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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4C0183F it is the complementary color #0B3FE73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4C0183F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4C0183F shade: #F9C0133F, #FFD2263F, #FFE4393F, #FFF64C3F and #FFFF5F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4C0183F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4C0183F shade: #F4C0183F, #E3AE053F, #D29C003F, #C18A003F and #B078003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4C0183F shade: #F4C11A, #F4861A, #F44B1A and #F41A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4C0183F shade: #F4C11A, #EDF41A, #B2F41A, #77F41A and #3CF41A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4C0183F shade matches the following richer shades: #F4C11A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4C0183F shade: #F4C11A, #E1B62D, #CDAC41, #BAA254 and #A79868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4C0183F shade: #F4491A, #F4841A, #F4BE1A, #F1F41A and #B6F41A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4C0183F shade: #B38B08, #DBA90A, #F4C11A, #F6CB41 and #F8D669

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4C0183F shade: #F4C018, #25F41A and #661AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4C0183F shade: #F4C018, #1AF4BE and #BE1AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4C0183F shade: #F4C018, #25F41A, #1A51F4 and #E91AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4C0183F shade: #F4C018, #1AF451, #1A51F4 and #F41ABE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 23 / 1

HEX #F4C0183F

RGBA 244 192 24 0.25

HSLA 45.82, 0.91%, 0.53%, 0.25

LABA 80.18, 5.41, 79.04, 0.25

 

Complementary color

CMYK 24 / 18 / 0 / 2

HEX #0B3FE73F

RGBA 11 63 231 0.25

HSLA 225.82, 0.91%, 0.47%, 0.25

LABA 36.74, 50.71, -86.92, 0.25

 

CMYK 0 / 6 / 23 / 1

HEX #F9C0133F

RGBA 249 192 19 0.25

HSLA 45.13, 0.95%, 0.53%, 0.25

LABA 80.68, 7.48, 80.44, 0.25

 

CMYK 0 / 4 / 21 / 0

HEX #FFD2263F

RGBA 255 210 38 0.25

HSLA 47.56, 1%, 0.57%, 0.25

LABA 85.75, 1.11, 81.02, 0.25

 

CMYK 0 / 3 / 19 / 0

HEX #FFE4393F

RGBA 255 228 57 0.25

HSLA 51.82, 1%, 0.61%, 0.25

LABA 90.34, -7.43, 79.9, 0.25

 

CMYK 0 / 1 / 18 / 0

HEX #FFF64C3F

RGBA 255 246 76 0.25

HSLA 56.98, 1%, 0.65%, 0.25

LABA 95.03, -15.52, 78.15, 0.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFF5F3F

RGBA 255 255 95 0.25

HSLA 60, 1%, 0.69%, 0.25

LABA 97.47, -18.87, 73.62, 0.25

 

CMYK 0 / 5 / 23 / 1

HEX #F4C0183F

RGBA 244 192 24 0.25

HSLA 45.82, 0.91%, 0.53%, 0.25

LABA 80.18, 5.41, 79.04, 0.25

 

CMYK 0 / 6 / 24 / 3

HEX #E3AE053F

RGBA 227 174 5 0.25

HSLA 45.68, 0.96%, 0.45%, 0.25

LABA 73.94, 7.26, 76.22, 0.25

 

CMYK 0 / 6 / 25 / 4

HEX #D29C003F

RGBA 210 156 0 0.25

HSLA 44.57, 1%, 0.41%, 0.25

LABA 67.63, 9.35, 71.6, 0.25

 

CMYK 0 / 7 / 25 / 6

HEX #C18A003F

RGBA 193 138 0 0.25

HSLA 42.9, 1%, 0.38%, 0.25

LABA 61.23, 11.57, 66.35, 0.25

 

CMYK 0 / 8 / 25 / 8

HEX #B078003F

RGBA 176 120 0 0.25

HSLA 40.91, 1%, 0.35%, 0.25

LABA 54.72, 13.89, 61.02, 0.25

 

CMYK 0 / 21 / 89 / 4

HEX #F4C11A

RGB 244 193 26

HSL 45.96, 0.91%, 0.53%

LAB 80.43, 4.92, 78.87

 

CMYK 0 / 45 / 89 / 4

HEX #F4861A

RGB 244 134 26

HSL 29.72, 0.91%, 0.53%

LAB 66.79, 35.76, 68.5

 

CMYK 0 / 69 / 89 / 4

HEX #F44B1A

RGB 244 75 26

HSL 13.49, 0.91%, 0.53%

LAB 56.43, 62.55, 60.88

 

CMYK 0 / 89 / 89 / 4

HEX #F41A1A

RGB 244 26 26

HSL 0, 0.91%, 0.53%

LAB 51.89, 75.27, 57.66

 

CMYK 0 / 21 / 89 / 4

HEX #F4C11A

RGB 244 193 26

HSL 45.96, 0.91%, 0.53%

LAB 80.43, 4.92, 78.87

 

CMYK 3 / 0 / 89 / 4

HEX #EDF41A

RGB 237 244 26

HSL 61.93, 0.91%, 0.53%

LAB 92.92, -23.47, 88.31

 

CMYK 27 / 0 / 89 / 4

HEX #B2F41A

RGB 178 244 26

HSL 78.17, 0.91%, 0.53%

LAB 89.04, -46.72, 83.57

 

CMYK 51 / 0 / 89 / 4

HEX #77F41A

RGB 119 244 26

HSL 94.4, 0.91%, 0.53%

LAB 86.35, -66.04, 80.26

 

CMYK 75 / 0 / 89 / 4

HEX #3CF41A

RGB 60 244 26

HSL 110.64, 0.91%, 0.53%

LAB 84.86, -78.42, 78.4

 

CMYK 0 / 21 / 89 / 4

HEX #F4C11A

RGB 244 193 26

HSL 45.96, 0.91%, 0.53%

LAB 80.43, 4.92, 78.87

 

CMYK 0 / 21 / 89 / 4

HEX #F4C11A

RGB 244 193 26

HSL 45.96, 0.91%, 0.53%

LAB 80.43, 4.92, 78.87

 

CMYK 0 / 19 / 80 / 12

HEX #E1B62D

RGB 225 182 45

HSL 45.67, 0.75%, 0.53%

LAB 75.86, 2.94, 69.59

 

CMYK 0 / 16 / 68 / 20

HEX #CDAC41

RGB 205 172 65

HSL 45.86, 0.58%, 0.53%

LAB 71.46, 0.43, 57.31

 

CMYK 0 / 13 / 55 / 27

HEX #BAA254

RGB 186 162 84

HSL 45.88, 0.43%, 0.53%

LAB 67.22, -1.1, 43.3

 

CMYK 0 / 9 / 38 / 35

HEX #A79868

RGB 167 152 104

HSL 45.71, 0.26%, 0.53%

LAB 63.07, -1.67, 27.29

 

CMYK 0 / 70 / 89 / 4

HEX #F4491A

RGB 244 73 26

HSL 12.94, 0.91%, 0.53%

LAB 56.16, 63.27, 60.69

 

CMYK 0 / 46 / 89 / 4

HEX #F4841A

RGB 244 132 26

HSL 29.17, 0.91%, 0.53%

LAB 66.37, 36.78, 68.19

 

CMYK 0 / 22 / 89 / 4

HEX #F4BE1A

RGB 244 190 26

HSL 45.14, 0.91%, 0.53%

LAB 79.69, 6.48, 78.3

 

CMYK 1 / 0 / 89 / 4

HEX #F1F41A

RGB 241 244 26

HSL 60.83, 0.91%, 0.53%

LAB 93.22, -21.82, 88.68

 

CMYK 25 / 0 / 89 / 4

HEX #B6F41A

RGB 182 244 26

HSL 77.06, 0.91%, 0.53%

LAB 89.26, -45.23, 83.85

 

CMYK 0 / 22 / 96 / 30

HEX #B38B08

RGB 179 139 8

HSL 45.96, 0.91%, 0.37%

LAB 59.95, 4.8, 63.49

 

CMYK 0 / 23 / 95 / 14

HEX #DBA90A

RGB 219 169 10

HSL 45.65, 0.91%, 0.45%

LAB 71.86, 6.46, 73.79

 

CMYK 0 / 21 / 89 / 4

HEX #F4C11A

RGB 244 193 26

HSL 45.96, 0.91%, 0.53%

LAB 80.43, 4.92, 78.87

 

CMYK 0 / 17 / 74 / 4

HEX #F6CB41

RGB 246 203 65

HSL 45.75, 0.91%, 0.61%

LAB 83.28, 1.75, 70.41

 

CMYK 0 / 14 / 58 / 3

HEX #F8D669

RGB 248 214 105

HSL 45.73, 0.91%, 0.69%

LAB 86.54, -0.77, 57.24

 

CMYK 0 / 21 / 90 / 4

HEX #F4C018

RGB 244 192 24

HSL 45.82, 0.91%, 0.53%

LAB 80.18, 5.41, 79.04

 

CMYK 85 / 0 / 89 / 4

HEX #25F41A

RGB 37 244 26

HSL 116.97, 0.91%, 0.53%

LAB 84.57, -81.01, 78.04

 

CMYK 58 / 89 / 0 / 4

HEX #661AF4

RGB 102 26 244

HSL 260.92, 0.91%, 0.53%

LAB 38.01, 75.01, -92.01

 

CMYK 0 / 21 / 90 / 4

HEX #F4C018

RGB 244 192 24

HSL 45.82, 0.91%, 0.53%

LAB 80.18, 5.41, 79.04

 

CMYK 89 / 0 / 22 / 4

HEX #1AF4BE

RGB 26 244 190

HSL 165.14, 0.91%, 0.53%

LAB 86.32, -60, 12.68

 

CMYK 22 / 89 / 0 / 4

HEX #BE1AF4

RGB 190 26 244

HSL 285.14, 0.91%, 0.53%

LAB 49.76, 84.68, -72.29

 

CMYK 0 / 21 / 90 / 4

HEX #F4C018

RGB 244 192 24

HSL 45.82, 0.91%, 0.53%

LAB 80.18, 5.41, 79.04

 

CMYK 85 / 0 / 89 / 4

HEX #25F41A

RGB 37 244 26

HSL 116.97, 0.91%, 0.53%

LAB 84.57, -81.01, 78.04

 

CMYK 89 / 67 / 0 / 4

HEX #1A51F4

RGB 26 81 244

HSL 224.86, 0.91%, 0.53%

LAB 42.21, 44.98, -85.22

 

CMYK 5 / 89 / 0 / 4

HEX #E91AF4

RGB 233 26 244

HSL 296.97, 0.91%, 0.53%

LAB 56.68, 91.17, -60.77

 

CMYK 0 / 21 / 90 / 4

HEX #F4C018

RGB 244 192 24

HSL 45.82, 0.91%, 0.53%

LAB 80.18, 5.41, 79.04

 

CMYK 89 / 0 / 67 / 4

HEX #1AF451

RGB 26 244 81

HSL 135.14, 0.91%, 0.53%

LAB 84.75, -78.42, 62.68

 

CMYK 89 / 67 / 0 / 4

HEX #1A51F4

RGB 26 81 244

HSL 224.86, 0.91%, 0.53%

LAB 42.21, 44.98, -85.22

 

CMYK 0 / 89 / 22 / 4

HEX #F41ABE

RGB 244 26 190

HSL 314.86, 0.91%, 0.53%

LAB 55.78, 85.93, -31.38

 

Description

Color code: HEX #F4C0183F | qconv.com Color code: HEX #F4C0183F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 192 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 192 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 23 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 23% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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