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Color name
HEX #F4AF39

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4AF39 it is the complementary color #0B50C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4AF39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4AF39 shade: #F9AF34, #FFC147, #FFD35A, #FFE56D and #FFF780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4AF39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4AF39 shade: #F4AF39, #E39D26, #D28B13, #C17900 and #B06700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4AF39 shade: #F3AF39, #F37D39, #F34A39 and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4AF39 shade: #F3AF39, #F3E139, #D4F339, #A2F339 and #6FF339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4AF39 shade matches the following richer shades: #F3AF39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4AF39 shade: #F3AF39, #E3AA4A, #D2A65B, #C1A26C and #B09D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4AF39 shade: #F34939, #F37B39, #F3AC39, #F3DE39 and #D8F339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4AF39 shade: #CE870C, #F19F12, #F3AF39, #F6BF60 and #F8CE87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4AF39 shade: #F4AF39, #5CF339 and #6239F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4AF39 shade: #F4AF39, #39F3AC and #AC39F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4AF39 shade: #F4AF39, #5CF339, #3981F3 and #D139F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4AF39 shade: #F4AF39, #39F34F, #3981F3 and #F339DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 77 / 4

HEX #F4AF39

RGB 244 175 57

HSL 37.86, 0.89%, 0.59%

LAB 76.18, 15.17, 66.52

 

Complementary color

CMYK 94 / 60 / 0 / 22

HEX #0B50C6

RGB 11 80 198

HSL 217.86, 0.89%, 0.41%

LAB 37.64, 27.74, -66.45

 

CMYK 0 / 30 / 79 / 2

HEX #F9AF34

RGB 249 175 52

HSL 37.46, 0.94%, 0.59%

LAB 76.71, 17.1, 69

 

CMYK 0 / 24 / 72 / 0

HEX #FFC147

RGB 255 193 71

HSL 39.78, 1%, 0.64%

LAB 81.76, 10.96, 66.95

 

CMYK 0 / 17 / 65 / 0

HEX #FFD35A

RGB 255 211 90

HSL 44, 1%, 0.68%

LAB 86.3, 2.67, 63.81

 

CMYK 0 / 10 / 57 / 0

HEX #FFE56D

RGB 255 229 109

HSL 49.32, 1%, 0.71%

LAB 90.96, -5.21, 60.65

 

CMYK 0 / 3 / 50 / 0

HEX #FFF780

RGB 255 247 128

HSL 56.22, 1%, 0.75%

LAB 95.72, -12.65, 57.56

 

CMYK 0 / 28 / 77 / 4

HEX #F4AF39

RGB 244 175 57

HSL 37.86, 0.89%, 0.59%

LAB 76.18, 15.17, 66.52

 

CMYK 0 / 31 / 83 / 11

HEX #E39D26

RGB 227 157 38

HSL 37.78, 0.77%, 0.52%

LAB 69.88, 16.85, 66.66

 

CMYK 0 / 34 / 91 / 18

HEX #D28B13

RGB 210 139 19

HSL 37.7, 0.83%, 0.45%

LAB 63.52, 18.77, 65.77

 

CMYK 0 / 37 / 100 / 24

HEX #C17900

RGB 193 121 0

HSL 37.62, 1%, 0.38%

LAB 57.09, 20.92, 63.6

 

CMYK 0 / 41 / 100 / 31

HEX #B06700

RGB 176 103 0

HSL 35.11, 1%, 0.35%

LAB 50.61, 23.37, 58.34

 

CMYK 0 / 28 / 77 / 5

HEX #F3AF39

RGB 243 175 57

HSL 38.06, 0.89%, 0.59%

LAB 76.08, 14.75, 66.37

 

CMYK 0 / 49 / 77 / 5

HEX #F37D39

RGB 243 125 57

HSL 21.94, 0.89%, 0.59%

LAB 64.98, 40.76, 55.63

 

CMYK 0 / 70 / 77 / 5

HEX #F34A39

RGB 243 74 57

HSL 5.48, 0.89%, 0.59%

LAB 56.33, 63.37, 46.81

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 28 / 77 / 5

HEX #F3AF39

RGB 243 175 57

HSL 38.06, 0.89%, 0.59%

LAB 76.08, 14.75, 66.37

 

CMYK 0 / 7 / 77 / 5

HEX #F3E139

RGB 243 225 57

HSL 54.19, 0.89%, 0.59%

LAB 88.54, -10.95, 77.89

 

CMYK 13 / 0 / 77 / 5

HEX #D4F339

RGB 212 243 57

HSL 70, 0.89%, 0.59%

LAB 90.96, -32.26, 79.22

 

CMYK 33 / 0 / 77 / 5

HEX #A2F339

RGB 162 243 57

HSL 86.13, 0.89%, 0.59%

LAB 88.01, -50.99, 75.41

 

CMYK 54 / 0 / 77 / 5

HEX #6FF339

RGB 111 243 57

HSL 102.58, 0.89%, 0.59%

LAB 85.89, -66.56, 72.66

 

CMYK 0 / 28 / 77 / 5

HEX #F3AF39

RGB 243 175 57

HSL 38.06, 0.89%, 0.59%

LAB 76.08, 14.75, 66.37

 

CMYK 0 / 28 / 77 / 5

HEX #F3AF39

RGB 243 175 57

HSL 38.06, 0.89%, 0.59%

LAB 76.08, 14.75, 66.37

 

CMYK 0 / 25 / 67 / 11

HEX #E3AA4A

RGB 227 170 74

HSL 37.65, 0.73%, 0.59%

LAB 73.27, 11.42, 55.98

 

CMYK 0 / 21 / 57 / 18

HEX #D2A65B

RGB 210 166 91

HSL 37.82, 0.57%, 0.59%

LAB 70.68, 7.51, 44.51

 

CMYK 0 / 16 / 44 / 24

HEX #C1A26C

RGB 193 162 108

HSL 38.12, 0.41%, 0.59%

LAB 68.21, 4.12, 32.29

 

CMYK 0 / 11 / 29 / 31

HEX #B09D7D

RGB 176 157 125

HSL 37.65, 0.24%, 0.59%

LAB 65.61, 1.98, 19.31

 

CMYK 0 / 70 / 77 / 5

HEX #F34939

RGB 243 73 57

HSL 5.16, 0.89%, 0.59%

LAB 56.2, 63.73, 46.67

 

CMYK 0 / 49 / 77 / 5

HEX #F37B39

RGB 243 123 57

HSL 21.29, 0.89%, 0.59%

LAB 64.58, 41.76, 55.23

 

CMYK 0 / 29 / 77 / 5

HEX #F3AC39

RGB 243 172 57

HSL 37.1, 0.89%, 0.59%

LAB 75.36, 16.33, 65.7

 

CMYK 0 / 9 / 77 / 5

HEX #F3DE39

RGB 243 222 57

HSL 53.23, 0.89%, 0.59%

LAB 87.77, -9.46, 77.19

 

CMYK 11 / 0 / 77 / 5

HEX #D8F339

RGB 216 243 57

HSL 68.71, 0.89%, 0.59%

LAB 91.23, -30.67, 79.57

 

CMYK 0 / 34 / 94 / 19

HEX #CE870C

RGB 206 135 12

HSL 38.04, 0.89%, 0.43%

LAB 62.06, 19.1, 65.81

 

CMYK 0 / 34 / 93 / 5

HEX #F19F12

RGB 241 159 18

HSL 37.94, 0.89%, 0.51%

LAB 71.92, 21.36, 73.8

 

CMYK 0 / 28 / 77 / 5

HEX #F3AF39

RGB 243 175 57

HSL 38.06, 0.89%, 0.59%

LAB 76.08, 14.75, 66.37

 

CMYK 0 / 22 / 61 / 4

HEX #F6BF60

RGB 246 191 96

HSL 38, 0.89%, 0.67%

LAB 80.57, 9.66, 54.53

 

CMYK 0 / 17 / 46 / 3

HEX #F8CE87

RGB 248 206 135

HSL 37.7, 0.89%, 0.75%

LAB 84.92, 5.87, 40.75

 

CMYK 0 / 28 / 77 / 4

HEX #F4AF39

RGB 244 175 57

HSL 37.86, 0.89%, 0.59%

LAB 76.18, 15.17, 66.52

 

CMYK 62 / 0 / 77 / 5

HEX #5CF339

RGB 92 243 57

HSL 108.71, 0.89%, 0.59%

LAB 85.34, -71.05, 71.94

 

CMYK 60 / 77 / 0 / 5

HEX #6239F3

RGB 98 57 243

HSL 253.23, 0.89%, 0.59%

LAB 41.21, 63.54, -86.18

 

CMYK 0 / 28 / 77 / 4

HEX #F4AF39

RGB 244 175 57

HSL 37.86, 0.89%, 0.59%

LAB 76.18, 15.17, 66.52

 

CMYK 77 / 0 / 29 / 5

HEX #39F3AC

RGB 57 243 172

HSL 157.1, 0.89%, 0.59%

LAB 85.98, -61.22, 21.56

 

CMYK 29 / 77 / 0 / 5

HEX #AC39F3

RGB 172 57 243

HSL 277.1, 0.89%, 0.59%

LAB 49.7, 74.01, -71.94

 

CMYK 0 / 28 / 77 / 4

HEX #F4AF39

RGB 244 175 57

HSL 37.86, 0.89%, 0.59%

LAB 76.18, 15.17, 66.52

 

CMYK 62 / 0 / 77 / 5

HEX #5CF339

RGB 92 243 57

HSL 108.71, 0.89%, 0.59%

LAB 85.34, -71.05, 71.94

 

CMYK 77 / 47 / 0 / 5

HEX #3981F3

RGB 57 129 243

HSL 216.77, 0.89%, 0.59%

LAB 55.11, 16.86, -63.6

 

CMYK 14 / 77 / 0 / 5

HEX #D139F3

RGB 209 57 243

HSL 289.03, 0.89%, 0.59%

LAB 55.02, 80.46, -63.07

 

CMYK 0 / 28 / 77 / 4

HEX #F4AF39

RGB 244 175 57

HSL 37.86, 0.89%, 0.59%

LAB 76.18, 15.17, 66.52

 

CMYK 77 / 0 / 67 / 5

HEX #39F34F

RGB 57 243 79

HSL 127.1, 0.89%, 0.59%

LAB 84.76, -75.41, 63.56

 

CMYK 77 / 47 / 0 / 5

HEX #3981F3

RGB 57 129 243

HSL 216.77, 0.89%, 0.59%

LAB 55.11, 16.86, -63.6

 

CMYK 0 / 77 / 9 / 5

HEX #F339DE

RGB 243 57 222

HSL 306.77, 0.89%, 0.59%

LAB 59.21, 83.74, -44.29

 

Description

Color code: HEX #F4AF39 | qconv.com Color code: HEX #F4AF39 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 175 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 175 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 77% 4% C M Y K

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Provide designers and agencies with accurate color values.

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