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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F490744C it is the complementary color #0B6F8B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F490744C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F490744C shade: #F9906F4C, #FFA2824C, #FFB4954C, #FFC6A84C and #FFD8BB4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F490744C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F490744C shade: #F490744C, #E37E614C, #D26C4E4C, #C15A3B4C and #B048284C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F490744C shade: #F49276 and #F47676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F490744C shade: #F49276, #F4B476, #F4D676, #F0F476 and #CFF476

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F490744C shade matches the following richer shades: #F49276

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F490744C shade: #F49276, #E89882, #DC9F8E, #D0A69A and #C4ADA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F490744C shade: #F4769E, #F4767C, #F49176, #F4B376 and #F4D476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F490744C shade: #EE552A, #F17350, #F49276, #F7B09C and #FACFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F490744C shade: #F49074, #C0F476 and #768DF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F490744C shade: #F49074, #76F491 and #9176F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F490744C shade: #F49074, #C0F476, #76D9F4 and #AB76F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F490744C shade: #F49074, #9AF476, #76D9F4 and #D076F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 16 / 1

HEX #F490744C

RGBA 244 144 116 0.3

HSLA 13.13, 0.85%, 0.71%, 0.3

LABA 69.78, 35.04, 31.13, 0.3

 

Complementary color

CMYK 28 / 6 / 0 / 14

HEX #0B6F8B4C

RGBA 11 111 139 0.3

HSLA 193.13, 0.85%, 0.29%, 0.3

LABA 43.22, -15.47, -22.68, 0.3

 

CMYK 0 / 13 / 17 / 1

HEX #F9906F4C

RGBA 249 144 111 0.3

HSLA 14.35, 0.92%, 0.71%, 0.3

LABA 70.34, 36.55, 34.68, 0.3

 

CMYK 0 / 11 / 15 / 0

HEX #FFA2824C

RGBA 255 162 130 0.3

HSLA 15.36, 1%, 0.75%, 0.3

LABA 75.27, 31.15, 31.01, 0.3

 

CMYK 0 / 9 / 12 / 0

HEX #FFB4954C

RGBA 255 180 149 0.3

HSLA 17.55, 1%, 0.79%, 0.3

LABA 79.66, 23.61, 26.71, 0.3

 

CMYK 0 / 7 / 10 / 0

HEX #FFC6A84C

RGBA 255 198 168 0.3

HSLA 20.69, 1%, 0.83%, 0.3

LABA 84.21, 16.34, 22.84, 0.3

 

CMYK 0 / 5 / 8 / 0

HEX #FFD8BB4C

RGBA 255 216 187 0.3

HSLA 25.59, 1%, 0.87%, 0.3

LABA 88.9, 9.39, 19.35, 0.3

 

CMYK 0 / 12 / 16 / 1

HEX #F490744C

RGBA 244 144 116 0.3

HSLA 13.13, 0.85%, 0.71%, 0.3

LABA 69.78, 35.04, 31.13, 0.3

 

CMYK 0 / 13 / 17 / 3

HEX #E37E614C

RGBA 227 126 97 0.3

HSLA 13.38, 0.7%, 0.64%, 0.3

LABA 63.44, 36.29, 32.91, 0.3

 

CMYK 0 / 15 / 19 / 5

HEX #D26C4E4C

RGBA 210 108 78 0.3

HSLA 13.64, 0.59%, 0.56%, 0.3

LABA 57.05, 37.66, 34.9, 0.3

 

CMYK 0 / 16 / 21 / 7

HEX #C15A3B4C

RGBA 193 90 59 0.3

HSLA 13.88, 0.53%, 0.49%, 0.3

LABA 50.65, 39.12, 37.13, 0.3

 

CMYK 0 / 18 / 23 / 9

HEX #B048284C

RGBA 176 72 40 0.3

HSLA 14.12, 0.63%, 0.42%, 0.3

LABA 44.26, 40.63, 39.54, 0.3

 

CMYK 0 / 40 / 52 / 4

HEX #F49276

RGB 244 146 118

HSL 13.33, 0.85%, 0.71%

LAB 70.25, 34.17, 30.65

 

CMYK 0 / 52 / 52 / 4

HEX #F47676

RGB 244 118 118

HSL 0, 0.85%, 0.71%

LAB 64.56, 48.3, 23.12

 

CMYK 0 / 40 / 52 / 4

HEX #F49276

RGB 244 146 118

HSL 13.33, 0.85%, 0.71%

LAB 70.25, 34.17, 30.65

 

CMYK 0 / 26 / 52 / 4

HEX #F4B476

RGB 244 180 118

HSL 29.52, 0.85%, 0.71%

LAB 77.98, 16.3, 40.55

 

CMYK 0 / 12 / 52 / 4

HEX #F4D676

RGB 244 214 118

HSL 45.71, 0.85%, 0.71%

LAB 86.32, -1.38, 50.8

 

CMYK 2 / 0 / 52 / 4

HEX #F0F476

RGB 240 244 118

HSL 61.9, 0.85%, 0.71%

LAB 93.68, -17.91, 59.42

 

CMYK 15 / 0 / 52 / 4

HEX #CFF476

RGB 207 244 118

HSL 77.62, 0.85%, 0.71%

LAB 91.36, -30.63, 56.12

 

CMYK 0 / 40 / 52 / 4

HEX #F49276

RGB 244 146 118

HSL 13.33, 0.85%, 0.71%

LAB 70.25, 34.17, 30.65

 

CMYK 0 / 40 / 52 / 4

HEX #F49276

RGB 244 146 118

HSL 13.33, 0.85%, 0.71%

LAB 70.25, 34.17, 30.65

 

CMYK 0 / 34 / 44 / 9

HEX #E89882

RGB 232 152 130

HSL 12.94, 0.69%, 0.71%

LAB 70.33, 27.53, 23.95

 

CMYK 0 / 28 / 35 / 14

HEX #DC9F8E

RGB 220 159 142

HSL 13.08, 0.53%, 0.71%

LAB 70.85, 20.48, 17.85

 

CMYK 0 / 20 / 26 / 18

HEX #D0A69A

RGB 208 166 154

HSL 13.33, 0.36%, 0.71%

LAB 71.57, 13.65, 12.07

 

CMYK 0 / 12 / 15 / 23

HEX #C4ADA6

RGB 196 173 166

HSL 14, 0.2%, 0.71%

LAB 72.48, 7.14, 6.63

 

CMYK 0 / 52 / 35 / 4

HEX #F4769E

RGB 244 118 158

HSL 340.95, 0.85%, 0.71%

LAB 65.48, 52.3, 1.67

 

CMYK 0 / 52 / 49 / 4

HEX #F4767C

RGB 244 118 124

HSL 357.14, 0.85%, 0.71%

LAB 64.68, 48.82, 19.88

 

CMYK 0 / 41 / 52 / 4

HEX #F49176

RGB 244 145 118

HSL 12.86, 0.85%, 0.71%

LAB 70.03, 34.69, 30.37

 

CMYK 0 / 27 / 52 / 4

HEX #F4B376

RGB 244 179 118

HSL 29.05, 0.85%, 0.71%

LAB 77.75, 16.83, 40.25

 

CMYK 0 / 13 / 52 / 4

HEX #F4D476

RGB 244 212 118

HSL 44.76, 0.85%, 0.71%

LAB 85.82, -0.36, 50.19

 

CMYK 0 / 64 / 82 / 7

HEX #EE552A

RGB 238 85 42

HSL 13.16, 0.85%, 0.55%

LAB 56.92, 57, 54.42

 

CMYK 0 / 52 / 67 / 5

HEX #F17350

RGB 241 115 80

HSL 13.04, 0.85%, 0.63%

LAB 62.96, 46.01, 41.97

 

CMYK 0 / 40 / 52 / 4

HEX #F49276

RGB 244 146 118

HSL 13.33, 0.85%, 0.71%

LAB 70.25, 34.17, 30.65

 

CMYK 0 / 29 / 37 / 3

HEX #F7B09C

RGB 247 176 156

HSL 13.19, 0.85%, 0.79%

LAB 78.01, 23.44, 20.57

 

CMYK 0 / 17 / 22 / 2

HEX #FACFC3

RGB 250 207 195

HSL 13.09, 0.85%, 0.87%

LAB 86.45, 13.33, 11.62

 

CMYK 0 / 41 / 52 / 4

HEX #F49074

RGB 244 144 116

HSL 13.13, 0.85%, 0.71%

LAB 69.78, 35.04, 31.13

 

CMYK 21 / 0 / 52 / 4

HEX #C0F476

RGB 192 244 118

HSL 84.76, 0.85%, 0.71%

LAB 90.42, -36.18, 54.77

 

CMYK 52 / 42 / 0 / 4

HEX #768DF4

RGB 118 141 244

HSL 229.05, 0.85%, 0.71%

LAB 61.16, 19.98, -54.32

 

CMYK 0 / 41 / 52 / 4

HEX #F49074

RGB 244 144 116

HSL 13.13, 0.85%, 0.71%

LAB 69.78, 35.04, 31.13

 

CMYK 52 / 0 / 41 / 4

HEX #76F491

RGB 118 244 145

HSL 132.86, 0.85%, 0.71%

LAB 87.29, -55.71, 37.22

 

CMYK 41 / 52 / 0 / 4

HEX #9176F4

RGB 145 118 244

HSL 252.86, 0.85%, 0.71%

LAB 57.57, 39.51, -59.94

 

CMYK 0 / 41 / 52 / 4

HEX #F49074

RGB 244 144 116

HSL 13.13, 0.85%, 0.71%

LAB 69.78, 35.04, 31.13

 

CMYK 21 / 0 / 52 / 4

HEX #C0F476

RGB 192 244 118

HSL 84.76, 0.85%, 0.71%

LAB 90.42, -36.18, 54.77

 

CMYK 52 / 11 / 0 / 4

HEX #76D9F4

RGB 118 217 244

HSL 192.86, 0.85%, 0.71%

LAB 81.84, -21.88, -22.15

 

CMYK 30 / 52 / 0 / 4

HEX #AB76F4

RGB 171 118 244

HSL 265.24, 0.85%, 0.71%

LAB 60.02, 45.77, -55.88

 

CMYK 0 / 41 / 52 / 4

HEX #F49074

RGB 244 144 116

HSL 13.13, 0.85%, 0.71%

LAB 69.78, 35.04, 31.13

 

CMYK 37 / 0 / 52 / 4

HEX #9AF476

RGB 154 244 118

HSL 102.86, 0.85%, 0.71%

LAB 88.39, -49.18, 51.86

 

CMYK 52 / 11 / 0 / 4

HEX #76D9F4

RGB 118 217 244

HSL 192.86, 0.85%, 0.71%

LAB 81.84, -21.88, -22.15

 

CMYK 15 / 52 / 0 / 4

HEX #D076F4

RGB 208 118 244

HSL 282.86, 0.85%, 0.71%

LAB 64.08, 55.26, -49.19

 

Description

Color code: HEX #F490744C | qconv.com Color code: HEX #F490744C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 144 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 144 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 16 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 16% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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