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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4B36D it is the complementary color #0B4C92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4B36D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4B36D shade: #F9B368, #FFC57B, #FFD78E, #FFE9A1 and #FFFBB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4B36D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4B36D shade: #F4B36D, #E3A15A, #D28F47, #C17D34 and #B06B21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4B36D shade: #F4B26C, #F48E6C and #F46C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4B36D shade: #F4B26C, #F4D76C, #ECF46C, #C7F46C and #A3F46C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4B36D shade matches the following richer shades: #F4B26C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4B36D shade: #F4B26C, #E7B279, #DAB286, #CEB192 and #C1B19F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4B36D shade: #F46C6E, #F48E6C, #F4B26C, #F4D66C and #EDF46C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4B36D shade: #EE8B1F, #F19E46, #F4B26C, #F7C692 and #FADAB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4B36D shade: #F4B36D, #92F46C and #7C6CF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4B36D shade: #F4B36D, #6CF4B2 and #B26CF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4B36D shade: #F4B36D, #92F46C, #6CAEF4 and #CD6CF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4B36D shade: #F4B36D, #6CF46E, #6CAEF4 and #F46CF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 55 / 4

HEX #F4B36D

RGB 244 179 109

HSL 31.11, 0.86%, 0.69%

LAB 77.62, 16.08, 44.68

 

Complementary color

CMYK 92 / 48 / 0 / 43

HEX #0B4C92

RGB 11 76 146

HSL 211.11, 0.86%, 0.31%

LAB 32.51, 9.19, -43.82

 

CMYK 0 / 28 / 58 / 2

HEX #F9B368

RGB 249 179 104

HSL 31.03, 0.92%, 0.69%

LAB 78.1, 17.73, 47.87

 

CMYK 0 / 23 / 52 / 0

HEX #FFC57B

RGB 255 197 123

HSL 33.64, 1%, 0.74%

LAB 83.24, 12.25, 44.82

 

CMYK 0 / 16 / 44 / 0

HEX #FFD78E

RGB 255 215 142

HSL 38.76, 1%, 0.78%

LAB 87.88, 4.69, 41.14

 

CMYK 0 / 9 / 37 / 0

HEX #FFE9A1

RGB 255 233 161

HSL 45.96, 1%, 0.82%

LAB 92.62, -2.48, 37.74

 

CMYK 0 / 2 / 29 / 0

HEX #FFFBB4

RGB 255 251 180

HSL 56.8, 1%, 0.85%

LAB 97.45, -9.23, 34.59

 

CMYK 0 / 27 / 55 / 4

HEX #F4B36D

RGB 244 179 109

HSL 31.11, 0.86%, 0.69%

LAB 77.62, 16.08, 44.68

 

CMYK 0 / 29 / 60 / 11

HEX #E3A15A

RGB 227 161 90

HSL 31.09, 0.71%, 0.62%

LAB 71.25, 17.23, 46.12

 

CMYK 0 / 32 / 66 / 18

HEX #D28F47

RGB 210 143 71

HSL 31.08, 0.61%, 0.55%

LAB 64.8, 18.55, 47.58

 

CMYK 0 / 35 / 73 / 24

HEX #C17D34

RGB 193 125 52

HSL 31.06, 0.58%, 0.48%

LAB 58.28, 20.07, 48.96

 

CMYK 0 / 39 / 81 / 31

HEX #B06B21

RGB 176 107 33

HSL 31.05, 0.68%, 0.41%

LAB 51.67, 21.84, 49.99

 

CMYK 0 / 27 / 56 / 4

HEX #F4B26C

RGB 244 178 108

HSL 30.88, 0.86%, 0.69%

LAB 77.37, 16.53, 44.88

 

CMYK 0 / 42 / 56 / 4

HEX #F48E6C

RGB 244 142 108

HSL 15, 0.86%, 0.69%

LAB 69.23, 35.42, 34.75

 

CMYK 0 / 56 / 56 / 4

HEX #F46C6C

RGB 244 108 108

HSL 0, 0.86%, 0.69%

LAB 62.54, 52.24, 26.09

 

CMYK 0 / 27 / 56 / 4

HEX #F4B26C

RGB 244 178 108

HSL 30.88, 0.86%, 0.69%

LAB 77.37, 16.53, 44.88

 

CMYK 0 / 12 / 56 / 4

HEX #F4D76C

RGB 244 215 108

HSL 47.21, 0.86%, 0.69%

LAB 86.46, -2.69, 55.68

 

CMYK 3 / 0 / 56 / 4

HEX #ECF46C

RGB 236 244 108

HSL 63.53, 0.86%, 0.69%

LAB 93.28, -20.27, 63.31

 

CMYK 18 / 0 / 56 / 4

HEX #C7F46C

RGB 199 244 108

HSL 79.85, 0.86%, 0.69%

LAB 90.75, -34.53, 59.74

 

CMYK 33 / 0 / 56 / 4

HEX #A3F46C

RGB 163 244 108

HSL 95.74, 0.86%, 0.69%

LAB 88.72, -47.31, 56.88

 

CMYK 0 / 27 / 56 / 4

HEX #F4B26C

RGB 244 178 108

HSL 30.88, 0.86%, 0.69%

LAB 77.37, 16.53, 44.88

 

CMYK 0 / 27 / 56 / 4

HEX #F4B26C

RGB 244 178 108

HSL 30.88, 0.86%, 0.69%

LAB 77.37, 16.53, 44.88

 

CMYK 0 / 23 / 48 / 9

HEX #E7B279

RGB 231 178 121

HSL 31.09, 0.7%, 0.69%

LAB 76.2, 12.39, 36.46

 

CMYK 0 / 18 / 39 / 15

HEX #DAB286

RGB 218 178 134

HSL 31.43, 0.53%, 0.69%

LAB 75.12, 8.54, 27.95

 

CMYK 0 / 14 / 29 / 19

HEX #CEB192

RGB 206 177 146

HSL 31, 0.38%, 0.69%

LAB 73.96, 5.84, 19.75

 

CMYK 0 / 8 / 18 / 24

HEX #C1B19F

RGB 193 177 159

HSL 31.76, 0.22%, 0.69%

LAB 73.08, 2.75, 11.28

 

CMYK 0 / 56 / 55 / 4

HEX #F46C6E

RGB 244 108 110

HSL 359.12, 0.86%, 0.69%

LAB 62.58, 52.39, 25

 

CMYK 0 / 42 / 56 / 4

HEX #F48E6C

RGB 244 142 108

HSL 15, 0.86%, 0.69%

LAB 69.23, 35.42, 34.75

 

CMYK 0 / 27 / 56 / 4

HEX #F4B26C

RGB 244 178 108

HSL 30.88, 0.86%, 0.69%

LAB 77.37, 16.53, 44.88

 

CMYK 0 / 12 / 56 / 4

HEX #F4D66C

RGB 244 214 108

HSL 46.76, 0.86%, 0.69%

LAB 86.21, -2.18, 55.39

 

CMYK 3 / 0 / 56 / 4

HEX #EDF46C

RGB 237 244 108

HSL 63.09, 0.86%, 0.69%

LAB 93.36, -19.88, 63.41

 

CMYK 0 / 42 / 87 / 7

HEX #EE8B1F

RGB 238 139 31

HSL 31.3, 0.86%, 0.53%

LAB 67.08, 30.83, 67.01

 

CMYK 0 / 34 / 71 / 5

HEX #F19E46

RGB 241 158 70

HSL 30.88, 0.86%, 0.61%

LAB 71.96, 23.44, 56.85

 

CMYK 0 / 27 / 56 / 4

HEX #F4B26C

RGB 244 178 108

HSL 30.88, 0.86%, 0.69%

LAB 77.37, 16.53, 44.88

 

CMYK 0 / 20 / 41 / 3

HEX #F7C692

RGB 247 198 146

HSL 30.89, 0.86%, 0.77%

LAB 83.04, 10.76, 32.66

 

CMYK 0 / 13 / 26 / 2

HEX #FADAB9

RGB 250 218 185

HSL 30.46, 0.87%, 0.85%

LAB 88.91, 6.23, 20.33

 

CMYK 0 / 27 / 55 / 4

HEX #F4B36D

RGB 244 179 109

HSL 31.11, 0.86%, 0.69%

LAB 77.62, 16.08, 44.68

 

CMYK 40 / 0 / 56 / 4

HEX #92F46C

RGB 146 244 108

HSL 103.24, 0.86%, 0.69%

LAB 87.92, -52.78, 55.74

 

CMYK 49 / 56 / 0 / 4

HEX #7C6CF4

RGB 124 108 244

HSL 247.06, 0.86%, 0.69%

LAB 53.54, 40.72, -66.52

 

CMYK 0 / 27 / 55 / 4

HEX #F4B36D

RGB 244 179 109

HSL 31.11, 0.86%, 0.69%

LAB 77.62, 16.08, 44.68

 

CMYK 56 / 0 / 27 / 4

HEX #6CF4B2

RGB 108 244 178

HSL 150.88, 0.86%, 0.69%

LAB 87.54, -52.09, 20.8

 

CMYK 27 / 56 / 0 / 4

HEX #B26CF4

RGB 178 108 244

HSL 270.88, 0.86%, 0.69%

LAB 58.72, 52.8, -57.92

 

CMYK 0 / 27 / 55 / 4

HEX #F4B36D

RGB 244 179 109

HSL 31.11, 0.86%, 0.69%

LAB 77.62, 16.08, 44.68

 

CMYK 40 / 0 / 56 / 4

HEX #92F46C

RGB 146 244 108

HSL 103.24, 0.86%, 0.69%

LAB 87.92, -52.78, 55.74

 

CMYK 56 / 29 / 0 / 4

HEX #6CAEF4

RGB 108 174 244

HSL 210.88, 0.86%, 0.69%

LAB 69.46, -1.17, -41.26

 

CMYK 16 / 56 / 0 / 4

HEX #CD6CF4

RGB 205 108 244

HSL 282.79, 0.86%, 0.69%

LAB 61.86, 59.43, -52.73

 

CMYK 0 / 27 / 55 / 4

HEX #F4B36D

RGB 244 179 109

HSL 31.11, 0.86%, 0.69%

LAB 77.62, 16.08, 44.68

 

CMYK 56 / 0 / 55 / 4

HEX #6CF46E

RGB 108 244 110

HSL 120.88, 0.86%, 0.69%

LAB 86.51, -63, 52.83

 

CMYK 56 / 29 / 0 / 4

HEX #6CAEF4

RGB 108 174 244

HSL 210.88, 0.86%, 0.69%

LAB 69.46, -1.17, -41.26

 

CMYK 0 / 56 / 1 / 4

HEX #F46CF2

RGB 244 108 242

HSL 300.88, 0.86%, 0.69%

LAB 66.8, 68.89, -43.49

 

Description

Color code: HEX #F4B36D | qconv.com Color code: HEX #F4B36D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 179 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 179 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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