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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F485AD it is the complementary color #0B7A52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F485AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F485AD shade: #F985A8, #FF97BB, #FFA9CE, #FFBBE1 and #FFCDF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F485AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F485AD shade: #F485AD, #E3739A, #D26187, #C14F74 and #B03D61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F485AD shade: #F486AD, #F48690 and #F48686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F485AD shade: #F486AD, #F486CB, #F486E9, #E186F4 and #C386F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F485AD shade matches the following richer shades: #F486AD and #FE7BAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F485AD shade: #F486AD, #E990B0, #DE9BB3, #D4A6B6 and #C9B1B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F485AD shade: #F486E9, #F486CB, #F486AE, #F48691 and #F49886

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F485AD shade: #ED3A7B, #F06094, #F486AD, #F7ABC7 and #FBD1E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F485AD shade: #F485AD, #F4E186 and #86DAF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F485AD shade: #F485AD, #AEF486 and #86AEF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F485AD shade: #F485AD, #F4E186, #86F4CB and #8698F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F485AD shade: #F485AD, #E5F486, #86F4CB and #9486F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 29 / 4

HEX #F485AD

RGB 244 133 173

HSL 338.38, 0.83%, 0.74%

LAB 68.77, 46.77, -2

 

Complementary color

CMYK 91 / 0 / 33 / 52

HEX #0B7A52

RGB 11 122 82

HSL 158.38, 0.83%, 0.26%

LAB 45.08, -38.63, 14.05

 

CMYK 0 / 47 / 33 / 2

HEX #F985A8

RGB 249 133 168

HSL 341.9, 0.91%, 0.75%

LAB 69.29, 47.84, 1.64

 

CMYK 0 / 41 / 27 / 0

HEX #FF97BB

RGB 255 151 187

HSL 339.23, 1%, 0.8%

LAB 74.18, 43.24, -1.7

 

CMYK 0 / 34 / 19 / 0

HEX #FFA9CE

RGB 255 169 206

HSL 334.19, 1%, 0.83%

LAB 78.52, 36.64, -5.72

 

CMYK 0 / 27 / 12 / 0

HEX #FFBBE1

RGB 255 187 225

HSL 326.47, 1%, 0.87%

LAB 83.04, 30.16, -9.28

 

CMYK 0 / 20 / 4 / 0

HEX #FFCDF4

RGB 255 205 244

HSL 313.2, 1%, 0.9%

LAB 87.71, 23.9, -12.44

 

CMYK 0 / 45 / 29 / 4

HEX #F485AD

RGB 244 133 173

HSL 338.38, 0.83%, 0.74%

LAB 68.77, 46.77, -2

 

CMYK 0 / 49 / 32 / 11

HEX #E3739A

RGB 227 115 154

HSL 339.11, 0.67%, 0.67%

LAB 62.44, 47.61, -0.76

 

CMYK 0 / 54 / 36 / 18

HEX #D26187

RGB 210 97 135

HSL 339.82, 0.56%, 0.6%

LAB 56.09, 48.43, 0.69

 

CMYK 0 / 59 / 40 / 24

HEX #C14F74

RGB 193 79 116

HSL 340.53, 0.48%, 0.53%

LAB 49.73, 49.15, 2.43

 

CMYK 0 / 65 / 45 / 31

HEX #B03D61

RGB 176 61 97

HSL 341.22, 0.49%, 0.46%

LAB 43.41, 49.68, 4.56

 

CMYK 0 / 45 / 29 / 4

HEX #F486AD

RGB 244 134 173

HSL 338.73, 0.83%, 0.74%

LAB 68.97, 46.27, -1.71

 

CMYK 0 / 45 / 41 / 4

HEX #F48690

RGB 244 134 144

HSL 354.55, 0.83%, 0.74%

LAB 68.24, 42.85, 13.53

 

CMYK 0 / 45 / 45 / 4

HEX #F48686

RGB 244 134 134

HSL 0, 0.83%, 0.74%

LAB 68.02, 41.82, 18.84

 

CMYK 0 / 45 / 29 / 4

HEX #F486AD

RGB 244 134 173

HSL 338.73, 0.83%, 0.74%

LAB 68.97, 46.27, -1.71

 

CMYK 0 / 45 / 17 / 4

HEX #F486CB

RGB 244 134 203

HSL 322.36, 0.83%, 0.74%

LAB 69.89, 50.47, -17.1

 

CMYK 0 / 45 / 5 / 4

HEX #F486E9

RGB 244 134 233

HSL 306, 0.83%, 0.74%

LAB 70.99, 55.27, -32.02

 

CMYK 8 / 45 / 0 / 4

HEX #E186F4

RGB 225 134 244

HSL 289.64, 0.83%, 0.74%

LAB 69.18, 51.79, -41.04

 

CMYK 20 / 45 / 0 / 4

HEX #C386F4

RGB 195 134 244

HSL 273.27, 0.83%, 0.74%

LAB 65.89, 43.41, -46.42

 

CMYK 0 / 45 / 29 / 4

HEX #F486AD

RGB 244 134 173

HSL 338.73, 0.83%, 0.74%

LAB 68.97, 46.27, -1.71

 

CMYK 0 / 52 / 33 / 0

HEX #FE7BAA

RGB 254 123 170

HSL 338.47, 0.98%, 0.74%

LAB 68.12, 54.59, -1.1

 

CMYK 0 / 45 / 29 / 4

HEX #F486AD

RGB 244 134 173

HSL 338.73, 0.83%, 0.74%

LAB 68.97, 46.27, -1.71

 

CMYK 0 / 38 / 24 / 9

HEX #E990B0

RGB 233 144 176

HSL 338.43, 0.67%, 0.74%

LAB 69.76, 37.76, -2.39

 

CMYK 0 / 30 / 19 / 13

HEX #DE9BB3

RGB 222 155 179

HSL 338.51, 0.5%, 0.74%

LAB 71.03, 28.46, -2.34

 

CMYK 0 / 22 / 14 / 17

HEX #D4A6B6

RGB 212 166 182

HSL 339.13, 0.35%, 0.74%

LAB 72.66, 19.4, -1.73

 

CMYK 0 / 12 / 8 / 21

HEX #C9B1B9

RGB 201 177 185

HSL 340, 0.18%, 0.74%

LAB 74.42, 9.98, -0.91

 

CMYK 0 / 45 / 5 / 4

HEX #F486E9

RGB 244 134 233

HSL 306, 0.83%, 0.74%

LAB 70.99, 55.27, -32.02

 

CMYK 0 / 45 / 17 / 4

HEX #F486CB

RGB 244 134 203

HSL 322.36, 0.83%, 0.74%

LAB 69.89, 50.47, -17.1

 

CMYK 0 / 45 / 29 / 4

HEX #F486AE

RGB 244 134 174

HSL 338.18, 0.83%, 0.74%

LAB 69, 46.4, -2.23

 

CMYK 0 / 45 / 41 / 4

HEX #F48691

RGB 244 134 145

HSL 354, 0.83%, 0.74%

LAB 68.26, 42.96, 13

 

CMYK 0 / 38 / 45 / 4

HEX #F49886

RGB 244 152 134

HSL 9.82, 0.83%, 0.74%

LAB 71.83, 32.54, 24.03

 

CMYK 0 / 76 / 48 / 7

HEX #ED3A7B

RGB 237 58 123

HSL 338.21, 0.83%, 0.58%

LAB 54.51, 70.8, 6.08

 

CMYK 0 / 60 / 38 / 6

HEX #F06094

RGB 240 96 148

HSL 338.33, 0.83%, 0.66%

LAB 60.81, 59.96, 0.54

 

CMYK 0 / 45 / 29 / 4

HEX #F486AD

RGB 244 134 173

HSL 338.73, 0.83%, 0.74%

LAB 68.97, 46.27, -1.71

 

CMYK 0 / 31 / 19 / 3

HEX #F7ABC7

RGB 247 171 199

HSL 337.89, 0.83%, 0.82%

LAB 77.89, 31.79, -2.94

 

CMYK 0 / 17 / 11 / 2

HEX #FBD1E0

RGB 251 209 224

HSL 338.57, 0.84%, 0.9%

LAB 87.72, 17.08, -1.87

 

CMYK 0 / 45 / 29 / 4

HEX #F485AD

RGB 244 133 173

HSL 338.38, 0.83%, 0.74%

LAB 68.77, 46.77, -2

 

CMYK 0 / 8 / 45 / 4

HEX #F4E186

RGB 244 225 134

HSL 49.64, 0.83%, 0.74%

LAB 89.3, -5.52, 46.7

 

CMYK 45 / 11 / 0 / 4

HEX #86DAF4

RGB 134 218 244

HSL 194.18, 0.83%, 0.74%

LAB 82.78, -18.84, -20.68

 

CMYK 0 / 45 / 29 / 4

HEX #F485AD

RGB 244 133 173

HSL 338.38, 0.83%, 0.74%

LAB 68.77, 46.77, -2

 

CMYK 29 / 0 / 45 / 4

HEX #AEF486

RGB 174 244 134

HSL 98.18, 0.83%, 0.74%

LAB 89.59, -40.73, 46.02

 

CMYK 45 / 29 / 0 / 4

HEX #86AEF4

RGB 134 174 244

HSL 218.18, 0.83%, 0.74%

LAB 70.78, 4.64, -39.1

 

CMYK 0 / 45 / 29 / 4

HEX #F485AD

RGB 244 133 173

HSL 338.38, 0.83%, 0.74%

LAB 68.77, 46.77, -2

 

CMYK 0 / 8 / 45 / 4

HEX #F4E186

RGB 244 225 134

HSL 49.64, 0.83%, 0.74%

LAB 89.3, -5.52, 46.7

 

CMYK 45 / 0 / 17 / 4

HEX #86F4CB

RGB 134 244 203

HSL 157.64, 0.83%, 0.74%

LAB 88.96, -40.97, 10.01

 

CMYK 45 / 38 / 0 / 4

HEX #8698F4

RGB 134 152 244

HSL 230.18, 0.83%, 0.74%

LAB 65.01, 17.19, -48.16

 

CMYK 0 / 45 / 29 / 4

HEX #F485AD

RGB 244 133 173

HSL 338.38, 0.83%, 0.74%

LAB 68.77, 46.77, -2

 

CMYK 6 / 0 / 45 / 4

HEX #E5F486

RGB 229 244 134

HSL 68.18, 0.83%, 0.74%

LAB 93.05, -20.74, 51.07

 

CMYK 45 / 0 / 17 / 4

HEX #86F4CB

RGB 134 244 203

HSL 157.64, 0.83%, 0.74%

LAB 88.96, -40.97, 10.01

 

CMYK 39 / 45 / 0 / 4

HEX #9486F4

RGB 148 134 244

HSL 247.64, 0.83%, 0.74%

LAB 61.55, 31.04, -53.58

 

Description

Color code: HEX #F485AD | qconv.com Color code: HEX #F485AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 133 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 133 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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