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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4BF72 it is the complementary color #0B408D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4BF72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4BF72 shade: #F9BF6D, #FFD180, #FFE393, #FFF5A6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4BF72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4BF72 shade: #F4BF72, #E3AD5F, #D29B4C, #C18939 and #B07726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4BF72 shade: #F4BF71, #F49B71, #F47871 and #F47171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4BF72 shade: #F4BF71, #F4E271, #E3F471, #BFF471 and #9CF471

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4BF72 shade matches the following richer shades: #F4BF71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4BF72 shade: #F4BF71, #E8BC7D, #DCBA89, #CFB896 and #C3B6A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4BF72 shade: #F47771, #F49A71, #F4BD71, #F4E171 and #E5F471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4BF72 shade: #EF9C24, #F1AD4A, #F4BF71, #F7D097 and #FAE1BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4BF72 shade: #F4BF72, #8DF471 and #8971F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4BF72 shade: #F4BF72, #71F4BD and #BD71F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4BF72 shade: #F4BF72, #8DF471, #71A8F4 and #D871F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4BF72 shade: #F4BF72, #71F47C, #71A8F4 and #F471E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 53 / 4

HEX #F4BF72

RGB 244 191 114

HSL 35.54, 0.86%, 0.7%

LAB 80.58, 10.18, 45.78

 

Complementary color

CMYK 92 / 55 / 0 / 45

HEX #0B408D

RGB 11 64 141

HSL 215.54, 0.86%, 0.3%

LAB 28.54, 15.37, -47.18

 

CMYK 0 / 23 / 56 / 2

HEX #F9BF6D

RGB 249 191 109

HSL 35.14, 0.92%, 0.7%

LAB 81.02, 11.82, 48.9

 

CMYK 0 / 18 / 50 / 0

HEX #FFD180

RGB 255 209 128

HSL 38.27, 1%, 0.75%

LAB 86.22, 6.47, 46.02

 

CMYK 0 / 11 / 42 / 0

HEX #FFE393

RGB 255 227 147

HSL 44.44, 1%, 0.79%

LAB 90.92, -0.93, 42.53

 

CMYK 0 / 4 / 35 / 0

HEX #FFF5A6

RGB 255 245 166

HSL 53.26, 1%, 0.83%

LAB 95.71, -7.92, 39.28

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 22 / 53 / 4

HEX #F4BF72

RGB 244 191 114

HSL 35.54, 0.86%, 0.7%

LAB 80.58, 10.18, 45.78

 

CMYK 0 / 24 / 58 / 11

HEX #E3AD5F

RGB 227 173 95

HSL 35.45, 0.7%, 0.63%

LAB 74.22, 11.19, 47.14

 

CMYK 0 / 26 / 64 / 18

HEX #D29B4C

RGB 210 155 76

HSL 35.37, 0.6%, 0.56%

LAB 67.77, 12.36, 48.49

 

CMYK 0 / 29 / 70 / 24

HEX #C18939

RGB 193 137 57

HSL 35.29, 0.54%, 0.49%

LAB 61.24, 13.72, 49.76

 

CMYK 0 / 32 / 78 / 31

HEX #B07726

RGB 176 119 38

HSL 35.22, 0.64%, 0.42%

LAB 54.62, 15.33, 50.72

 

CMYK 0 / 22 / 54 / 4

HEX #F4BF71

RGB 244 191 113

HSL 35.73, 0.86%, 0.7%

LAB 80.56, 10.1, 46.26

 

CMYK 0 / 36 / 54 / 4

HEX #F49B71

RGB 244 155 113

HSL 19.24, 0.86%, 0.7%

LAB 72.14, 29.05, 35.78

 

CMYK 0 / 51 / 54 / 4

HEX #F47871

RGB 244 120 113

HSL 3.21, 0.86%, 0.7%

LAB 64.85, 46.91, 26.32

 

CMYK 0 / 54 / 54 / 4

HEX #F47171

RGB 244 113 113

HSL 0, 0.86%, 0.7%

LAB 63.54, 50.28, 24.57

 

CMYK 0 / 22 / 54 / 4

HEX #F4BF71

RGB 244 191 113

HSL 35.73, 0.86%, 0.7%

LAB 80.56, 10.1, 46.26

 

CMYK 0 / 7 / 54 / 4

HEX #F4E271

RGB 244 226 113

HSL 51.76, 0.86%, 0.7%

LAB 89.31, -7.85, 56.68

 

CMYK 7 / 0 / 54 / 4

HEX #E3F471

RGB 227 244 113

HSL 67.79, 0.86%, 0.7%

LAB 92.67, -23.41, 60.24

 

CMYK 22 / 0 / 54 / 4

HEX #BFF471

RGB 191 244 113

HSL 84.27, 0.86%, 0.7%

LAB 90.31, -37.03, 56.89

 

CMYK 36 / 0 / 54 / 4

HEX #9CF471

RGB 156 244 113

HSL 100.31, 0.86%, 0.7%

LAB 88.43, -49.09, 54.21

 

CMYK 0 / 22 / 54 / 4

HEX #F4BF71

RGB 244 191 113

HSL 35.73, 0.86%, 0.7%

LAB 80.56, 10.1, 46.26

 

CMYK 0 / 22 / 54 / 4

HEX #F4BF71

RGB 244 191 113

HSL 35.73, 0.86%, 0.7%

LAB 80.56, 10.1, 46.26

 

CMYK 0 / 19 / 46 / 9

HEX #E8BC7D

RGB 232 188 125

HSL 35.33, 0.7%, 0.7%

LAB 78.81, 7.89, 37.75

 

CMYK 0 / 15 / 38 / 14

HEX #DCBA89

RGB 220 186 137

HSL 35.42, 0.54%, 0.7%

LAB 77.36, 5.43, 29.38

 

CMYK 0 / 11 / 28 / 19

HEX #CFB896

RGB 207 184 150

HSL 35.79, 0.37%, 0.7%

LAB 75.91, 3.03, 20.3

 

CMYK 0 / 7 / 17 / 24

HEX #C3B6A2

RGB 195 182 162

HSL 36.36, 0.22%, 0.7%

LAB 74.61, 1.29, 11.84

 

CMYK 0 / 51 / 54 / 4

HEX #F47771

RGB 244 119 113

HSL 2.75, 0.86%, 0.7%

LAB 64.66, 47.4, 26.06

 

CMYK 0 / 37 / 54 / 4

HEX #F49A71

RGB 244 154 113

HSL 18.78, 0.86%, 0.7%

LAB 71.92, 29.58, 35.49

 

CMYK 0 / 23 / 54 / 4

HEX #F4BD71

RGB 244 189 113

HSL 34.81, 0.86%, 0.7%

LAB 80.08, 11.15, 45.67

 

CMYK 0 / 8 / 54 / 4

HEX #F4E171

RGB 244 225 113

HSL 51.3, 0.86%, 0.7%

LAB 89.05, -7.35, 56.39

 

CMYK 6 / 0 / 54 / 4

HEX #E5F471

RGB 229 244 113

HSL 66.87, 0.86%, 0.7%

LAB 92.82, -22.63, 60.45

 

CMYK 0 / 35 / 85 / 6

HEX #EF9C24

RGB 239 156 36

HSL 35.47, 0.86%, 0.54%

LAB 71.05, 22.43, 68.81

 

CMYK 0 / 28 / 69 / 5

HEX #F1AD4A

RGB 241 173 74

HSL 35.57, 0.86%, 0.62%

LAB 75.5, 15.72, 58.81

 

CMYK 0 / 22 / 54 / 4

HEX #F4BF71

RGB 244 191 113

HSL 35.73, 0.86%, 0.7%

LAB 80.56, 10.1, 46.26

 

CMYK 0 / 16 / 39 / 3

HEX #F7D097

RGB 247 208 151

HSL 35.63, 0.86%, 0.78%

LAB 85.56, 6.1, 33.41

 

CMYK 0 / 10 / 24 / 2

HEX #FAE1BD

RGB 250 225 189

HSL 35.41, 0.86%, 0.86%

LAB 90.71, 3.17, 20.76

 

CMYK 0 / 22 / 53 / 4

HEX #F4BF72

RGB 244 191 114

HSL 35.54, 0.86%, 0.7%

LAB 80.58, 10.18, 45.78

 

CMYK 42 / 0 / 54 / 4

HEX #8DF471

RGB 141 244 113

HSL 107.18, 0.86%, 0.7%

LAB 87.75, -53.76, 53.25

 

CMYK 44 / 54 / 0 / 4

HEX #8971F4

RGB 137 113 244

HSL 250.99, 0.86%, 0.7%

LAB 55.75, 40.57, -62.91

 

CMYK 0 / 22 / 53 / 4

HEX #F4BF72

RGB 244 191 114

HSL 35.54, 0.86%, 0.7%

LAB 80.58, 10.18, 45.78

 

CMYK 54 / 0 / 23 / 4

HEX #71F4BD

RGB 113 244 189

HSL 154.81, 0.86%, 0.7%

LAB 87.91, -48.78, 15.68

 

CMYK 23 / 54 / 0 / 4

HEX #BD71F4

RGB 189 113 244

HSL 274.81, 0.86%, 0.7%

LAB 60.92, 52.93, -54.33

 

CMYK 0 / 22 / 53 / 4

HEX #F4BF72

RGB 244 191 114

HSL 35.54, 0.86%, 0.7%

LAB 80.58, 10.18, 45.78

 

CMYK 42 / 0 / 54 / 4

HEX #8DF471

RGB 141 244 113

HSL 107.18, 0.86%, 0.7%

LAB 87.75, -53.76, 53.25

 

CMYK 54 / 31 / 0 / 4

HEX #71A8F4

RGB 113 168 244

HSL 214.81, 0.86%, 0.7%

LAB 68.06, 3.24, -43.45

 

CMYK 11 / 54 / 0 / 4

HEX #D871F4

RGB 216 113 244

HSL 287.18, 0.86%, 0.7%

LAB 64.11, 59.8, -49.07

 

CMYK 0 / 22 / 53 / 4

HEX #F4BF72

RGB 244 191 114

HSL 35.54, 0.86%, 0.7%

LAB 80.58, 10.18, 45.78

 

CMYK 54 / 0 / 49 / 4

HEX #71F47C

RGB 113 244 124

HSL 125.04, 0.86%, 0.7%

LAB 86.83, -60.01, 46.78

 

CMYK 54 / 31 / 0 / 4

HEX #71A8F4

RGB 113 168 244

HSL 214.81, 0.86%, 0.7%

LAB 68.06, 3.24, -43.45

 

CMYK 0 / 54 / 5 / 4

HEX #F471E9

RGB 244 113 233

HSL 305.04, 0.86%, 0.7%

LAB 67.22, 65.19, -37.86

 

Description

Color code: HEX #F4BF72 | qconv.com Color code: HEX #F4BF72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 191 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 191 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 53 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 53% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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