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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4EF9C it is the complementary color #0B1063. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4EF9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4EF9C shade: #F9EF97, #FFFFAA, #FFFFBD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4EF9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4EF9C shade: #F4EF9C, #E3DD89, #D2CB76, #C1B963 and #B0A750

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4EF9C shade: #F4EF9A, #F4D69A, #F4BE9A, #F4A69A and #F49A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4EF9C shade: #F4EF9A, #E1F49A, #C8F49A, #B0F49A and #9AF49C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4EF9C shade matches the following richer shades: #F4EF9A and #FDF791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4EF9C shade: #F4EF9A, #EBE7A3, #E2DFAC, #D9D7B5 and #CFCEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4EF9C shade: #F4BE9A, #F4D69A, #F4EE9A, #E2F49A and #CAF49A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4EF9C shade: #ECE350, #F0E975, #F4EF9A, #F8F5BF and #FCFBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4EF9C shade: #F4EF9C, #9AF4A6 and #CA9AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4EF9C shade: #F4EF9C, #9AF4EE and #EE9AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4EF9C shade: #F4EF9C, #9AF4A6, #9AA0F4 and #F49AE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4EF9C shade: #F4EF9C, #9AF4C1, #9AA0F4 and #F49ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 36 / 4

HEX #F4EF9C

RGB 244 239 156

HSL 56.59, 0.8%, 0.78%

LAB 93.17, -10.24, 40.78

 

Complementary color

CMYK 89 / 84 / 0 / 61

HEX #0B1063

RGB 11 16 99

HSL 236.59, 0.8%, 0.22%

LAB 11.57, 31.34, -48.16

 

CMYK 0 / 4 / 39 / 2

HEX #F9EF97

RGB 249 239 151

HSL 53.88, 0.89%, 0.78%

LAB 93.5, -8.87, 43.74

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 0 / 2 / 36 / 4

HEX #F4EF9C

RGB 244 239 156

HSL 56.59, 0.8%, 0.78%

LAB 93.17, -10.24, 40.78

 

CMYK 0 / 3 / 40 / 11

HEX #E3DD89

RGB 227 221 137

HSL 56, 0.62%, 0.71%

LAB 86.92, -9.89, 41.93

 

CMYK 0 / 3 / 44 / 18

HEX #D2CB76

RGB 210 203 118

HSL 55.43, 0.51%, 0.64%

LAB 80.58, -9.47, 43.11

 

CMYK 0 / 4 / 49 / 24

HEX #C1B963

RGB 193 185 99

HSL 54.89, 0.43%, 0.57%

LAB 74.15, -8.97, 44.31

 

CMYK 0 / 5 / 55 / 31

HEX #B0A750

RGB 176 167 80

HSL 54.38, 0.38%, 0.5%

LAB 67.61, -8.36, 45.5

 

CMYK 0 / 2 / 37 / 4

HEX #F4EF9A

RGB 244 239 154

HSL 56.67, 0.8%, 0.78%

LAB 93.15, -10.46, 41.73

 

CMYK 0 / 12 / 37 / 4

HEX #F4D69A

RGB 244 214 154

HSL 40, 0.8%, 0.78%

LAB 86.83, 2.17, 33.49

 

CMYK 0 / 22 / 37 / 4

HEX #F4BE9A

RGB 244 190 154

HSL 24, 0.8%, 0.78%

LAB 80.96, 14.67, 25.62

 

CMYK 0 / 32 / 37 / 4

HEX #F4A69A

RGB 244 166 154

HSL 8, 0.8%, 0.78%

LAB 75.35, 27.34, 17.93

 

CMYK 0 / 37 / 37 / 4

HEX #F49A9A

RGB 244 154 154

HSL 0, 0.8%, 0.78%

LAB 72.68, 33.65, 14.2

 

CMYK 0 / 2 / 37 / 4

HEX #F4EF9A

RGB 244 239 154

HSL 56.67, 0.8%, 0.78%

LAB 93.15, -10.46, 41.73

 

CMYK 8 / 0 / 37 / 4

HEX #E1F49A

RGB 225 244 154

HSL 72.67, 0.8%, 0.78%

LAB 93.03, -20.09, 41.31

 

CMYK 18 / 0 / 37 / 4

HEX #C8F49A

RGB 200 244 154

HSL 89.33, 0.8%, 0.78%

LAB 91.38, -29.19, 38.84

 

CMYK 28 / 0 / 37 / 4

HEX #B0F49A

RGB 176 244 154

HSL 105.33, 0.8%, 0.78%

LAB 89.98, -37.43, 36.75

 

CMYK 37 / 0 / 36 / 4

HEX #9AF49C

RGB 154 244 156

HSL 121.33, 0.8%, 0.78%

LAB 88.91, -44.1, 34.14

 

CMYK 0 / 2 / 37 / 4

HEX #F4EF9A

RGB 244 239 154

HSL 56.67, 0.8%, 0.78%

LAB 93.15, -10.46, 41.73

 

CMYK 0 / 2 / 43 / 1

HEX #FDF791

RGB 253 247 145

HSL 56.67, 0.96%, 0.78%

LAB 95.77, -11.89, 49.59

 

CMYK 0 / 2 / 37 / 4

HEX #F4EF9A

RGB 244 239 154

HSL 56.67, 0.8%, 0.78%

LAB 93.15, -10.46, 41.73

 

CMYK 0 / 2 / 31 / 8

HEX #EBE7A3

RGB 235 231 163

HSL 56.67, 0.64%, 0.78%

LAB 90.53, -8.85, 33.67

 

CMYK 0 / 1 / 24 / 11

HEX #E2DFAC

RGB 226 223 172

HSL 56.67, 0.48%, 0.78%

LAB 87.93, -7.02, 25.43

 

CMYK 0 / 1 / 17 / 15

HEX #D9D7B5

RGB 217 215 181

HSL 56.67, 0.32%, 0.78%

LAB 85.35, -4.95, 17.05

 

CMYK 0 / 0 / 8 / 19

HEX #CFCEBE

RGB 207 206 190

HSL 56.47, 0.15%, 0.78%

LAB 82.45, -2.45, 8.07

 

CMYK 0 / 22 / 37 / 4

HEX #F4BE9A

RGB 244 190 154

HSL 24, 0.8%, 0.78%

LAB 80.96, 14.67, 25.62

 

CMYK 0 / 12 / 37 / 4

HEX #F4D69A

RGB 244 214 154

HSL 40, 0.8%, 0.78%

LAB 86.83, 2.17, 33.49

 

CMYK 0 / 2 / 37 / 4

HEX #F4EE9A

RGB 244 238 154

HSL 56, 0.8%, 0.78%

LAB 92.89, -9.97, 41.4

 

CMYK 7 / 0 / 37 / 4

HEX #E2F49A

RGB 226 244 154

HSL 72, 0.8%, 0.78%

LAB 93.1, -19.71, 41.41

 

CMYK 17 / 0 / 37 / 4

HEX #CAF49A

RGB 202 244 154

HSL 88, 0.8%, 0.78%

LAB 91.5, -28.48, 39.02

 

CMYK 0 / 4 / 66 / 7

HEX #ECE350

RGB 236 227 80

HSL 56.54, 0.8%, 0.62%

LAB 88.61, -13.8, 69.8

 

CMYK 0 / 3 / 51 / 6

HEX #F0E975

RGB 240 233 117

HSL 56.59, 0.8%, 0.7%

LAB 90.82, -12.61, 56.53

 

CMYK 0 / 2 / 37 / 4

HEX #F4EF9A

RGB 244 239 154

HSL 56.67, 0.8%, 0.78%

LAB 93.15, -10.46, 41.73

 

CMYK 0 / 1 / 23 / 3

HEX #F8F5BF

RGB 248 245 191

HSL 56.84, 0.8%, 0.86%

LAB 95.59, -7.4, 26.43

 

CMYK 0 / 0 / 10 / 1

HEX #FCFBE4

RGB 252 251 228

HSL 57.5, 0.8%, 0.94%

LAB 98.15, -3.51, 11.14

 

CMYK 0 / 2 / 36 / 4

HEX #F4EF9C

RGB 244 239 156

HSL 56.59, 0.8%, 0.78%

LAB 93.17, -10.24, 40.78

 

CMYK 37 / 0 / 32 / 4

HEX #9AF4A6

RGB 154 244 166

HSL 128, 0.8%, 0.78%

LAB 89.08, -42.51, 29.32

 

CMYK 17 / 37 / 0 / 4

HEX #CA9AF4

RGB 202 154 244

HSL 272, 0.8%, 0.78%

LAB 71.01, 34.54, -38.36

 

CMYK 0 / 2 / 36 / 4

HEX #F4EF9C

RGB 244 239 156

HSL 56.59, 0.8%, 0.78%

LAB 93.17, -10.24, 40.78

 

CMYK 37 / 0 / 2 / 4

HEX #9AF4EE

RGB 154 244 238

HSL 176, 0.8%, 0.78%

LAB 90.66, -28.21, -5.64

 

CMYK 2 / 37 / 0 / 4

HEX #EE9AF4

RGB 238 154 244

HSL 296, 0.8%, 0.78%

LAB 74.71, 45.29, -32.33

 

CMYK 0 / 2 / 36 / 4

HEX #F4EF9C

RGB 244 239 156

HSL 56.59, 0.8%, 0.78%

LAB 93.17, -10.24, 40.78

 

CMYK 37 / 0 / 32 / 4

HEX #9AF4A6

RGB 154 244 166

HSL 128, 0.8%, 0.78%

LAB 89.08, -42.51, 29.32

 

CMYK 37 / 34 / 0 / 4

HEX #9AA0F4

RGB 154 160 244

HSL 236, 0.8%, 0.78%

LAB 68.42, 17.65, -42.7

 

CMYK 0 / 37 / 5 / 4

HEX #F49AE8

RGB 244 154 232

HSL 308, 0.8%, 0.78%

LAB 74.93, 44.99, -25.4

 

CMYK 0 / 2 / 36 / 4

HEX #F4EF9C

RGB 244 239 156

HSL 56.59, 0.8%, 0.78%

LAB 93.17, -10.24, 40.78

 

CMYK 37 / 0 / 21 / 4

HEX #9AF4C1

RGB 154 244 193

HSL 146, 0.8%, 0.78%

LAB 89.59, -37.71, 16.2

 

CMYK 37 / 34 / 0 / 4

HEX #9AA0F4

RGB 154 160 244

HSL 236, 0.8%, 0.78%

LAB 68.42, 17.65, -42.7

 

CMYK 0 / 37 / 16 / 4

HEX #F49ACD

RGB 244 154 205

HSL 326, 0.8%, 0.78%

LAB 74.03, 40.58, -11.98

 

Description

Color code: HEX #F4EF9C | qconv.com Color code: HEX #F4EF9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 239 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 239 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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