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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4C0CD3F it is the complementary color #0B3F323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4C0CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4C0CD3F shade: #F9C0C83F, #FFD2DB3F, #FFE4EE3F, #FFF6FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4C0CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4C0CD3F shade: #F4C0CD3F, #E3AEBA3F, #D29CA73F, #C18A943F and #B078813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4C0CD3F shade: #F4BECB and #F4BEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4C0CD3F shade: #F4BECB, #F4BEDA, #F4BEE8, #F0BEF4 and #E2BEF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4C0CD3F shade matches the following richer shades: #F4BECB and #FAB8C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4C0CD3F shade: #F4BECB, #EDC4CE, #E7CAD2, #E1D1D5 and #DBD7D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4C0CD3F shade: #F4BEE8, #F4BEDA, #F4BECB, #F4BFBE and #F4CDBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4C0CD3F shade: #E77894, #ED9BB0, #F4BECB, #FAE1E7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4C0CD3F shade: #F4C0CD, #F4F1BE and #BEE1F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4C0CD3F shade: #F4C0CD, #CBF4BE and #BECBF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4C0CD3F shade: #F4C0CD, #F4F1BE, #BEF4E6 and #BEC1F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4C0CD3F shade: #F4C0CD, #E6F4BE, #BEF4E6 and #CBBEF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 4 / 1

HEX #F4C0CD3F

RGBA 244 192 205 0.25

HSLA 345, 0.7%, 0.85%, 0.25

LABA 82.56, 20.55, 0.62, 0.25

 

Complementary color

CMYK 21 / 0 / 5 / 19

HEX #0B3F323F

RGBA 11 63 50 0.25

HSLA 165, 0.7%, 0.15%, 0.25

LABA 23.19, -20.4, 3.2, 0.25

 

CMYK 0 / 6 / 5 / 1

HEX #F9C0C83F

RGBA 249 192 200 0.25

HSLA 351.58, 0.83%, 0.86%, 0.25

LABA 82.92, 21.57, 3.88, 0.25

 

CMYK 0 / 4 / 4 / 0

HEX #FFD2DB3F

RGBA 255 210 219 0.25

HSLA 348, 1%, 0.91%, 0.25

LABA 88.19, 17.15, 1.5, 0.25

 

CMYK 0 / 3 / 2 / 0

HEX #FFE4EE3F

RGBA 255 228 238 0.25

HSLA 337.78, 1%, 0.95%, 0.25

LABA 92.98, 10.88, -1.49, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF6FF3F

RGBA 255 246 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.79, 4.57, -3.25, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 0 / 5 / 4 / 1

HEX #F4C0CD3F

RGBA 244 192 205 0.25

HSLA 345, 0.7%, 0.85%, 0.25

LABA 82.56, 20.55, 0.62, 0.25

 

CMYK 0 / 6 / 5 / 3

HEX #E3AEBA3F

RGBA 227 174 186 0.25

HSLA 346.42, 0.49%, 0.79%, 0.25

LABA 76.16, 21.12, 1.37, 0.25

 

CMYK 0 / 6 / 5 / 4

HEX #D29CA73F

RGBA 210 156 167 0.25

HSLA 347.78, 0.38%, 0.72%, 0.25

LABA 69.66, 21.74, 2.18, 0.25

 

CMYK 0 / 7 / 6 / 6

HEX #C18A943F

RGBA 193 138 148 0.25

HSLA 349.09, 0.31%, 0.65%, 0.25

LABA 63.05, 22.43, 3.04, 0.25

 

CMYK 0 / 8 / 7 / 8

HEX #B078813F

RGBA 176 120 129 0.25

HSLA 350.36, 0.26%, 0.58%, 0.25

LABA 56.34, 23.2, 4, 0.25

 

CMYK 0 / 22 / 17 / 4

HEX #F4BECB

RGB 244 190 203

HSL 345.56, 0.71%, 0.85%

LAB 82.04, 21.3, 0.94

 

CMYK 0 / 22 / 22 / 4

HEX #F4BEBE

RGB 244 190 190

HSL 0, 0.71%, 0.85%

LAB 81.72, 19.36, 7.45

 

CMYK 0 / 22 / 17 / 4

HEX #F4BECB

RGB 244 190 203

HSL 345.56, 0.71%, 0.85%

LAB 82.04, 21.3, 0.94

 

CMYK 0 / 22 / 11 / 4

HEX #F4BEDA

RGB 244 190 218

HSL 328.89, 0.71%, 0.85%

LAB 82.44, 23.69, -6.52

 

CMYK 0 / 22 / 5 / 4

HEX #F4BEE8

RGB 244 190 232

HSL 313.33, 0.71%, 0.85%

LAB 82.85, 26.06, -13.42

 

CMYK 2 / 22 / 0 / 4

HEX #F0BEF4

RGB 240 190 244

HSL 295.56, 0.71%, 0.85%

LAB 82.85, 26.9, -19.87

 

CMYK 7 / 22 / 0 / 4

HEX #E2BEF4

RGB 226 190 244

HSL 280, 0.71%, 0.85%

LAB 81.58, 22.4, -21.92

 

CMYK 0 / 22 / 17 / 4

HEX #F4BECB

RGB 244 190 203

HSL 345.56, 0.71%, 0.85%

LAB 82.04, 21.3, 0.94

 

CMYK 0 / 26 / 20 / 2

HEX #FAB8C8

RGB 250 184 200

HSL 345.45, 0.87%, 0.85%

LAB 81.17, 26.14, 1.35

 

CMYK 0 / 22 / 17 / 4

HEX #F4BECB

RGB 244 190 203

HSL 345.56, 0.71%, 0.85%

LAB 82.04, 21.3, 0.94

 

CMYK 0 / 17 / 13 / 7

HEX #EDC4CE

RGB 237 196 206

HSL 345.37, 0.53%, 0.85%

LAB 82.88, 16.11, 0.48

 

CMYK 0 / 13 / 9 / 9

HEX #E7CAD2

RGB 231 202 210

HSL 343.45, 0.38%, 0.85%

LAB 83.9, 11.49, -0.23

 

CMYK 0 / 7 / 5 / 12

HEX #E1D1D5

RGB 225 209 213

HSL 345, 0.21%, 0.85%

LAB 85.21, 6.22, 0.01

 

CMYK 0 / 2 / 1 / 14

HEX #DBD7D8

RGB 219 215 216

HSL 345, 0.05%, 0.85%

LAB 86.31, 1.55, -0.02

 

CMYK 0 / 22 / 5 / 4

HEX #F4BEE8

RGB 244 190 232

HSL 313.33, 0.71%, 0.85%

LAB 82.85, 26.06, -13.42

 

CMYK 0 / 22 / 11 / 4

HEX #F4BEDA

RGB 244 190 218

HSL 328.89, 0.71%, 0.85%

LAB 82.44, 23.69, -6.52

 

CMYK 0 / 22 / 17 / 4

HEX #F4BECB

RGB 244 190 203

HSL 345.56, 0.71%, 0.85%

LAB 82.04, 21.3, 0.94

 

CMYK 0 / 22 / 22 / 4

HEX #F4BFBE

RGB 244 191 190

HSL 1.11, 0.71%, 0.85%

LAB 81.95, 18.83, 7.79

 

CMYK 0 / 16 / 22 / 4

HEX #F4CDBE

RGB 244 205 190

HSL 16.67, 0.71%, 0.85%

LAB 85.31, 11.47, 12.58

 

CMYK 0 / 48 / 36 / 9

HEX #E77894

RGB 231 120 148

HSL 344.86, 0.7%, 0.69%

LAB 63.8, 45.77, 4.72

 

CMYK 0 / 35 / 26 / 7

HEX #ED9BB0

RGB 237 155 176

HSL 344.63, 0.69%, 0.77%

LAB 72.62, 33.38, 1.84

 

CMYK 0 / 22 / 17 / 4

HEX #F4BECB

RGB 244 190 203

HSL 345.56, 0.71%, 0.85%

LAB 82.04, 21.3, 0.94

 

CMYK 0 / 10 / 8 / 2

HEX #FAE1E7

RGB 250 225 231

HSL 345.6, 0.71%, 0.93%

LAB 91.66, 9.55, 0.19

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 21 / 16 / 4

HEX #F4C0CD

RGB 244 192 205

HSL 345, 0.7%, 0.85%

LAB 82.56, 20.55, 0.62

 

CMYK 0 / 1 / 22 / 4

HEX #F4F1BE

RGB 244 241 190

HSL 56.67, 0.71%, 0.85%

LAB 94.25, -7, 25.06

 

CMYK 22 / 8 / 0 / 4

HEX #BEE1F4

RGB 190 225 244

HSL 201.11, 0.71%, 0.85%

LAB 87.64, -7.38, -13.05

 

CMYK 0 / 21 / 16 / 4

HEX #F4C0CD

RGB 244 192 205

HSL 345, 0.7%, 0.85%

LAB 82.56, 20.55, 0.62

 

CMYK 17 / 0 / 22 / 4

HEX #CBF4BE

RGB 203 244 190

HSL 105.56, 0.71%, 0.85%

LAB 92.18, -22.93, 21.76

 

CMYK 22 / 17 / 0 / 4

HEX #BECBF4

RGB 190 203 244

HSL 225.56, 0.71%, 0.85%

LAB 81.94, 4.17, -21.64

 

CMYK 0 / 21 / 16 / 4

HEX #F4C0CD

RGB 244 192 205

HSL 345, 0.7%, 0.85%

LAB 82.56, 20.55, 0.62

 

CMYK 0 / 1 / 22 / 4

HEX #F4F1BE

RGB 244 241 190

HSL 56.67, 0.71%, 0.85%

LAB 94.25, -7, 25.06

 

CMYK 22 / 0 / 6 / 4

HEX #BEF4E6

RGB 190 244 230

HSL 164.44, 0.71%, 0.85%

LAB 92.29, -19.87, 1.13

 

CMYK 22 / 21 / 0 / 4

HEX #BEC1F4

RGB 190 193 244

HSL 236.67, 0.71%, 0.85%

LAB 79.4, 9.55, -25.51

 

CMYK 0 / 21 / 16 / 4

HEX #F4C0CD

RGB 244 192 205

HSL 345, 0.7%, 0.85%

LAB 82.56, 20.55, 0.62

 

CMYK 6 / 0 / 22 / 4

HEX #E6F4BE

RGB 230 244 190

HSL 75.56, 0.71%, 0.85%

LAB 93.99, -13.53, 24.53

 

CMYK 22 / 0 / 6 / 4

HEX #BEF4E6

RGB 190 244 230

HSL 164.44, 0.71%, 0.85%

LAB 92.29, -19.87, 1.13

 

CMYK 17 / 22 / 0 / 4

HEX #CBBEF4

RGB 203 190 244

HSL 254.44, 0.71%, 0.85%

LAB 79.65, 15.15, -25.04

 

Description

Color code: HEX #F4C0CD3F | qconv.com Color code: HEX #F4C0CD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 192 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 192 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 4 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 4% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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