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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4CF4F it is the complementary color #0B30B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4CF4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4CF4F shade: #F9CF4A, #FFE15D, #FFF370, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4CF4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4CF4F shade: #F4CF4F, #E3BD3C, #D2AB29, #C19916 and #B08703

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4CF4F shade: #F4CE4E, #F4A24E, #F4754E and #F44E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4CF4F shade: #F4CE4E, #ECF44E, #BFF44E, #93F44E and #66F44E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4CF4F shade matches the following richer shades: #F4CE4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4CF4F shade: #F4CE4E, #E4C65D, #D5BE6C, #C6B57B and #B7AD8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4CF4F shade: #F4744E, #F4A14E, #F4CD4E, #EEF44E and #C2F44E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4CF4F shade: #E0B10E, #F1C427, #F4CE4E, #F6D974 and #F9E49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4CF4F shade: #F4CF4F, #53F44E and #8B4EF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4CF4F shade: #F4CF4F, #4EF4CD and #CD4EF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4CF4F shade: #F4CF4F, #53F44E, #4E74F4 and #EE4EF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4CF4F shade: #F4CF4F, #4EF47A, #4E74F4 and #F44EC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 68 / 4

HEX #F4CF4F

RGB 244 207 79

HSL 46.55, 0.88%, 0.63%

LAB 84.19, -0.47, 65.86

 

Complementary color

CMYK 94 / 73 / 0 / 31

HEX #0B30B0

RGB 11 48 176

HSL 226.55, 0.88%, 0.37%

LAB 27.63, 40.12, -69.94

 

CMYK 0 / 17 / 70 / 2

HEX #F9CF4A

RGB 249 207 74

HSL 45.6, 0.94%, 0.63%

LAB 84.62, 1.37, 68.44

 

CMYK 0 / 12 / 64 / 0

HEX #FFE15D

RGB 255 225 93

HSL 48.89, 1%, 0.68%

LAB 89.81, -4.26, 66.32

 

CMYK 0 / 5 / 56 / 0

HEX #FFF370

RGB 255 243 112

HSL 54.97, 1%, 0.72%

LAB 94.54, -11.94, 63.38

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 15 / 68 / 4

HEX #F4CF4F

RGB 244 207 79

HSL 46.55, 0.88%, 0.63%

LAB 84.19, -0.47, 65.86

 

CMYK 0 / 17 / 74 / 11

HEX #E3BD3C

RGB 227 189 60

HSL 46.35, 0.75%, 0.56%

LAB 77.91, 0.71, 66.44

 

CMYK 0 / 19 / 80 / 18

HEX #D2AB29

RGB 210 171 41

HSL 46.15, 0.67%, 0.49%

LAB 71.55, 2.09, 66.46

 

CMYK 0 / 21 / 89 / 24

HEX #C19916

RGB 193 153 22

HSL 45.96, 0.8%, 0.42%

LAB 65.1, 3.7, 65.51

 

CMYK 0 / 23 / 98 / 31

HEX #B08703

RGB 176 135 3

HSL 45.78, 0.97%, 0.35%

LAB 58.57, 5.57, 63.14

 

CMYK 0 / 16 / 68 / 4

HEX #F4CE4E

RGB 244 206 78

HSL 46.27, 0.88%, 0.63%

LAB 83.93, -0.01, 66

 

CMYK 0 / 34 / 68 / 4

HEX #F4A24E

RGB 244 162 78

HSL 30.36, 0.88%, 0.63%

LAB 73.3, 22.98, 54.75

 

CMYK 0 / 52 / 68 / 4

HEX #F4754E

RGB 244 117 78

HSL 14.1, 0.88%, 0.63%

LAB 63.76, 46.04, 44.06

 

CMYK 0 / 68 / 68 / 4

HEX #F44E4E

RGB 244 78 78

HSL 0, 0.88%, 0.63%

LAB 57.3, 63.09, 36.46

 

CMYK 0 / 16 / 68 / 4

HEX #F4CE4E

RGB 244 206 78

HSL 46.27, 0.88%, 0.63%

LAB 83.93, -0.01, 66

 

CMYK 3 / 0 / 68 / 4

HEX #ECF44E

RGB 236 244 78

HSL 62.89, 0.88%, 0.63%

LAB 93.05, -22.16, 75.01

 

CMYK 22 / 0 / 68 / 4

HEX #BFF44E

RGB 191 244 78

HSL 79.16, 0.88%, 0.63%

LAB 90.01, -39.76, 70.96

 

CMYK 40 / 0 / 68 / 4

HEX #93F44E

RGB 147 244 78

HSL 95.06, 0.88%, 0.63%

LAB 87.71, -55.13, 67.85

 

CMYK 58 / 0 / 68 / 4

HEX #66F44E

RGB 102 244 78

HSL 111.33, 0.88%, 0.63%

LAB 86.04, -67.65, 65.6

 

CMYK 0 / 16 / 68 / 4

HEX #F4CE4E

RGB 244 206 78

HSL 46.27, 0.88%, 0.63%

LAB 83.93, -0.01, 66

 

CMYK 0 / 16 / 68 / 4

HEX #F4CE4E

RGB 244 206 78

HSL 46.27, 0.88%, 0.63%

LAB 83.93, -0.01, 66

 

CMYK 0 / 13 / 59 / 11

HEX #E4C65D

RGB 228 198 93

HSL 46.67, 0.71%, 0.63%

LAB 80.56, -1.65, 55.44

 

CMYK 0 / 11 / 49 / 16

HEX #D5BE6C

RGB 213 190 108

HSL 46.86, 0.56%, 0.63%

LAB 77.31, -2.5, 44.11

 

CMYK 0 / 9 / 38 / 22

HEX #C6B57B

RGB 198 181 123

HSL 46.4, 0.4%, 0.63%

LAB 73.86, -2.33, 31.77

 

CMYK 0 / 5 / 24 / 28

HEX #B7AD8B

RGB 183 173 139

HSL 46.36, 0.23%, 0.63%

LAB 70.75, -1.94, 18.79

 

CMYK 0 / 52 / 68 / 4

HEX #F4744E

RGB 244 116 78

HSL 13.73, 0.88%, 0.63%

LAB 63.57, 46.52, 43.84

 

CMYK 0 / 34 / 68 / 4

HEX #F4A14E

RGB 244 161 78

HSL 30, 0.88%, 0.63%

LAB 73.07, 23.51, 54.5

 

CMYK 0 / 16 / 68 / 4

HEX #F4CD4E

RGB 244 205 78

HSL 45.9, 0.88%, 0.63%

LAB 83.68, 0.5, 65.74

 

CMYK 2 / 0 / 68 / 4

HEX #EEF44E

RGB 238 244 78

HSL 62.17, 0.88%, 0.63%

LAB 93.2, -21.36, 75.21

 

CMYK 20 / 0 / 68 / 4

HEX #C2F44E

RGB 194 244 78

HSL 78.07, 0.88%, 0.63%

LAB 90.19, -38.63, 71.2

 

CMYK 0 / 21 / 94 / 12

HEX #E0B10E

RGB 224 177 14

HSL 46.57, 0.88%, 0.47%

LAB 74.4, 4.46, 75.37

 

CMYK 0 / 19 / 84 / 5

HEX #F1C427

RGB 241 196 39

HSL 46.63, 0.88%, 0.55%

LAB 80.92, 2.36, 76.25

 

CMYK 0 / 16 / 68 / 4

HEX #F4CE4E

RGB 244 206 78

HSL 46.27, 0.88%, 0.63%

LAB 83.93, -0.01, 66

 

CMYK 0 / 12 / 53 / 4

HEX #F6D974

RGB 246 217 116

HSL 46.62, 0.88%, 0.71%

LAB 87.23, -2.26, 52.88

 

CMYK 0 / 8 / 38 / 2

HEX #F9E49B

RGB 249 228 155

HSL 46.6, 0.89%, 0.79%

LAB 90.78, -2.92, 38.24

 

CMYK 0 / 15 / 68 / 4

HEX #F4CF4F

RGB 244 207 79

HSL 46.55, 0.88%, 0.63%

LAB 84.19, -0.47, 65.86

 

CMYK 66 / 0 / 68 / 4

HEX #53F44E

RGB 83 244 78

HSL 118.19, 0.88%, 0.63%

LAB 85.55, -71.67, 64.93

 

CMYK 43 / 68 / 0 / 4

HEX #8B4EF4

RGB 139 78 244

HSL 262.05, 0.88%, 0.63%

LAB 48.85, 59.79, -74.06

 

CMYK 0 / 15 / 68 / 4

HEX #F4CF4F

RGB 244 207 79

HSL 46.55, 0.88%, 0.63%

LAB 84.19, -0.47, 65.86

 

CMYK 68 / 0 / 16 / 4

HEX #4EF4CD

RGB 78 244 205

HSL 165.9, 0.88%, 0.63%

LAB 87.35, -51.47, 6.44

 

CMYK 16 / 68 / 0 / 4

HEX #CD4EF4

RGB 205 78 244

HSL 285.9, 0.88%, 0.63%

LAB 57.04, 72.65, -60.42

 

CMYK 0 / 15 / 68 / 4

HEX #F4CF4F

RGB 244 207 79

HSL 46.55, 0.88%, 0.63%

LAB 84.19, -0.47, 65.86

 

CMYK 66 / 0 / 68 / 4

HEX #53F44E

RGB 83 244 78

HSL 118.19, 0.88%, 0.63%

LAB 85.55, -71.67, 64.93

 

CMYK 68 / 52 / 0 / 4

HEX #4E74F4

RGB 78 116 244

HSL 226.27, 0.88%, 0.63%

LAB 52.56, 27.89, -68.25

 

CMYK 2 / 68 / 0 / 4

HEX #EE4EF4

RGB 238 78 244

HSL 297.83, 0.88%, 0.63%

LAB 61.79, 79.61, -52.56

 

CMYK 0 / 15 / 68 / 4

HEX #F4CF4F

RGB 244 207 79

HSL 46.55, 0.88%, 0.63%

LAB 84.19, -0.47, 65.86

 

CMYK 68 / 0 / 50 / 4

HEX #4EF47A

RGB 78 244 122

HSL 135.9, 0.88%, 0.63%

LAB 85.87, -67.53, 46.33

 

CMYK 68 / 52 / 0 / 4

HEX #4E74F4

RGB 78 116 244

HSL 226.27, 0.88%, 0.63%

LAB 52.56, 27.89, -68.25

 

CMYK 0 / 68 / 18 / 4

HEX #F44EC7

RGB 244 78 199

HSL 316.27, 0.88%, 0.63%

LAB 60.61, 74.33, -29.05

 

Description

Color code: HEX #F4CF4F | qconv.com Color code: HEX #F4CF4F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 207 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 207 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 68 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 68% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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