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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4F644 it is the complementary color #0B09BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4F644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4F644 shade: #F9F63F, #FFFF52, #FFFF65, #FFFF78 and #FFFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4F644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4F644 shade: #F4F644, #E3E431, #D2D21E, #C1C00B and #B0AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4F644 shade: #F4F646, #F6C946, #F69946, #F66A46 and #F64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4F644 shade: #F4F646, #C5F646, #95F646, #66F646 and #46F656

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4F644 shade matches the following richer shades: #F4F646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4F644 shade: #F4F646, #E5E756, #D6D765, #C6C775 and #B7B885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4F644 shade: #F69846, #F6C746, #F6F646, #C7F646 and #98F646

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4F644 shade: #DDDF0B, #F2F41F, #F4F646, #F7F86D and #F9FA95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4F644 shade: #F4F644, #46F669 and #B046F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4F644 shade: #F4F644, #46F6F6 and #F646F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4F644 shade: #F4F644, #46F669, #4646F6 and #F646D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4F644 shade: #F4F644, #46F69E, #4646F6 and #F6469E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 72 / 4

HEX #F4F644

RGB 244 246 68

HSL 60.67, 0.91%, 0.62%

LAB 94.12, -20.35, 79.65

 

Complementary color

CMYK 94 / 95 / 0 / 27

HEX #0B09BB

RGB 11 9 187

HSL 240.67, 0.91%, 0.38%

LAB 23.18, 60.72, -83.88

 

CMYK 0 / 1 / 75 / 2

HEX #F9F63F

RGB 249 246 63

HSL 59.03, 0.94%, 0.61%

LAB 94.49, -18.51, 81.68

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 1 / 0 / 72 / 4

HEX #F4F644

RGB 244 246 68

HSL 60.67, 0.91%, 0.62%

LAB 94.12, -20.35, 79.65

 

CMYK 0 / 0 / 79 / 11

HEX #E3E431

RGB 227 228 49

HSL 60.34, 0.77%, 0.54%

LAB 87.99, -19.36, 79.19

 

CMYK 0 / 0 / 86 / 18

HEX #D2D21E

RGB 210 210 30

HSL 60, 0.75%, 0.47%

LAB 81.78, -18.21, 77.87

 

CMYK 0 / 1 / 94 / 24

HEX #C1C00B

RGB 193 192 11

HSL 59.67, 0.89%, 0.4%

LAB 75.49, -16.86, 75.28

 

CMYK 0 / 1 / 100 / 31

HEX #B0AE00

RGB 176 174 0

HSL 59.32, 1%, 0.35%

LAB 69.11, -15.3, 71.14

 

CMYK 1 / 0 / 72 / 4

HEX #F4F646

RGB 244 246 70

HSL 60.68, 0.91%, 0.62%

LAB 94.14, -20.26, 79.01

 

CMYK 0 / 18 / 72 / 4

HEX #F6C946

RGB 246 201 70

HSL 44.66, 0.91%, 0.62%

LAB 82.81, 3, 68.09

 

CMYK 0 / 38 / 72 / 4

HEX #F69946

RGB 246 153 70

HSL 28.3, 0.91%, 0.62%

LAB 71.43, 28.12, 56.49

 

CMYK 0 / 57 / 72 / 4

HEX #F66A46

RGB 246 106 70

HSL 12.27, 0.91%, 0.62%

LAB 61.95, 51.58, 46.26

 

CMYK 0 / 72 / 72 / 4

HEX #F64646

RGB 246 70 70

HSL 0, 0.91%, 0.62%

LAB 56.5, 66.21, 40.1

 

CMYK 1 / 0 / 72 / 4

HEX #F4F646

RGB 244 246 70

HSL 60.68, 0.91%, 0.62%

LAB 94.14, -20.26, 79.01

 

CMYK 20 / 0 / 72 / 4

HEX #C5F646

RGB 197 246 70

HSL 76.7, 0.91%, 0.62%

LAB 90.88, -38.84, 74.75

 

CMYK 39 / 0 / 72 / 4

HEX #95F646

RGB 149 246 70

HSL 93.07, 0.91%, 0.62%

LAB 88.33, -55.82, 71.37

 

CMYK 59 / 0 / 72 / 4

HEX #66F646

RGB 102 246 70

HSL 109.09, 0.91%, 0.62%

LAB 86.59, -68.95, 69.06

 

CMYK 72 / 0 / 65 / 4

HEX #46F656

RGB 70 246 86

HSL 125.45, 0.91%, 0.62%

LAB 85.95, -73.82, 62.18

 

CMYK 1 / 0 / 72 / 4

HEX #F4F646

RGB 244 246 70

HSL 60.68, 0.91%, 0.62%

LAB 94.14, -20.26, 79.01

 

CMYK 1 / 0 / 72 / 4

HEX #F4F646

RGB 244 246 70

HSL 60.68, 0.91%, 0.62%

LAB 94.14, -20.26, 79.01

 

CMYK 1 / 0 / 63 / 9

HEX #E5E756

RGB 229 231 86

HSL 60.83, 0.75%, 0.62%

LAB 89.15, -18.28, 67.83

 

CMYK 0 / 0 / 53 / 16

HEX #D6D765

RGB 214 215 101

HSL 60.53, 0.59%, 0.62%

LAB 83.88, -15.43, 55.26

 

CMYK 1 / 0 / 41 / 22

HEX #C6C775

RGB 198 199 117

HSL 60.73, 0.42%, 0.62%

LAB 78.54, -12.33, 40.85

 

CMYK 1 / 0 / 28 / 28

HEX #B7B885

RGB 183 184 133

HSL 61.18, 0.26%, 0.62%

LAB 73.57, -8.6, 25.87

 

CMYK 0 / 38 / 72 / 4

HEX #F69846

RGB 246 152 70

HSL 27.95, 0.91%, 0.62%

LAB 71.21, 28.64, 56.25

 

CMYK 0 / 19 / 72 / 4

HEX #F6C746

RGB 246 199 70

HSL 43.98, 0.91%, 0.62%

LAB 82.32, 4.03, 67.59

 

CMYK 0 / 0 / 72 / 4

HEX #F6F646

RGB 246 246 70

HSL 60, 0.91%, 0.62%

LAB 94.29, -19.45, 79.21

 

CMYK 19 / 0 / 72 / 4

HEX #C7F646

RGB 199 246 70

HSL 76.02, 0.91%, 0.62%

LAB 91.01, -38.07, 74.91

 

CMYK 38 / 0 / 72 / 4

HEX #98F646

RGB 152 246 70

HSL 92.05, 0.91%, 0.62%

LAB 88.46, -54.85, 71.55

 

CMYK 1 / 0 / 95 / 13

HEX #DDDF0B

RGB 221 223 11

HSL 60.57, 0.91%, 0.46%

LAB 86.09, -20.22, 84.28

 

CMYK 1 / 0 / 87 / 4

HEX #F2F41F

RGB 242 244 31

HSL 60.56, 0.91%, 0.54%

LAB 93.31, -21.32, 88

 

CMYK 1 / 0 / 72 / 4

HEX #F4F646

RGB 244 246 70

HSL 60.68, 0.91%, 0.62%

LAB 94.14, -20.26, 79.01

 

CMYK 0 / 0 / 56 / 3

HEX #F7F86D

RGB 247 248 109

HSL 60.43, 0.91%, 0.7%

LAB 95.17, -17.77, 65.21

 

CMYK 0 / 0 / 40 / 2

HEX #F9FA95

RGB 249 250 149

HSL 60.59, 0.91%, 0.78%

LAB 96.28, -14.49, 48.24

 

CMYK 1 / 0 / 72 / 4

HEX #F4F644

RGB 244 246 68

HSL 60.67, 0.91%, 0.62%

LAB 94.12, -20.35, 79.65

 

CMYK 72 / 0 / 57 / 4

HEX #46F669

RGB 70 246 105

HSL 131.93, 0.91%, 0.62%

LAB 86.12, -71.74, 54.38

 

CMYK 28 / 72 / 0 / 4

HEX #B046F6

RGB 176 70 246

HSL 276.14, 0.91%, 0.62%

LAB 52.13, 70.51, -69.64

 

CMYK 1 / 0 / 72 / 4

HEX #F4F644

RGB 244 246 68

HSL 60.67, 0.91%, 0.62%

LAB 94.12, -20.35, 79.65

 

CMYK 72 / 0 / 0 / 4

HEX #46F6F6

RGB 70 246 246

HSL 180, 0.91%, 0.62%

LAB 88.86, -42.74, -12.77

 

CMYK 0 / 72 / 0 / 4

HEX #F646F6

RGB 246 70 246

HSL 300, 0.91%, 0.62%

LAB 62.19, 84.2, -52.96

 

CMYK 1 / 0 / 72 / 4

HEX #F4F644

RGB 244 246 68

HSL 60.67, 0.91%, 0.62%

LAB 94.12, -20.35, 79.65

 

CMYK 72 / 0 / 57 / 4

HEX #46F669

RGB 70 246 105

HSL 131.93, 0.91%, 0.62%

LAB 86.12, -71.74, 54.38

 

CMYK 72 / 72 / 0 / 4

HEX #4646F6

RGB 70 70 246

HSL 240, 0.91%, 0.62%

LAB 41.75, 55.04, -87.05

 

CMYK 0 / 72 / 14 / 4

HEX #F646D3

RGB 246 70 211

HSL 311.93, 0.91%, 0.62%

LAB 60.49, 79.1, -36.02

 

CMYK 1 / 0 / 72 / 4

HEX #F4F644

RGB 244 246 68

HSL 60.67, 0.91%, 0.62%

LAB 94.12, -20.35, 79.65

 

CMYK 72 / 0 / 36 / 4

HEX #46F69E

RGB 70 246 158

HSL 150, 0.91%, 0.62%

LAB 86.84, -63.49, 29.89

 

CMYK 72 / 72 / 0 / 4

HEX #4646F6

RGB 70 70 246

HSL 240, 0.91%, 0.62%

LAB 41.75, 55.04, -87.05

 

CMYK 0 / 72 / 36 / 4

HEX #F6469E

RGB 246 70 158

HSL 330, 0.91%, 0.62%

LAB 58.45, 72.68, -8.64

 

Description

Color code: HEX #F4F644 | qconv.com Color code: HEX #F4F644 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 246 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 246 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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