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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4CF86 it is the complementary color #0B3079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4CF86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4CF86 shade: #F9CF81, #FFE194, #FFF3A7, #FFFFBA and #FFFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4CF86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4CF86 shade: #F4CF86, #E3BD73, #D2AB60, #C1994D and #B0873A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4CF86 shade: #F4CF86, #F4B186, #F49386 and #F48686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4CF86 shade: #F4CF86, #F4EC86, #DDF486, #C0F486 and #A2F486

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4CF86 shade matches the following richer shades: #F4CF86 and #FED27B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4CF86 shade: #F4CF86, #E9CB90, #DEC89B, #D4C4A6 and #C9C1B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4CF86 shade: #F49386, #F4B086, #F4CD86, #F4EB86 and #E0F486

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4CF86 shade: #EDB13A, #F0C060, #F4CF86, #F7DEAB and #FBEDD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4CF86 shade: #F4CF86, #96F486 and #A186F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4CF86 shade: #F4CF86, #86F4CD and #CD86F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4CF86 shade: #F4CF86, #96F486, #86ACF4 and #E386F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4CF86 shade: #F4CF86, #86F496, #86ACF4 and #F486E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

Complementary color

CMYK 91 / 60 / 0 / 53

HEX #0B3079

RGB 11 48 121

HSL 219.82, 0.83%, 0.26%

LAB 22.18, 18.25, -45.01

 

CMYK 0 / 17 / 48 / 2

HEX #F9CF81

RGB 249 207 129

HSL 39, 0.91%, 0.74%

LAB 85.17, 5.19, 44.11

 

CMYK 0 / 12 / 42 / 0

HEX #FFE194

RGB 255 225 148

HSL 43.18, 1%, 0.79%

LAB 90.44, 0.18, 41.41

 

CMYK 0 / 5 / 35 / 0

HEX #FFF3A7

RGB 255 243 167

HSL 51.82, 1%, 0.83%

LAB 95.22, -6.81, 38.14

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 0 / 17 / 49 / 11

HEX #E3BD73

RGB 227 189 115

HSL 39.64, 0.67%, 0.67%

LAB 78.44, 4.4, 42.28

 

CMYK 0 / 19 / 54 / 18

HEX #D2AB60

RGB 210 171 96

HSL 39.47, 0.56%, 0.6%

LAB 72.01, 5.24, 43.59

 

CMYK 0 / 21 / 60 / 24

HEX #C1994D

RGB 193 153 77

HSL 39.31, 0.48%, 0.53%

LAB 65.48, 6.23, 44.91

 

CMYK 0 / 23 / 67 / 31

HEX #B0873A

RGB 176 135 58

HSL 39.15, 0.5%, 0.46%

LAB 58.85, 7.41, 46.17

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 0 / 27 / 45 / 4

HEX #F4B186

RGB 244 177 134

HSL 23.45, 0.83%, 0.74%

LAB 77.52, 19.37, 31.61

 

CMYK 0 / 40 / 45 / 4

HEX #F49386

RGB 244 147 134

HSL 7.09, 0.83%, 0.74%

LAB 70.75, 35.14, 22.56

 

CMYK 0 / 45 / 45 / 4

HEX #F48686

RGB 244 134 134

HSL 0, 0.83%, 0.74%

LAB 68.02, 41.82, 18.84

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 0 / 3 / 45 / 4

HEX #F4EC86

RGB 244 236 134

HSL 55.64, 0.83%, 0.74%

LAB 92.11, -11.02, 50.17

 

CMYK 9 / 0 / 45 / 4

HEX #DDF486

RGB 221 244 134

HSL 72.55, 0.83%, 0.74%

LAB 92.48, -23.79, 50.25

 

CMYK 21 / 0 / 45 / 4

HEX #C0F486

RGB 192 244 134

HSL 88.36, 0.83%, 0.74%

LAB 90.61, -34.48, 47.51

 

CMYK 34 / 0 / 45 / 4

HEX #A2F486

RGB 162 244 134

HSL 104.73, 0.83%, 0.74%

LAB 88.97, -44.7, 45.11

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 0 / 17 / 52 / 0

HEX #FED27B

RGB 254 210 123

HSL 39.85, 0.98%, 0.74%

LAB 86.3, 5.12, 48.57

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 0 / 13 / 38 / 9

HEX #E9CB90

RGB 233 203 144

HSL 39.78, 0.67%, 0.74%

LAB 82.94, 2.44, 33.32

 

CMYK 0 / 10 / 30 / 13

HEX #DEC89B

RGB 222 200 155

HSL 40.3, 0.5%, 0.74%

LAB 81.4, 1.05, 25.36

 

CMYK 0 / 8 / 22 / 17

HEX #D4C4A6

RGB 212 196 166

HSL 39.13, 0.35%, 0.74%

LAB 79.74, 0.85, 17.11

 

CMYK 0 / 4 / 12 / 21

HEX #C9C1B1

RGB 201 193 177

HSL 40, 0.18%, 0.74%

LAB 78.31, 0.06, 9.05

 

CMYK 0 / 40 / 45 / 4

HEX #F49386

RGB 244 147 134

HSL 7.09, 0.83%, 0.74%

LAB 70.75, 35.14, 22.56

 

CMYK 0 / 28 / 45 / 4

HEX #F4B086

RGB 244 176 134

HSL 22.91, 0.83%, 0.74%

LAB 77.28, 19.9, 31.3

 

CMYK 0 / 16 / 45 / 4

HEX #F4CD86

RGB 244 205 134

HSL 38.73, 0.83%, 0.74%

LAB 84.29, 4.7, 40.38

 

CMYK 0 / 4 / 45 / 4

HEX #F4EB86

RGB 244 235 134

HSL 55.09, 0.83%, 0.74%

LAB 91.85, -10.52, 49.85

 

CMYK 8 / 0 / 45 / 4

HEX #E0F486

RGB 224 244 134

HSL 70.91, 0.83%, 0.74%

LAB 92.69, -22.65, 50.55

 

CMYK 0 / 25 / 76 / 7

HEX #EDB13A

RGB 237 177 58

HSL 39.89, 0.83%, 0.58%

LAB 75.92, 11.19, 65.62

 

CMYK 0 / 20 / 60 / 6

HEX #F0C060

RGB 240 192 96

HSL 40, 0.83%, 0.66%

LAB 80.22, 6.66, 53.97

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 0 / 10 / 31 / 3

HEX #F7DEAB

RGB 247 222 171

HSL 40.26, 0.83%, 0.82%

LAB 89.37, 1.24, 28.19

 

CMYK 0 / 6 / 17 / 2

HEX #FBEDD1

RGB 251 237 209

HSL 40, 0.84%, 0.9%

LAB 94.18, 0.27, 15.27

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 39 / 0 / 45 / 4

HEX #96F486

RGB 150 244 134

HSL 111.27, 0.83%, 0.74%

LAB 88.4, -48.47, 44.28

 

CMYK 34 / 45 / 0 / 4

HEX #A186F4

RGB 161 134 244

HSL 254.73, 0.83%, 0.74%

LAB 62.64, 34.32, -51.77

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 45 / 0 / 16 / 4

HEX #86F4CD

RGB 134 244 205

HSL 158.73, 0.83%, 0.74%

LAB 89.01, -40.55, 9.03

 

CMYK 16 / 45 / 0 / 4

HEX #CD86F4

RGB 205 134 244

HSL 278.73, 0.83%, 0.74%

LAB 66.95, 46.18, -44.69

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 39 / 0 / 45 / 4

HEX #96F486

RGB 150 244 134

HSL 111.27, 0.83%, 0.74%

LAB 88.4, -48.47, 44.28

 

CMYK 45 / 30 / 0 / 4

HEX #86ACF4

RGB 134 172 244

HSL 219.27, 0.83%, 0.74%

LAB 70.25, 5.76, -39.94

 

CMYK 7 / 45 / 0 / 4

HEX #E386F4

RGB 227 134 244

HSL 290.73, 0.83%, 0.74%

LAB 69.41, 52.36, -40.66

 

CMYK 0 / 15 / 45 / 4

HEX #F4CF86

RGB 244 207 134

HSL 39.82, 0.83%, 0.74%

LAB 84.78, 3.67, 41.01

 

CMYK 45 / 0 / 39 / 4

HEX #86F496

RGB 134 244 150

HSL 128.73, 0.83%, 0.74%

LAB 87.95, -50.78, 35.72

 

CMYK 45 / 30 / 0 / 4

HEX #86ACF4

RGB 134 172 244

HSL 219.27, 0.83%, 0.74%

LAB 70.25, 5.76, -39.94

 

CMYK 0 / 45 / 7 / 4

HEX #F486E3

RGB 244 134 227

HSL 309.27, 0.83%, 0.74%

LAB 70.75, 54.26, -29.07

 

Description

Color code: HEX #F4CF86 | qconv.com Color code: HEX #F4CF86 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 207 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 207 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 45 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 45% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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