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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4BE41 it is the complementary color #0B41BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4BE41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4BE41 shade: #F9BE3C, #FFD04F, #FFE262, #FFF475 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4BE41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4BE41 shade: #F4BE41, #E3AC2E, #D29A1B, #C18808 and #B07600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4BE41 shade: #F4BF43, #F48F43, #F45F43 and #F44343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4BE41 shade: #F4BF43, #F4EE43, #CAF443, #9AF443 and #6BF443

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4BE41 shade matches the following richer shades: #F4BF43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4BE41 shade: #F4BF43, #E4B853, #D4B263, #C4AC73 and #B4A583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4BE41 shade: #F45E43, #F48D43, #F4BC43, #F4EB43 and #CEF443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4BE41 shade: #D89B0D, #F2B11C, #F4BF43, #F6CC6A and #F9D991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4BE41 shade: #F4BE41, #58F443 and #7543F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4BE41 shade: #F4BE41, #43F4BC and #BC43F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4BE41 shade: #F4BE41, #58F443, #437BF4 and #DF43F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4BE41 shade: #F4BE41, #43F463, #437BF4 and #F443D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 73 / 4

HEX #F4BE41

RGB 244 190 65

HSL 41.9, 0.89%, 0.61%

LAB 79.86, 7.64, 67.03

 

Complementary color

CMYK 94 / 66 / 0 / 25

HEX #0B41BE

RGB 11 65 190

HSL 221.9, 0.89%, 0.39%

LAB 33.07, 34.51, -69.26

 

CMYK 0 / 24 / 76 / 2

HEX #F9BE3C

RGB 249 190 60

HSL 41.27, 0.94%, 0.61%

LAB 80.34, 9.54, 69.53

 

CMYK 0 / 18 / 69 / 0

HEX #FFD04F

RGB 255 208 79

HSL 43.98, 1%, 0.65%

LAB 85.47, 3.61, 67.51

 

CMYK 0 / 11 / 62 / 0

HEX #FFE262

RGB 255 226 98

HSL 48.92, 1%, 0.69%

LAB 90.11, -4.45, 64.52

 

CMYK 0 / 4 / 54 / 0

HEX #FFF475

RGB 255 244 117

HSL 55.22, 1%, 0.73%

LAB 94.84, -12.06, 61.51

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 0 / 22 / 73 / 4

HEX #F4BE41

RGB 244 190 65

HSL 41.9, 0.89%, 0.61%

LAB 79.86, 7.64, 67.03

 

CMYK 0 / 24 / 80 / 11

HEX #E3AC2E

RGB 227 172 46

HSL 41.77, 0.76%, 0.54%

LAB 73.57, 9.11, 67.31

 

CMYK 0 / 27 / 87 / 18

HEX #D29A1B

RGB 210 154 27

HSL 41.64, 0.77%, 0.46%

LAB 67.2, 10.81, 66.76

 

CMYK 0 / 30 / 96 / 24

HEX #C18808

RGB 193 136 8

HSL 41.51, 0.92%, 0.39%

LAB 60.75, 12.77, 64.78

 

CMYK 0 / 33 / 100 / 31

HEX #B07600

RGB 176 118 0

HSL 40.23, 1%, 0.35%

LAB 54.22, 15.01, 60.69

 

CMYK 0 / 22 / 73 / 4

HEX #F4BF43

RGB 244 191 67

HSL 42.03, 0.89%, 0.61%

LAB 80.12, 7.2, 66.52

 

CMYK 0 / 41 / 73 / 4

HEX #F48F43

RGB 244 143 67

HSL 25.76, 0.89%, 0.61%

LAB 68.96, 32.38, 55.18

 

CMYK 0 / 61 / 73 / 4

HEX #F45F43

RGB 244 95 67

HSL 9.49, 0.89%, 0.61%

LAB 59.73, 55.67, 45.27

 

CMYK 0 / 73 / 73 / 4

HEX #F44343

RGB 244 67 67

HSL 0, 0.89%, 0.61%

LAB 55.74, 66.5, 40.8

 

CMYK 0 / 22 / 73 / 4

HEX #F4BF43

RGB 244 191 67

HSL 42.03, 0.89%, 0.61%

LAB 80.12, 7.2, 66.52

 

CMYK 0 / 2 / 73 / 4

HEX #F4EE43

RGB 244 238 67

HSL 57.97, 0.89%, 0.61%

LAB 92.04, -16.53, 78

 

CMYK 17 / 0 / 73 / 4

HEX #CAF443

RGB 202 244 67

HSL 74.24, 0.89%, 0.61%

LAB 90.63, -36.18, 75.6

 

CMYK 37 / 0 / 73 / 4

HEX #9AF443

RGB 154 244 67

HSL 90.51, 0.89%, 0.61%

LAB 87.96, -53.57, 72.09

 

CMYK 56 / 0 / 73 / 4

HEX #6BF443

RGB 107 244 67

HSL 106.44, 0.89%, 0.61%

LAB 86.12, -67.29, 69.66

 

CMYK 0 / 22 / 73 / 4

HEX #F4BF43

RGB 244 191 67

HSL 42.03, 0.89%, 0.61%

LAB 80.12, 7.2, 66.52

 

CMYK 0 / 22 / 73 / 4

HEX #F4BF43

RGB 244 191 67

HSL 42.03, 0.89%, 0.61%

LAB 80.12, 7.2, 66.52

 

CMYK 0 / 19 / 64 / 11

HEX #E4B853

RGB 228 184 83

HSL 41.79, 0.73%, 0.61%

LAB 76.92, 4.97, 55.93

 

CMYK 0 / 16 / 53 / 17

HEX #D4B263

RGB 212 178 99

HSL 41.95, 0.57%, 0.61%

LAB 74.02, 2.6, 44.56

 

CMYK 0 / 12 / 41 / 23

HEX #C4AC73

RGB 196 172 115

HSL 42.22, 0.41%, 0.61%

LAB 71.2, 0.74, 32.49

 

CMYK 0 / 8 / 27 / 29

HEX #B4A583

RGB 180 165 131

HSL 41.63, 0.25%, 0.61%

LAB 68.21, 0.06, 19.63

 

CMYK 0 / 61 / 73 / 4

HEX #F45E43

RGB 244 94 67

HSL 9.15, 0.89%, 0.61%

LAB 59.57, 56.1, 45.09

 

CMYK 0 / 42 / 73 / 4

HEX #F48D43

RGB 244 141 67

HSL 25.08, 0.89%, 0.61%

LAB 68.52, 33.42, 54.73

 

CMYK 0 / 23 / 73 / 4

HEX #F4BC43

RGB 244 188 67

HSL 41.02, 0.89%, 0.61%

LAB 79.39, 8.77, 65.79

 

CMYK 0 / 4 / 73 / 4

HEX #F4EB43

RGB 244 235 67

HSL 56.95, 0.89%, 0.61%

LAB 91.26, -15.07, 77.27

 

CMYK 16 / 0 / 73 / 4

HEX #CEF443

RGB 206 244 67

HSL 72.88, 0.89%, 0.61%

LAB 90.88, -34.63, 75.94

 

CMYK 0 / 28 / 94 / 15

HEX #D89B0D

RGB 216 155 13

HSL 41.97, 0.89%, 0.45%

LAB 68.07, 12.66, 70.51

 

CMYK 0 / 27 / 88 / 5

HEX #F2B11C

RGB 242 177 28

HSL 41.78, 0.89%, 0.53%

LAB 76.32, 12.45, 75.2

 

CMYK 0 / 22 / 73 / 4

HEX #F4BF43

RGB 244 191 67

HSL 42.03, 0.89%, 0.61%

LAB 80.12, 7.2, 66.52

 

CMYK 0 / 17 / 57 / 4

HEX #F6CC6A

RGB 246 204 106

HSL 42, 0.89%, 0.69%

LAB 83.87, 3.62, 53.64

 

CMYK 0 / 13 / 42 / 2

HEX #F9D991

RGB 249 217 145

HSL 41.54, 0.9%, 0.77%

LAB 87.88, 1.61, 39.52

 

CMYK 0 / 22 / 73 / 4

HEX #F4BE41

RGB 244 190 65

HSL 41.9, 0.89%, 0.61%

LAB 79.86, 7.64, 67.03

 

CMYK 64 / 0 / 73 / 4

HEX #58F443

RGB 88 244 67

HSL 112.88, 0.89%, 0.61%

LAB 85.6, -71.56, 68.95

 

CMYK 52 / 73 / 0 / 4

HEX #7543F4

RGB 117 67 244

HSL 256.95, 0.89%, 0.61%

LAB 44.7, 61.57, -80.93

 

CMYK 0 / 22 / 73 / 4

HEX #F4BE41

RGB 244 190 65

HSL 41.9, 0.89%, 0.61%

LAB 79.86, 7.64, 67.03

 

CMYK 73 / 0 / 23 / 4

HEX #43F4BC

RGB 67 244 188

HSL 161.02, 0.89%, 0.61%

LAB 86.76, -56.91, 14.41

 

CMYK 23 / 73 / 0 / 4

HEX #BC43F4

RGB 188 67 244

HSL 281.02, 0.89%, 0.61%

LAB 53.21, 73.47, -66.71

 

CMYK 0 / 22 / 73 / 4

HEX #F4BE41

RGB 244 190 65

HSL 41.9, 0.89%, 0.61%

LAB 79.86, 7.64, 67.03

 

CMYK 64 / 0 / 73 / 4

HEX #58F443

RGB 88 244 67

HSL 112.88, 0.89%, 0.61%

LAB 85.6, -71.56, 68.95

 

CMYK 73 / 50 / 0 / 4

HEX #437BF4

RGB 67 123 244

HSL 221.02, 0.89%, 0.61%

LAB 53.91, 22.09, -66.08

 

CMYK 9 / 73 / 0 / 4

HEX #DF43F4

RGB 223 67 244

HSL 292.88, 0.89%, 0.61%

LAB 58.26, 80.2, -58.32

 

CMYK 0 / 22 / 73 / 4

HEX #F4BE41

RGB 244 190 65

HSL 41.9, 0.89%, 0.61%

LAB 79.86, 7.64, 67.03

 

CMYK 73 / 0 / 59 / 4

HEX #43F463

RGB 67 244 99

HSL 130.85, 0.89%, 0.61%

LAB 85.4, -72.26, 56.15

 

CMYK 73 / 50 / 0 / 4

HEX #437BF4

RGB 67 123 244

HSL 221.02, 0.89%, 0.61%

LAB 53.91, 22.09, -66.08

 

CMYK 0 / 73 / 13 / 4

HEX #F443D4

RGB 244 67 212

HSL 310.85, 0.89%, 0.61%

LAB 59.89, 79.72, -37.55

 

Description

Color code: HEX #F4BE41 | qconv.com Color code: HEX #F4BE41 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 190 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 190 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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