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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4B9964C it is the complementary color #0B46694C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4B9964C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4B9964C shade: #F9B9914C, #FFCBA44C, #FFDDB74C, #FFEFCA4C and #FFFFDD4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4B9964C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4B9964C shade: #F4B9964C, #E3A7834C, #D295704C, #C1835D4C and #B0714A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4B9964C shade: #F4B895, #F49F95 and #F49595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4B9964C shade: #F4B895, #F4D295, #F4EB95, #E3F495 and #C9F495

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4B9964C shade matches the following richer shades: #F4B895 and #FDB68B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4B9964C shade: #F4B895, #EABB9E, #E1BDA8, #D7BFB1 and #CEC2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4B9964C shade: #F495A5, #F49E95, #F4B895, #F4D195 and #F4EA95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4B9964C shade: #EC864A, #F09F70, #F4B895, #F8D1BA and #FCEAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4B9964C shade: #F4B996, #BEF495 and #9598F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4B9964C shade: #F4B996, #95F4B8 and #B895F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4B9964C shade: #F4B996, #BEF495, #95D1F4 and #CB95F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4B9964C shade: #F4B996, #A2F495, #95D1F4 and #E795F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 12 / 1

HEX #F4B9964C

RGBA 244 185 150 0.3

HSLA 22.34, 0.81%, 0.77%, 0.3

LABA 79.69, 16.85, 26.03, 0.3

 

Complementary color

CMYK 27 / 10 / 0 / 18

HEX #0B46694C

RGBA 11 70 105 0.3

HSLA 202.34, 0.81%, 0.23%, 0.3

LABA 28.04, -4.01, -25.41, 0.3

 

CMYK 0 / 8 / 13 / 1

HEX #F9B9914C

RGBA 249 185 145 0.3

HSLA 23.08, 0.9%, 0.77%, 0.3

LABA 80.11, 18.24, 29.33, 0.3

 

CMYK 0 / 6 / 11 / 0

HEX #FFCBA44C

RGBA 255 203 164 0.3

HSLA 25.71, 1%, 0.82%, 0.3

LABA 85.33, 13.26, 26.47, 0.3

 

CMYK 0 / 4 / 8 / 0

HEX #FFDDB74C

RGBA 255 221 183 0.3

HSLA 31.67, 1%, 0.86%, 0.3

LABA 90.04, 6.28, 23.01, 0.3

 

CMYK 0 / 2 / 6 / 0

HEX #FFEFCA4C

RGBA 255 239 202 0.3

HSLA 41.89, 1%, 0.9%, 0.3

LABA 94.85, -0.32, 19.86, 0.3

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFDD4C

RGBA 255 255 221 0.3

HSLA 60, 1%, 0.93%, 0.3

LABA 99.22, -5.56, 16.27, 0.3

 

CMYK 0 / 7 / 12 / 1

HEX #F4B9964C

RGBA 244 185 150 0.3

HSLA 22.34, 0.81%, 0.77%, 0.3

LABA 79.69, 16.85, 26.03, 0.3

 

CMYK 0 / 8 / 13 / 3

HEX #E3A7834C

RGBA 227 167 131 0.3

HSLA 22.5, 0.63%, 0.7%, 0.3

LABA 73.29, 17.66, 27.28, 0.3

 

CMYK 0 / 9 / 14 / 5

HEX #D295704C

RGBA 210 149 112 0.3

HSLA 22.65, 0.52%, 0.63%, 0.3

LABA 66.8, 18.58, 28.64, 0.3

 

CMYK 0 / 10 / 16 / 7

HEX #C1835D4C

RGBA 193 131 93 0.3

HSLA 22.8, 0.45%, 0.56%, 0.3

LABA 60.21, 19.64, 30.12, 0.3

 

CMYK 0 / 11 / 17 / 9

HEX #B0714A4C

RGBA 176 113 74 0.3

HSLA 22.94, 0.41%, 0.49%, 0.3

LABA 53.53, 20.86, 31.75, 0.3

 

CMYK 0 / 25 / 39 / 4

HEX #F4B895

RGB 244 184 149

HSL 22.11, 0.81%, 0.77%

LAB 79.43, 17.26, 26.21

 

CMYK 0 / 35 / 39 / 4

HEX #F49F95

RGB 244 159 149

HSL 6.32, 0.81%, 0.77%

LAB 73.67, 30.46, 18.34

 

CMYK 0 / 39 / 39 / 4

HEX #F49595

RGB 244 149 149

HSL 0, 0.81%, 0.77%

LAB 71.49, 35.69, 15.29

 

CMYK 0 / 25 / 39 / 4

HEX #F4B895

RGB 244 184 149

HSL 22.11, 0.81%, 0.77%

LAB 79.43, 17.26, 26.21

 

CMYK 0 / 14 / 39 / 4

HEX #F4D295

RGB 244 210 149

HSL 38.53, 0.81%, 0.77%

LAB 85.75, 3.68, 34.63

 

CMYK 0 / 4 / 39 / 4

HEX #F4EB95

RGB 244 235 149

HSL 54.32, 0.81%, 0.77%

LAB 92.05, -9.02, 42.8

 

CMYK 7 / 0 / 39 / 4

HEX #E3F495

RGB 227 244 149

HSL 70.74, 0.81%, 0.77%

LAB 93.1, -19.91, 43.88

 

CMYK 18 / 0 / 39 / 4

HEX #C9F495

RGB 201 244 149

HSL 87.16, 0.81%, 0.77%

LAB 91.36, -29.47, 41.3

 

CMYK 0 / 25 / 39 / 4

HEX #F4B895

RGB 244 184 149

HSL 22.11, 0.81%, 0.77%

LAB 79.43, 17.26, 26.21

 

CMYK 0 / 28 / 45 / 1

HEX #FDB68B

RGB 253 182 139

HSL 22.63, 0.97%, 0.77%

LAB 79.73, 20.76, 32.06

 

CMYK 0 / 25 / 39 / 4

HEX #F4B895

RGB 244 184 149

HSL 22.11, 0.81%, 0.77%

LAB 79.43, 17.26, 26.21

 

CMYK 0 / 20 / 32 / 8

HEX #EABB9E

RGB 234 187 158

HSL 22.89, 0.64%, 0.77%

LAB 79.33, 12.89, 21.11

 

CMYK 0 / 16 / 25 / 12

HEX #E1BDA8

RGB 225 189 168

HSL 22.11, 0.49%, 0.77%

LAB 79.17, 9.72, 15.41

 

CMYK 0 / 11 / 18 / 16

HEX #D7BFB1

RGB 215 191 177

HSL 22.11, 0.32%, 0.77%

LAB 78.97, 6.25, 10.16

 

CMYK 0 / 6 / 9 / 19

HEX #CEC2BB

RGB 206 194 187

HSL 22.11, 0.16%, 0.77%

LAB 79.21, 3, 5.01

 

CMYK 0 / 39 / 32 / 4

HEX #F495A5

RGB 244 149 165

HSL 349.89, 0.81%, 0.77%

LAB 71.86, 37.58, 6.94

 

CMYK 0 / 35 / 39 / 4

HEX #F49E95

RGB 244 158 149

HSL 5.68, 0.81%, 0.77%

LAB 73.45, 30.98, 18.03

 

CMYK 0 / 25 / 39 / 4

HEX #F4B895

RGB 244 184 149

HSL 22.11, 0.81%, 0.77%

LAB 79.43, 17.26, 26.21

 

CMYK 0 / 14 / 39 / 4

HEX #F4D195

RGB 244 209 149

HSL 37.89, 0.81%, 0.77%

LAB 85.51, 4.19, 34.31

 

CMYK 0 / 4 / 39 / 4

HEX #F4EA95

RGB 244 234 149

HSL 53.68, 0.81%, 0.77%

LAB 91.8, -8.52, 42.47

 

CMYK 0 / 43 / 69 / 7

HEX #EC864A

RGB 236 134 74

HSL 22.22, 0.81%, 0.61%

LAB 66.04, 34.19, 48.39

 

CMYK 0 / 34 / 53 / 6

HEX #F09F70

RGB 240 159 112

HSL 22.03, 0.81%, 0.69%

LAB 72.56, 25.28, 36.74

 

CMYK 0 / 25 / 39 / 4

HEX #F4B895

RGB 244 184 149

HSL 22.11, 0.81%, 0.77%

LAB 79.43, 17.26, 26.21

 

CMYK 0 / 16 / 25 / 3

HEX #F8D1BA

RGB 248 209 186

HSL 22.26, 0.82%, 0.85%

LAB 86.55, 10.29, 16.5

 

CMYK 0 / 7 / 11 / 1

HEX #FCEAE0

RGB 252 234 224

HSL 21.43, 0.82%, 0.93%

LAB 93.85, 4.47, 7.04

 

CMYK 0 / 24 / 39 / 4

HEX #F4B996

RGB 244 185 150

HSL 22.34, 0.81%, 0.77%

LAB 79.69, 16.85, 26.03

 

CMYK 22 / 0 / 39 / 4

HEX #BEF495

RGB 190 244 149

HSL 94.11, 0.81%, 0.77%

LAB 90.7, -33.35, 40.31

 

CMYK 39 / 38 / 0 / 4

HEX #9598F4

RGB 149 152 244

HSL 238.11, 0.81%, 0.77%

LAB 66.04, 20.92, -46.46

 

CMYK 0 / 24 / 39 / 4

HEX #F4B996

RGB 244 185 150

HSL 22.34, 0.81%, 0.77%

LAB 79.69, 16.85, 26.03

 

CMYK 39 / 0 / 25 / 4

HEX #95F4B8

RGB 149 244 184

HSL 142.11, 0.81%, 0.77%

LAB 89.18, -40.8, 20.23

 

CMYK 25 / 39 / 0 / 4

HEX #B895F4

RGB 184 149 244

HSL 262.11, 0.81%, 0.77%

LAB 68.18, 32.1, -42.9

 

CMYK 0 / 24 / 39 / 4

HEX #F4B996

RGB 244 185 150

HSL 22.34, 0.81%, 0.77%

LAB 79.69, 16.85, 26.03

 

CMYK 22 / 0 / 39 / 4

HEX #BEF495

RGB 190 244 149

HSL 94.11, 0.81%, 0.77%

LAB 90.7, -33.35, 40.31

 

CMYK 39 / 14 / 0 / 4

HEX #95D1F4

RGB 149 209 244

HSL 202.11, 0.81%, 0.77%

LAB 81.03, -10.54, -23.26

 

CMYK 17 / 39 / 0 / 4

HEX #CB95F4

RGB 203 149 244

HSL 274.11, 0.81%, 0.77%

LAB 69.98, 37.55, -39.95

 

CMYK 0 / 24 / 39 / 4

HEX #F4B996

RGB 244 185 150

HSL 22.34, 0.81%, 0.77%

LAB 79.69, 16.85, 26.03

 

CMYK 34 / 0 / 39 / 4

HEX #A2F495

RGB 162 244 149

HSL 111.79, 0.81%, 0.77%

LAB 89.18, -42.67, 38.05

 

CMYK 39 / 14 / 0 / 4

HEX #95D1F4

RGB 149 209 244

HSL 202.11, 0.81%, 0.77%

LAB 81.03, -10.54, -23.26

 

CMYK 5 / 39 / 0 / 4

HEX #E795F4

RGB 231 149 244

HSL 291.79, 0.81%, 0.77%

LAB 72.9, 45.79, -35.19

 

Description

Color code: HEX #F4B9964C | qconv.com Color code: HEX #F4B9964C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 185 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 185 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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