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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4B48ACE it is the complementary color #0B4B75CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4B48ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4B48ACE shade: #F9B485CE, #FFC698CE, #FFD8ABCE, #FFEABECE and #FFFCD1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4B48ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4B48ACE shade: #F4B48ACE, #E3A277CE, #D29064CE, #C17E51CE and #B06C3ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4B48ACE shade: #F4B48A, #F4988A and #F48A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4B48ACE shade: #F4B48A, #F4D18A, #F4ED8A, #DEF48A and #C2F48A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4B48ACE shade matches the following richer shades: #F4B48A and #FEB280

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4B48ACE shade: #F4B48A, #EAB695, #E0B99F, #D5BBA9 and #CBBDB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4B48ACE shade: #F48A9A, #F4978A, #F4B38A, #F4CF8A and #F4EB8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4B48ACE shade: #ED843F, #F19C65, #F4B48A, #F8CCB0 and #FBE5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4B48ACE shade: #F4B48A, #B6F48A and #8A8CF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4B48ACE shade: #F4B48A, #8AF4B3 and #B38AF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4B48ACE shade: #F4B48A, #B6F48A, #8ACCF4 and #C88AF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4B48ACE shade: #F4B48A, #97F48A, #8ACCF4 and #E88AF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 35 / 3

HEX #F4B48ACE

RGBA 244 180 138 0.81

HSLA 23.77, 0.83%, 0.75%, 0.81

LABA 78.29, 18.19, 30.52, 0.81

 

Complementary color

CMYK 73 / 29 / 0 / 44

HEX #0B4B75CE

RGBA 11 75 117 0.81

HSLA 203.77, 0.83%, 0.25%, 0.81

LABA 30.37, -2.29, -29.31, 0.81

 

CMYK 0 / 22 / 38 / 2

HEX #F9B485CE

RGBA 249 180 133 0.81

HSLA 24.31, 0.91%, 0.75%, 0.81

LABA 78.74, 19.66, 33.84, 0.81

 

CMYK 0 / 18 / 33 / 0

HEX #FFC698CE

RGBA 255 198 152 0.81

HSLA 26.8, 1%, 0.8%, 0.81

LABA 83.92, 14.52, 30.84, 0.81

 

CMYK 0 / 12 / 27 / 0

HEX #FFD8ABCE

RGBA 255 216 171 0.81

HSLA 32.14, 1%, 0.84%, 0.81

LABA 88.6, 7.35, 27.26, 0.81

 

CMYK 0 / 7 / 21 / 0

HEX #FFEABECE

RGBA 255 234 190 0.81

HSLA 40.62, 1%, 0.87%, 0.81

LABA 93.37, 0.56, 23.99, 0.81

 

CMYK 0 / 1 / 15 / 0

HEX #FFFCD1CE

RGBA 255 252 209 0.81

HSLA 56.09, 1%, 0.91%, 0.81

LABA 98.23, -5.85, 20.99, 0.81

 

CMYK 0 / 21 / 35 / 3

HEX #F4B48ACE

RGBA 244 180 138 0.81

HSLA 23.77, 0.83%, 0.75%, 0.81

LABA 78.29, 18.19, 30.52, 0.81

 

CMYK 0 / 23 / 39 / 9

HEX #E3A277CE

RGBA 227 162 119 0.81

HSLA 23.89, 0.66%, 0.68%, 0.81

LABA 71.9, 19.12, 31.88, 0.81

 

CMYK 0 / 25 / 42 / 14

HEX #D29064CE

RGBA 210 144 100 0.81

HSLA 24, 0.55%, 0.61%, 0.81

LABA 65.41, 20.16, 33.35, 0.81

 

CMYK 0 / 28 / 47 / 20

HEX #C17E51CE

RGBA 193 126 81 0.81

HSLA 24.11, 0.47%, 0.54%, 0.81

LABA 58.84, 21.37, 34.94, 0.81

 

CMYK 0 / 31 / 52 / 25

HEX #B06C3ECE

RGBA 176 108 62 0.81

HSLA 24.21, 0.48%, 0.47%, 0.81

LABA 52.18, 22.76, 36.66, 0.81

HEX #B06C3ECE

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 0 / 38 / 43 / 4

HEX #F4988A

RGB 244 152 138

HSL 7.92, 0.83%, 0.75%

LAB 71.91, 32.94, 21.94

 

CMYK 0 / 43 / 43 / 4

HEX #F48A8A

RGB 244 138 138

HSL 0, 0.83%, 0.75%

LAB 68.93, 40.19, 17.85

 

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 0 / 14 / 43 / 4

HEX #F4D18A

RGB 244 209 138

HSL 40.19, 0.83%, 0.75%

LAB 85.34, 3.03, 39.7

 

CMYK 0 / 3 / 43 / 4

HEX #F4ED8A

RGB 244 237 138

HSL 56.04, 0.83%, 0.75%

LAB 92.41, -11.13, 48.63

 

CMYK 9 / 0 / 43 / 4

HEX #DEF48A

RGB 222 244 138

HSL 72.45, 0.83%, 0.75%

LAB 92.6, -22.99, 48.5

 

CMYK 20 / 0 / 43 / 4

HEX #C2F48A

RGB 194 244 138

HSL 88.3, 0.83%, 0.75%

LAB 90.78, -33.3, 45.83

 

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 0 / 30 / 50 / 0

HEX #FEB280

RGB 254 178 128

HSL 23.81, 0.98%, 0.75%

LAB 78.74, 22.21, 36.55

 

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 0 / 22 / 36 / 8

HEX #EAB695

RGB 234 182 149

HSL 23.29, 0.67%, 0.75%

LAB 77.94, 14.44, 24.02

 

CMYK 0 / 17 / 29 / 12

HEX #E0B99F

RGB 224 185 159

HSL 24, 0.51%, 0.75%

LAB 77.9, 10.25, 18.45

 

CMYK 0 / 12 / 21 / 16

HEX #D5BBA9

RGB 213 187 169

HSL 24.55, 0.34%, 0.75%

LAB 77.61, 6.42, 12.51

 

CMYK 0 / 7 / 11 / 20

HEX #CBBDB4

RGB 203 189 180

HSL 23.48, 0.18%, 0.75%

LAB 77.51, 3.4, 6.31

 

CMYK 0 / 43 / 37 / 4

HEX #F48A9A

RGB 244 138 154

HSL 350.94, 0.83%, 0.75%

LAB 69.29, 41.93, 9.4

 

CMYK 0 / 38 / 43 / 4

HEX #F4978A

RGB 244 151 138

HSL 7.36, 0.83%, 0.75%

LAB 71.69, 33.47, 21.64

 

CMYK 0 / 27 / 43 / 4

HEX #F4B38A

RGB 244 179 138

HSL 23.21, 0.83%, 0.75%

LAB 78.06, 18.72, 30.2

 

CMYK 0 / 15 / 43 / 4

HEX #F4CF8A

RGB 244 207 138

HSL 39.06, 0.83%, 0.75%

LAB 84.84, 4.07, 39.06

 

CMYK 0 / 4 / 43 / 4

HEX #F4EB8A

RGB 244 235 138

HSL 54.91, 0.83%, 0.75%

LAB 91.9, -10.14, 47.99

 

CMYK 0 / 44 / 73 / 7

HEX #ED843F

RGB 237 132 63

HSL 23.79, 0.83%, 0.59%

LAB 65.64, 35.09, 53.29

 

CMYK 0 / 35 / 58 / 5

HEX #F19C65

RGB 241 156 101

HSL 23.57, 0.83%, 0.67%

LAB 71.84, 26.39, 41.62

 

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 0 / 18 / 29 / 3

HEX #F8CCB0

RGB 248 204 176

HSL 23.33, 0.84%, 0.83%

LAB 85.14, 11.56, 19.79

 

CMYK 0 / 9 / 15 / 2

HEX #FBE5D6

RGB 251 229 214

HSL 24.32, 0.82%, 0.91%

LAB 92.31, 5.11, 10.02

 

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 25 / 0 / 43 / 4

HEX #B6F48A

RGB 182 244 138

HSL 95.09, 0.83%, 0.75%

LAB 90.08, -37.51, 44.8

 

CMYK 43 / 43 / 0 / 4

HEX #8A8CF4

RGB 138 140 244

HSL 238.87, 0.83%, 0.75%

LAB 62.25, 25.13, -52.51

 

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 43 / 0 / 27 / 4

HEX #8AF4B3

RGB 138 244 179

HSL 143.21, 0.83%, 0.75%

LAB 88.62, -44.73, 21.95

 

CMYK 27 / 43 / 0 / 4

HEX #B38AF4

RGB 179 138 244

HSL 263.21, 0.83%, 0.75%

LAB 65.19, 36.84, -47.63

 

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 25 / 0 / 43 / 4

HEX #B6F48A

RGB 182 244 138

HSL 95.09, 0.83%, 0.75%

LAB 90.08, -37.51, 44.8

 

CMYK 43 / 16 / 0 / 4

HEX #8ACCF4

RGB 138 204 244

HSL 202.64, 0.83%, 0.75%

LAB 79.11, -10.68, -26.23

 

CMYK 18 / 43 / 0 / 4

HEX #C88AF4

RGB 200 138 244

HSL 275.09, 0.83%, 0.75%

LAB 67.27, 42.65, -44.22

 

CMYK 0 / 26 / 43 / 4

HEX #F4B48A

RGB 244 180 138

HSL 23.77, 0.83%, 0.75%

LAB 78.29, 18.19, 30.52

 

CMYK 38 / 0 / 43 / 4

HEX #97F48A

RGB 151 244 138

HSL 112.64, 0.83%, 0.75%

LAB 88.5, -47.62, 42.48

 

CMYK 43 / 16 / 0 / 4

HEX #8ACCF4

RGB 138 204 244

HSL 202.64, 0.83%, 0.75%

LAB 79.11, -10.68, -26.23

 

CMYK 5 / 43 / 0 / 4

HEX #E88AF4

RGB 232 138 244

HSL 293.21, 0.83%, 0.75%

LAB 70.78, 51.75, -38.48

 

Description

Color code: HEX #F4B48ACE | qconv.com Color code: HEX #F4B48ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 180 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 180 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 35 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 35% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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