYK 0 / 47 / 88 / 3

HEX #F7821D

RGB 247 130 29

HSL 27.8, 0.93%, 0.54%

LAB 66.39, 39.03, 67.57

 

CMYK 0 / 23 / 88 / 3

HEX #F7BD1D

RGB 247 189 29

HSL 44.04, 0.93%, 0.54%

LAB 79.76, 8.34, 77.89

 

CMYK 0 / 0 / 88 / 3

HEX #F7F71D

RGB 247 247 29

HSL 60, 0.93%, 0.54%

LAB 94.48, -20.74, 89.41

 

CMYK 23 / 0 / 88 / 3

HEX #BDF71D

RGB 189 247 29

HSL 75.96, 0.93%, 0.54%

LAB 90.52, -43.82, 84.58

 

CMYK 47 / 0 / 88 / 3

HEX #82F71D

RGB 130 247 29

HSL 92.2, 0.93%, 0.54%

LAB 87.66, -63.89, 81.04

 

CMYK 1 / 0 / 96 / 27

HEX #B8BA07

RGB 184 186 7

HSL 60.67, 0.93%, 0.38%

LAB 73.1, -17.79, 73.58

 

CMYK 1 / 0 / 96 / 11

HEX #DFE208

RGB 223 226 8

HSL 60.83, 0.93%, 0.46%

LAB 87.05, -20.86, 85.31

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 1 / 0 / 73 / 3

HEX #F6F844

RGB 246 248 68

HSL 60.67, 0.93%, 0.62%

LAB 94.8, -20.49, 80.34

 

CMYK 1 / 0 / 57 / 2

HEX #F8FA6C

RGB 248 250 108

HSL 60.85, 0.93%, 0.7%

LAB 95.75, -18.41, 66.31

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 88 / 0 / 71 / 3

HEX #1DF748

RGB 29 247 72

HSL 131.83, 0.93%, 0.54%

LAB 85.63, -79.89, 66.96

 

CMYK 35 / 88 / 0 / 3

HEX #A01DF7

RGB 160 29 247

HSL 276.06, 0.93%, 0.54%

LAB 45.73, 80.77, -80.74

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 88 / 0 / 0 / 3

HEX #1DF7F7

RGB 29 247 247

HSL 180, 0.93%, 0.54%

LAB 88.68, -46.11, -13.6

 

CMYK 0 / 88 / 0 / 3

HEX #F71DF7

RGB 247 29 247

HSL 300, 0.93%, 0.54%

LAB 59.31, 93.5, -58.09

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 88 / 0 / 71 / 3

HEX #1DF748

RGB 29 247 72

HSL 131.83, 0.93%, 0.54%

LAB 85.63, -79.89, 66.96

 

CMYK 88 / 88 / 0 / 3

HEX #1D1DF7

RGB 29 29 247

HSL 240, 0.93%, 0.54%

LAB 33.68, 71.58, -101.05

 

CMYK 0 / 88 / 18 / 3

HEX #F71DCB

RGB 247 29 203

HSL 312.11, 0.93%, 0.54%

LAB 57.04, 87.65, -36.85

 

CMYK 1 / 0 / 88 / 3

HEX #F4F71D

RGB 244 247 29

HSL 60.83, 0.93%, 0.54%

LAB 94.25, -21.97, 89.13

 

CMYK 88 / 0 / 44 / 3

HEX #1DF78A

RGB 29 247 138

HSL 150, 0.93%, 0.54%

LAB 86.31, -71.52, 39.05

 

CMYK 88 / 88 / 0 / 3

HEX #1D1DF7

RGB 29 29 247

HSL 240, 0.93%, 0.54%

LAB 33.68, 71.58, -101.05

 

CMYK 0 / 88 / 44 / 3

HEX #F71D8A

RGB 247 29 138

HSL 330, 0.93%, 0.54%

LAB 54.54, 80.92, -2.61

 

Description

Color code: HEX #F4F71D | qconv.com Color code: HEX #F4F71D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 247 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 247 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 88 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 88% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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