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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F48FE3 it is the complementary color #0B701C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F48FE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F48FE3 shade: #F98FDE, #FFA1F1, #FFB3FF, #FFC5FF and #FFD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F48FE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F48FE3 shade: #F48FE3, #E37DD0, #D26BBD, #C159AA and #B04797

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F48FE3 shade: #F490E3, #F490C8, #F490AD, #F49092 and #F49090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F48FE3 shade: #F490E3, #EA90F4, #CF90F4, #B490F4 and #9990F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F48FE3 shade matches the following richer shades: #F490E3 and #FE86EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F48FE3 shade: #F490E3, #EA9ADD, #E0A3D6, #D6ADCF and #CCB7C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F48FE3 shade: #CF90F4, #EA90F4, #F490E3, #F490C8 and #F490AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F48FE3 shade: #ED45D0, #F06ADA, #F490E3, #F8B5EC and #FBDBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F48FE3 shade: #F48FE3, #F4B490 and #90F4DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F48FE3 shade: #F48FE3, #E3F490 and #90E3F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F48FE3 shade: #F48FE3, #F4B490, #90F4A0 and #90CFF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F48FE3 shade: #F48FE3, #F4D390, #90F4A0 and #90B1F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 7 / 4

HEX #F48FE3

RGB 244 143 227

HSL 310.1, 0.82%, 0.76%

LAB 72.51, 49.76, -26.37

 

Complementary color

CMYK 90 / 0 / 75 / 56

HEX #0B701C

RGB 11 112 28

HSL 130.1, 0.82%, 0.24%

LAB 40.81, -44.21, 37.26

 

CMYK 0 / 43 / 11 / 2

HEX #F98FDE

RGB 249 143 222

HSL 315.28, 0.9%, 0.77%

LAB 72.93, 50.48, -22.93

 

CMYK 0 / 37 / 5 / 0

HEX #FFA1F1

RGB 255 161 241

HSL 308.94, 1%, 0.82%

LAB 77.93, 46.35, -25.59

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 41 / 7 / 4

HEX #F48FE3

RGB 244 143 227

HSL 310.1, 0.82%, 0.76%

LAB 72.51, 49.76, -26.37

 

CMYK 0 / 45 / 8 / 11

HEX #E37DD0

RGB 227 125 208

HSL 311.18, 0.65%, 0.69%

LAB 66.18, 50.49, -25.75

 

CMYK 0 / 49 / 10 / 18

HEX #D26BBD

RGB 210 107 189

HSL 312.23, 0.53%, 0.62%

LAB 59.79, 51.17, -25.02

 

CMYK 0 / 54 / 12 / 24

HEX #C159AA

RGB 193 89 170

HSL 313.27, 0.46%, 0.55%

LAB 53.37, 51.78, -24.15

 

CMYK 0 / 60 / 14 / 31

HEX #B04797

RGB 176 71 151

HSL 314.29, 0.43%, 0.48%

LAB 46.94, 52.23, -23.07

 

CMYK 0 / 41 / 7 / 4

HEX #F490E3

RGB 244 144 227

HSL 310.2, 0.82%, 0.76%

LAB 72.71, 49.26, -26.07

 

CMYK 0 / 41 / 18 / 4

HEX #F490C8

RGB 244 144 200

HSL 326.4, 0.82%, 0.76%

LAB 71.79, 44.97, -12.58

 

CMYK 0 / 41 / 29 / 4

HEX #F490AD

RGB 244 144 173

HSL 342.6, 0.82%, 0.76%

LAB 71.01, 41.18, 1.27

 

CMYK 0 / 41 / 40 / 4

HEX #F49092

RGB 244 144 146

HSL 358.8, 0.82%, 0.76%

LAB 70.35, 37.95, 15.37

 

CMYK 0 / 41 / 41 / 4

HEX #F49090

RGB 244 144 144

HSL 0, 0.82%, 0.76%

LAB 70.31, 37.73, 16.43

 

CMYK 0 / 41 / 7 / 4

HEX #F490E3

RGB 244 144 227

HSL 310.2, 0.82%, 0.76%

LAB 72.71, 49.26, -26.07

 

CMYK 4 / 41 / 0 / 4

HEX #EA90F4

RGB 234 144 244

HSL 294, 0.82%, 0.76%

LAB 72.21, 49.26, -36.24

 

CMYK 15 / 41 / 0 / 4

HEX #CF90F4

RGB 207 144 244

HSL 277.8, 0.82%, 0.76%

LAB 69.29, 41.42, -41.01

 

CMYK 26 / 41 / 0 / 4

HEX #B490F4

RGB 180 144 244

HSL 261.6, 0.82%, 0.76%

LAB 66.66, 33.77, -45.32

 

CMYK 37 / 41 / 0 / 4

HEX #9990F4

RGB 153 144 244

HSL 245.4, 0.82%, 0.76%

LAB 64.36, 26.54, -49.09

 

CMYK 0 / 41 / 7 / 4

HEX #F490E3

RGB 244 144 227

HSL 310.2, 0.82%, 0.76%

LAB 72.71, 49.26, -26.07

 

CMYK 0 / 47 / 8 / 0

HEX #FE86EA

RGB 254 134 234

HSL 310, 0.98%, 0.76%

LAB 72.27, 58.34, -30.48

 

CMYK 0 / 41 / 7 / 4

HEX #F490E3

RGB 244 144 227

HSL 310.2, 0.82%, 0.76%

LAB 72.71, 49.26, -26.07

 

CMYK 0 / 34 / 6 / 8

HEX #EA9ADD

RGB 234 154 221

HSL 309.75, 0.66%, 0.76%

LAB 73.43, 39.93, -21.78

 

CMYK 0 / 27 / 4 / 12

HEX #E0A3D6

RGB 224 163 214

HSL 309.84, 0.5%, 0.76%

LAB 74.12, 30.64, -17

 

CMYK 0 / 19 / 3 / 16

HEX #D6ADCF

RGB 214 173 207

HSL 310.24, 0.33%, 0.76%

LAB 75.26, 20.61, -11.57

 

CMYK 0 / 10 / 1 / 20

HEX #CCB7C9

RGB 204 183 201

HSL 308.57, 0.17%, 0.76%

LAB 76.63, 10.65, -6.35

 

CMYK 15 / 41 / 0 / 4

HEX #CF90F4

RGB 207 144 244

HSL 277.8, 0.82%, 0.76%

LAB 69.29, 41.42, -41.01

 

CMYK 4 / 41 / 0 / 4

HEX #EA90F4

RGB 234 144 244

HSL 294, 0.82%, 0.76%

LAB 72.21, 49.26, -36.24

 

CMYK 0 / 41 / 7 / 4

HEX #F490E3

RGB 244 144 227

HSL 310.2, 0.82%, 0.76%

LAB 72.71, 49.26, -26.07

 

CMYK 0 / 41 / 18 / 4

HEX #F490C8

RGB 244 144 200

HSL 326.4, 0.82%, 0.76%

LAB 71.79, 44.97, -12.58

 

CMYK 0 / 41 / 29 / 4

HEX #F490AE

RGB 244 144 174

HSL 342, 0.82%, 0.76%

LAB 71.03, 41.32, 0.75

 

CMYK 0 / 71 / 12 / 7

HEX #ED45D0

RGB 237 69 208

HSL 310.36, 0.82%, 0.6%

LAB 58.8, 76.96, -37.07

 

CMYK 0 / 56 / 9 / 6

HEX #F06ADA

RGB 240 106 218

HSL 309.85, 0.82%, 0.68%

LAB 64.88, 64.84, -33.2

 

CMYK 0 / 41 / 7 / 4

HEX #F490E3

RGB 244 144 227

HSL 310.2, 0.82%, 0.76%

LAB 72.71, 49.26, -26.07

 

CMYK 0 / 27 / 5 / 3

HEX #F8B5EC

RGB 248 181 236

HSL 310.75, 0.83%, 0.84%

LAB 81.32, 32.84, -17.82

 

CMYK 0 / 13 / 2 / 2

HEX #FBDBF6

RGB 251 219 246

HSL 309.38, 0.8%, 0.92%

LAB 90.7, 15.59, -9.07

 

CMYK 0 / 41 / 7 / 4

HEX #F48FE3

RGB 244 143 227

HSL 310.1, 0.82%, 0.76%

LAB 72.51, 49.76, -26.37

 

CMYK 0 / 26 / 41 / 4

HEX #F4B490

RGB 244 180 144

HSL 21.6, 0.82%, 0.76%

LAB 78.4, 18.83, 27.47

 

CMYK 41 / 0 / 9 / 4

HEX #90F4DD

RGB 144 244 221

HSL 166.2, 0.82%, 0.76%

LAB 89.79, -34.58, 1.89

 

CMYK 0 / 41 / 7 / 4

HEX #F48FE3

RGB 244 143 227

HSL 310.1, 0.82%, 0.76%

LAB 72.51, 49.76, -26.37

 

CMYK 7 / 0 / 41 / 4

HEX #E3F490

RGB 227 244 144

HSL 70.2, 0.82%, 0.76%

LAB 93.03, -20.47, 46.23

 

CMYK 41 / 7 / 0 / 4

HEX #90E3F4

RGB 144 227 244

HSL 190.2, 0.82%, 0.76%

LAB 85.71, -20.97, -16.21

 

CMYK 0 / 41 / 7 / 4

HEX #F48FE3

RGB 244 143 227

HSL 310.1, 0.82%, 0.76%

LAB 72.51, 49.76, -26.37

 

CMYK 0 / 26 / 41 / 4

HEX #F4B490

RGB 244 180 144

HSL 21.6, 0.82%, 0.76%

LAB 78.4, 18.83, 27.47

 

CMYK 41 / 0 / 34 / 4

HEX #90F4A0

RGB 144 244 160

HSL 129.6, 0.82%, 0.76%

LAB 88.53, -46.39, 31.54

 

CMYK 41 / 15 / 0 / 4

HEX #90CFF4

RGB 144 207 244

HSL 202.2, 0.82%, 0.76%

LAB 80.23, -10.76, -24.5

 

CMYK 0 / 41 / 7 / 4

HEX #F48FE3

RGB 244 143 227

HSL 310.1, 0.82%, 0.76%

LAB 72.51, 49.76, -26.37

 

CMYK 0 / 14 / 41 / 4

HEX #F4D390

RGB 244 211 144

HSL 40.2, 0.82%, 0.76%

LAB 85.92, 2.62, 37.41

 

CMYK 41 / 0 / 34 / 4

HEX #90F4A0

RGB 144 244 160

HSL 129.6, 0.82%, 0.76%

LAB 88.53, -46.39, 31.54

 

CMYK 41 / 27 / 0 / 4

HEX #90B1F4

RGB 144 177 244

HSL 220.2, 0.82%, 0.76%

LAB 72.17, 5.45, -36.91

 

Description

Color code: HEX #F48FE3 | qconv.com Color code: HEX #F48FE3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 143 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 143 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 7 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 7% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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