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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4B5CD it is the complementary color #0B4A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4B5CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4B5CD shade: #F9B5C8, #FFC7DB, #FFD9EE, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4B5CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4B5CD shade: #F4B5CD, #E3A3BA, #D291A7, #C17F94 and #B06D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4B5CD shade: #F4B4CC, #F4B4BB and #F4B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4B5CD shade: #F4B4CC, #F4B4DD, #F4B4EF, #E8B4F4 and #D6B4F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4B5CD shade matches the following richer shades: #F4B4CC and #FBADCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4B5CD shade: #F4B4CC, #EDBBCE, #E6C2CF, #DFC9D1 and #D8D0D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4B5CD shade: #F4B4EE, #F4B4DD, #F4B4CC, #F4B4BB and #F4BDB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4B5CD shade: #E96C9B, #EE90B4, #F4B4CC, #F9D7E4 and #FEFBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4B5CD shade: #F4B5CD, #F4E8B4 and #B4E6F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4B5CD shade: #F4B5CD, #CCF4B4 and #B4CCF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4B5CD shade: #F4B5CD, #F4E8B4, #B4F4DB and #B4BFF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4B5CD shade: #F4B5CD, #ECF4B4, #B4F4DB and #BBB4F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 16 / 4

HEX #F4B5CD

RGB 244 181 205

HSL 337.14, 0.74%, 0.83%

LAB 80, 26.37, -3.12

 

Complementary color

CMYK 85 / 0 / 32 / 71

HEX #0B4A32

RGB 11 74 50

HSL 157.14, 0.74%, 0.17%

LAB 27.29, -25.8, 8.98

 

CMYK 0 / 27 / 20 / 2

HEX #F9B5C8

RGB 249 181 200

HSL 343.24, 0.85%, 0.84%

LAB 80.38, 27.37, 0.19

 

CMYK 0 / 22 / 14 / 0

HEX #FFC7DB

RGB 255 199 219

HSL 338.57, 1%, 0.89%

LAB 85.62, 22.91, -2.27

 

CMYK 0 / 15 / 7 / 0

HEX #FFD9EE

RGB 255 217 238

HSL 326.84, 1%, 0.93%

LAB 90.35, 16.59, -5.35

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 26 / 16 / 4

HEX #F4B5CD

RGB 244 181 205

HSL 337.14, 0.74%, 0.83%

LAB 80, 26.37, -3.12

 

CMYK 0 / 28 / 18 / 11

HEX #E3A3BA

RGB 227 163 186

HSL 338.44, 0.53%, 0.76%

LAB 73.59, 27.02, -2.38

 

CMYK 0 / 31 / 20 / 18

HEX #D291A7

RGB 210 145 167

HSL 339.69, 0.42%, 0.7%

LAB 67.08, 27.73, -1.59

 

CMYK 0 / 34 / 23 / 24

HEX #C17F94

RGB 193 127 148

HSL 340.91, 0.35%, 0.63%

LAB 60.48, 28.5, -0.71

 

CMYK 0 / 38 / 27 / 31

HEX #B06D81

RGB 176 109 129

HSL 342.09, 0.3%, 0.56%

LAB 53.76, 29.34, 0.27

 

CMYK 0 / 26 / 16 / 4

HEX #F4B4CC

RGB 244 180 204

HSL 337.5, 0.74%, 0.83%

LAB 79.75, 26.74, -2.96

 

CMYK 0 / 26 / 23 / 4

HEX #F4B4BB

RGB 244 180 187

HSL 353.44, 0.74%, 0.83%

LAB 79.31, 24.22, 5.6

 

CMYK 0 / 26 / 26 / 4

HEX #F4B4B4

RGB 244 180 180

HSL 0, 0.74%, 0.83%

LAB 79.14, 23.24, 9.15

 

CMYK 0 / 26 / 16 / 4

HEX #F4B4CC

RGB 244 180 204

HSL 337.5, 0.74%, 0.83%

LAB 79.75, 26.74, -2.96

 

CMYK 0 / 26 / 9 / 4

HEX #F4B4DD

RGB 244 180 221

HSL 321.56, 0.74%, 0.83%

LAB 80.23, 29.48, -11.42

 

CMYK 0 / 26 / 2 / 4

HEX #F4B4EF

RGB 244 180 239

HSL 304.69, 0.74%, 0.83%

LAB 80.8, 32.59, -20.27

 

CMYK 5 / 26 / 0 / 4

HEX #E8B4F4

RGB 232 180 244

HSL 288.75, 0.74%, 0.83%

LAB 79.8, 29.67, -24.58

 

CMYK 12 / 26 / 0 / 4

HEX #D6B4F4

RGB 214 180 244

HSL 271.88, 0.74%, 0.83%

LAB 78.15, 24, -27.24

 

CMYK 0 / 26 / 16 / 4

HEX #F4B4CC

RGB 244 180 204

HSL 337.5, 0.74%, 0.83%

LAB 79.75, 26.74, -2.96

 

CMYK 0 / 31 / 20 / 2

HEX #FBADCA

RGB 251 173 202

HSL 337.69, 0.91%, 0.83%

LAB 78.85, 32.57, -3.11

 

CMYK 0 / 26 / 16 / 4

HEX #F4B4CC

RGB 244 180 204

HSL 337.5, 0.74%, 0.83%

LAB 79.75, 26.74, -2.96

 

CMYK 0 / 21 / 13 / 7

HEX #EDBBCE

RGB 237 187 206

HSL 337.2, 0.58%, 0.83%

LAB 80.74, 20.89, -2.66

 

CMYK 0 / 16 / 10 / 10

HEX #E6C2CF

RGB 230 194 207

HSL 338.33, 0.42%, 0.83%

LAB 81.79, 14.87, -1.73

 

CMYK 0 / 10 / 6 / 13

HEX #DFC9D1

RGB 223 201 209

HSL 338.18, 0.26%, 0.83%

LAB 82.95, 9.05, -1.18

 

CMYK 0 / 4 / 2 / 15

HEX #D8D0D3

RGB 216 208 211

HSL 337.5, 0.09%, 0.83%

LAB 84.18, 3.29, -0.51

 

CMYK 0 / 26 / 2 / 4

HEX #F4B4EE

RGB 244 180 238

HSL 305.63, 0.74%, 0.83%

LAB 80.77, 32.41, -19.78

 

CMYK 0 / 26 / 9 / 4

HEX #F4B4DD

RGB 244 180 221

HSL 321.56, 0.74%, 0.83%

LAB 80.23, 29.48, -11.42

 

CMYK 0 / 26 / 16 / 4

HEX #F4B4CC

RGB 244 180 204

HSL 337.5, 0.74%, 0.83%

LAB 79.75, 26.74, -2.96

 

CMYK 0 / 26 / 23 / 4

HEX #F4B4BB

RGB 244 180 187

HSL 353.44, 0.74%, 0.83%

LAB 79.31, 24.22, 5.6

 

CMYK 0 / 23 / 26 / 4

HEX #F4BDB4

RGB 244 189 180

HSL 8.44, 0.74%, 0.83%

LAB 81.25, 18.48, 12.15

 

CMYK 0 / 54 / 33 / 9

HEX #E96C9B

RGB 233 108 155

HSL 337.44, 0.74%, 0.67%

LAB 62.01, 53.11, -1.87

 

CMYK 0 / 39 / 24 / 7

HEX #EE90B4

RGB 238 144 180

HSL 337.02, 0.73%, 0.75%

LAB 70.47, 40.05, -3.51

 

CMYK 0 / 26 / 16 / 4

HEX #F4B4CC

RGB 244 180 204

HSL 337.5, 0.74%, 0.83%

LAB 79.75, 26.74, -2.96

 

CMYK 0 / 14 / 8 / 2

HEX #F9D7E4

RGB 249 215 228

HSL 337.06, 0.74%, 0.91%

LAB 89.08, 13.91, -2.01

 

CMYK 0 / 1 / 0 / 0

HEX #FEFBFD

RGB 254 251 253

HSL 320, 0.6%, 0.99%

LAB 98.89, 1.35, -0.61

 

CMYK 0 / 26 / 16 / 4

HEX #F4B5CD

RGB 244 181 205

HSL 337.14, 0.74%, 0.83%

LAB 80, 26.37, -3.12

 

CMYK 0 / 5 / 26 / 4

HEX #F4E8B4

RGB 244 232 180

HSL 48.75, 0.74%, 0.83%

LAB 91.79, -3.82, 26.81

 

CMYK 26 / 6 / 0 / 4

HEX #B4E6F4

RGB 180 230 244

HSL 193.13, 0.74%, 0.83%

LAB 88.37, -12.87, -12.04

 

CMYK 0 / 26 / 16 / 4

HEX #F4B5CD

RGB 244 181 205

HSL 337.14, 0.74%, 0.83%

LAB 80, 26.37, -3.12

 

CMYK 16 / 0 / 26 / 4

HEX #CCF4B4

RGB 204 244 180

HSL 97.5, 0.74%, 0.83%

LAB 92.06, -24.14, 26.71

 

CMYK 26 / 16 / 0 / 4

HEX #B4CCF4

RGB 180 204 244

HSL 217.5, 0.74%, 0.83%

LAB 81.52, 0.66, -22.34

 

CMYK 0 / 26 / 16 / 4

HEX #F4B5CD

RGB 244 181 205

HSL 337.14, 0.74%, 0.83%

LAB 80, 26.37, -3.12

 

CMYK 0 / 5 / 26 / 4

HEX #F4E8B4

RGB 244 232 180

HSL 48.75, 0.74%, 0.83%

LAB 91.79, -3.82, 26.81

 

CMYK 26 / 0 / 10 / 4

HEX #B4F4DB

RGB 180 244 219

HSL 156.56, 0.74%, 0.83%

LAB 91.47, -25.07, 5.58

 

CMYK 26 / 22 / 0 / 4

HEX #B4BFF4

RGB 180 191 244

HSL 229.69, 0.74%, 0.83%

LAB 78.17, 7.67, -27.46

 

CMYK 0 / 26 / 16 / 4

HEX #F4B5CD

RGB 244 181 205

HSL 337.14, 0.74%, 0.83%

LAB 80, 26.37, -3.12

 

CMYK 3 / 0 / 26 / 4

HEX #ECF4B4

RGB 236 244 180

HSL 67.5, 0.74%, 0.83%

LAB 94.24, -12.76, 30.03

 

CMYK 26 / 0 / 10 / 4

HEX #B4F4DB

RGB 180 244 219

HSL 156.56, 0.74%, 0.83%

LAB 91.47, -25.07, 5.58

 

CMYK 23 / 26 / 0 / 4

HEX #BBB4F4

RGB 187 180 244

HSL 246.56, 0.74%, 0.83%

LAB 75.91, 15.76, -30.88

 

Description

Color code: HEX #F4B5CD | qconv.com Color code: HEX #F4B5CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 181 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 181 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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