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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4ACDB it is the complementary color #0B5324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4ACDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4ACDB shade: #F9ACD6, #FFBEE9, #FFD0FC, #FFE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4ACDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4ACDB shade: #F4ACDB, #E39AC8, #D288B5, #C176A2 and #B0648F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4ACDB shade: #F4AEDC, #F4AEC9, #F4AEB6 and #F4AEAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4ACDB shade: #F4AEDC, #F4AEEF, #E7AEF4, #D4AEF4 and #C1AEF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4ACDB shade matches the following richer shades: #F4AEDC and #FCA6DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4ACDB shade: #F4AEDC, #EDB5DA, #E6BDD7, #DEC4D5 and #D7CBD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4ACDB shade: #E6AEF4, #F4AEF0, #F4AEDD, #F4AECA and #F4AEB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4ACDB shade: #EB65BC, #F089CC, #F4AEDC, #F9D2EC and #FEF7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4ACDB shade: #F4ACDB, #F4D3AE and #AEF4F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4ACDB shade: #F4ACDB, #DDF4AE and #AEDDF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4ACDB shade: #F4ACDB, #F4D3AE, #AEF4C5 and #AECFF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4ACDB shade: #F4ACDB, #F4E9AE, #AEF4C5 and #AEBAF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 10 / 4

HEX #F4ACDB

RGB 244 172 219

HSL 320.83, 0.77%, 0.82%

LAB 78.38, 33.38, -13.12

 

Complementary color

CMYK 87 / 0 / 57 / 67

HEX #0B5324

RGB 11 83 36

HSL 140.83, 0.77%, 0.18%

LAB 30.36, -32.71, 21.51

 

CMYK 0 / 31 / 14 / 2

HEX #F9ACD6

RGB 249 172 214

HSL 327.27, 0.87%, 0.83%

LAB 78.75, 34.25, -9.79

 

CMYK 0 / 25 / 9 / 0

HEX #FFBEE9

RGB 255 190 233

HSL 320.31, 1%, 0.87%

LAB 83.95, 29.9, -12.2

 

CMYK 0 / 18 / 1 / 0

HEX #FFD0FC

RGB 255 208 252

HSL 303.83, 1%, 0.91%

LAB 88.64, 23.73, -15.27

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 30 / 10 / 4

HEX #F4ACDB

RGB 244 172 219

HSL 320.83, 0.77%, 0.82%

LAB 78.38, 33.38, -13.12

 

CMYK 0 / 32 / 12 / 11

HEX #E39AC8

RGB 227 154 200

HSL 322.19, 0.57%, 0.75%

LAB 71.97, 34.07, -12.51

 

CMYK 0 / 35 / 14 / 18

HEX #D288B5

RGB 210 136 181

HSL 323.51, 0.45%, 0.68%

LAB 65.47, 34.8, -11.85

 

CMYK 0 / 39 / 16 / 24

HEX #C176A2

RGB 193 118 162

HSL 324.8, 0.38%, 0.61%

LAB 58.88, 35.58, -11.12

 

CMYK 0 / 43 / 19 / 31

HEX #B0648F

RGB 176 100 143

HSL 326.05, 0.32%, 0.54%

LAB 52.21, 36.39, -10.29

 

CMYK 0 / 29 / 10 / 4

HEX #F4AEDC

RGB 244 174 220

HSL 320.57, 0.76%, 0.82%

LAB 78.85, 32.49, -12.95

 

CMYK 0 / 29 / 18 / 4

HEX #F4AEC9

RGB 244 174 201

HSL 336.86, 0.76%, 0.82%

LAB 78.3, 29.46, -3.46

 

CMYK 0 / 29 / 25 / 4

HEX #F4AEB6

RGB 244 174 182

HSL 353.14, 0.76%, 0.82%

LAB 77.81, 26.69, 6.15

 

CMYK 0 / 29 / 29 / 4

HEX #F4AEAE

RGB 244 174 174

HSL 0, 0.76%, 0.82%

LAB 77.62, 25.6, 10.23

 

CMYK 0 / 29 / 10 / 4

HEX #F4AEDC

RGB 244 174 220

HSL 320.57, 0.76%, 0.82%

LAB 78.85, 32.49, -12.95

 

CMYK 0 / 29 / 2 / 4

HEX #F4AEEF

RGB 244 174 239

HSL 304.29, 0.76%, 0.82%

LAB 79.46, 35.76, -22.29

 

CMYK 5 / 29 / 0 / 4

HEX #E7AEF4

RGB 231 174 244

HSL 288.86, 0.76%, 0.82%

LAB 78.34, 32.56, -26.81

 

CMYK 13 / 29 / 0 / 4

HEX #D4AEF4

RGB 212 174 244

HSL 272.57, 0.76%, 0.82%

LAB 76.56, 26.64, -29.7

 

CMYK 21 / 29 / 0 / 4

HEX #C1AEF4

RGB 193 174 244

HSL 256.29, 0.76%, 0.82%

LAB 74.91, 20.85, -32.37

 

CMYK 0 / 29 / 10 / 4

HEX #F4AEDC

RGB 244 174 220

HSL 320.57, 0.76%, 0.82%

LAB 78.85, 32.49, -12.95

 

CMYK 0 / 34 / 12 / 1

HEX #FCA6DE

RGB 252 166 222

HSL 320.93, 0.93%, 0.82%

LAB 78.02, 39.66, -15.2

 

CMYK 0 / 29 / 10 / 4

HEX #F4AEDC

RGB 244 174 220

HSL 320.57, 0.76%, 0.82%

LAB 78.85, 32.49, -12.95

 

CMYK 0 / 24 / 8 / 7

HEX #EDB5DA

RGB 237 181 218

HSL 320.36, 0.61%, 0.82%

LAB 79.68, 26.07, -10.71

 

CMYK 0 / 18 / 7 / 10

HEX #E6BDD7

RGB 230 189 215

HSL 321.95, 0.45%, 0.82%

LAB 80.81, 18.9, -7.48

 

CMYK 0 / 12 / 4 / 13

HEX #DEC4D5

RGB 222 196 213

HSL 320.77, 0.28%, 0.82%

LAB 81.74, 12.06, -5.11

 

CMYK 0 / 6 / 2 / 16

HEX #D7CBD3

RGB 215 203 211

HSL 320, 0.13%, 0.82%

LAB 82.84, 5.58, -2.48

 

CMYK 6 / 29 / 0 / 4

HEX #E6AEF4

RGB 230 174 244

HSL 288, 0.76%, 0.82%

LAB 78.24, 32.25, -26.97

 

CMYK 0 / 29 / 2 / 4

HEX #F4AEF0

RGB 244 174 240

HSL 303.43, 0.76%, 0.82%

LAB 79.5, 35.94, -22.78

 

CMYK 0 / 29 / 9 / 4

HEX #F4AEDD

RGB 244 174 221

HSL 319.71, 0.76%, 0.82%

LAB 78.88, 32.65, -13.44

 

CMYK 0 / 29 / 17 / 4

HEX #F4AECA

RGB 244 174 202

HSL 336, 0.76%, 0.82%

LAB 78.33, 29.61, -3.96

 

CMYK 0 / 29 / 25 / 4

HEX #F4AEB7

RGB 244 174 183

HSL 352.29, 0.76%, 0.82%

LAB 77.83, 26.83, 5.65

 

CMYK 0 / 57 / 20 / 8

HEX #EB65BC

RGB 235 101 188

HSL 321.04, 0.77%, 0.66%

LAB 62.17, 61.21, -20.5

 

CMYK 0 / 43 / 15 / 6

HEX #F089CC

RGB 240 137 204

HSL 320.97, 0.77%, 0.74%

LAB 70.02, 47.85, -17.51

 

CMYK 0 / 29 / 10 / 4

HEX #F4AEDC

RGB 244 174 220

HSL 320.57, 0.76%, 0.82%

LAB 78.85, 32.49, -12.95

 

CMYK 0 / 16 / 5 / 2

HEX #F9D2EC

RGB 249 210 236

HSL 320, 0.76%, 0.9%

LAB 88.11, 17.88, -7.67

 

CMYK 0 / 3 / 1 / 0

HEX #FEF7FB

RGB 254 247 251

HSL 325.71, 0.78%, 0.98%

LAB 97.86, 3.03, -1.1

 

CMYK 0 / 30 / 10 / 4

HEX #F4ACDB

RGB 244 172 219

HSL 320.83, 0.77%, 0.82%

LAB 78.38, 33.38, -13.12

 

CMYK 0 / 14 / 29 / 4

HEX #F4D3AE

RGB 244 211 174

HSL 31.71, 0.76%, 0.82%

LAB 86.44, 6.16, 22.59

 

CMYK 29 / 0 / 2 / 4

HEX #AEF4F0

RGB 174 244 240

HSL 176.57, 0.76%, 0.82%

LAB 91.68, -22.42, -5.07

 

CMYK 0 / 30 / 10 / 4

HEX #F4ACDB

RGB 244 172 219

HSL 320.83, 0.77%, 0.82%

LAB 78.38, 33.38, -13.12

 

CMYK 9 / 0 / 29 / 4

HEX #DDF4AE

RGB 221 244 174

HSL 79.71, 0.76%, 0.82%

LAB 93.07, -19.01, 31.31

 

CMYK 29 / 9 / 0 / 4

HEX #AEDDF4

RGB 174 221 244

HSL 199.71, 0.76%, 0.82%

LAB 85.63, -9.98, -16.18

 

CMYK 0 / 30 / 10 / 4

HEX #F4ACDB

RGB 244 172 219

HSL 320.83, 0.77%, 0.82%

LAB 78.38, 33.38, -13.12

 

CMYK 0 / 14 / 29 / 4

HEX #F4D3AE

RGB 244 211 174

HSL 31.71, 0.76%, 0.82%

LAB 86.44, 6.16, 22.59

 

CMYK 29 / 0 / 19 / 4

HEX #AEF4C5

RGB 174 244 197

HSL 139.71, 0.76%, 0.82%

LAB 90.66, -31.09, 15.77

 

CMYK 29 / 15 / 0 / 4

HEX #AECFF4

RGB 174 207 244

HSL 211.71, 0.76%, 0.82%

LAB 81.92, -2.67, -21.77

 

CMYK 0 / 30 / 10 / 4

HEX #F4ACDB

RGB 244 172 219

HSL 320.83, 0.77%, 0.82%

LAB 78.38, 33.38, -13.12

 

CMYK 0 / 5 / 29 / 4

HEX #F4E9AE

RGB 244 233 174

HSL 50.57, 0.76%, 0.82%

LAB 91.94, -5.1, 30.08

 

CMYK 29 / 0 / 19 / 4

HEX #AEF4C5

RGB 174 244 197

HSL 139.71, 0.76%, 0.82%

LAB 90.66, -31.09, 15.77

 

CMYK 29 / 24 / 0 / 4

HEX #AEBAF4

RGB 174 186 244

HSL 229.71, 0.76%, 0.82%

LAB 76.47, 8.65, -30.1

 

Description

Color code: HEX #F4ACDB | qconv.com Color code: HEX #F4ACDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 172 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 172 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 10% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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