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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4ABEB it is the complementary color #0B5414. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4ABEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4ABEB shade: #F9ABE6, #FFBDF9, #FFCFFF, #FFE1FF and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4ABEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4ABEB shade: #F4ABEB, #E399D8, #D287C5, #C175B2 and #B0639F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4ABEB shade: #F4A9EB, #F4A9D7, #F4A9C2, #F4A9AE and #F4A9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4ABEB shade: #F4A9EB, #E9A9F4, #D5A9F4, #C1A9F4 and #ADA9F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4ABEB shade matches the following richer shades: #F4A9EB and #FCA1F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4ABEB shade: #F4A9EB, #ECB1E5, #E4B9DF, #DCC1D9 and #D4C9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4ABEB shade: #D5A9F4, #E9A9F4, #F4A9EB, #F4A9D7 and #F4A9C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4ABEB shade: #EA60D9, #EF85E2, #F4A9EB, #F9CEF3 and #FDF2FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4ABEB shade: #F4ABEB, #F4C1A9 and #A9F4DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4ABEB shade: #F4ABEB, #EBF4A9 and #A9EBF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4ABEB shade: #F4ABEB, #F4C1A9, #A9F4B2 and #A9DCF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4ABEB shade: #F4ABEB, #F4D7A9, #A9F4B2 and #A9C6F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 4 / 4

HEX #F4ABEB

RGB 244 171 235

HSL 307.4, 0.77%, 0.81%

LAB 78.67, 36.63, -21.34

 

Complementary color

CMYK 87 / 0 / 76 / 67

HEX #0B5414

RGB 11 84 20

HSL 127.4, 0.77%, 0.19%

LAB 30.55, -35.34, 30

 

CMYK 0 / 31 / 8 / 2

HEX #F9ABE6

RGB 249 171 230

HSL 314.62, 0.87%, 0.82%

LAB 79.03, 37.39, -18.04

 

CMYK 0 / 26 / 2 / 0

HEX #FFBDF9

RGB 255 189 249

HSL 305.45, 1%, 0.87%

LAB 84.22, 33.18, -20.33

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 30 / 4 / 4

HEX #F4ABEB

RGB 244 171 235

HSL 307.4, 0.77%, 0.81%

LAB 78.67, 36.63, -21.34

 

CMYK 0 / 33 / 5 / 11

HEX #E399D8

RGB 227 153 216

HSL 308.92, 0.57%, 0.75%

LAB 72.28, 37.33, -20.86

 

CMYK 0 / 36 / 6 / 18

HEX #D287C5

RGB 210 135 197

HSL 310.4, 0.45%, 0.68%

LAB 65.8, 38.05, -20.35

 

CMYK 0 / 39 / 8 / 24

HEX #C175B2

RGB 193 117 178

HSL 311.84, 0.38%, 0.61%

LAB 59.23, 38.81, -19.79

 

CMYK 0 / 44 / 10 / 31

HEX #B0639F

RGB 176 99 159

HSL 313.25, 0.33%, 0.54%

LAB 52.57, 39.58, -19.14

 

CMYK 0 / 31 / 4 / 4

HEX #F4A9EB

RGB 244 169 235

HSL 307.2, 0.77%, 0.81%

LAB 78.23, 37.69, -22

 

CMYK 0 / 31 / 12 / 4

HEX #F4A9D7

RGB 244 169 215

HSL 323.2, 0.77%, 0.81%

LAB 77.59, 34.3, -12.13

 

CMYK 0 / 31 / 20 / 4

HEX #F4A9C2

RGB 244 169 194

HSL 340, 0.77%, 0.81%

LAB 76.98, 31.05, -1.58

 

CMYK 0 / 31 / 29 / 4

HEX #F4A9AE

RGB 244 169 174

HSL 356, 0.77%, 0.81%

LAB 76.48, 28.25, 8.61

 

CMYK 0 / 31 / 31 / 4

HEX #F4A9A9

RGB 244 169 169

HSL 0, 0.77%, 0.81%

LAB 76.36, 27.6, 11.17

 

CMYK 0 / 31 / 4 / 4

HEX #F4A9EB

RGB 244 169 235

HSL 307.2, 0.77%, 0.81%

LAB 78.23, 37.69, -22

 

CMYK 5 / 31 / 0 / 4

HEX #E9A9F4

RGB 233 169 244

HSL 291.2, 0.77%, 0.81%

LAB 77.42, 35.85, -28.21

 

CMYK 13 / 31 / 0 / 4

HEX #D5A9F4

RGB 213 169 244

HSL 275.2, 0.77%, 0.81%

LAB 75.48, 29.66, -31.35

 

CMYK 21 / 31 / 0 / 4

HEX #C1A9F4

RGB 193 169 244

HSL 259.2, 0.77%, 0.81%

LAB 73.7, 23.61, -34.24

 

CMYK 29 / 31 / 0 / 4

HEX #ADA9F4

RGB 173 169 244

HSL 243.2, 0.77%, 0.81%

LAB 72.09, 17.79, -36.87

 

CMYK 0 / 31 / 4 / 4

HEX #F4A9EB

RGB 244 169 235

HSL 307.2, 0.77%, 0.81%

LAB 78.23, 37.69, -22

 

CMYK 0 / 36 / 4 / 1

HEX #FCA1F1

RGB 252 161 241

HSL 307.25, 0.94%, 0.81%

LAB 77.6, 45.42, -26.13

 

CMYK 0 / 31 / 4 / 4

HEX #F4A9EB

RGB 244 169 235

HSL 307.2, 0.77%, 0.81%

LAB 78.23, 37.69, -22

 

CMYK 0 / 25 / 3 / 7

HEX #ECB1E5

RGB 236 177 229

HSL 307.12, 0.61%, 0.81%

LAB 79, 29.79, -17.67

 

CMYK 0 / 19 / 2 / 11

HEX #E4B9DF

RGB 228 185 223

HSL 306.98, 0.44%, 0.81%

LAB 79.91, 21.77, -13.15

 

CMYK 0 / 12 / 1 / 14

HEX #DCC1D9

RGB 220 193 217

HSL 306.67, 0.28%, 0.81%

LAB 80.94, 13.69, -8.46

 

CMYK 0 / 5 / 0 / 17

HEX #D4C9D3

RGB 212 201 211

HSL 305.45, 0.11%, 0.81%

LAB 82.09, 5.61, -3.61

 

CMYK 13 / 31 / 0 / 4

HEX #D5A9F4

RGB 213 169 244

HSL 275.2, 0.77%, 0.81%

LAB 75.48, 29.66, -31.35

 

CMYK 5 / 31 / 0 / 4

HEX #E9A9F4

RGB 233 169 244

HSL 291.2, 0.77%, 0.81%

LAB 77.42, 35.85, -28.21

 

CMYK 0 / 31 / 4 / 4

HEX #F4A9EB

RGB 244 169 235

HSL 307.2, 0.77%, 0.81%

LAB 78.23, 37.69, -22

 

CMYK 0 / 31 / 12 / 4

HEX #F4A9D7

RGB 244 169 215

HSL 323.2, 0.77%, 0.81%

LAB 77.59, 34.3, -12.13

 

CMYK 0 / 31 / 20 / 4

HEX #F4A9C3

RGB 244 169 195

HSL 339.2, 0.77%, 0.81%

LAB 77.01, 31.2, -2.09

 

CMYK 0 / 59 / 7 / 8

HEX #EA60D9

RGB 234 96 217

HSL 307.39, 0.77%, 0.65%

LAB 62.4, 67.43, -36.57

 

CMYK 0 / 44 / 5 / 6

HEX #EF85E2

RGB 239 133 226

HSL 307.36, 0.77%, 0.73%

LAB 69.91, 53.11, -29.88

 

CMYK 0 / 31 / 4 / 4

HEX #F4A9EB

RGB 244 169 235

HSL 307.2, 0.77%, 0.81%

LAB 78.23, 37.69, -22

 

CMYK 0 / 17 / 2 / 2

HEX #F9CEF3

RGB 249 206 243

HSL 308.37, 0.78%, 0.89%

LAB 87.37, 21.21, -12.48

 

CMYK 0 / 4 / 0 / 1

HEX #FDF2FC

RGB 253 242 252

HSL 305.45, 0.73%, 0.97%

LAB 96.58, 5.42, -3.49

 

CMYK 0 / 30 / 4 / 4

HEX #F4ABEB

RGB 244 171 235

HSL 307.4, 0.77%, 0.81%

LAB 78.67, 36.63, -21.34

 

CMYK 0 / 21 / 31 / 4

HEX #F4C1A9

RGB 244 193 169

HSL 19.2, 0.77%, 0.81%

LAB 81.97, 14.92, 19.04

 

CMYK 31 / 0 / 9 / 4

HEX #A9F4DF

RGB 169 244 223

HSL 163.2, 0.77%, 0.81%

LAB 90.99, -27.46, 2.74

 

CMYK 0 / 30 / 4 / 4

HEX #F4ABEB

RGB 244 171 235

HSL 307.4, 0.77%, 0.81%

LAB 78.67, 36.63, -21.34

 

CMYK 4 / 0 / 31 / 4

HEX #EBF4A9

RGB 235 244 169

HSL 67.2, 0.77%, 0.81%

LAB 93.98, -14.55, 35.22

 

CMYK 31 / 4 / 0 / 4

HEX #A9EBF4

RGB 169 235 244

HSL 187.2, 0.77%, 0.81%

LAB 89.1, -18.47, -11

 

CMYK 0 / 30 / 4 / 4

HEX #F4ABEB

RGB 244 171 235

HSL 307.4, 0.77%, 0.81%

LAB 78.67, 36.63, -21.34

 

CMYK 0 / 21 / 31 / 4

HEX #F4C1A9

RGB 244 193 169

HSL 19.2, 0.77%, 0.81%

LAB 81.97, 14.92, 19.04

 

CMYK 31 / 0 / 27 / 4

HEX #A9F4B2

RGB 169 244 178

HSL 127.2, 0.77%, 0.81%

LAB 90.02, -35.96, 24.62

 

CMYK 31 / 10 / 0 / 4

HEX #A9DCF4

RGB 169 220 244

HSL 199.2, 0.77%, 0.81%

LAB 85.07, -10.88, -17.04

 

CMYK 0 / 30 / 4 / 4

HEX #F4ABEB

RGB 244 171 235

HSL 307.4, 0.77%, 0.81%

LAB 78.67, 36.63, -21.34

 

CMYK 0 / 12 / 31 / 4

HEX #F4D7A9

RGB 244 215 169

HSL 36.8, 0.77%, 0.81%

LAB 87.34, 3.45, 26.42

 

CMYK 31 / 0 / 27 / 4

HEX #A9F4B2

RGB 169 244 178

HSL 127.2, 0.77%, 0.81%

LAB 90.02, -35.96, 24.62

 

CMYK 31 / 19 / 0 / 4

HEX #A9C6F4

RGB 169 198 244

HSL 216.8, 0.77%, 0.81%

LAB 79.25, 0.71, -25.87

 

Description

Color code: HEX #F4ABEB | qconv.com Color code: HEX #F4ABEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 171 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 171 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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