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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4AA5E it is the complementary color #0B55A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4AA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4AA5E shade: #F9AA59, #FFBC6C, #FFCE7F, #FFE092 and #FFF2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4AA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4AA5E shade: #F4AA5E, #E3984B, #D28638, #C17425 and #B06212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4AA5E shade: #F4A95D, #F4815D and #F45D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4AA5E shade: #F4A95D, #F4D25D, #EDF45D, #C4F45D and #9BF45D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4AA5E shade matches the following richer shades: #F4A95D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4AA5E shade: #F4A95D, #E6A96B, #D8A979, #CAA987 and #BCA995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4AA5E shade: #F45D62, #F4805D, #F4A85D, #F4D15D and #EFF45D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4AA5E shade: #EE8111, #F19536, #F4A95D, #F6BE83 and #F9D2AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4AA5E shade: #F4AA5E, #8AF45D and #6C5DF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4AA5E shade: #F4AA5E, #5DF4A8 and #A85DF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4AA5E shade: #F4AA5E, #8AF45D, #5DA8F4 and #C65DF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4AA5E shade: #F4AA5E, #5DF45D, #5DA8F4 and #F45DF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 61 / 4

HEX #F4AA5E

RGB 244 170 94

HSL 30.4, 0.87%, 0.66%

LAB 75.32, 19.73, 49.38

 

Complementary color

CMYK 93 / 47 / 0 / 37

HEX #0B55A1

RGB 11 85 161

HSL 210.4, 0.87%, 0.34%

LAB 36.26, 9.38, -46.86

 

CMYK 0 / 32 / 64 / 2

HEX #F9AA59

RGB 249 170 89

HSL 30.38, 0.93%, 0.66%

LAB 75.83, 21.46, 52.53

 

CMYK 0 / 26 / 58 / 0

HEX #FFBC6C

RGB 255 188 108

HSL 32.65, 1%, 0.71%

LAB 80.91, 15.75, 49.41

 

CMYK 0 / 19 / 50 / 0

HEX #FFCE7F

RGB 255 206 127

HSL 37.03, 1%, 0.75%

LAB 85.47, 7.93, 45.59

 

CMYK 0 / 12 / 43 / 0

HEX #FFE092

RGB 255 224 146

HSL 42.94, 1%, 0.79%

LAB 90.16, 0.49, 42.05

 

CMYK 0 / 5 / 35 / 0

HEX #FFF2A5

RGB 255 242 165

HSL 51.33, 1%, 0.82%

LAB 94.94, -6.54, 38.77

 

CMYK 0 / 30 / 61 / 4

HEX #F4AA5E

RGB 244 170 94

HSL 30.4, 0.87%, 0.66%

LAB 75.32, 19.73, 49.38

 

CMYK 0 / 33 / 67 / 11

HEX #E3984B

RGB 227 152 75

HSL 30.39, 0.73%, 0.59%

LAB 68.96, 21.08, 50.83

 

CMYK 0 / 36 / 73 / 18

HEX #D28638

RGB 210 134 56

HSL 30.39, 0.63%, 0.52%

LAB 62.54, 22.62, 52.19

 

CMYK 0 / 40 / 81 / 24

HEX #C17425

RGB 193 116 37

HSL 30.38, 0.68%, 0.45%

LAB 56.05, 24.38, 53.23

 

CMYK 0 / 44 / 90 / 31

HEX #B06212

RGB 176 98 18

HSL 30.38, 0.81%, 0.38%

LAB 49.51, 26.4, 53.43

 

CMYK 0 / 31 / 62 / 4

HEX #F4A95D

RGB 244 169 93

HSL 30.2, 0.87%, 0.66%

LAB 75.08, 20.19, 49.59

 

CMYK 0 / 47 / 62 / 4

HEX #F4815D

RGB 244 129 93

HSL 14.3, 0.87%, 0.66%

LAB 66.31, 40.99, 39.15

 

CMYK 0 / 62 / 62 / 4

HEX #F45D5D

RGB 244 93 93

HSL 0, 0.87%, 0.66%

LAB 59.75, 57.9, 30.99

 

CMYK 0 / 31 / 62 / 4

HEX #F4A95D

RGB 244 169 93

HSL 30.2, 0.87%, 0.66%

LAB 75.08, 20.19, 49.59

 

CMYK 0 / 14 / 62 / 4

HEX #F4D25D

RGB 244 210 93

HSL 46.49, 0.87%, 0.66%

LAB 85.06, -1.18, 60.86

 

CMYK 3 / 0 / 62 / 4

HEX #EDF45D

RGB 237 244 93

HSL 62.78, 0.87%, 0.66%

LAB 93.23, -20.91, 69.53

 

CMYK 20 / 0 / 62 / 4

HEX #C4F45D

RGB 196 244 93

HSL 79.07, 0.87%, 0.66%

LAB 90.43, -36.86, 65.69

 

CMYK 36 / 0 / 62 / 4

HEX #9BF45D

RGB 155 244 93

HSL 95.36, 0.87%, 0.66%

LAB 88.19, -51.35, 62.6

 

CMYK 0 / 31 / 62 / 4

HEX #F4A95D

RGB 244 169 93

HSL 30.2, 0.87%, 0.66%

LAB 75.08, 20.19, 49.59

 

CMYK 0 / 31 / 62 / 4

HEX #F4A95D

RGB 244 169 93

HSL 30.2, 0.87%, 0.66%

LAB 75.08, 20.19, 49.59

 

CMYK 0 / 27 / 53 / 10

HEX #E6A96B

RGB 230 169 107

HSL 30.24, 0.71%, 0.66%

LAB 73.71, 15.51, 40.55

 

CMYK 0 / 22 / 44 / 15

HEX #D8A979

RGB 216 169 121

HSL 30.32, 0.55%, 0.66%

LAB 72.47, 11.13, 31.33

 

CMYK 0 / 16 / 33 / 21

HEX #CAA987

RGB 202 169 135

HSL 30.45, 0.39%, 0.66%

LAB 71.34, 7.13, 22.06

 

CMYK 0 / 10 / 21 / 26

HEX #BCA995

RGB 188 169 149

HSL 30.77, 0.23%, 0.66%

LAB 70.34, 3.63, 12.83

 

CMYK 0 / 62 / 60 / 4

HEX #F45D62

RGB 244 93 98

HSL 358.01, 0.87%, 0.66%

LAB 59.84, 58.22, 28.25

 

CMYK 0 / 48 / 62 / 4

HEX #F4805D

RGB 244 128 93

HSL 13.91, 0.87%, 0.66%

LAB 66.11, 41.49, 38.91

 

CMYK 0 / 31 / 62 / 4

HEX #F4A85D

RGB 244 168 93

HSL 29.8, 0.87%, 0.66%

LAB 74.84, 20.72, 49.32

 

CMYK 0 / 14 / 62 / 4

HEX #F4D15D

RGB 244 209 93

HSL 46.09, 0.87%, 0.66%

LAB 84.8, -0.67, 60.59

 

CMYK 2 / 0 / 62 / 4

HEX #EFF45D

RGB 239 244 93

HSL 61.99, 0.87%, 0.66%

LAB 93.38, -20.11, 69.73

 

CMYK 0 / 46 / 93 / 7

HEX #EE8111

RGB 238 129 17

HSL 30.41, 0.87%, 0.5%

LAB 64.9, 35.77, 68.83

 

CMYK 0 / 38 / 78 / 5

HEX #F19536

RGB 241 149 54

HSL 30.48, 0.87%, 0.58%

LAB 69.8, 27.49, 61.5

 

CMYK 0 / 31 / 62 / 4

HEX #F4A95D

RGB 244 169 93

HSL 30.2, 0.87%, 0.66%

LAB 75.08, 20.19, 49.59

 

CMYK 0 / 23 / 47 / 4

HEX #F6BE83

RGB 246 190 131

HSL 30.78, 0.86%, 0.74%

LAB 80.77, 13.03, 37.45

 

CMYK 0 / 16 / 32 / 2

HEX #F9D2AA

RGB 249 210 170

HSL 30.38, 0.87%, 0.82%

LAB 86.57, 8.06, 24.93

 

CMYK 0 / 30 / 61 / 4

HEX #F4AA5E

RGB 244 170 94

HSL 30.4, 0.87%, 0.66%

LAB 75.32, 19.73, 49.38

 

CMYK 43 / 0 / 62 / 4

HEX #8AF45D

RGB 138 244 93

HSL 102.12, 0.87%, 0.66%

LAB 87.43, -56.69, 61.55

 

CMYK 56 / 62 / 0 / 4

HEX #6C5DF4

RGB 108 93 244

HSL 245.96, 0.87%, 0.66%

LAB 48.94, 46.42, -74.03

 

CMYK 0 / 30 / 61 / 4

HEX #F4AA5E

RGB 244 170 94

HSL 30.4, 0.87%, 0.66%

LAB 75.32, 19.73, 49.38

 

CMYK 62 / 0 / 31 / 4

HEX #5DF4A8

RGB 93 244 168

HSL 149.8, 0.87%, 0.66%

LAB 86.93, -57.05, 25.02

 

CMYK 31 / 62 / 0 / 4

HEX #A85DF4

RGB 168 93 244

HSL 269.8, 0.87%, 0.66%

LAB 54.75, 58.13, -64.35

 

CMYK 0 / 30 / 61 / 4

HEX #F4AA5E

RGB 244 170 94

HSL 30.4, 0.87%, 0.66%

LAB 75.32, 19.73, 49.38

 

CMYK 43 / 0 / 62 / 4

HEX #8AF45D

RGB 138 244 93

HSL 102.12, 0.87%, 0.66%

LAB 87.43, -56.69, 61.55

 

CMYK 62 / 31 / 0 / 4

HEX #5DA8F4

RGB 93 168 244

HSL 210.2, 0.87%, 0.66%

LAB 67.17, -0.66, -44.89

 

CMYK 19 / 62 / 0 / 4

HEX #C65DF4

RGB 198 93 244

HSL 281.72, 0.87%, 0.66%

LAB 58.38, 64.8, -58.32

 

CMYK 0 / 30 / 61 / 4

HEX #F4AA5E

RGB 244 170 94

HSL 30.4, 0.87%, 0.66%

LAB 75.32, 19.73, 49.38

 

CMYK 62 / 0 / 62 / 4

HEX #5DF45D

RGB 93 244 93

HSL 120, 0.87%, 0.66%

LAB 85.92, -68.25, 59.44

 

CMYK 62 / 31 / 0 / 4

HEX #5DA8F4

RGB 93 168 244

HSL 210.2, 0.87%, 0.66%

LAB 67.17, -0.66, -44.89

 

CMYK 0 / 62 / 0 / 4

HEX #F45DF4

RGB 244 93 244

HSL 300, 0.87%, 0.66%

LAB 64.64, 75.42, -47.99

 

Description

Color code: HEX #F4AA5E | qconv.com Color code: HEX #F4AA5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 170 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 170 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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