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Color name
HEX #F49C6D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F49C6D it is the complementary color #0B6392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F49C6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F49C6D shade: #F99C68, #FFAE7B, #FFC08E, #FFD2A1 and #FFE4B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F49C6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F49C6D shade: #F49C6D, #E38A5A, #D27847, #C16634 and #B05421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F49C6D shade: #F49B6C, #F4776C and #F46C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F49C6D shade: #F49B6C, #F4C06C, #F4E56C, #DFF46C and #BAF46C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F49C6D shade matches the following richer shades: #F49B6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F49C6D shade: #F49B6C, #E79F79, #DAA386, #CEA792 and #C1AB9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F49C6D shade: #F46C87, #F4756C, #F4996C, #F4BE6C and #F4E26C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F49C6D shade: #EE671F, #F18146, #F49B6C, #F7B592 and #FACFB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F49C6D shade: #F49C6D, #ABF46C and #6C75F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F49C6D shade: #F49C6D, #6CF499 and #996CF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F49C6D shade: #F49C6D, #ABF46C, #6CC7F4 and #B46CF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F49C6D shade: #F49C6D, #83F46C, #6CC7F4 and #DD6CF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 55 / 4

HEX #F49C6D

RGB 244 156 109

HSL 20.89, 0.86%, 0.69%

LAB 72.3, 28.2, 38.1

 

Complementary color

CMYK 92 / 32 / 0 / 43

HEX #0B6392

RGB 11 99 146

HSL 200.89, 0.86%, 0.31%

LAB 39.7, -5.72, -32.37

 

CMYK 0 / 37 / 58 / 2

HEX #F99C68

RGB 249 156 104

HSL 21.52, 0.92%, 0.69%

LAB 72.84, 29.8, 41.5

 

CMYK 0 / 32 / 52 / 0

HEX #FFAE7B

RGB 255 174 123

HSL 23.18, 1%, 0.74%

LAB 77.85, 24.26, 38.05

 

CMYK 0 / 25 / 44 / 0

HEX #FFC08E

RGB 255 192 142

HSL 26.55, 1%, 0.78%

LAB 82.33, 16.61, 33.95

 

CMYK 0 / 18 / 37 / 0

HEX #FFD2A1

RGB 255 210 161

HSL 31.28, 1%, 0.82%

LAB 86.96, 9.28, 30.23

 

CMYK 0 / 11 / 29 / 0

HEX #FFE4B4

RGB 255 228 180

HSL 38.4, 1%, 0.85%

LAB 91.7, 2.32, 26.84

 

CMYK 0 / 36 / 55 / 4

HEX #F49C6D

RGB 244 156 109

HSL 20.89, 0.86%, 0.69%

LAB 72.3, 28.2, 38.1

 

CMYK 0 / 39 / 60 / 11

HEX #E38A5A

RGB 227 138 90

HSL 21.02, 0.71%, 0.62%

LAB 65.94, 29.49, 39.78

 

CMYK 0 / 43 / 66 / 18

HEX #D27847

RGB 210 120 71

HSL 21.15, 0.61%, 0.55%

LAB 59.52, 30.93, 41.58

 

CMYK 0 / 47 / 73 / 24

HEX #C16634

RGB 193 102 52

HSL 21.28, 0.58%, 0.48%

LAB 53.05, 32.54, 43.46

 

CMYK 0 / 52 / 81 / 31

HEX #B05421

RGB 176 84 33

HSL 21.4, 0.68%, 0.41%

LAB 46.55, 34.32, 45.24

 

CMYK 0 / 36 / 56 / 4

HEX #F49B6C

RGB 244 155 108

HSL 20.74, 0.86%, 0.69%

LAB 72.07, 28.65, 38.33

 

CMYK 0 / 51 / 56 / 4

HEX #F4776C

RGB 244 119 108

HSL 4.85, 0.86%, 0.69%

LAB 64.57, 47.01, 28.75

 

CMYK 0 / 56 / 56 / 4

HEX #F46C6C

RGB 244 108 108

HSL 0, 0.86%, 0.69%

LAB 62.54, 52.24, 26.09

 

CMYK 0 / 36 / 56 / 4

HEX #F49B6C

RGB 244 155 108

HSL 20.74, 0.86%, 0.69%

LAB 72.07, 28.65, 38.33

 

CMYK 0 / 21 / 56 / 4

HEX #F4C06C

RGB 244 192 108

HSL 37.06, 0.86%, 0.69%

LAB 80.75, 9.18, 48.95

 

CMYK 0 / 6 / 56 / 4

HEX #F4E56C

RGB 244 229 108

HSL 53.38, 0.86%, 0.69%

LAB 90.02, -9.73, 59.78

 

CMYK 9 / 0 / 56 / 4

HEX #DFF46C

RGB 223 244 108

HSL 69.26, 0.86%, 0.69%

LAB 92.34, -25.37, 61.99

 

CMYK 24 / 0 / 56 / 4

HEX #BAF46C

RGB 186 244 108

HSL 85.59, 0.86%, 0.69%

LAB 89.96, -39.31, 58.64

 

CMYK 0 / 36 / 56 / 4

HEX #F49B6C

RGB 244 155 108

HSL 20.74, 0.86%, 0.69%

LAB 72.07, 28.65, 38.33

 

CMYK 0 / 36 / 56 / 4

HEX #F49B6C

RGB 244 155 108

HSL 20.74, 0.86%, 0.69%

LAB 72.07, 28.65, 38.33

 

CMYK 0 / 31 / 48 / 9

HEX #E79F79

RGB 231 159 121

HSL 20.73, 0.7%, 0.69%

LAB 71.67, 22.51, 30.59

 

CMYK 0 / 25 / 39 / 15

HEX #DAA386

RGB 218 163 134

HSL 20.71, 0.53%, 0.69%

LAB 71.43, 16.59, 22.99

 

CMYK 0 / 19 / 29 / 19

HEX #CEA792

RGB 206 167 146

HSL 21, 0.38%, 0.69%

LAB 71.44, 11.23, 16.26

 

CMYK 0 / 11 / 18 / 24

HEX #C1AB9F

RGB 193 171 159

HSL 21.18, 0.22%, 0.69%

LAB 71.53, 5.99, 9.08

 

CMYK 0 / 56 / 45 / 4

HEX #F46C87

RGB 244 108 135

HSL 348.09, 0.86%, 0.69%

LAB 63.1, 54.56, 11.41

 

CMYK 0 / 52 / 56 / 4

HEX #F4756C

RGB 244 117 108

HSL 3.97, 0.86%, 0.69%

LAB 64.19, 47.98, 28.25

 

CMYK 0 / 37 / 56 / 4

HEX #F4996C

RGB 244 153 108

HSL 19.85, 0.86%, 0.69%

LAB 71.62, 29.7, 37.77

 

CMYK 0 / 22 / 56 / 4

HEX #F4BE6C

RGB 244 190 108

HSL 36.18, 0.86%, 0.69%

LAB 80.26, 10.23, 48.36

 

CMYK 0 / 7 / 56 / 4

HEX #F4E26C

RGB 244 226 108

HSL 52.06, 0.86%, 0.69%

LAB 89.26, -8.23, 58.9

 

CMYK 0 / 57 / 87 / 7

HEX #EE671F

RGB 238 103 31

HSL 20.87, 0.86%, 0.53%

LAB 59.87, 48.79, 61.3

 

CMYK 0 / 46 / 71 / 5

HEX #F18146

RGB 241 129 70

HSL 20.7, 0.86%, 0.61%

LAB 65.63, 38.53, 50.09

 

CMYK 0 / 36 / 56 / 4

HEX #F49B6C

RGB 244 155 108

HSL 20.74, 0.86%, 0.69%

LAB 72.07, 28.65, 38.33

 

CMYK 0 / 27 / 41 / 3

HEX #F7B592

RGB 247 181 146

HSL 20.79, 0.86%, 0.77%

LAB 78.98, 19.68, 27.25

 

CMYK 0 / 17 / 26 / 2

HEX #FACFB9

RGB 250 207 185

HSL 20.31, 0.87%, 0.85%

LAB 86.23, 11.94, 16.6

 

CMYK 0 / 36 / 55 / 4

HEX #F49C6D

RGB 244 156 109

HSL 20.89, 0.86%, 0.69%

LAB 72.3, 28.2, 38.1

 

CMYK 30 / 0 / 56 / 4

HEX #ABF46C

RGB 171 244 108

HSL 92.21, 0.86%, 0.69%

LAB 89.13, -44.6, 57.46

 

CMYK 56 / 52 / 0 / 4

HEX #6C75F4

RGB 108 117 244

HSL 236.03, 0.86%, 0.69%

LAB 54.49, 32.27, -65.04

 

CMYK 0 / 36 / 55 / 4

HEX #F49C6D

RGB 244 156 109

HSL 20.89, 0.86%, 0.69%

LAB 72.3, 28.2, 38.1

 

CMYK 56 / 0 / 37 / 4

HEX #6CF499

RGB 108 244 153

HSL 139.85, 0.86%, 0.69%

LAB 87.09, -56.73, 32.91

 

CMYK 37 / 56 / 0 / 4

HEX #996CF4

RGB 153 108 244

HSL 259.85, 0.86%, 0.69%

LAB 56.12, 46.95, -62.23

 

CMYK 0 / 36 / 55 / 4

HEX #F49C6D

RGB 244 156 109

HSL 20.89, 0.86%, 0.69%

LAB 72.3, 28.2, 38.1

 

CMYK 30 / 0 / 56 / 4

HEX #ABF46C

RGB 171 244 108

HSL 92.21, 0.86%, 0.69%

LAB 89.13, -44.6, 57.46

 

CMYK 56 / 18 / 0 / 4

HEX #6CC7F4

RGB 108 199 244

HSL 199.85, 0.86%, 0.69%

LAB 76.42, -14.69, -30.48

 

CMYK 26 / 56 / 0 / 4

HEX #B46CF4

RGB 180 108 244

HSL 271.76, 0.86%, 0.69%

LAB 58.94, 53.29, -57.56

 

CMYK 0 / 36 / 55 / 4

HEX #F49C6D

RGB 244 156 109

HSL 20.89, 0.86%, 0.69%

LAB 72.3, 28.2, 38.1

 

CMYK 46 / 0 / 56 / 4

HEX #83F46C

RGB 131 244 108

HSL 109.85, 0.86%, 0.69%

LAB 87.29, -57.23, 54.86

 

CMYK 56 / 18 / 0 / 4

HEX #6CC7F4

RGB 108 199 244

HSL 199.85, 0.86%, 0.69%

LAB 76.42, -14.69, -30.48

 

CMYK 9 / 56 / 0 / 4

HEX #DD6CF4

RGB 221 108 244

HSL 289.85, 0.86%, 0.69%

LAB 63.86, 63.43, -49.43

 

Description

Color code: HEX #F49C6D | qconv.com Color code: HEX #F49C6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 156 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 156 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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