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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4F2BD it is the complementary color #0B0D42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4F2BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4F2BD shade: #F9F2B8, #FFFFCB, #FFFFDE, #FFFFF1 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4F2BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4F2BD shade: #F4F2BD, #E3E0AA, #D2CE97, #C1BC84 and #B0AA71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4F2BD shade: #F4F2BE, #F4E3BE, #F4D5BE, #F4C6BE and #F4BEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4F2BD shade: #F4F2BE, #E7F4BE, #D9F4BE, #CAF4BE and #BEF4C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4F2BD shade matches the following richer shades: #F4F2BE and #FAF8B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4F2BD shade: #F4F2BE, #EEECC4, #E8E6CA, #E1E1D0 and #DBDBD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4F2BD shade: #F4D4BE, #F4E3BE, #F4F1BE, #E8F4BE and #DAF4BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4F2BD shade: #E8E477, #EEEB9A, #F4F2BE, #FAF9E1 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4F2BD shade: #F4F2BD, #BEF4C6 and #DBBEF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4F2BD shade: #F4F2BD, #BEF4F1 and #F1BEF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4F2BD shade: #F4F2BD, #BEF4C6, #BEC0F4 and #F4BEEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4F2BD shade: #F4F2BD, #BEF4D6, #BEC0F4 and #F4BEDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 23 / 4

HEX #F4F2BD

RGB 244 242 189

HSL 57.82, 0.71%, 0.85%

LAB 94.49, -7.63, 25.89

 

Complementary color

CMYK 83 / 80 / 0 / 74

HEX #0B0D42

RGB 11 13 66

HSL 237.82, 0.71%, 0.15%

LAB 6.8, 20.24, -33.41

 

CMYK 0 / 3 / 26 / 2

HEX #F9F2B8

RGB 249 242 184

HSL 53.54, 0.84%, 0.85%

LAB 94.78, -6.47, 28.9

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 23 / 4

HEX #F4F2BD

RGB 244 242 189

HSL 57.82, 0.71%, 0.85%

LAB 94.49, -7.63, 25.89

 

CMYK 0 / 1 / 25 / 11

HEX #E3E0AA

RGB 227 224 170

HSL 56.84, 0.5%, 0.78%

LAB 88.23, -7.42, 26.89

 

CMYK 0 / 2 / 28 / 18

HEX #D2CE97

RGB 210 206 151

HSL 55.93, 0.4%, 0.71%

LAB 81.88, -7.18, 27.93

 

CMYK 0 / 3 / 32 / 24

HEX #C1BC84

RGB 193 188 132

HSL 55.08, 0.33%, 0.64%

LAB 75.43, -6.91, 29.03

 

CMYK 0 / 3 / 36 / 31

HEX #B0AA71

RGB 176 170 113

HSL 54.29, 0.29%, 0.57%

LAB 68.88, -6.58, 30.19

 

CMYK 0 / 1 / 22 / 4

HEX #F4F2BE

RGB 244 242 190

HSL 57.78, 0.71%, 0.85%

LAB 94.51, -7.5, 25.41

 

CMYK 0 / 7 / 22 / 4

HEX #F4E3BE

RGB 244 227 190

HSL 41.11, 0.71%, 0.85%

LAB 90.73, 0.08, 20.19

 

CMYK 0 / 13 / 22 / 4

HEX #F4D5BE

RGB 244 213 190

HSL 25.56, 0.71%, 0.85%

LAB 87.26, 7.3, 15.33

 

CMYK 0 / 19 / 22 / 4

HEX #F4C6BE

RGB 244 198 190

HSL 8.89, 0.71%, 0.85%

LAB 83.62, 15.14, 10.18

 

CMYK 0 / 22 / 22 / 4

HEX #F4BEBE

RGB 244 190 190

HSL 0, 0.71%, 0.85%

LAB 81.72, 19.36, 7.45

 

CMYK 0 / 1 / 22 / 4

HEX #F4F2BE

RGB 244 242 190

HSL 57.78, 0.71%, 0.85%

LAB 94.51, -7.5, 25.41

 

CMYK 5 / 0 / 22 / 4

HEX #E7F4BE

RGB 231 244 190

HSL 74.44, 0.71%, 0.85%

LAB 94.06, -13.18, 24.64

 

CMYK 11 / 0 / 22 / 4

HEX #D9F4BE

RGB 217 244 190

HSL 90, 0.71%, 0.85%

LAB 93.09, -18.12, 23.15

 

CMYK 17 / 0 / 22 / 4

HEX #CAF4BE

RGB 202 244 190

HSL 106.67, 0.71%, 0.85%

LAB 92.12, -23.27, 21.66

 

CMYK 22 / 0 / 21 / 4

HEX #BEF4C0

RGB 190 244 192

HSL 122.22, 0.71%, 0.85%

LAB 91.44, -26.92, 19.58

 

CMYK 0 / 1 / 22 / 4

HEX #F4F2BE

RGB 244 242 190

HSL 57.78, 0.71%, 0.85%

LAB 94.51, -7.5, 25.41

 

CMYK 0 / 1 / 27 / 2

HEX #FAF8B7

RGB 250 248 183

HSL 58.21, 0.87%, 0.85%

LAB 96.36, -9.22, 31.56

 

CMYK 0 / 1 / 22 / 4

HEX #F4F2BE

RGB 244 242 190

HSL 57.78, 0.71%, 0.85%

LAB 94.51, -7.5, 25.41

 

CMYK 0 / 1 / 18 / 7

HEX #EEECC4

RGB 238 236 196

HSL 57.14, 0.55%, 0.85%

LAB 92.64, -5.8, 19.68

 

CMYK 0 / 1 / 13 / 9

HEX #E8E6CA

RGB 232 230 202

HSL 56, 0.39%, 0.85%

LAB 90.79, -3.99, 13.89

 

CMYK 0 / 0 / 8 / 12

HEX #E1E1D0

RGB 225 225 208

HSL 60, 0.22%, 0.85%

LAB 89.12, -2.93, 8.31

 

CMYK 0 / 0 / 2 / 14

HEX #DBDBD6

RGB 219 219 214

HSL 60, 0.06%, 0.85%

LAB 87.28, -0.89, 2.44

 

CMYK 0 / 13 / 22 / 4

HEX #F4D4BE

RGB 244 212 190

HSL 24.44, 0.71%, 0.85%

LAB 87.02, 7.82, 14.99

 

CMYK 0 / 7 / 22 / 4

HEX #F4E3BE

RGB 244 227 190

HSL 41.11, 0.71%, 0.85%

LAB 90.73, 0.08, 20.19

 

CMYK 0 / 1 / 22 / 4

HEX #F4F1BE

RGB 244 241 190

HSL 56.67, 0.71%, 0.85%

LAB 94.25, -7, 25.06

 

CMYK 5 / 0 / 22 / 4

HEX #E8F4BE

RGB 232 244 190

HSL 73.33, 0.71%, 0.85%

LAB 94.13, -12.82, 24.75

 

CMYK 11 / 0 / 22 / 4

HEX #DAF4BE

RGB 218 244 190

HSL 88.89, 0.71%, 0.85%

LAB 93.16, -17.77, 23.25

 

CMYK 0 / 2 / 49 / 9

HEX #E8E477

RGB 232 228 119

HSL 57.88, 0.71%, 0.69%

LAB 88.91, -13.15, 53.18

 

CMYK 0 / 1 / 35 / 7

HEX #EEEB9A

RGB 238 235 154

HSL 57.86, 0.71%, 0.77%

LAB 91.65, -10.77, 39.71

 

CMYK 0 / 1 / 22 / 4

HEX #F4F2BE

RGB 244 242 190

HSL 57.78, 0.71%, 0.85%

LAB 94.51, -7.5, 25.41

 

CMYK 0 / 0 / 10 / 2

HEX #FAF9E1

RGB 250 249 225

HSL 57.6, 0.71%, 0.93%

LAB 97.43, -3.68, 11.64

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 1 / 23 / 4

HEX #F4F2BD

RGB 244 242 189

HSL 57.82, 0.71%, 0.85%

LAB 94.49, -7.63, 25.89

 

CMYK 22 / 0 / 19 / 4

HEX #BEF4C6

RGB 190 244 198

HSL 128.89, 0.71%, 0.85%

LAB 91.56, -25.89, 16.66

 

CMYK 10 / 22 / 0 / 4

HEX #DBBEF4

RGB 219 190 244

HSL 272.22, 0.71%, 0.85%

LAB 80.97, 20.17, -22.9

 

CMYK 0 / 1 / 23 / 4

HEX #F4F2BD

RGB 244 242 189

HSL 57.82, 0.71%, 0.85%

LAB 94.49, -7.63, 25.89

 

CMYK 22 / 0 / 1 / 4

HEX #BEF4F1

RGB 190 244 241

HSL 176.67, 0.71%, 0.85%

LAB 92.57, -17.62, -4.17

 

CMYK 1 / 22 / 0 / 4

HEX #F1BEF4

RGB 241 190 244

HSL 296.67, 0.71%, 0.85%

LAB 82.94, 27.23, -19.72

 

CMYK 0 / 1 / 23 / 4

HEX #F4F2BD

RGB 244 242 189

HSL 57.82, 0.71%, 0.85%

LAB 94.49, -7.63, 25.89

 

CMYK 22 / 0 / 19 / 4

HEX #BEF4C6

RGB 190 244 198

HSL 128.89, 0.71%, 0.85%

LAB 91.56, -25.89, 16.66

 

CMYK 22 / 21 / 0 / 4

HEX #BEC0F4

RGB 190 192 244

HSL 237.78, 0.71%, 0.85%

LAB 79.14, 10.09, -25.9

 

CMYK 0 / 22 / 3 / 4

HEX #F4BEEC

RGB 244 190 236

HSL 308.89, 0.71%, 0.85%

LAB 82.98, 26.76, -15.38

 

CMYK 0 / 1 / 23 / 4

HEX #F4F2BD

RGB 244 242 189

HSL 57.82, 0.71%, 0.85%

LAB 94.49, -7.63, 25.89

 

CMYK 22 / 0 / 12 / 4

HEX #BEF4D6

RGB 190 244 214

HSL 146.67, 0.71%, 0.85%

LAB 91.91, -22.99, 8.88

 

CMYK 22 / 21 / 0 / 4

HEX #BEC0F4

RGB 190 192 244

HSL 237.78, 0.71%, 0.85%

LAB 79.14, 10.09, -25.9

 

CMYK 0 / 22 / 10 / 4

HEX #F4BEDB

RGB 244 190 219

HSL 327.78, 0.71%, 0.85%

LAB 82.47, 23.85, -7.02

 

Description

Color code: HEX #F4F2BD | qconv.com Color code: HEX #F4F2BD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 242 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 242 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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