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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4CBBA it is the complementary color #0B3445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4CBBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4CBBA shade: #F9CBB5, #FFDDC8, #FFEFDB, #FFFFEE and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4CBBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4CBBA shade: #F4CBBA, #E3B9A7, #D2A794, #C19581 and #B0836E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4CBBA shade: #F4CAB8, #F4BAB8 and #F4B8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4CBBA shade: #F4CAB8, #F4DAB8, #F4EAB8, #EEF4B8 and #DEF4B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4CBBA shade matches the following richer shades: #F4CAB8 and #FBC7B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4CBBA shade: #F4CAB8, #EDCDBF, #E7CFC6, #E0D2CC and #DAD5D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4CBBA shade: #F4B8C7, #F4B9B8, #F4C9B8, #F4D9B8 and #F4E9B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4CBBA shade: #E99471, #EEAF95, #F4CAB8, #FAE5DC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4CBBA shade: #F4CBBA, #D7F4B8 and #B8BFF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4CBBA shade: #F4CBBA, #B8F4C9 and #C9B8F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4CBBA shade: #F4CBBA, #D7F4B8, #B8E3F4 and #D5B8F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4CBBA shade: #F4CBBA, #C5F4B8, #B8E3F4 and #E7B8F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 24 / 4

HEX #F4CBBA

RGB 244 203 186

HSL 17.59, 0.73%, 0.84%

LAB 84.74, 11.95, 13.89

 

Complementary color

CMYK 84 / 25 / 0 / 73

HEX #0B3445

RGB 11 52 69

HSL 197.59, 0.73%, 0.16%

LAB 19.87, -7.11, -14.57

 

CMYK 0 / 18 / 27 / 2

HEX #F9CBB5

RGB 249 203 181

HSL 19.41, 0.85%, 0.84%

LAB 85.09, 13.12, 17.1

 

CMYK 0 / 13 / 22 / 0

HEX #FFDDC8

RGB 255 221 200

HSL 22.91, 1%, 0.89%

LAB 90.39, 8.59, 14.64

 

CMYK 0 / 6 / 14 / 0

HEX #FFEFDB

RGB 255 239 219

HSL 33.33, 1%, 0.93%

LAB 95.21, 2.18, 11.6

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 24 / 4

HEX #F4CBBA

RGB 244 203 186

HSL 17.59, 0.73%, 0.84%

LAB 84.74, 11.95, 13.89

 

CMYK 0 / 19 / 26 / 11

HEX #E3B9A7

RGB 227 185 167

HSL 18, 0.52%, 0.77%

LAB 78.36, 12.47, 14.82

 

CMYK 0 / 20 / 30 / 18

HEX #D2A794

RGB 210 167 148

HSL 18.39, 0.41%, 0.7%

LAB 71.88, 13.05, 15.83

 

CMYK 0 / 23 / 33 / 24

HEX #C19581

RGB 193 149 129

HSL 18.75, 0.34%, 0.63%

LAB 65.29, 13.7, 16.92

 

CMYK 0 / 26 / 38 / 31

HEX #B0836E

RGB 176 131 110

HSL 19.09, 0.29%, 0.56%

LAB 58.59, 14.45, 18.1

 

CMYK 0 / 17 / 25 / 4

HEX #F4CAB8

RGB 244 202 184

HSL 18, 0.73%, 0.84%

LAB 84.45, 12.19, 14.54

 

CMYK 0 / 24 / 25 / 4

HEX #F4BAB8

RGB 244 186 184

HSL 2, 0.73%, 0.84%

LAB 80.63, 20.62, 9.13

 

CMYK 0 / 25 / 25 / 4

HEX #F4B8B8

RGB 244 184 184

HSL 0, 0.73%, 0.84%

LAB 80.17, 21.68, 8.46

 

CMYK 0 / 17 / 25 / 4

HEX #F4CAB8

RGB 244 202 184

HSL 18, 0.73%, 0.84%

LAB 84.45, 12.19, 14.54

 

CMYK 0 / 11 / 25 / 4

HEX #F4DAB8

RGB 244 218 184

HSL 34, 0.73%, 0.84%

LAB 88.37, 3.87, 20.03

 

CMYK 0 / 4 / 25 / 4

HEX #F4EAB8

RGB 244 234 184

HSL 50, 0.73%, 0.84%

LAB 92.37, -4.29, 25.55

 

CMYK 2 / 0 / 25 / 4

HEX #EEF4B8

RGB 238 244 184

HSL 66, 0.73%, 0.84%

LAB 94.46, -11.49, 28.32

 

CMYK 9 / 0 / 25 / 4

HEX #DEF4B8

RGB 222 244 184

HSL 82, 0.73%, 0.84%

LAB 93.32, -17.25, 26.58

 

CMYK 0 / 17 / 25 / 4

HEX #F4CAB8

RGB 244 202 184

HSL 18, 0.73%, 0.84%

LAB 84.45, 12.19, 14.54

 

CMYK 0 / 21 / 29 / 2

HEX #FBC7B2

RGB 251 199 178

HSL 17.26, 0.9%, 0.84%

LAB 84.26, 15.56, 17.56

 

CMYK 0 / 17 / 25 / 4

HEX #F4CAB8

RGB 244 202 184

HSL 18, 0.73%, 0.84%

LAB 84.45, 12.19, 14.54

 

CMYK 0 / 14 / 19 / 7

HEX #EDCDBF

RGB 237 205 191

HSL 18.26, 0.56%, 0.84%

LAB 84.7, 9.05, 11.1

 

CMYK 0 / 10 / 14 / 9

HEX #E7CFC6

RGB 231 207 198

HSL 16.36, 0.41%, 0.84%

LAB 84.84, 6.9, 7.51

 

CMYK 0 / 6 / 9 / 12

HEX #E0D2CC

RGB 224 210 204

HSL 18, 0.24%, 0.84%

LAB 85.15, 3.82, 4.7

 

CMYK 0 / 2 / 3 / 15

HEX #DAD5D3

RGB 218 213 211

HSL 17.14, 0.09%, 0.84%

LAB 85.6, 1.36, 1.58

 

CMYK 0 / 25 / 18 / 4

HEX #F4B8C7

RGB 244 184 199

HSL 345, 0.73%, 0.84%

LAB 80.54, 23.86, 0.9

 

CMYK 0 / 24 / 25 / 4

HEX #F4B9B8

RGB 244 185 184

HSL 1, 0.73%, 0.84%

LAB 80.4, 21.15, 8.79

 

CMYK 0 / 18 / 25 / 4

HEX #F4C9B8

RGB 244 201 184

HSL 17, 0.73%, 0.84%

LAB 84.21, 12.72, 14.2

 

CMYK 0 / 11 / 25 / 4

HEX #F4D9B8

RGB 244 217 184

HSL 33, 0.73%, 0.84%

LAB 88.12, 4.39, 19.69

 

CMYK 0 / 5 / 25 / 4

HEX #F4E9B8

RGB 244 233 184

HSL 49, 0.73%, 0.84%

LAB 92.12, -3.79, 25.21

 

CMYK 0 / 36 / 52 / 9

HEX #E99471

RGB 233 148 113

HSL 17.5, 0.73%, 0.68%

LAB 69.25, 28.41, 31.8

 

CMYK 0 / 26 / 37 / 7

HEX #EEAF95

RGB 238 175 149

HSL 17.53, 0.72%, 0.76%

LAB 76.68, 19.71, 22.37

 

CMYK 0 / 17 / 25 / 4

HEX #F4CAB8

RGB 244 202 184

HSL 18, 0.73%, 0.84%

LAB 84.45, 12.19, 14.54

 

CMYK 0 / 8 / 12 / 2

HEX #FAE5DC

RGB 250 229 220

HSL 18, 0.75%, 0.92%

LAB 92.37, 5.7, 6.96

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 17 / 24 / 4

HEX #F4CBBA

RGB 244 203 186

HSL 17.59, 0.73%, 0.84%

LAB 84.74, 11.95, 13.89

 

CMYK 12 / 0 / 25 / 4

HEX #D7F4B8

RGB 215 244 184

HSL 89, 0.73%, 0.84%

LAB 92.84, -19.72, 25.86

 

CMYK 25 / 22 / 0 / 4

HEX #B8BFF4

RGB 184 191 244

HSL 233, 0.73%, 0.84%

LAB 78.45, 8.84, -27

 

CMYK 0 / 17 / 24 / 4

HEX #F4CBBA

RGB 244 203 186

HSL 17.59, 0.73%, 0.84%

LAB 84.74, 11.95, 13.89

 

CMYK 25 / 0 / 18 / 4

HEX #B8F4C9

RGB 184 244 201

HSL 137, 0.73%, 0.84%

LAB 91.28, -27.26, 14.67

 

CMYK 18 / 25 / 0 / 4

HEX #C9B8F4

RGB 201 184 244

HSL 257, 0.73%, 0.84%

LAB 78.01, 17.8, -27.56

 

CMYK 0 / 17 / 24 / 4

HEX #F4CBBA

RGB 244 203 186

HSL 17.59, 0.73%, 0.84%

LAB 84.74, 11.95, 13.89

 

CMYK 12 / 0 / 25 / 4

HEX #D7F4B8

RGB 215 244 184

HSL 89, 0.73%, 0.84%

LAB 92.84, -19.72, 25.86

 

CMYK 25 / 7 / 0 / 4

HEX #B8E3F4

RGB 184 227 244

HSL 197, 0.73%, 0.84%

LAB 87.8, -10.18, -12.85

 

CMYK 13 / 25 / 0 / 4

HEX #D5B8F4

RGB 213 184 244

HSL 269, 0.73%, 0.84%

LAB 79.02, 21.52, -25.93

 

CMYK 0 / 17 / 24 / 4

HEX #F4CBBA

RGB 244 203 186

HSL 17.59, 0.73%, 0.84%

LAB 84.74, 11.95, 13.89

 

CMYK 19 / 0 / 25 / 4

HEX #C5F4B8

RGB 197 244 184

HSL 107, 0.73%, 0.84%

LAB 91.7, -25.91, 24.1

 

CMYK 25 / 7 / 0 / 4

HEX #B8E3F4

RGB 184 227 244

HSL 197, 0.73%, 0.84%

LAB 87.8, -10.18, -12.85

 

CMYK 5 / 25 / 0 / 4

HEX #E7B8F4

RGB 231 184 244

HSL 287, 0.73%, 0.84%

LAB 80.63, 27.21, -23.32

 

Description

Color code: HEX #F4CBBA | qconv.com Color code: HEX #F4CBBA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 203 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 203 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 24% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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